Best British speakers 2023: great speakers from British brands

Streaming and vinyl hi-fi system
(Image credit: Future)

Whether you're on a tight budget or looking to drop some serious coin, you'll find that British hi-fi brands offer some of the finest speakers money can buy. Whatever type of speaker you want, Britain's best audio brands bring considerable engineering expertise to the audio party. 

And what better way to celebrate British Hi-Fi Week than to round up our favourite speakers from British manufacturers? There are plenty of well-established British speaker brands to choose from, such as ATC, Bowers & Wilkins, KEF and PMC, plus relative newcomers such as Fyne Audio and Q Acoustics.

Now, not all British speakers are made from start to finish in the UK. But at the very least, they're designed or assembled in the UK by British firms, many of which have an illustrious British heritage. 

So whether you want to buy British or simply check out what Great Britain has to offer in terms of hi-fi, read on to discover our pick of the best British speakers. And once you've chosen, you can test them out with our pick of the best British albums.

How to choose the right speakers

Why you can trust What Hi-Fi? Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

First things first, decide on a budget. Your components should be evenly matched, both tonally and in terms of price, so consider this before breaking the bank on a new pair of speakers that the rest of your kit can't do justice. 

You also need to make sure your speakers fit your room. Most speakers require a degree of space to sound their best, so be sure not to buy speakers that are too big for your listening area. This is also a good time to consider whether you want bookshelf or floorstanding speakers. Bigger speakers mean higher volumes but, again, you need the space.

There's also the choice between passive and active speakers. Most speakers are passive - they have no amplification inside, so require an amplifier to work. Active speakers are increasingly popular and can connect straight to your source, no amp required, though they do require a connection to mains power. Check out our pick of the best active speakers if you're curious.

For a more detailed explanation of everything you should consider, check out our complete guide to choosing the right speakers.

Best speakers - KEF LS50 Meta

(Image credit: KEF)
These standmounters set new standards at the price

Specifications

Max power: 106dB
Sensitivity: 85dB
Frequency response: 79Hz - 28kHz
Impedance: 8ohms
Dimensions: 30.2 x 20 x 27.8cm

Weight: 7.2kg

Reasons to buy

+
Exceptional sonic transparency
+
Subtle and precise presentation
+
Innovative technology

Reasons to avoid

-
Nothing at this price

Raymond Cooke founded KEF in 1961. The company’s name stands for Kent Engineering and Foundry and it has been based in Tovil, Maidstone from the very beginning. And the speaker manufacturer is arguably now in as rich a vein of form as it has ever been.

The original LS50 speakers had little wrong with them but after eight years, KEF figured they deserved a fresh look. And with the LS50 Meta they have delivered a worthy upgrade.

The LS50’s Uni-Q driver array, where the tweeter sits in the throat of the mid/bass unit, has been thoroughly reworked, taking in all the refinements that KEF has developed over the past eight years and adding something new in the form of Metamaterial Absorption Technology (MAT). MAT is KEF’s way of coping with the sound that comes off the back of the tweeter dome; a plastic circular maze of tubes on the back promising greater absorption for cleaner, less distorted highs.

While the basic sonic character is instantly familiar, the Meta speakers have gained a level of clarity and finesse the originals only hinted at, sounding clean while still offering muscle and dynamics.

We’ve loved the originals and the LS50 Meta takes the performance to a notably higher level. 

Read the full review: KEF LS50 Meta

A history of KEF speakers, from the K1 to the Concept Blades

Best Speakers – Wharfedale Diamond 12.3

(Image credit: Wharfedale)
These Award-winning floorstanders are entertaining and affordable.

Specifications

Speaker terminals: 2.5
Mid/bass driver: 13cm
Tweeter: 2.5cm
Sensitivity: 89dB/W/m
Dimensions: 98 x 18 x 32cm (H x W x D)

Reasons to buy

+
Superbly balanced presentation
+
Expressive and revealing midrange
+
Pleasing build and finish

Reasons to avoid

-
Nothing at this price

Founded back in 1932 by Gilbert Briggs, Wharefdale takes its name from a valley found in the upper parts of the River Wharfe in the Yorkshire Dales, where the original speakers were made. Responsible for innovations such as the two-way speaker and the ceramic driver, the Diamond range is the company's most famous speaker of recent years.

