We've already looked at the impact that Apple, especially the iPod, had on the audio world over the past 50 years, ushering in portable music listening and speaker docks that eventually led to the wireless/Bluetooth speakers of today.
But when looking back at the history of hi-fi – especially as we're celebrating 50 years of What Hi-Fi? this year – it's usually the 'glory' days of hi-fi, i.e. the '70s and '80s, that we pore over, ogling vintage turntables, the first few CD players, affordable speakers and hefty stereo amplifiers.
What we don't do often enough is to look at the more recent history of the 2000s; it may feel recent, but there is so much technology peppered through the mid-00s that just doesn't exist anymore.
Case in point: iPod docks. It's easy to forget just how rife the things were after the introduction of the Apple iPod. iPod speaker docks and systems came in a variety of shapes and styles, from cheap and cheerful to premium and approaching hi-fi quality. There was something about that post-Y2K era, in the dawn of a new millennium, that allowed audio brands to experiment and be creative with their speaker dock designs.
You had simple, discreet (all Apple-white, of course) models rubbing shoulders with beefy one-box speakers that experimented with all kinds of curves and unique silhouettes, while a surprisingly tall iPod dock speaker existed alongside a valve-based system.
The iPod dock is now extinct, and the original 30-pin connector with it, but it paved the way for the modern Bluetooth/wireless speakers that we use to stream music from our smartphone every day. Here, we've paid tribute to the five iPod speaker docks that stood out to us in that short-lived but exciting era.
1. Bose SoundDock (2004)
£249
4 stars
The original Bose SoundDock was one of the very first speaker systems dedicated to the iPod. Launched in 2004, it catered to all varieties of the iPod with the 30-pin connector in a compact unit, with a credit card-sized remote letting you control playback and volume. It was a slick system. The cons against it were the slightly loose cradle fit, and no aux-in for non-iPod MP3 players.
We praised its impressive musical credentials, calling it "terrific" thanks to its solid, full-bodied sound, with clear, natural vocal delivery. It had none of the thinness blighting poorer-quality rivals; a lively, punchy rhythm, good bass and detail levels completed the set.
This being the 2000s, we did call the white-and-grey, SoundDock "ultra-stylish" and it was the "most sophisticated" iPod dock around.
That was, until...
2. Monitor Audio i-deck (2005)
£250
5 stars
Monitor Audio launched the i-deck in 2005 and swiftly nabbed five stars and a Product of the Year win at that year's What Hi-Fi? Awards. It was the first iPod speaker dock system that truly impressed us in terms of sound quality. We said "it gives you the looks, flexibility and sound quality of a good hi-fi micro system" and praised its "tremendous" sound quality that went loud with composure and offered a healthy-size soundstage.
"Tunes race along with infectious energy and plenty of enjoyment," we said as the i-deck won yet another group test. A drop by £50 in 2006 further cemented its status as a great sound-per-pound value buy, even as new models from Altec Lansing, Jamo and Apple's own iPod Hi-Fi tried to get in on the action.
The i-deck featured swappable bezels to fit the different styles of iPods around at the time, and even came with a 3.5mm mini-jack input to plug in other MP3 players. It's not the most compact system as it involves three boxes, but the beauty is that you can upgrade those speakers for a better pair too.
We also have to give props to Monitor Audio for making one of the most eye-catching designs – the 'tulip' shaped i-deck 100 from 2011 (£200, 5 stars) – which looks more sci-fi than its earlier efforts.
3. JBL OnBeat Xtreme (2012)
£400
5 stars
JBL is ubiquitous with the best Bluetooth speakers these days, so it should be no surprise that the brand had a whole range of iPod dock speakers. In fact, in November 2012, JBL was the very first brand to launch iPod docks with the new Lightning connector – the OnBeat Micro and Venue LT – when Apple ditched its long-lived 30-pin connection.
Before then, the JBL OnBeat Xtreme snagged the best iPod speaker dock Award in 2012. The OnBeat Xtreme could play music from your portable player in two ways: docking it, or be wirelessly streaming over Bluetooth. It brought non-Apple players into the fold, expanding its versatility and becoming a viable replacement for ageing hi-fi microsystems.
The 'crossed-arms' design was eye-catching, with a solid, appealing build quality for the relatively high price. It sounded great – a fun presentation, ample low-frequency heft (impressive, given the relatively small drivers), and plenty of detail in the clear highs and sweet midrange.
