Skip to main content

12 of the best songs to test your speakers

10 of the best songs to test your speakers

Every reviewer at What Hi-Fi? has their own carefully curated list of songs they use to test stereo speakers, spanning all genres and musical tastes. This is crucial for testing speakers, especially if they're new: while we like to keep up with new releases as much as the next melomaniac, we know it's also best to use songs you know really well to hear what the speakers are capable of.

By that token, you'll probably also have your own playlists for testing the various facets of audio performance, but what's the harm in adding a few more tracks?

As part of our best test tracks to trial your hi-fi system guide, we've put together a list of 12 songs (along with some extra suggestions – we just can't help ourselves) that we use to test every aspect of a pair of speaker's performance, from treble and bass quality to the way they handle rhythm and dynamics. This is by no means a complete list – we’d be here for days if we tried to list every single song we all use for testing – but it's a start.

And to get you listening to these tunes right away, here's a playlist of our hand-picked curation on our favourite music streaming services:

Radiohead - The National Anthem

Best songs to test your speakers: Radiohead - The National Anthem

To test overall balance

As is Radiohead’s wont, The National Anthem is a dense, multi-tiered wedding cake of a song, with acoustic and electronic instruments firing off in all directions – not to mention a brass ensemble that appears to have turned up to the wrong booking. Everything is dialled up to eleven, from the treatment on Thom Yorke’s vocals and the overdriven bass guitar sound, to the Theremin-y wailing in the background.

Your speakers must strike the perfect balance between organisation and attack, between dynamism and poise and, most importantly, between control and abandon, throughout the frequency range. Done correctly, this is a thrilling cacophony. Done badly, it’s just a cacophony.

Also listen to these:

The Cat Empire - Fishies (opens in new tab)

Hot Chip - Ready For The Floor (opens in new tab)

Bob Marley & The Wailers - Turn Your Lights Down Low

Best songs to test your speakers: Bob Marley & The Wailers - Turn Your Lights Down Low

To test space

Bob Marley gets much of the credit for bringing reggae to a worldwide audience, but Island Records’s insistence on a high-gloss hi-fi sound made the traditionally rough-and-ready genre more accessible. Turn Your Lights Down Low demonstrates this beautifully: it’s such a spacious recording, with each instrument secure in its own area of the soundstage.

Your speakers must describe each player’s position on the stage and, most crucially, the space between them if the low-heat simmer and intensity of the tune is to have full impact. Not many songs use space as an instrument quite as effectively as this.

Also listen to these:

Nine Inch Nails - Right Where It Belongs (opens in new tab)

Jóhan Jóhannsson - By the Roes, and By the Hind of the Field (opens in new tab)

The Chemical Brothers - Das Spiegel

Best songs to test your speakers: The Chemical Brothers - Das Spiegel

To test attack and decay

A more stop/start, truncated and altogether abbreviated collection of electronically derived sounds you’re unlikely to find – so Das Spiegel is a splendid test of your speakers’ discipline as far as attack and decay go. Aside from strummed rhythm guitar and blown melodica, every sound here has seemingly been designed to appear from nowhere and end just as abruptly.

From the four-square boom-bap of the drum pattern to the squeals, hisses and squeaks in the background as the tune builds, control needs to be martial. And the thrumming, almost unbroken bass sounds only add to the test.

Also listen to these:

The Dead Weather - 60 Feet Tall (opens in new tab)

Igor Stravinsky - The Rite of Spring (opens in new tab)

Can - Spoon

Best songs to test your speakers: Can - Spoon

To test rhythm and timing

Drummer Jaki Liebezeit establishes an irregular, complex cage for his bandmates to work within, and the result is a remarkably thorough test of your speakers’ ability to integrate a fiendishly off-kilter and disparate collection of instrumental strands into a cogent and unified whole.

At around 2:23, Liebezeit unleashes a volley of typically risky fills and pads that would be tricky enough for your speakers to manage, rhythmically, on their own. But there are burbling bass phrases, guitar picking and keyboard outbursts confusing things further - and that’s before you factor in the obtuse vocal inputs Damo Suzuki delivers in his second language.

Also listen to these:

Radiohead - 15 Step (opens in new tab)

65daysofstatic - Prisms (opens in new tab)

Anne Sofie von Otter - Baby Plays Around

best songs to test your speakers: Anne Sofie von Otter - Baby Plays Around

To test midrange quality

Swedish mezzo-soprano Anne Sofie von Otter’s 2001 album with Elvis Costello, For the Stars, is a pitiless test of your speakers’ powers of midrange communication.

Not only is this open, spacious and relentlessly hi-fi recording loaded with miniscule details – of von Otter’s phrasing, of her tongue, teeth and palate noises – it also reveals some of the secrets of her breath-management.

It’s a hi-fi cliché, but in this instance it’s true: if your speakers are up to it, this will sound like she’s right there in the room, singing with equal quantities of emotion and control.

Also listen to these:

Nina Simone - I Put A Spell On You (opens in new tab)

DAVE - Streatham (opens in new tab)

Max Roach - Lonesome Lover

Best songs to test your speakers: Max Roach - Lonesome Lover

To test treble quality

Jazz stunt-drummer Roach is bandleader here, and his impeccable hi-hat and ride cymbal playing is a decent test of treble fidelity in itself. But it’s saxophonist Clifford Jordan’s wailing, keening and strident playing that really separates the high-frequency men from the boys.

His squeals and flurries of upper-register notes need to shine, but not spill over into grating sharpness. From 3:00 to 3:12, he tests your tweeters’ ability to control a note while still retaining its grit and attack. Singer Abby Lincoln and chorus weigh in with some high-frequency fidelity examination of their own at 4:38, and again from 6:04 onwards.

