Best on-ear headphones Buying Guide: Welcome to What Hi-Fi?'s round-up of the best on-ear headphones you can buy in 2021.
The best on-ear headphones are a good middle ground between in-ears and over-ears; they don't burrow in your ears like the former and tend to be more portable (and less hot to wear) than the latter. As the name suggests, they sit on your ears rather than covering them completely, which is a look you might prefer or find more comfortable.
When choosing the best on-ear headphones for you, there are a few things to keep in mind, such as what features you want. Bluetooth? Active noise-cancelling? And then there's the question of what style you are after. An open-backed pair (such as the few pairs of Grado on-ear headphones below) will give a wonderfully open sound, but they leak the music like nobody's business and are therefore often limited to at-home use only. A closed-backed pair, however, won't leak sound much and therefore are more versatile and won't annoy people around you.
You should also consider how portable they are. Most pairs fold up to fit in a pocket or small bag, and some are so light you could forget you have them on you. Check them out in a shop if you can. Finally, you'll need to decide on a budget. Thankfully, our pick of the best on-ear headphones contains something for everyone...
Our favourite pair of on-ear headphones, the wireless Y400 are compact, foldable and come with a cable complete with in-line controls and mic for when you don't want to run down the battery with a wireless connection. They're colourful, too, coming in shimmery pink, green, blue and goldish-yellow finishes.
There's no noise cancelling, but we wouldn't necessarily expect it at this price. There is Ambient Aware mode, however, which lets in outside noise like dogs barking and car engines. Handy if you want to avoid being bitten/run over. They automatically detect when you take them off and pause the music, too, saving you precious battery life.
The sound has much to like. It's spacious and three-dimensional. There’s impeccable timing throughout and the headphones deliver bass weight and power in spades. It's zealous to the point that some might prefer a slightly leaner listen, but in our eyes (and at this level) the Y400s get the balance just about right.
Read the full AKG Y400 review
The SR80 have spawned many variants within the company’s Prestige Series in the three decades since, and the fact that they are still a part of the all-new Prestige X Series makes them the longest-running Grado model. The all-new SR80x succeeds the 2014-released, multi-What Hi-Fi? Award-winning SR80e from the previous Prestige E Series.
Everything we like about their predecessors – their nimble-footedness, expressive, rolling dynamics, and insight across well-defined frequencies – has been inherited, and the punch and panache that have made the Prestige models such born entertainers are very much also part of the SR80x’s sonic signature. These are far from rich or even warm in tone, but an extra generous sprinkling of refinement this time round has made their forward, clinical presentation all the more palpable.
Grado hasn’t torn up its own rulebook and revolutionised its legendary headphones, because it hasn’t needed to. But the tweaks made to the SR80x have certainly added value in the right direction. At this money, the SR80 model remains the finest in the market.
Read the full Grado SR80x review
The Prestige range of headphones has been at the core of Grado’s output since it was first introduced three decades ago. While the series has developed over the years, Grado has always done so in small evolutionary steps. The story remains the same for this new ‘x’ generation.
Put the range-topping SR325x next to its immediate predecessor (the What Hi-Fi? Award-winning SR325e), and there’s little to separate them, apart from the new flatter foam earpads, updated cable and lighter coloured stitching on the firmly padded headband. Still, the difference is in the listening: the SR325x sound notably cleaner and clearer than their predecessor.
These headphones have always been detailed and articulate performers, and that hasn’t changed, but the ‘x’ generation sounds that bit more precise and insightful.
These Grados once again prove that evolution is arguably a more reliable way of making things better than a headline-grabbing design revolution. The best just got that bit better.
Read the full Grado SR325x review
Austrian Audio may not be the most interesting of names for a new hi-fi manufacturer, but the people behind it are ex-AKG employees and some of the most experienced in the industry. And that maturity shines through in its Hi-X50 on-ear headphones.
While there’s a tendency to favour analysis over enthusiasm, it’s never taken far enough to be called unemotional or clinical. If you want to hear deep into the recording and track subtle instrumental strands, these cans do it better than almost anything else we’ve heard at this level (certainly if we stick to closed-back rivals).
At this price, there’s little to criticise when it comes to dynamic expression and low-frequency punch either. The Hi-X50 simply get on with the job with little fuss.
If you’re looking for well-designed wired on-ear headphones for portable or domestic use, these Austrian Audios should be right at the top of your shortlist.
Read the full Austrian Audio Hi-X50 review
One of the most compact and convenient pairs of noise-cancelling headphones we've ever tested, the AKG N60 NC deliver a superb performance for the money. They're a good-looking pair of on-ears with an excellent fit. Battery life is 15 hours with the noise-cancelling and Bluetooth engaged, and this ramps up to 30 hours when the noise-cancelling is turned off.
Bass delivery is powerful yet transparent with crisp, detailed vocals, soaring highs and convincing dynamics. You'd be perfectly content to wear these all day and for the money, they're extremely tough to beat.
Read the full AKG N60NC Wireless review
These wireless on-ears are some of the best value headphones at this price. They combine the bass boost of a street headphone with the kind of smoothness that should appeal to audiophiles.
They're tuned for impact rather than neutrality, with plenty of low-end thump, but if that's your thing they will do you proud. And it's not all bass: the mids are unexpectedly smooth and the treble pleasingly sweet. A very appealing all-rounder, and not just because of the price tag.
Read the full Urbanista Seattle Wireless review
The combination of wireless headphones and an open-backed design doesn't sound too clever, and there are times when we're out and about with Grado's GW100 that we find they don't really make sense.
Yet, away from planes, trains and cars we're impressed by the GW100's excellent sound. They're more articulate and insightful than just about any closed alternative. And through the supplied cable, which is sadly bereft of an in-line remote, the delivery is much the same – just blessed with a small extra dose of refinement and subtlety that serves as a reminder that wired is, ultimately, still the way to go if sound quality is paramount.
If you can cope with the open-back compromises there's just so much to like here.
Read the full Grado GW100 review