For Carrie & Lowell Stevens has moved away from the angular electronic edge of 2010’s Age Of Adz in favour of a (slight) return to the lo-fi folk-inflected intimacies of his most celebrated recordings.
Stevens has always been a direct, emotionally unflinching lyricist, and the death of his mother Carrie in 2012 informs almost every one of these 11 songs in one way or another.
But as is often the way with Sufjan Stevens, there is hope amid despair, redemption where all might at first seem lost. Death With Dignity, All Of Me Wants All Of You and The Only Thing might be among the bravest and most direct ‘pop’ songs ever recorded.
More after the break
There’s not much going on in terms of dynamism or tonal variation here, but in certain respects this is as big a test as your set-up will get all year.
Stevens’ self-recording, home-recording methodology, plus the album’s emphasis on tremendously close-mic’d vocals and picked steel-or-nylon strings, mean it’s as rigorous a test of detrail retrieval, tonal variation and midrange expressiveness as you’ll hear.
Plus it’s human, and heartfelt, and there’s no system inferior enough to stop that shining through.
Duration: 43m 40s
Standout track: The Only Thing – “In a veil of great surprises, I wonder did you love me at all?”