And it now features a truly outstanding (and affordable) floorstander. Indeed, we were so impressed by the Wharfedale Diamond 12.3's musical performance we deemed it a What Hi-Fi? Awards 2021 winner.

At 98cm tall, the Diamond 12.3 aren't a particularly imposing pair of floorstanders, so they'll fit into most spaces. Sonically, they're smooth, even-handed and wonderfully refined for the money. Feed them a poor signal and they’ll round off rough edges and downplay unwanted aggression without sounding like they’re smothering the life out of the music.

As for build quality, the cabinets are carefully crafted with a traditional straight-edge design and a tidy feet arrangement. The 12.3 are available in four finishes – black, walnut, white and a classy light oak – all of which belie their relatively modest price tag.

If you're looking for reasonably-priced hi-fi speakers, the talented Wharfdale 12.3 are a superb buy.

Read the full review: Wharfedale Diamond 12.3

10 of the best Wharfedale speakers of all time

Best speakers - B&W 606 S2 Anniversary Edition

(Image credit: Bowers & Wilkins)
B&W hones its 606 speakers to great effect

Specifications

Type: 2-way bookshelf speakers
Impedance: 8ohm
Sensitivity: 88dB
Frequency response: 52Hz to 28kHz
Dimensions (hwd): 35 x 19 x 30cm
Weight: 6.9kg

Reasons to buy

+
Excellent clarity
+
Agile and articulate bass
+
Impressive dynamic punch

Reasons to avoid

-
Nothing at this price

Arguably the biggest and best-known British speaker company, Bowers & Wilkins still manufactures some of its most popular speakers at its factory in Worthing on the south coast of England.

To mark the 25-year anniversary of the B&W 600 range (in 2020), B&W decided to upgrade the 606s (and the rest of the range) - and it proved to be a wise move.

Cosmetically, there's not much new, but for an inscription on the tweeter surround and a new oak finish option. On the inside, there's an upgraded crossover that now features better-quality capacitors.

While retaining a broadly similar sonic character, the 606 S2 Anniversary Editions prove significantly more capable than their predecessors. The biggest differences are heard in the bass. The new version is so much more precise and controlled. There are improvements in clarity too, with voices offering extra subtlety, while the overall presentation is more natural and transparent.

Don't be fooled by the apparent minor upgrades, the B&W 606 S2 Anniversary Edition speakers deliver an impressive step up in performance.

Read the full review: B&W 606 S2 Anniversary Edition

Inside the Bowers & Wilkins factory to see the new 800 D4 speakers

Best speakers - Fyne Audio F302

An inspired update to the Award-winning F302 floorstanders.

Specifications

Sensitivity: 90dB/w/m
Impedance: 8 ohms
Type: Two-way, rear ported
Frequency response: 36Hz-28kHz
Max power handling: 120W
Mid/bass driver: 15cm
Tweeter: 25mm
Dimensions (hwd): 932 x 233 x 308mm (36.7 x 9.2 x 12.1-inches)

Reasons to buy

+
More refined presentation than F302
+
Cohesive and musical performance
+
Expressive dynamics

Reasons to avoid

-
Not much at this price

Formed by former Tannoy employees, Fyne Audio has filled a gap when it comes to brilliant hi-fi speakers born in Scotland.

The Fyne Audio F302 floorstanders debuted in 2018, swiftly becoming a firm favourite here at What Hi-Fi?. Now, Fyne’s engineers have taken the F302 and improved upon them.

The resulting F302i boast a number of neat upgrades. The 25mm polyester dome tweeter, for example, has been replaced by a titanium design derived from the company’s more premium F500 series, while the tweeter housing and crossover have been rejigged to maximise performance.

The sound of the F302i is smoother and more refined than their predecessors, with detail and tonal balance notably improved. Although, just like the original F302, these aren't the sweetest-sounding speakers at this level.

Build quality is nice for the price. Fyne has even mounted magnets on the back of the cabinet to provide a place for the grilles to be stored when not in use. And at 93cm high, these hi-fi speakers won't dominate smaller rooms.

Overall, Fyne Audio has done a great job with the F302i, zeroing in on the weak spots whilst keeping everything we like about the Award-winning originals. 

