11 of the best British stereo amplifiers of all time

11 of the best British stereo amplifiers of all time

The brains and brawn behind your hi-fi. Underestimate the stereo amplifier's importance in how your system sounds at your peril.

This list of the best stereo amplifiers from the pages of What Hi-Fi? showcases the power providers that have helped to get the most out of our set-ups over the years.

Big or small, budget or high-end, functional or stylish, these amplifiers have left an indelible impression.

A&R Cambridge A60 (1979)

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11 of the best British stereo amplifiers of all time

Arcam got off to a flier with its first product, the A60. It was a well-equipped amp, with a decent array of line-level inputs and a capable moving-magnet phono stage, and we were very much taken by its sound quality back in 1979. To this day, it's still able to showcase the smooth presentation and expressive midrange that made it such a fun and entertaining listen. And that wood finish was, indeed still is, rather lovely.

MORE: That Was Then... A&R Cambridge A60 (1976) vs. Arcam A19 (2013)

Audiolab 8000A (1983)

11 of the best British stereo amplifiers of all time

Audiolab's 8000A caused a stir thanks to its "superb finish and styling", although today it looks like a grey tinged box with lots of dials. Still, distinctive looks aside, it offered excellent sound and features including bass and treble controls, a stereo balance control and a separate record selector, so you could "listen to one source while taping another". The sound was smooth with "plenty of presence and detail". Add its fine build and features and the 8000A was great value for money.

MORE: Audiolab 8300A review

Mission Cyrus One (1984)

11 of the best British stereo amplifiers of all time

The Mission Cyrus One – back when Cyrus was a part of Mission – was very much a product for audiophiles, despite its budget price. It had no tone or balance controls and carried plenty of inputs for sources. The One communicated a precise soundstage, but it was also capable of handling low-level details that other amplifiers "repressed or simply rendered messy". Combine that sound with a superb build quality, and you had an amp whose performance could rival pricier options.

MORE: Cyrus One review

Naim 32/Snaps/250 power amp (1984)

11 of the best British stereo amplifiers of all time

This Naim came in three parts, with the 32 pre-amp, its accompanying power supply and the now legendary 250 stereo power amplifier. It was a popular combination that made up many hi-fi users' systems in the 80s, and was capable of delivering drive, dynamic punch and powers of organisation that few could match. It was an impressive combination and the 250 has proved to be so popular that it's received several makeovers since, getting better with each iteration.

MORE: Naim NAP 250 review

Arcam DiVA A85 (2001)

11 of the best British stereo amplifiers of all time

The A85 was different from its forebears. Where previous Arcam efforts veered towards warm and safe, the A85 had the ferocity of a sledgehammer smashing through glass. It worked well with all genres of music, with no trace of boom or bloom, and a clarity that extended throughout the frequency range. We noted its "immaculately clean" midrange that had a resolution its rivals couldn't match. The A85 was a sonic leader in its class, a fully featured amp that blew away the competition.

MORE: Arcam FMJ A39 review

Roksan Caspian M2 (2010)

11 of the best British stereo amplifiers of all time

The Caspian amp had been around the block a few times, as Roksan improved the design and performance. The fruit of that labour was the Caspian M2. With a revised circuit layout and upgraded components, it had a bigger, more powerful presentation than before. It had a sense of authority, along with a dynamic sound that was full of detail, finesse and a rich tonality, making for an immensely capable effort. The build and finish were excellent, it was easy to partner with and, while its distinctive look caused some consternation, there was no doubting its status as an exceptional performer.

MORE: Roksan Caspian M2 review

Naim Supernait 2 (2014)

11 of the best British stereo amplifiers of all time

We weren't fully convinced by the original Supernait, which sounded less dynamic than we liked. This issue was not a problem for its successor, a "supremely stable, confident-sounding" amplifier that boasted excellent bass performance and surefooted rhythms. Throw in the potential for upgrades and a terrific build, and the Supernait 2 was a superb amplifier that delivered Naim's "addictive sound" for a reasonable price.

MORE: Naim Supernait 3 review

Rega Elex-R (2014)

11 best British stereo amps of all time

(Image credit: Future)

The Rega Elex-R spent five years as our favourite stereo amplifier costing less than a grand – that's longer than the time spent in office by certain US Presidents. Its last What Hi-Fi? Award was collected in 2018, but even since then it has remained a reference component here thanks to its articulate and inherently musical performance. The Elex-R is sure to be an amp searched for by hi-fi enthusiasts for decades to come.

MORE: Rega Elex-R review

Leema Tucana II Anniversary Edition (2017)

11 of the best British stereo amplifiers of all time

Established in 1998 by two ex-BBC engineers, Leema Acoustics quickly established itself as one of our favourite specialist hi-fi brands. This anniversary model of the amplifier that helped launch Leema encapsulated everything we love about the company's products. It looks superb and feels built to last - and the individual passport signed by the engineer who approved the product is a lovely touch. Leema keeps it analogue on the inside, preferring to suggest you add external digital components should you need them, helping no doubt to deliver that clean, punchy, powerful sound. Rich and smooth without lacking attack, the performance is precisely as impressive as you'd expect from a £5000 amplifier.

MORE: Leema Tucana II Anniversary Edition

Cambridge Audio CXA81 (2018)

11 of the best British stereo amplifiers of all time

(Image credit: Cambridge Audio)

If you've heard the mighty Rega Elex-R (above), you'll understand just how big a feat it was for another sub-grand integrated to knock it off its perch. The Cambridge Audio CXA81 didn't just do so in 2018, it left more feathers strewn than after a Sandringham pheasant hunt. It proved sharper and more detailed, and stamps its authority with that supremely confident Cambridge presentation.

MORE: Cambridge Audio CXA81

PMC Cor (2018)

11 of the best British stereo amplifiers of all time

We all know PMC's excellent speakers, but don't be thinking the Cor, the company's first dedicated consumer amplifier, is entirely new territory for the company. Since 1991 PMC has been making the amps for active speakers such as the BB5s, the reference monitors found in the BBC’s Maida Vale Studios. And that experience shows. Like so many engineer side projects, this one's a doozy, so we hope PMC sticks with it. Transparency is the name of the game here, the Cor delivering a faithful, balanced, neutral sound. The Cor comes "highly recommended".

MORE: PMC Cor review

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  • eriksven
    CXA81 dethroned the Rega in 2018? Wouldn't that have been the CXA80?
  • agentsmittie
    Cannot believe both Naim Nait 1 or Nait 2 did not make it.
  • Mr. C Nation
    I see you started in 1979, presumably the launch of the paper magazine. The Quad 405 was on sale during this period, up to 1982. It - and it's Mk2 version, are still regarded as amplifiers of the highest quality, so much so that they were power amps of choice for many small recording studios

    The recording engineer/producer of a selection of albums by Mike Oldfield, inc T.Bells, is a friend of mine. When he built his mobile recording unit 'The Sound Box', a Quad 405 powered each channel of the monitors.

    This quality of recordings of this mobile was sufficient for the London radio station LBC to engage it to record the classical music strand of LBC's output. The Quads, powering Tannoy 'Little Red Monitors', were of broadcast monitoring quality.

    405's are still much sought after. They have become legends of the power amp world.
  • Navanski
    As someone who has a preference for a decent sized, central, volume control as demonstrated on many an Arcam or Rotel amp, aesthetically some of these amps leave a lot to be desired. Ugly or what?