Has Samsung finally begun production of its 89-inch MicroLED TV?

Samsung Micro LED
(Image credit: Samsung)

After delays said to be caused by technical issues, Samsung has at last begun production of its 89-inch MicroLED TV, according to a report in TheElec.

Samsung was originally on track to begin manufacturing its new smaller MicroLED 4K screens in May for release later this year. The plan was then put on hold in the spring, however, with rumours suggesting that the production timeline for the 89-inch model would be pushed back to the third quarter of this year and possibly even later into 2024.

It now appears, though, that we won't have to wait much longer to see the next-gen TV, as manufacturing has apparently begun. However, there is as yet no indication from Samsung when it will start work on its previously announced 101-inch and 114-inch models.

The precise reason for the delay has not been confirmed, but it has been widely speculated to be due to technical and supply chain issues. 

According to previous reports from insiders, the 89-inch panel has proved particularly challenging to produce, as its LED chips measure 34μm by 85μm, far smaller than those used in larger existing models, which are 75μm by 125μm. 

MicroLED is a next-gen TV technology that attempts to harness the best qualities of OLED with self-emissive pixels, so one can be utterly black while those next to it can be bright white or a vibrant colour, producing high levels of contrast.

However, MicroLEDs take things further; unlike OLED TVs, which use organic materials, they are inorganic, so they don't degrade or suffer from image retention and can go much brighter than OLEDs, theoretically resulting in even more spectacular contrast. Samsung has previously said that its forthcoming MicroLEDs will support 20-bit greyscale depth, yielding more than 1 million brightness and colour level increments.

Mary is a staff writer at What Hi-Fi? and has over a decade of experience working as a sound engineer mixing live events, music and theatre. Her mixing credits include productions at The National Theatre and in the West End, as well as original musicals composed by Mark Knopfler, Tori Amos, Guy Chambers, Howard Goodall and Dan Gillespie Sells.