New JVC projectors ready for 4K/60fps

We reported the news some time ago, but today JVC has made it official: it has a new 3-strong range of home cinema projectors launching in the UK towards the end of next month.

Among the headlines are sky-high native contrast performance, user-selectable Intelligent Lens Aperture (for even deeper blacks) and the sixth generation of JVC’s D-ILA imaging device. This last features a 40% reduction in pixel gap compared to the previous D-ILA chipset – pictures should be appreciably smoother.

There’s a certain degree of dissembling going on about these new projectors’ compatibility with 4K content (as far as any native 4K content exists), though. A brief demonstration of the flagship DLZ-X900R proved the projector’s winning way with native 4K material, but the product itself isn’t, strictly speaking, a 4K projector at all.

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Instead, JVC has taken the e-shift technology it first used to upconvert high-def content to 4K and supercharged it. In e-shift3 guise, the tech allows sources up to 4K/60p resolution to be displayed as such – the projector’s processing power is sufficient to separate a 3840 x 2160 signal into two easier-to-handle 1920 x 1080 images and stitch them back together again.

Elsewhere there’s a much-improved smartphone control app, a Clear Black feature that provides very targeted local area contrast enhancement, and improved Clear Motion Drive.

The DLA-X500R will sell for around £5000. The DLA-X700R and DLA-X900R (both of which have THX 3D and ISF certification) will cost roughly £7000 and £10000 respectively.

by Simon Lucas

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Simon Lucas is a technology journalist, with a strong emphasis on the audio/video side of consumer electronics and home entertainment, and has been since 2003. He worked for more than 14 years at What Hi-Fi?, the last six of which were spent as the editor of the magazine and website. Since then he's written for Wired, The Guardian, TechRadar, Stuff, GQ and many more besides. 

In the course of his career he's developed a pretty deep understanding of the way both the publishing and the electronics industries function, as well as the sort of intimate knowledge of audio products (both specific and general) that can make people very wary of him at parties.