JVC DLA-Z1: £30k 4K HDR projector launches this December

JVC's new 4K projector, which it hinted at last month and revealed at IFA, will be available to buy in December for a not-inconsiderable £30,000.

Features include a 3000lm “Blu-Escent” laser light-source, compatible with screens of over 200in, plus a new 100mm lens capable of delivering true Ultra HD (4096 x 2160) and HDR images.

By way of contrast with the machine's 43kg bulk, the DLA-Z1 is fitted with JVC's smallest-ever native 4K D-ILA chip - it's just 16mm across and features a pixel gap reduced by 31% over JVC's previous best.

Latest Videos From

The laser light-source is claimed to be good for 20,000 hours. As images are laser- rather than lamp-derived, JVC says there will be no drop-off in performance during the life of the light-source, and the technology means light output can be dynamically controlled. No mechanical shuttering in the darkest scenes for this JVC.

The DLA-Z1 has two HDMI inputs, both supporting the HDCP2.2 standard, and is compatible with JVC's RF 3D glasses and peripheries.

MORE: What is Ultra HD TV and 4K TV? Everything you need to know

"There's currently no source material good enough to fully demonstrate this product," said Mushtak Kazi, JVC communications manager, at the DLA-Z1 softest-of-soft launches.

And, from a brief demonstration using Ultra HD 4K Blu-ray as a source (and, of course, scaling it from the disc's native 3840 x 2160), the JVC certainly appears unstretched, delivering natural, nuanced images from its position on the floor.

Of course, once production samples become available at the end of the year we'll be lobbying JVC hard for a review sample. Although at £30,000 it's questionable how many the company will have to go around.

MORE: Best projectors

Simon Lucas is a technology journalist, with a strong emphasis on the audio/video side of consumer electronics and home entertainment, and has been since 2003. He worked for more than 14 years at What Hi-Fi?, the last six of which were spent as the editor of the magazine and website. Since then he's written for Wired, The Guardian, TechRadar, Stuff, GQ and many more besides. 

In the course of his career he's developed a pretty deep understanding of the way both the publishing and the electronics industries function, as well as the sort of intimate knowledge of audio products (both specific and general) that can make people very wary of him at parties.