Despite vinyl's strong and continued resurgence, many of us still have CD players. In fact, you might be considering buying a new one, in which case you will want to peruse our list of the best CD players around right now.
But whether you're eyeing up a new model, or just want to breathe new life into the one you already own, we have some handy tips on how to get the most from your player. And, in turn, your music collection.
Before we kick off, remember it’s important to look after your discs. While not as sensitive to surface scratches as vinyl, a compact disc will of course give you better sound if it’s in good condition. If your disc is a little marked, at best you’ll experience a slightly worse sound, at worst it’ll cause your player to skip or refuse to play the music at all. So handle with care, and always put the disc back in its case rather than leaving it loose to act as a coaster at your next party.
Before you buy
If you’re upgrading or changing your player, it pays to buy the best you can realistically afford. After all, if the maximum information isn't being retrieved from the disc, it's impossible to replace the lost data further down the playback chain. Spending extra money will usually buy you a better build and improved sound quality.
If you’re buying a new player, consider going for one with digital inputs. These will open up use with other digital sources – a computer, set-top box or DAB radio, for example – and will give you improved performance across all feeds thanks to the (hopefully) higher quality digital-to-analogue (DAC) circuitry. Because let’s face it – a dedicated audio source is likely to have lavished more care on its DAC circuitry than any of the product types mentioned above.
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Give your CD player some solid support
First things first: make sure you install your player on a proper support to minimise the amount of vibration it has to cope with. Ideally, this would be in the form of an equipment rack. The perfect platform will be rigid, level and low-resonance.
While CD players don't show up the effects of vibrations as obviously as, say, turntables, simple things like footfall or even the sound from your speakers, especially at loud volumes, can make the player's data-reading mechanisms work harder, which can affect the sound.
Not convinced? A cheap experiment is to put a partially inflated bicycle inner tube under the player and listen for any difference. Don’t inflate the tube until it’s hard. The trick here is to keep it as soft as possible while still lifting the player’s feet off the support surface.
It may be a bit awkward to get the player level, but if you hear improvements then you know this is a course worth taking. If you don’t, then hopefully you at least had a bit of fun in the process. As long as no one was watching.
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It's all about connections
Just about every CD player will come with a pair of analogue cables in the box. It's best to consider these hook-ups as no more than a 'get started' measure. Even a budget player will sound better with some good interconnects, so arrange a demo and budget from around £30 ($50, AU$60) for a better pair. Or more, naturally, if your system is of the high-end variety.
Most machines have standard phono sockets for their analogue output, but some also have the option of balanced XLRs. These can give better sound quality, but not always. It all depends on how well the balanced circuitry has been designed in both the source and amplifier.
Unfortunately, the only way to tell is to try it. In most cases – outside of higher-end products – we’ve found the single-ended approach to perform better, with the balanced option generally just sounding louder.
The other very handy facility you should consider using is an optical or coaxial digital output. This allows the player to be connected to an outboard digital-to-analogue converter (DAC). It’s something to consider if you have a player that’s working well but you want to improve the sound. There are plenty of good DACs around, with the Cambridge Audio DacMagic 200M an excellent option at a modest price.
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How easy is it to operate?
At its simplest, a CD player needs just one button to open and close the drawer, a couple to start and stop playback, and track-skip up/down controls. A headphone socket with its own volume control might come in handy for late-night listening.
CD players will come with a remote control as standard. The handset will let you access a range of functions – often including many that aren't available via the fascia buttons – and allow you to pause the music, skip tracks, programme a selection of tracks and so on. If you use an amplifier from the same brand, chances are the remote will 'drive' both amp and player.
Switch off the display
As well as letting you see which track's playing, some players show artist and title info when playing CDs with CD-Text. Strange as it may seem, it's not unusual for a player to sound better with its display turned off, as the display can create some electrical noise.
Perhaps even less obvious is the effect of switching off the digital outputs. This isn’t a particularly common feature – the Marantz CD6007 has it – but it can give a small but notable improvement in clarity and dynamics. You’ll only notice this if the rest of your system is transparent enough, though.
Filters and upsampling
We’re seeing far more machines that give the option of changing digital filter parameters. Audiolab is a big fan of this approach on both its CD players and DACs. It’s well worth playing around with these.
The default setting will usually be the best measuring filter, but you may well find one of the other options sounds better. It’s well worth taking the time to experiment and find which flavour you prefer.
We’re less positive about the upsampling option on some players. If the implementation isn’t spot-on, you end up with a smoother, more refined sonic presentation but one where the attack and sparkle in the music have been diluted.
Building the rest of your system
Just about any CD player will work with almost any amplifier – at least in electrical terms. Most players’ analogue outputs deliver around 2V, give or take a few microvolts, and that's just what the amp's line inputs expect to receive. If you're using a vintage amp built before the CD age you may have some issues, but a simple modification will sort them out.
One final note – a system can only sound as good as its weakest link allows. If the rest of the set-up is unbalanced or poorly set-up, any changes you make at the source end simply won’t be revealed.
Once you've got everything set up perfectly, all you need to do is kick back, pop in your favourite album (or try our pick of some of the best test tracks to trial your hi-fi system), and enjoy.
Sorry, i was already warned by others that i get out of the topic in discussion or help asked for, this to say that i have a lot of friends that we grew up together and they have several diferent brands from mine ,like the arcam alpha 90´s amplifiers and cd players, they were the best, to me they sounded so bad also cambridge audio amps. were so horrible ,but i think i understand if one takes out every tone control and loudness or other important features in the building of an amplifier wich makes the sound real or rich and full of dynamic ,the measures become far superior to old perfect sounding amps. , no nothing compared to old amp.s and cd players the same , and the ones who called themselves Audiophiles, say ,"how bad ,it sounds . No efects ,we are suposed to hear what artists recorded in studio and with equalizers and efects one doesn´t listen to the real sound produced in studio,"that´s when i asked them if they used to listen to local bands playing in our city of several diferent styles of music " they would say ,they are bad not worse listening wich i replyed ,see you don´t even know how instruments sound and how many concerts you went to see in other main cities of american or europen bands ,they would reply "i saw sting and elton john also david bowie and the rolling stones " i would get a shop plastic bag and say here are the tickets from the concerts i saw(and arrived home) ,maybe all bands that played in Portugal since the 80´s till 2015 including portuguese bands ,famous and not famous since they started the same with foreign groups , and i like music ,i remenber seeing live Miles Davis with my aunt and duran duran when they released the first album ,also Iron maiden with judas priest ,in the piece of mind tour , also saw Sepultura with fudge tunnel in the same night i watched also new model army and at the end of the night after travelling 150km´s i would watch Loyd cole already without the commotions wich i saw all concerts from the band till they split. i also have a studio at home that my father assembled in 73 and improved each year and i still use it to record demos to the new bans that ask me to since 1987 when for the first time my father allowed me to use it ,thats what i showed to my audiophile friends after a discussion," see DBX equalizers a mixing table with endless efects speakers that reproduce all frequencies you can year, and you tell me that in studios they don´t use nothing and how bad your systems sound with flat listening", wich i do also but with a early 60´s amplifier that needs 30 minuts of warming up till i conect them to a cd player and only a volume knob ,and in mono but with two huge speakers that was given to me by my grandfather but tell me that cd is great ,well several cds i have sound perfect but rock bands using old instruments or anything recorded before 1995 doesn´t sound better in cd ,with exceptions off course , cd is good but analog peaked and digital already developed a lot but far from the peak . Just my opinion others might know better