Read the full review: Fyne Audio F302i

Active floorstanders: KEF LS60 Wireless

(Image credit: Future)
KEF takes all-in-one hi-fi to a whole new level

Specifications

Uni-Q driver: 19mm HF vented aluminium dome; 10cm MF aluminium cone
Uni–core driver: 5.25in
Frequency range: 26Hz - 36kHz
Streaming: AirPlay 2, Google Chromecast, Roon Ready, UPnP, Bluetooth 4.2
Streaming services: Spotify, Tidal, Amazon Music, Qobuz, Deezer, QQ Music
Formats: MQA, DSD, FLAC, WAV, AIFF, ALAC, AAC, WMA, MP3, M4A, LPCM, Ogg Vorbis
Resolution support: Up to 24-bit/384kHz
Inputs: HDMI eARC, optical, coaxial, RCA, Ethernet
Subwoofer output: x2
Dimensions (hwd): 109 x 21.2 x 39.4cm (with plinth)
Weight: 62.4kg (total)

Reasons to buy

+
Empty List

Reasons to avoid

-
Empty List

For its 60th anniversary celebrations, KEF could have kept things relatively simple. It could have done the hi-fi equivalent of getting a few friends over for drinks, nibbles and maybe a couple of glasses of fizz. It could have built a new passive speaker to mark the occasion and nobody would have objected.

What KEF has actually done is go into full-on party mode, hiring a venue, getting the private caterers in and paying for a live band to keep us dancing into the early hours. In hi-fi terms it has decided to launch one of its most challenging products to date: the LS60 Wireless, a floorstanding sibling to its fantastic LS50 Wireless II all-in-one hi-fi system, and featuring two Award-winning innovative technologies.

But the KEF LS60 Wireless isn’t just towers based on the bookshelf version. That description just doesn’t do it justice. As you can see from the pictures and as you’re about to learn, the company has thrown so much at the LS60 that it's on a whole different level, both in terms of engineering and sound quality.

KEF redefined what you should expect from an all-in-one stereo system with the LS50 Wireless and it has managed to raise the bar once again with the stunning LS60 Wireless.

The company has managed to combine impressive engineering and a comprehensive feature set with an attractive user experience and top it all off with fantastic audio quality. It’s a fine example of modern hi-fi and currently has no real rival if you’re in the market for a convenient yet premium solution. The LS60 Wireless system is a fantastic achievement and a fitting way to celebrate KEF’s 60th anniversary.

Read our full KEF LS60 Wireless review

Best speakers – Wharfedale Diamond 12.1

(Image credit: Wharfedale)
Surprisingly sophisticated stereo speakers for their size.

Specifications

Type: 2-way, bass reflex
Max power: 100W
Mid/bass driver: 130mm
Tweeter: 25mm
Sensitivity: 88dB
Frequency response: 65Hz to 20kHz
Dimensions (hwd): 31 x 18 x 28cm

Reasons to buy

+
Detailed but easy-going nature
+
Seamless and fluid midrange
+
Pleasing build and finish

Reasons to avoid

-
Tough competition

Wharfedale started with a clean sheet here, and it shows. Pretty much everything is new, from the drive units to the cabinet construction. The result is a pair of compact, 31cm-tall boxes that have the ability to make the most of price-compatible hi-fi components.

Their sound is organised, cohesive and musical. They deliver an impressively expansive soundstage for the money that stays stable even when recordings become layered and demanding. We like the reassuring way the Diamonds handle larger-scale dynamics too, delivering more authority and scale than one might expect for speakers of a modest size and price.

This is a tough area of the market, however, and Wharfedale's superb speakers aren't short of talented rivals (such as the brilliant Elac Debut B5.2). Still, the impressive Diamond 12.1 deserve a place on anyone's shortlist.

Read the full Wharfdale Diamond 12.1 review

Best speakers - Ruark Audio MR1 Mk2

Fantastic desktop speakers blessed with a gorgeous design and superb audio.

Specifications

aptX Bluetooth: Yes
Inputs: Optical, line in
Output: Subwoofer
Dimensions: 17 × 13 × 13.5cm (HxWxD)

Reasons to buy

+
Stunningly musical sound
+
Subtle dynamics
+
Stylish, compact design

Reasons to avoid

-
No USB input

In 1985, Brian O'Rourke and his son Alan pooled their savings to rent a small workshop in Rayleigh, Essex, to develop and manufacture their first loudspeaker systems. Success followed, not least when the company spied a gap in the market for high-quality radio systems in the early 2000s. From that change of focus, ultimately came these excellent wireless desktop speakers.