There’s certainly no shortage of low-frequency heft here – impressive, given the OnBeat’s relatively small drivers. Instruments get plenty of breathing space and dynamically it's plenty enjoyable. It can go loud enough to be at neighbour-baiting levels, although the midrange could harden up at this point.
The OnBeat Xtreme was so good it not only was the What Hi-Fi? team's office speaker in the old Teddington office for a good few years, but it also beat a legendary icon...
4. Bowers & Wilkins Zeppelin (2007)
£400
5 stars
This is the big one. If it wasn't for the iPod, we wouldn't have the now-iconic blimp-shaped Zeppelin speaker dock. When we first reviewed it in the February 2008 issue, it didn't appear in our usual "First Tests" section at the start of the magazine – it appeared in our dedicated "Temptation" section that was reserved for pricier, "most desirable" high-end models.
That's how much of a novelty the premium, luxuriously built Zeppelin was in comparison to the other humdrum iPod docks of the day. It gave permission for other brands to aim higher – the JBL OnBeat Xtreme (above) and NAD Viso 1 both launched at £500 after the B&W.
The distinctive curved, elongated shape isn't just for style points; it helps minimise the cabinet around each driver unit, which improves dispersion. The drivers underneath were ones used by B&W loudspeakers: a 13cm Kevlar bass driver powered by a 50W digital amp is flanked on either side by 9cm midrange drivers and 25mm metal dome tweeters, each powered by 25W amps.
The resultant sound exceeded all our expectations. "You'll be amazed at the Zeppelin's pace, scale, weight, rhythmic ability and timing," we enthused in our five-star review. Its sense of attack and energy was "thrilling", with our only complaint being that it didn't image as well as rivals with widely spaced speakers.
It was also a tactile joy to use, and its combination of style, build quality and sound left us "smitten".
The Zeppelin gave birth the smaller, less expensive Zeppelin Mini a couple of years later, while you can buy a fully hi-res wireless version of the Zeppelin Pro Edition these days.
5. Fatman iTube Carbon v2.0 (2008)
£350
5 stars
If you don't remember Fatman Audio, you're not alone. The brand specialised in combining iPod docks with valve-based systems, and rather successfully, too. The year after the Zeppelin launched to rave reviews, the Fatman iTube Carbon v2.0 got put in a Group Test with the iconic speaker dock in the September 2008 issue... and won.
The iTube Carbon was far from a discreet-looking iPod dock. "Alongside the Zeppelin's sleek, Manhattan-skyscraper aesthetics it does look like a bit of a shanty town," we said, and not everyone was enamoured of a multi-box system that required separate speakers. You could buy the system sans speakers for £100 and provide your own pair, though.
Despite the inelegance, the Fatman was praised for being the best-sounding iPod speaker dock – it had an "endlessly listenable sound". The warm, eloquent valve characteristics gave songs like Steely Dan's Any Major Dude Will Tell You low-end weight and substance, while percussion and vocals were polished and bright enough. The Carbon "integrates and separates the differing elements confidently" and "excels when it comes to stereo focus and imaging" – the benefit of having separate speakers.
The first iteration of this unit was marred by build and reliability issues, even as we praised the the rich musical insight and "stunning" sound for this price; this v2.0 model addressed our concerns and smartened up the cosmetics considerably, and featured a 3.5mm socket alongside RCA stereo inputs.
Versatile, great-sounding and a unique valve-dock design – the Fatman may not be as fondly remembered as more famous iPod docks, but its spark burned bright at the height of the iPod dock's popularity.
Apple's stronghold over the audio world with the iPod and its 30-pin connector faded when it switched to the smaller Lightning connector. Adoption for the new connector was slow, as having to completely re-haul current audio products proved a pain for many brands.
The introduction of wireless AirPlay and rising popularity of Bluetooth around the same time carved a path towards today's wireless speakers that ditch the dock and feature streaming via Bluetooth, AirPlay, Google Cast and more – proving you don't have to be dependant on the whims of one (giant) tech brand.
But if it were not for the iPod, we wouldn't have such daring, creative, fun and, yes, silly designs that were affordable, compact, and made music available for all.
Below, you'll find a gallery of the variety of iPod docks and speaker systems we tested in the 2000s/2010s, straight from the pages of our What Hi-Fi? magazine archive. You can click on the arrow sign in the bottom-left corner to read the full-size text on each image.
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