That Was Then… Sony DVP-S7700

Back in 1999 the DVD format was exciting, cutting-edge digital technology that outclassed VHS standards to an embarrassing degree. The best way of all to watch DVD? Using Sony’s lovely DVP-S7700.

We liked this player so much, it wasn’t long before we had two as our reference machines – one set for Region 2 (Europe) and the other to play discs from the American market (Region 1).

The Sony UBP-X700

The Sony UBP-X700

The S7700 was a classy product. It was superbly made and featured a metal front panel that glided down to reveal the disc-loading drawer.

Best of all was the performance. The picture quality was sharp, precise and impressively detailed. Colours were rendered with plenty of finesse and control without a hint of extra bloom. This Sony was great at delivering contrast mating properly deep and insightful blacks with plenty of brilliance with whites.

Audio was equally pleasing - and it could handle DTS soundtracks, which wasn’t as common as you’d expect back then. There was no built-in decoder for either Dolby Digital or DTS, so you needed an AV amp with suitable capabilities.

The S7700 was a pretty decent stereo machine too, able to get good results from CD and those early audio-only DVDs that carried 24bit/96kHz music. Even at £800 we couldn’t find a better alternative.

That just goes to show just how much things have moved on. The new UBP-X700 adds 4K HDR, Blu-ray replay and smart functionality to the old timer’s feature list, and costs just £250. It’s a great performer too, with superb picture quality from all disc formats and a fine, though slightly lightweight, sound presentation.

The price difference shines through in the build - the ’X700 is more biscuit-tin than hewn from stone - but in all aspects of performance and sheer value, it’s brilliant.

MORE: HDR TV – What is it? How can you get it?

Simon Lucas is a freelance technology journalist and consultant, with particular emphasis on the audio/video aspects of home entertainment. Before embracing the carefree life of the freelancer, he was editor of What Hi-Fi? – since then, he's written for titles such as GQ, Metro, The Guardian and Stuff, among many others.