We loved the first Ruark Audio MR1 wireless desktop speakers when they emerged in 2013. The retro looks, the intuitive design, the superb Bluetooth sound – it was a winning combination that earned two successive What Hi-Fi? Awards.

For a while the MR1s were toppled from their perch by the gorgeous KEF Eggs. But it was only a matter of time before Ruark Audio unveiled the MR1 Mk2. And sure enough, Ruark Audio is back with a vengeance, having regained its crown for the last couple of years.

These compact bookshelf speakers are packed with features and hugely versatile. Bluetooth apt-X active  allows you to stream music to the speakers in CD-like sound quality, an optical inpt means they're easily connected to a TV. Prefer analogue?  You can always use the AUX input to partner them with a turntable or plug in some headphones.

The step up in performance in impressive, and the Ruark MR1 Mk2s manage to be even more appealing than their predecessors. Quite simply, these are superb speakers if you're short of space.

Read the full review Ruark Audio MR1 Mk2

Standmounted speakers: Mission 770

(Image credit: Future)
Taking inspiration from the old ways can give great results

Specifications

Type: Two-way standmounter
Enclosure type: Front ported
Tweeter: 28mm soft dome
Mid/bass: 20cm mineral-loaded polypropylene cone
Sensitivity: 88dB/W/m
Nominal impedance: 8ohms (minimum 6 ohms)
Dimensions (hwd): 590 x 300 x 300mm

Reasons to buy

+
Articulate and insightful performance
+
Impressive bass clarity
+
Dedicated stands included in price

Reasons to avoid

-
Big and wide by current standards

We love classic old hi-fi. Give us a chance to hear an original pair of Quad ESL-57 electrostatic speakers, Krell’s first power amplifier, the KSA 100, or an early Linn LP12 and we simply wouldn’t be able to resist. A huge part of the appeal of these products is all about nostalgia, of course. Compared to the very best we can make today, each of this legendary trio would struggle, though it’s important to note that they would still charm due to their innate specialness.

But what if you take such a classic design as a base, and then execute it with the full might of current technology and the benefit of improved technical knowledge gained over the decades? This is something that JBL has already managed to do with the excellent L100 Classic and it’s a formula that Mission has followed with the resurrected 770 we have on test here. The company has even gone so far as to make these speakers at a new manufacturing facility in the UK to emphasise the heritage angle, rather than build in China alongside the rest of the range.

We think these new Mission 770 are right up there with the very best at this price. While the link to the past will be the main attraction for some, for us that’s put in the shade by the speakers' excellent all-round performance. The 770 have a range of sonic talents that sets them apart from most rivals and earns them a warm recommendation.

Read the full Mission 770 review

best british speakers: PMC Fact Fenestria

(Image credit: PMC)
Jaw-dropping price, jaw-dropping performance

Specifications

Crossover Frequency: 3.8kHz & 380Hz
Dimensions including binding posts (hwd): 170 x 37x 62cm
Frequency Response : 23Hz-25kHz
Impedance: 4 Ohms
Sensitivity: 86dB @ 1W, 1m
Weight: 80kg (each)

Reasons to buy

+
Effortless insight into recordings
+
Agile and powerful bass
+
Excellent build

Reasons to avoid

-
Extremely expensive

PMC is one of the few companies to have been awarded an Emmy, testament to how the company's studio monitors have been adopted around the professional audio world by music and movie producers alike.

Designed and built in the UK, all PMC speakers tend to major on insight and transparency. The Fact Fenestrias might just be the ultimate example. The sole concern of the range-topping (and thus very expensive) Fact Fenestrias is maximising sound quality – an opportunity to take a fresh look at every part of loudspeaker design and come up with engineering solutions that are as free from budget constraints as they can be. And it has clearly worked.

The Fenestrias deliver sound with an impartiality that’s deeply impressive, handling all genres of music with balance and precision. These are big speakers so you can expect scale, dynamism and authority to match, all delivered with an incredible sense of realism and accuracy. Want to check your window seals? Turn up the volume and you're treated to deep, powerful bass that's never strained nor loose.

