Sonos explains why 'Recycle Mode' bricks old speakers

Sonos explains why 'Recycle Mode' bricks old speakers
(Image credit: Sonos)

Sonos has felt some heat over the holiday break after users noticed a Recycle Mode that suggested they 'brick' their Sonos speaker in order to get a discount on an upgrade.

Sonos offers a 30 per cent discount on a new speaker if you follow its recycling steps, but these steps include deactivating your existing speaker in a seemingly irreversible way. Users suggested this was somewhat wasteful and at odds with the overall message of recycling. 

Sonos supports its wireless speakers with software updates much longer than most, with many of its products having an impressively long life – facts that make 'bricking' a perfectly usable device all the more galling.

A Sonos spokeswoman told What Hi-Fi?: "Our commitment to sustainability starts with the way we design our products. Through the materials we choose and the quality of our craftsmanship, we build Sonos products to last for many years. And via software updates, we’ve been able to keep these early products in active use (and by extension out of landfills) much longer than most other consumer electronics products. In fact, 92% of the products we’ve ever sold - even those launched more than 10 years ago - are still in use today.

"For those that choose to trade-up to new products, we felt that the most responsible action was not to reintroduce these older products to new customers that may not have the context of them as 10+ year old products, and that also may not be able to deliver the Sonos experience they expected.

Joe Cox
Content Director

Joe is the Content Director for What Hi-Fi? and Future’s Product Testing, having previously been the Global Editor-in-Chief of What Hi-Fi?. He has worked on What Hi-Fi? across the print magazine and website for almost 20 years, writing news, reviews and features on everything from turntables to TVs, headphones to hi-fi separates. He has covered product launch events across the world, from Apple to Technics, Sony and Samsung; reported from CES, the Bristol Show, and Munich High End for many years; and written for sites such as the BBC, Stuff and The Guardian. In his spare time, he enjoys expanding his vinyl collection and cycling (not at the same time).