NAD launches C 399 Classic Series amplifier with BluOS multi-room streaming

NNAD C 399 integrated amplifier
(Image credit: NAD)

NAD Electronics has just unveiled the new C 399 HybridDigital DAC Amplifier, and with it the firm promises it is taking value and performance to a whole new level. 

You see, although the C 399 is pitched as the new flagship integrated amplifier within NAD's Classic Series, it utilises the company's HybridDigital nCore amplification, which until now has been available only on Masters Series amplifiers. That means the NAD C 399 boasts 180W per channel of continuous power, and 250W per channel instantaneous power. 

NAD's C 399 integrated amp with optional MDC2 BluOS-D Module

(Image credit: NAD)

In addition to two sets of speaker outputs, the C 399 has preamp output jacks and dual subwoofer outputs. Two-way aptX HD Bluetooth allows 24-bit streaming from mobile devices, and high-quality output to Bluetooth headphones. Also built-in is a dedicated headphone amplifier with low output impedance and high output voltage capability, so the C 399 should be able to drive even demanding, high-impedance studio monitor headphones. 

The C 399 has two optical and two coaxial digital inputs, plus an HDMI-eARC port for playing audio from a connected TV, while controlling the amplifier output with the TV’s remote control. Analogue fans are well served too, with two pairs of RCA line-level inputs, plus a MM phono stage with RIAA equalization boasting extremely low noise and high overload margins. The phono preamp also features an innovative circuit that promises to suppresses the infrasonic noise present on all LPs, without compromising bass response. The line inputs also have low-noise buffer amplifiers to prevent sonic degradation.

In the UK, the NAD C 399 is available to pre-order now at Sevenoaks, priced £1799 ($1999, which is around AU$3380) with availability starting in November. 

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Becky has been a full-time staff writer at What Hi-Fi? since March 2019. Prior to gaining her MA in Journalism in 2018, she freelanced as an arts critic alongside a 20-year career as a professional dancer and aerialist – any love of dance is of course tethered to a love of music. Becky has previously contributed to Stuff, FourFourTwo, This is Cabaret and The Stage. When not writing, she dances, spins in the air, drinks coffee, watches football or surfs in Cornwall with her other half – a football writer whose talent knows no bounds.