Fantastically expensive and clearly demanding when it comes to space and the the rest of your system's components but there's no denying these are some of the best speakers we've ever heard. 

Read the full review: PMC Fact Fenestria

best speakers: Bowers & Wilkins 805 D4

(Image credit: Future)
The finest standmounters Bowers & Wilkins currently makes

Specifications

Type: Two-way design
Sensitivity: 88 dB/w/m
Impedance: 8ohms
Mid/bass driver: 16.5cm Continuum
Tweeter: 2.5cm diamond dome
Dimensions: 44 x 24 x 37cm

Reasons to buy

+
Class-leading clarity and resolution
+
Open, agile and articulate
+
Excellent build and finish

Reasons to avoid

-
Up against some tough competition
-
Don’t shine at low volume levels

The Bower & Wilkins 805 D4 are easy speakers to recommend. They’re beautifully made and packed with technology. We get the impression that the engineering team behind their design really delved into the details to eke out every ounce of performance they could. 

The result is arguably the most insightful and detailed sounding pair of speakers at this level. They deliver a sound that's balanced, wide open and packed to bursting with detail. Outright clarity is class-leading and vocals sound focused and refined. 

We wouldn’t be doing our job if we didn’t mention that there are a number of excellent alternatives – KEF Reference 1ProAc K1Fyne Audio F1-8 – all of which are larger and able to dig deeper with more authority, but these remain extremely accomplished speakers.

If you’re lucky enough to be buying at this level, make sure the 805 D4 are on your shortlist.

Read our Bowers & Wilkins 805 D4 review

Streaming system: KEF LSX II

(Image credit: Future)
A fantastic, multi-talented streaming system perfect for smaller rooms

Specifications

Driver: Uni-Q driver 19mm HF aluminium dome; 11.5cm MF aluminium cone
Streaming: AirPlay 2, Google Chromecast, Roon Ready, UPnP, Bluetooth 4.2
Streaming services: Spotify, Tidal, Amazon Music, Qobuz, Deezer, QQ Music
Resolution support: PCM up to 24-bit/384kHz, DSD256, MQA
Inputs: HDMI ARC, USB-C, optical, Ethernet
Output: Subwoofer
Dimensions (hwd): 24 x 15.5 x 18cm
Weight: 7.1kg (total)

Reasons to buy

+
Well-rounded sonic performance
+
Excellent imaging and dynamics
+
HDMI and USB-C inputs

Reasons to avoid

-
Native 24-bit/192kHz playback requires wired connection
-
Best suited to smaller rooms or desktop use

KEF’s LS50 Wireless II and newly launched LS60 Wireless have stolen a lot of headlines in recent months (and rightly so), but we shouldn’t forget there is actually a third member of KEF’s wireless speaker system family.

The KEF LSX launched way back in 2018 and the diminutive streaming speaker system (try saying that fast five times in a row) made an immediate impact. We handed it a five-star rating and a number of subsequent What Hi-Fi? Awards for its efforts. Given the evolution of the rest of the range since, though, it’s probably about time that we saw a sequel. And here it is. Say hello to the KEF LSX II.

KEF’s taken what was already a winning formula, introduced some key upgrades that improve functionality and usability, and without really altering the speaker hardware has produced a talented set-up that sings with any genre of music sent its way.

The KEF LSX II is a stylish streaming system that comes with none of the baggage and boxes a separate set-up brings. Nothing else really comes close at this level.

Read our full KEF LSX II review

Best speakers - Wharfedale Evo 4.4

(Image credit: Wharfedale)
Wharfedale shows it can mix with the best premium speakers

Specifications

Sensitivity: 90 dB/w/m
Driver: 3-way bass reflex, AMT tweeter, Kevlar bass drivers
Impedance: 4ohms
Max power handling: 200W
Speaker terminals: single
Dimensions: 105.9 x 25.7 x 35.6cm (hwd)

Reasons to buy

+
Natural, easy-going presentation
+
Excitement and rhythmic drive
+
Fine build and finish

Reasons to avoid

-
Need a large room to shine

These are the biggest and priciest offerings in the Wharfedale's Evo range and are packed full of so much technology that we had to double-check the price. The Air Motion Transformer tweeter is normally reserved for much more expensive speakers, while the dome midrange and twin Kevlar bass drivers also set these floorstanders apart from the crowd.

