What Hi-Fi? (and my dad) got me into hi-fi, and as it turns 50, I can still remember one review in particular
This micro system had a big impact on my formative years, even though I never got to hear it
What Hi-Fi? is turning 50 and to celebrate we have just released a special Anniversary issue.
Yes, I have a vested interest in its success, but despite that, I have to tip my hat to our magazine editor, Jonathan Evans, and production editor, Chris Burke, who together with the rest of the team – and some very special contributors – have done a particularly magnificent job with this one.
The bumper issue is packed with features looking back over 50 years of hi-fi history – but also looking forward at what the coming decades might bring to the worlds of hi-fi and home cinema.
And as I flicked through the pages reminiscing about the five-star products of yore, my trip down memory lane took a turn – probably because Paul McCartney’s stellar track Days We Left Behind came on – and I began pondering my personal hi-fi journey and how it was so fundamentally interlinked to the magazine.
What Hi-Fi? is a little older than me, and thanks to my audio aficionado father, I grew up in a household that always had a copy on the coffee table. There were only so many times you could re-read The Beano; so I often read Dad's magazine instead, making it a core part of my hi-fi journey.
I’ve detailed how discovering my dad’s treasure trove of classic rock and prog vinyl started my love of music. But it was a subsequent memory that came to mind, turning the pages of our 50th Anniversary issue.
Specifically, in 1998, when I picked up a copy of What Hi-Fi? at home and saw the Denon D-M3 for the first time.
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Why this player over the sea of other awesome separates and more premium CD spinners that had adorned What Hi-Fi?’s pages since the Sony CDP-101 player and Philips CD100 launched in the early '80s?
There were a couple of reasons.
First, while I had a cheap turntable in my room, I had yet to persuade my parents to buy me a CD player. And back then, before the vinyl revival, that was a problem for a kid just entering his angsty teenage years.
The local record shop, at this point, had pretty much stopped stocking new records. So I was desperate to get a CD player so that, like my older brother, I could listen to my music whenever I wanted, without having to persuade my parents to vacate the lounge.
Like every '90s kid, I wanted to prove how grown up I was by blasting Smells Like Teen Spirit and Even Flow out of my tiny bedroom, at full volume.
Second, because as a kid raised in a hi-fi household, I wanted the player I got to be “good” – but knew I had absolutely zero chance of getting a separates rack into my room. Even if I did follow my parents’ instructions to clean it and put away my Power Rangers action figures, there just wasn’t enough space.
So when What Hi-Fi?, the audio holy text I’d been raised to trust since I was in nappies, said the Denon was “a great all-rounder, and as comfortable playing hardcore rap as it is a string quartet”, I was sold (and wilfully ignored the fact it cost £300 that I didn't have).
Tiny, but powerful and full of charm, I knew it was going to be the top item on my letter to Santa that year the moment I saw it.
I even remember walking up to my dad with the issue, pointing at the review and saying “I want this for Christmas” with the typical self-confidence (and lack of self-awareness) of a child.
What then ensued was an extended negotiation to decide what I would offer in return for such an impressive prize – assurances on my school grades, chores I would take on, personal contributions towards the gift and the like.
And while my school report meant I didn’t get the Denon, or any other player, that year, or the year after (curse you Sega for your oh-so-awesome Mega Drive), eventually, after I got my act together, I was rewarded with a Panasonic SA-PM37MD micro system.
But even then, I still couldn't help but think back to the Denon, which was the motivation for many a study session and an offer to help clear the gutters or mow the lawn.
I may not have got to listen to it back then but it helped focus my love of music and the need to hear it in as good quality as possible – and it's fundamentally linked to a happy memory, the way hi-fi should be.
Do you have a hi-fi or home cinema memory to share? Let us know in the comments below!
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Alastair is What Hi-Fi?’s editor in chief. He has well over a decade’s experience as a journalist working in both B2C and B2B press. During this time he’s covered everything from the launch of the first Amazon Echo to government cyber security policy. Prior to joining What Hi-Fi? he served as Trusted Reviews’ editor-in-chief. Outside of tech, he has a Masters from King’s College London in Ethics and the Philosophy of Religion, is an enthusiastic, but untalented, guitar player and runs a webcomic in his spare time.
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