There are few more distressing times spent than squandering an evening browsing through a streaming service in search of any film that perhaps isn't entirely abhorrent.
While the libraries of streaming services are certainly well stocked, the sheer ubiquity of content can make the hunt for a gem all the more taxing – and Amazon Prime is not an exception.
So here's a list to save you trawling through Christmas Music Mix for TV, Hot Girls Sexy EDM Music Video or Amazon Front Row with Ed Sheeran in order to find something more palatable.
More than that, these 15 genre-spanning films are must-sees for music fans. So dig in and make the most of your Prime subscription.
Searching for Sugar Man (2012)
If you've not yet seen Searching for Sugar Man, best return to this list in an hour-and-a-half once you have.
The story traces two fans' pursuit of the truth behind the rumoured death of one of their favourite artists, Sixto Rodriguez. His due success eluded him in America, but he unknowingly found a home and a following in Apartheid South Africa.
Winner of both the Academy Award and BAFTA for Best Documentary, its narrative is as bizarre as it is entertaining. It's enough to give hope to all of us that someone, somewhere may actually be appreciating our work for what it is.
Stephen 'Sugar' Segerman, who made the film with Craig Bartholomew Strydom, co-owns Mabu Vinyl in Cape Town, which we included recently in our 25 record stores to visit before you die feature.
Sound City (2013)
Directed by Dave Grohl, Sound City chronicles the studio of the same name.
At various times home to Neil Young, Nirvana, Rage Against The Machine, Johnny Cash, Tom Petty, The Grateful Dead, Fleetwood Mac, Slipknot, Queens of the Stone Age, Metallica, Arctic Monkeys ... [continues ad infinitum] ... Sound City's walls have contained some of rock music's most seminal recordings.
More than merely another collection of empty superlatives and talking heads – though Young, Petty and Stevie Nicks all feature – Grohl's passion for the space and its history is patently clear throughout.
Roland's TR-808 drum machine didn't sound like real drums. It's why it was widely panned upon its release in 1980, and why it has since become one of the most influential instruments in modern music.
With interviews from those who used it so successfully – artists as diverse as Damon Albarn, Afrika Bambaataa, Beastie Boys, Goldie, Phil Collins and (hey!) 808 State – and closing with words from one of the men behind its creation, 808 is a documentary charting just how creative freedom can be born of technology.
A Band Called Death (2012)
Before there was punk, there was a band called Death.
It's still probably about the most punk thing you could do: pre-date the genre and leave your demo tape gathering dust in the attic for 30 years until it finds its audience by happenstance.
David, Bobby and Dannis Hackney – three brothers from a family of eight children born to a Baptist preacher and his wife in 1950s Detroit – formed Death (whose name and their refusal to change it went some way to ensuring they never got a record deal) in the family's spare room, and this is their story.
Gainsbourg (Vie Héroïque) (2010)
Bold, inventive and in truth a bit messy, Gainsbourg (Vie Héroïque) in many ways captures the French icon's essence quite perfectly.
Rather than being a blow-by-blow account of Serge Gainsbourg's career, Joann Sfar's creative biopic is more a collection of photographs – from his childhood in Nazi-occupied France, to his affairs with Brigitte Bardot, France Gall and Jane Birkin – through which the director is able to explore the singer as a human subject.
Followed forever by his 'mug' – a grotesque, cartoonish self-imagining – Gainsbourg is rarely truly triumphant, never entirely likeable, but ultimately always honest.
More after the break
Gimme Danger (2016)
Okay, so Death may have been the first punk band - but for the genre to exist at all it needed the seeds planted by The Stooges.
Driven largely by the anecdotes of Jim Osterberg, better known outside his family as Iggy Pop, Jim Jarmusch's Gimme Danger documents and celebrates the career and influence of what he calls "the greatest rock 'n' roll band ever".
Heima is a film deserving of a big screen.
Following avant-rock group Sigur Rós on their tour around Iceland in 2006, it captures not only a band reaching its peak but a country whose landscape could hardly be more beautiful if written into a fairytale.
Theodoros Bafaloukos's Rockers started life as a documentary, and as a result is about as athentic a snapshot of late '70s Jamaican culture as it would be possible to find in a feature film.
It stars former Studio One drummer Leroy "Horsemouth" Wallace playing himself – in his own home, with his real-life wife and children – fighting for the oppressed Jamaican musician against the industry mafia.
Also starring reggae artists such as Burning Spear and Gregory Isaacs, it's a film that endures for its music, its humour and its portrayal of Kingston culture – not least the fashion, which was written about in Vogue.
Can't You Hear the Wind Howl? The Life and Music of Robert Johnson (1998)
It would probably be difficult for any documentary about Robert Johnson – the man who, according to one urban legend, sold his soul to the Devil in return for his talent – to be boring.
But even a life, and indeed death, so shrouded in mystery and rumour still cannot overshadow the enduring power of his music. Narrated by Danny Glover, Can't You Hear the Wind Howl? focuses on both the man and his extraordinary talent, through interviews and dramatic re-enactments.
8 Mile (2002)
Based loosely upon Eminem's upbringing and emergence as an artist, 8 Mile endures as easily one of the finest hip-hop features of all time.
Eminem plays the lead of B-Rabbit himself, a white rapper attempting to earn respect in an artform dominated by African-Americans.
Lose Yourself was the first hip-hop track to win the Academy Award for Best Original Song at the following year's ceremony.
Life after Death From Above 1979 (2014)
Rifts have run through many of rock's finest bands and, many would argue, have been pivotal in creating their finest works. But when a two-piece stop being friends, there's nowhere else to turn.
Released a decade after Death From Above 1979's savagely sublime debut album You're a Woman, I'm a Machine, this documentary covers the band's rise, break-up and path toward a critically acclaimed return.
It's sweaty, it's noisy and it refuses to tidy any of its mess.
Lo Sound Desert (2015)
If the music of Sigur Rós could have been created nowhere else but Iceland, this is the story of music born in the American desert.
The exploration of a culture as much as the bands (such as Kyuss and Queens of the Stone Age) born out of it, Lo Sound Desert takes a generator and its gear out into the middle of nowhere and has a party where the police aren't watching.
French Waves (2017)
"It was the first time French music made it into the International scene since Charles Trenet and Edith Piaf," journalist David Blot says in French Waves.
The documentary now hosted on Amazon Prime was made alongside a webseries, interactive website and live tour - it tells the story of French electronic music, in particular the 'French Touch' style of house music that permeated Europe and beyond.
The webseries is also still available on the official site, comprising ten interviews with artists such as Bob Sinclair, Fakear and Breakbot.
Finding Joseph I: The HR from Bad Brains Documentary (2016)
As the lead singer of Bad Brains, Paul "HR" Hudson pioneered hardcore punk with a positive message.
Finding Joseph I isn't so much a celebration of his legacy, however, as much as an investigation into the man himself: his enlightenment, devotion to the Rastafarian faith, and sadly often fragile relationship with his own mental health.
An extraordinary man as much as an extraordinary musician, HR provides a fascinating subject irrespective of opinions on his art.
Glastonbury the Movie (in Flashback) (2012)
In Flashback is a revisiting of 1996's Glastonbury the Movie, with its creators returning to their more-than 100 hours of footage shot at 1993's Glastonbury Festival with the benefit of hindsight and digital technology.
Describing it as "the last of the old-school Glastonburys", director Robin Mahoney celebrates the innocence in festival-goers responses to their cameras in allowing them "to capture a very truthful record of the spirit of festival culture".
The film features performances from The Orb, Spiritualized and The Verve, but its real triumph is in the fields where it manages to bring that unique festival atmosphere to the screen.