It won’t come as a surprise that these relatively big speakers produce a large-scale sound with plenty of authority that's capable of going nice and loud. But they also deliver transparency and subtlety, helping to ensure a natural, easy-going presentation.

There are three finish options – black, white and walnut. Build quality is good for the price, and the elegant curves of the cabinet add a touch of class. Some clever bracing and damping minimise resonance.

Rivals such as the excellent Fyne Audio F501s might sound a little more exciting, but over a longer listen the Evo 4.4’s easier-going presentation is more natural and convincing. A superb pair of premium floorstanders that get better with every listen. 

Read the full review: Wharfedale Evo 4.4

Best speakers - Q Acoustics 3030i

(Image credit: Q Acoustics)
An excellent addition to the 3000i series of speakers.

Specifications

Bi-wire: No
Driver: 16.5cm mid/bass, 22mm tweeter
Sensitivity: 88dB/w/m
Impedance: 6ohms
Dimensions: 32.5 x 20 x 33cm

Reasons to buy

+
Insightful and expressive
+
Impressive, well-integrated bass
+
Fine build

Reasons to avoid

-
Tough competition

Q Acoustics has been around for a relative blink of the eye in hi-fi terms, being formed by a collection of audio experts in 2006. It has made up for lost time with a succession of superlative speakers, not least the latest 3000 series.

The Q Acoustics 3030is are the largest of the three standmounters in the 3000i range and latest to receive a glowing five-star review.

Give these boxes a few days to settle and they produce a sound that’s familiar yet surprisingly muscular compared to other Q Acoustics speakers. Like the other speakers in this 3000 range, these are impressively cohesive performers with a smooth tonal balance and easy-going nature. 

There's impressive weight at the low-end, but bass remains well integrated and controlled. Dynamics are impressive and they stay composed when asked to work hard at high volume. Detailed, rhythmic and ultimately rewarding, they're a great addition to the speaker market at this price.

Read the full review: Q Acoustics 3030i

Best speakers: ProAc Response DT8

These towers deliver a sparkling performance.

Specifications

Sensitivity: 90 dB/w/m
Impedance: 8ohms
Max power handling: 180W
Mid/bass driver: 16.5cm
Tweeter: 25mm
Dimensions: 97.8 x 19.3 x 23cm (HxWxD)

Reasons to buy

+
Agile, articulate sound
+
Expressive dynamics
+
Insightful midrange

Reasons to avoid

-
Slightly over-badged

ProAc started life as a hi-fi shop called Celef, in Borehamwood on the outskirts of North London. Celef speakers soon followed before ProAc became the moniker of choice in 1979, based on a new driver design which had originally been designed with "pro" audio in mind. 

Professional Acoustics remain adept at speaker design with these Response DT8 floorstanders as fine a recent example as we've heard. 

We also have no complaints when it comes to build, which is as good as we’ve come to expect from ProAc. The 98cm tall cabinet feels immensely solid, and is blessed with crisp edges and neatly applied wood veneer.

You'll notice that the DT8s use two different types of 16.5cm mid/bass driver working in tandem. The idea is to get the best of all worlds - a polypropylene cone in the top unit shoots for natural mids, while a stiff poly mica diaphragm in the lower to deliver powerful-but-articulate bass. The trick is to get the two working seamlessly, which isn’t easy. 

While not perfect, these towers turn in as musically cohesive a performance as we’ve heard around this price. Slightly odd appearance aside, we really like these speakers. They deliver such an entertaining sound we can’t help but recommend them. Take a bit of care with system-matching and they will impress.

Read the full review: ProAc Response DT8

Best speakers: Spendor A7

Elegant floorstanders with a dynamic sound.

Specifications

Sensitivity: 88 dB/w/m
Impedance: 8ohms
Max power handling: 200W
Mid/bass driver: 18cm
Tweeter: 22mm
Dimensions: 93.4 x 18 x 30cm (HxWxD)

Reasons to buy

+
Stunning insight and precision
+
Expressive sound
+
Compact size and unfussy nature

Reasons to avoid

-
Nothing of note

Spendor was founded in the late 1960s by Spencer and Dorothy Hughes – the 'Spen' and 'Dor' in the name – and continues to turn out excellent stereo speakers to this day.

