Dolby enables advanced 96kHz upsampling on Blu-ray discs

18 May 2012

Dolby TrueHD 96k

Dolby Laboratories in San Francisco has today announced that Blu-ray discs with Dolby TrueHD soundtracks can now be mastered using advanced 96kHz upsampling.

The new Dolby TrueHD coding solution enables film studios, authoring houses and mastering facilities to "integrate the benefits of 96kHz playback audio quality into the final master, while simultaneously reducing the incidence of digital artifacts introduced during the content-creation process", says Dolby.

The result will be to "further elevate playback performance of lossless audio on Blu-ray discs", it claims.

“Lossless audio is a key distinguishing feature of Blu-ray content. All things being equal, you cannot improve on the quality of lossless audio coding; however, you can improve on the quality of the source PCM content prior to lossless encoding, and this is precisely what we have achieved with our advanced 96k upsampling technology,” says Craig Eggers, Director, Content Creation and Playback, Home Theater Ecosystem, Dolby Laboratories.

“A significant amount of Hollywood content has been captured in native 48 kHz. Studios and authoring facilities that implement Dolby TrueHD with advanced 96k upsampling can elevate the quality of PCM audio prior to lossless Dolby TrueHD encoding, ensuring that consumers get the very best audio performance possible from their Blu-ray playback systems.”

Eggers adds: "Besides enabling optimum 96k upsampling, this technology features a unique apodizing filter that 'masks' the unwanted digital artifacts known as 'preringing', which is introduced during the content-capture and content-creation process. These digital artifacts can introduce an unnatural edginess or harshness to the audio.

"Dolby TrueHD with advanced 96k upsampling restores the natural tonality of the soundtrack. The effect can be subtle or dramatic, depending on the quality of the source material. Content mastered with Dolby TrueHD with advanced upsampling is fully playback compatible with all Dolby TrueHD enabled Blu-ray players and AV receivers."

Among the first Blu-rays to use the new technology are the San Francisco Symphony at 100 disc, Chinese blockbuster release The Flowers of War and the Joe Satriana concert film Satchurated: Live in Montreal.

You can read more about Dolby TrueHD with 96k upsampling here.

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Comments

Sounds to me like a way to help sell old material on new (bluray) media re-releases by upsampling and hyping-up normal workarounds as 'increase in quality'.

Since when upsampling/interpolation is increase in quality?

Nothing wrong with re-releases and upsampling, but do not confuse an upsampling coding solution with increase in resolution/quality. this solution may increase (or make consisstent, optimise)  the quality of upsampling but it will not increase the quality of the original content.

what this "unique apodizing filter" does is simply replacing pre-ringing artifact from processed digital signal and puts it after the impulse creating even higher amplitude post ringing artifact . is this really such a break-through? is this supposed to "restore natural tonality of a soundtrack"? for more info google pics for linear phase filter (most popular filter for upsampling DACs) and then apodising filter from Meridian (the guy from Dolby responsible for that filter used to work at Meridian). no wonder Dolby markets this technology so that you'll be able to hear more air and space since you're going to have even more artifacts after the original impulse Smile.

FYI only non-oversampling DAC leave impulses intact, i.e. no pre-ringing nor any post-ringing.

I'm getting a feeling that HT users are being screwed real hard by the industry. every year new standards; audio or video, which are supposed to bring major improvement. yeah right... 2-channel have their red book for 30 odd years and everything's all right (if only sound engineers for record companies didn't butcher the sound so much...).