With plenty of Award-winning headphones in the bag, AKG is on a roll, so it shouldn’t be a surprise that its new line of affordable over-ear cans is pretty darn good.
But thankfully AKG still has the capacity to surprise us. The baby of the three-strong line up, the AKG K52s, performed admirably for just £30.
We might have been tempted to call them the best value headphones we’ve heard this year – but that was before we listened to the K92s.
Sitting at the top of the range, the AKG K92s cost £50 – still affordable, but the jump up in sound quality is more than enough to justify spending the extra few quid.
Build and comfort
At first, the differences seem superficial. Unlike the all-black finish of the K52s and the middle-ground K72s, the K92s have gold accents that give them a pop of colour and distinguish themselves as the leaders of the line-up.
It’s not a blingy gold, but a subtle almost champagne-like gold.
Apart from that difference in finish, the K92s look pretty much the same as the K52s. The headphones are built well (especially for a £50 pair), and the frame feels sturdy and durable.
The self-adjusting band is springy and settles around your head comfortably. Some might want manual adjustment, but we found the K92s had the right fit and clamped down just enough around our heads to stay firmly in place.
The large over-ear cups are airy and comfortable, too. The leatherette padding keep our ears cushioned without getting hot over long hours of listening.
The 3m long cable is thick enough not to tangle. It has a 3.5mm plug, but also comes with a 6.3mm adapter so you can listen to your hi-fi system in peace.
There are no in-line controls or features such as you’d find on the portable Y50s, but as the K92s are designed for home use, so there’s no need for a remote to control music playback.
More after the break
Slip them on in the comfort of your home and you’ll be swept away by just how big and open these £50 cans sound.
We listen to Dave Grohl’s Sound City album of famous musicians singing together, and the recording has ample space to flourish.
Whether you’re listening to Stevie Nicks, Paul McCartney or Trent Reznor, the K92s are detailed and clear enough to show off the different styles of each artist.
The slow build up in From Can to Can’t is tense and brooding, with the K92s showing off a composed and mature sense of timing. The drums hit with a good amount of snap, and you can hear the layers of distortions on the guitars.
The K92s have a great handle on rhythm, with all instruments working cohesively and in time with each other.
Voices are solid and nuanced. Corey Taylor’s earnest singing comes through clearly. You can hear that he’s holding back from his signature Slipknot roars at the beginning of the song, and then unleashes as the song carries on and hits the second chorus.
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The cans are surprisingly revealing and dynamically fluid for their price. The peerless John Williams proves he still has his magic touch with Rey’s Theme – a delicate, gentle melody that’s full of enthusiasm and promise for the young Star Wars heroine.
The dips and soars are handled elegantly by the AKGs. The strings have tension and detail, the horns don’t sound harsh or bright, and the drums don’t boom. It’s a smooth, enjoyable sound.
The K92s are a clear step (or two) above the K52s: they’re more revealing and articulate, and give you notably better dynamics and rhythmic accuracy for just £20 more.
MORE: AKG K52 review
If you’re thinking of spending £50 on a decent pair of headphones, you might already be looking at the AKG Y50s – they’re portable, foldable and you can pause and skip tracks with them.
But if you’re mostly going to be listening to your music at home, and just want a great-sounding, comfortable pair of cans to hook up to your laptop or hi-fi, then the K92s will suit you perfectly.
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