Take the current A-Line series and these A7 floorstanders; they sound great, look great and are compact enough to fit into most homes.

Build quality is of a high standard, with crisp edges and impeccably smart wood veneer finishes in a choice of black ash, dark walnut or natural oak – there’s also a satin white option (for an additional fee).

Each speaker has an 18cm mid/bass driver and a 22mm tweeter with a wide surround to disperse the sound even further. Performance is refined yet entertaining, combining stunning precision, clarity and subtlety with hugely enjoyable dynamics and rhythm. They time with pinpoint accuracy and are immensely transparent – without straying into 'clinical-sounding' territory. 

It’s worth taking care when partnering them, though. The A7s will work happily with most capable amplifiers, but something like the powerful-yet-poised Roksan Blak amplifier (£2800) will add a touch more warmth to the overall sound.

If you’re in the market for a new pair of top-notch floorstanding speakers, these elegant Spendor A7s should make their way to the top of your list.

Read the full review: Spendor A7

best speakers - ProAc K1

(Image credit: ProAc)
Flagship standmounters deliver a masterful sonic balancing act

Specifications

Type: Two-way design
Sensitivity: 90 dB/w/m
Impedance: 8ohms
Mid/bass driver: 16.5cm Kevlar
Tweeter: Ribbon
Dimensions: 57 x 26 x 40cm

Reasons to buy

+
Natural and insightful midrange
+
Expressive dynamics
+
Composed nature

Reasons to avoid

-
Optional stands are pricey
-
Tough competition

This is a tough part of the market to crack, with exceptional performers available from almost every major speaker manufacturer – many of which are on this page. Yet, the ProAc K1 still manage to stand out among such talent. These aren’t necessarily the very best in one specific area – though we do love their wonderful midrange – but they still deliver a balance of sound that is utterly spellbinding in the right system. 

Ask us to describe the K1’s sound in one word, and we’d pick ‘musical’. With a bit more leeway on the word count, we might add ‘expressive’, ‘cohesive’ and ‘comfortable’. The latter isn’t a term we use often when describing the sound of a product, but it fits these standmounters perfectly. These are the kind of speakers that you can listen to for hours on end without feeling fatigued, although don’t mistake calmness for boring – that simply isn’t the case here. 

ProAc may have waited 12 years to release a K series standmounter to go alongside its veteran K series floorstander model, but that wait was well worth it.

Read the full ProAc K1 review

Best speakers - Wilson Benesch Precision P2.0

(Image credit: Wilson Benesch)
These floorstanders set the bar at this level

Specifications

Type: 2.5-way floorstander
Sensitivity: 89dB
Impedance: 6 ohms
Mid/bass driver: 2 x 17cm
Tweeter: 1 x 25mm
Dimensions: 110.5 x 27 x 47cm

Reasons to buy

+
Exceptional detail resolution
+
Impressive engineering
+
Excellent build

Reasons to avoid

-
Need a larger room to shine

Wilson Benesch, located in Sheffield, South Yorkshire, has never followed the herd. Its first products – a turntable and tonearm – were made using carbon fibre, something considered exceptionally high-tech back then in 1989.

The Wilson Benesch Precision P2.0 can trace their lineage right back to the company's first speakers, the A.C.T. One, using the same hybrid construction principles but instead of carbon it's aluminium and wood. Drive units are designed in-house and feature elaborate faceplates cleverly-shaped to reduce distortion.

Of course, these are very expensive speakers (£9495, $14,000, AU$18,990), so you need serious amplification to even contemplate them, but if your system allows for them, they really are top of their class. In terms of clarity and transparency, they're unrivalled, while there's also a level of authority and dynamic punch that smaller speakers just can't match.

Read the full review: Wilson Benesch Precision P2.0

Best British speakers: ATC SCM19

(Image credit: ACM)
Transparent, musical performers.