Also listen to these:

Bruce Springsteen - Terry's Song (opens in new tab)

John Cage - Quartet 1 (Moderate) (opens in new tab)

George Gershwin - Rhapsody in Blue

Best songs to test your speakers: George Gershwin - Rhapsody in Blue

To test dynamic range

The ability to shift from ‘very quiet’ to ‘very loud indeed’, whether it's a voice, a single instrument or a large-scale symphony orchestra in full attack mode, is an essential loudspeaker talent. And there aren’t many pieces of music as useful at demonstrating the dynamic potency of an orchestra as Gershwin’s Rhapsody in Blue.

Inside the first two minutes it switches from plaintive piano to strings/brass/percussion overload and back again several times – and each time it does, your speakers must make the switch instantly and without displaying any undue stress. Which is not as easy as you might think.

Also listen to these:

Pixies - Tame (opens in new tab)

Mike Oldfield - Pran's Departure (opens in new tab)

Thundercat - Uh Uh

Best songs to test your speakers: Thundercat - Uh Uh

To test bass control

Massive show-off Thundercat (Stephen Bruner) delivered one of the more critically acclaimed albums of 2017 with Drunk. And on Uh Uh (a brief but exhausting exploration of the six-string electric bass guitar), he plays with such frantic virtuosity your speakers have no hiding place.

Bass extension, speed, tonal variation, and attack and decay all get the sort of examination that speaker engineers dread. What’s required here is well defined, well described variation in note tonality and intensity. In the right hands it’s a remarkably athletic piece of playing, but in less capable care it’s just a low-frequency mess of overlapping information.

Also listen to these:

Massive Attack - Angel (opens in new tab)

Muse – Hysteria (opens in new tab)

Sergei Prokofiev - Montagues and Capulets

Best songs to test your speakers: Sergei Prokofiev - Montagues and Capulets

To test detail

The devil’s in the detail, apparently – certainly that’s where full enjoyment of a piece of music exists. And in a big symphonic set-piece like this there are numerous chances for your speakers to show off just how capable they are of picking up the nuances.

The sound of a flute-player’s embouchure, the rattle of a snare beneath a drum-skin, the blare of a trumpet as it sounds the charge, even the squeak of a timpani foot-pedal – tiny details like this are what makes a piece of music truly alive.

Do your speakers pick up on the tiny inputs of the triangle in the background of this piece? No? Put them on eBay and audition some new ones.

Also listen to these:

Hans Zimmer - Coward (opens in new tab)

Arvo Pärt - Tabula Rasa (opens in new tab)

Sex Pistols - Pretty Vacant

Best songs to test your speakers: Sex Pistols - Pretty Vacant

To test stereo focus

Though at the time considered a danger to British civilization, forty years on the Sex Pistols don’t sound like any kind of threat at all. They do sound brilliantly produced, though.

Given what he had to work with (guitar, bass and drums of a fairly rudimentary kind, and a vocal that, while compelling, is hardly a melodic paradigm), Chris Thomas’s production of Pretty Vacant is little short of miraculous. Full and widescreen, with the shape and layout of the drum-kit absolutely explicit, it thoroughly tests your speakers’ ability to form a coherent whole-stage image.

Also listen to these:

Pink Floyd - Money (opens in new tab)

Carl Orff - Carmina Burana: O Fortuna (opens in new tab)

Yosi Horikawa - Letters

Best songs to test your speakers: Yosi Horikawa - Letters

(Image credit: Yosi Horikawa)

To test organisation

Naturally, if you want to test your system's organisation, you need to throw a dense mix at it – and Yosi Horikawa's discography is well and truly at your service. Even amidst a musical age of peak experimentalism, the Japanese producer's soundscapes throughout his Wandering EP (on which Letters features) demand to be considered refreshingly original. Marrying everyday sounds (such as pencil-to-paper scrawling and birds chirping) with the more abstract (ping-pong-like electronica) to create the most compelling of melodies and compositions, Horikawa is all about showcasing how sounds – both mundane and obscure – can most interestingly and mesmerisingly work together in a space. The job of your speakers and system at large is to allow his creative manipulation to make sense.

Also listen to these:

Art Ensemble of Chicago – Theme de Yoyo (opens in new tab)

Toto – Rosanna (opens in new tab)

John Williams - Theme From Jurassic Park

Best songs to test your speakers: John Williams - Jurassic Park

(Image credit: MCA)

To test scale and authority

OK so this one's rather obvious, but by that very sentiment, to overlook it would be shameful. The masterstroke of the maestro of large-scale movie soundtracks is majestic and powerful and therefore demands a great deal from a system when it comes to scale and authority. A good level of openness for the stacks of detail resolution to fill it is a must if things aren’t to sound confused, and there's also the need for dynamic scale (as well as dynamic subtlety), not to mention composure at high volumes, if you're going to enjoy this piece at its best. If you have larger speakers, the growling bass is a real treat too. Which featured in this definitive spot was a toss-up between this and the Howard Shore recommendation below, so movie fans shouldn't hesitate to add that to their playing queue swiftly after.

Also listen to these:

Mahler – Symphony No.2 (opens in new tab)

Howard Shore – The Breaking of the Fellowship (opens in new tab)

MORE:

Becky Roberts
Becky Roberts

Becky is the managing editor of What Hi-Fi? and, since her recent move to Melbourne, also the editor of Australian Hi-Fi magazine. During her eight years in the hi-fi industry, she has been fortunate enough to travel the world to report on the biggest and most exciting brands in hi-fi and consumer tech (and has had the jetlag and hangovers to remember them by). In her spare time, Becky can often be found running, watching Liverpool FC and horror movies, and hunting for gluten-free cake.