I saw the future of HDR at CES, and things are looking bright and smooth for 2026
Dolby Vision 2 and HDR10+ Advanced shone at CES 2026
Sometimes an Adventure in AV can involve a short trip into our TV's settings menu to discover something new. Other times it involves physically trekking halfway around the world.
In my case, it's the latter, as I kicked off my year in Las Vegas, Nevada, scouting out the latest innovations in the world of home cinema at CES 2026.
As expected, the show was nothing short of overwhelming, with countless new releases and announcements that will shape the AV landscape for the year to come.
While the RGB Mini LED TVs and new OLED sets stole the show, two specific demonstrations stood out, as they will remain relevant well beyond the end of 2026.
The first showed Dolby Vision 2, and although it didn't launch at CES specifically, I now have a much clearer picture of what it is actually capable of.
It was initially revealed at IFA 2025; but it was shrouded in mystery and confusion, and every TV manufacturer I quizzed on the subject seemed almost as confused as I was.
The second demo was for HDR10+ Advanced, which I had a sneak peek at during a trip to Samsung's headquarters in Suwon, South Korea, back in October of 2025.
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The Samsung team offered somewhat of a more complete answer, though they showed me simulated footage rather than actual working HDR10+ Advanced, so I had to take their word for the claimed performance upgrade.
The good news is that both Dolby and Samsung had major presences at CES 2026, and each showed their new respective dynamic HDR formats working in action. So I now have a much clearer picture of what the future of HDR will look like.
I'll start with Dolby, which showed me three examples of Dolby Vision 2 running on a beta-software build on a high-end, mid-range, and entry-level TV.
They all appeared to be bright and punchy Mini LED TVs, and while Dolby wouldn't specify the brand, the primary launch partner for Dolby Vision 2 is Hisense; I'll let you connect the dots there.
Dolby's demonstration truly wowed me. It showed an intense boost to brightness that transforms dark content to dig out detail that I presumed was simply lost to shadows indefinitely. It had regular Dolby Vision TVs set up alongside the Dolby Vision 2 versions in some instances, and the differences were practically night and day.
Digging up more detail in the dark areas did not come at the cost of lifted black levels, however, as it still looked natural to my eyes, and (most importantly) Dolby assured me that the system can recognise what is intentionally meant to be shadow details and not over-brighten those sections.
Dolby stressed how closely it works with directors and editors to ensure that their work is presented in a true-to-life manner.
There is a more advanced set of metadata underpinning Dolby Vision 2, which comes straight from the creatives themselves. And it results in enhanced brightness (and more) without the loss of detail and authenticity.
The need for this brightness-boosting version of Dolby Vision is rooted in the launch of super-bright Mini LED and RGB Mini LED TVs, which can far surpass the capabilities of the current version of Dolby Vision; this makes the super-bright TVs that we've seen crop up over the past couple of years even more compelling, as there is now a feature that can properly take advantage of their specifications.
Not to be outdone, Samsung showed a live demo running its new HDR10+ Advanced format on beta software, running on the new R95H RGB Mini LED TV.
Once again, the results were impressive, especially as Samsung had a “normal” HDR10+ TV running alongside the demo of the new format. Colours seemed more vibrant while remaining natural and balanced, and there was unquestionably more depth and contrast to the image.
There also seemed to be more in the way of detail levels, although (much like Dolby Vision 2), this was most noticeable in dark sequences.
Samsung also assured us that creator-derived metadata would underpin the changes coming to HDR10+ Advanced, which means that authenticity was also at the top of its priority list.
Furthermore, both companies dug deeper into Dolby Vision 2 and HDR10+'s ability to handle motion. Traditionally, HDR formats haven't really played much of a part in motion processing; however, both Dolby and Samsung make a good point on this.
The (frankly tragic) reality is that most people out there will never open their TVs' settings menu. Some because they don't know how the settings work, others because they fear permanently messing up their TV by adjusting the wrong settings.
I sympathise. A TV settings menu can be daunting to the less technically inclined; and Dolby and Samsung's answer is simply to handle the motion processing themselves.
It's a bold move, and we'll need to test it more to confirm our feelings, but both formats showed promising signs during the demonstrations I attended.
Dolby in particular stood out with its Authentic Motion system, which can dynamically shift motion processing based on the content.
Therefore, minimal motion-processing can be applied during slower scenes, such as conversations, whereas fast-paced action scenes or panning shots can be aided by a pinch more.
It never looked unnatural or oversmoothed to my eyes, and it could solve the conundrum of judder being visible when using a TV's most accurate and authentic picture mode (in which motion processing is often switched off).
I will certainly need to do a lot more testing with both of these HDR formats to come to a conclusive opinion, but the good news is that both looked to be working as intended during CES.
This left me with a sense of hope for the future of HDR; it could be a bright and smooth year for the picture technology.
Samsung has already confirmed that HDR10+ Advanced will be coming to its mid-range and premium models sometime this year, and Amazon Prime Video will be the first service to offer select titles with the standard included soon.
Hisense, TCL and Philips TVs will launch with Dolby Vision 2 this year, and Dolby Vision 2 Max should also be supported on the higher-tier models within each of these manufacturers' lineups.
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Lewis Empson is a Senior Staff Writer on What Hi-Fi?. He was previously Gaming and Digital editor for Cardiff University's 'Quench Magazine', Lewis graduated in 2021 and has since worked on a selection of lifestyle magazines and regional newspapers. Outside of work, he enjoys gaming, gigs and regular cinema trips.
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