Specifications

Sensitivity: 85 dB/w/m
Impedance: 8ohms
Mid/bass driver: ATC 15cm SL
Tweeter: 25mm Neodymium soft dome
Max power handling: 300W
Dimensions: 43.8 x 26.5 x 30cm (HxWxD)

Reasons to buy

+
Honest and insightful sound
+
Impressive dynamics
+
Crisp rhythmic drive
+
Rock-solid build
+
Impressive drive-unit engineering

Reasons to avoid

-
Metal grilles look less than classy

Pink Floyd and Supertramp were early customers of ATC, and the Gloucestershire-based firm continues to impress with its superb, hand-built loudspeakers. 

The SCM19s offer spellbinding levels of detail and deliver a nuanced performance that's true to the original recording without sounding clinical. 

In short, these beautifully assembled, traditional-looking speakers are a terrific buy – especially if you value musicality above all else. 

Read the full review: ATC SCM19

Best British speakers: Mission QX-2

(Image credit: Mission )
Fun, energetic and outstanding value for money.

Specifications

Sensitivity: 88 dB/w/m
Impedance: 8ohms
Max power handling: 120W
Mid/bass driver: 15cm pulp/acrylic fibre
Tweeter: 38mm ring radiator
Speaker terminals: Single
Dimensions: 32 x 22 x 31cm (HxWxD)

Reasons to buy

+
Energetic and insightful sound
+
Good rhythmic drive
+
Fine build and finish

Reasons to avoid

-
Tough competition

Mission Electronics was founded in 1977 by Farad Azima, and a year later released the famous 770 loudspeaker, which featured the world’s first commercial polypropylene bass unit. Mission is now owned by China's IAG group, but top-class British audio engineering remains critical to its design and production process. 

The QX-2s are sensational speakers that perform brilliantly across the board and look pretty smart, too. Fun, energetic and detailed, they remain some of the best budget standmounters we've seen in recent years and still a fine budget buy.

Read the full review: Mission QX-2

Wharfedale Linton speakers

(Image credit: Wharfedale)
The best of old hi-fi combined with the best of the new

Specifications

Sensitivity: 90dB
Impedance: 6ohms
Biwirable: No
Weight: 18.4kg (each)
Dimensions: 56.5 x 30 x 33cm (HWD)

Reasons to buy

+
Effortless bass production
+
Detailed, open soundstage
+
Authentic good looks

Reasons to avoid

-
Divisive looks

Wharfedale is undoubtedly a classic British hi-fi brand. But while we often say that good sound doesn’t get old, it does still date. Listen to hi-fi equipment from yesteryear and you might notice a different audio presentation more suited to the music from that era. 

In the case of the original Wharfedale Linton speakers, that era was between 1965 and the late 1970s – a time of big trousers, big music and big speakers. If you fancy a speaker that's built using modern methods and materials, but that takes this old-school approach to styling and sound, then you might well want the new version of the Linton. 

These speakers do an impressive job of capturing something of an older, fuller, more easy and open style of hi-fi sound without forgetting to make the music exciting. That excitement may not come thundering out of its cones, but you don’t need whisky and elbow patches to enjoy it either. With effortless weight, spot-on stereo imaging and layer upon layer of marvellous detail, you could listen to these speakers for days and still not get tired. 

Read the full review: Wharfedale Linton

MORE

The best British speakers of all time

The best British stereo amplifiers of all time

The best British CD players of all time

The best British turntables of all time

Lewis Empson
Staff Writer

Staff Writer Lewis is the newest addition to the What Hi-Fi? editorial team. Previously Gaming and Digital editor for Cardiff University's 'Quench Magazine', Lewis graduated in 2021 and has since worked on a selection of lifestyle magazines and regional newspapers. In his down time he enjoys gaming and regular cinema trips.

  • JacksonMichael1
    Thank you for sharing this information with us.

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    Reply
  • HappySounds
    Is there some reason you ignore the Falcon speakers? I have been dying to read a review of the IMF100 which can now be obtained in a complete form rather than just as a kit. Being cynical I can’t help but wonder if the reason is that they never pay to advertise in any of your magazines?
    Reply
  • Nintendologist
    Also - where are Monitor Audio?
    Reply
  • Nick Namers
    3985If someone has no time to read your recommendation in its entirety but looks at the pictures and numbers you provide, it's unclear which speakers are considered to be the best ones. Is that number one or the number seventeen? Why not be a little more thoughtful?
    Reply