Some ear-time with the SoundScience QSB cubes

Following on from my blog-post the other day about what NXT's been up to of late, I caught up with David Archer of SoundScience, the maker of the little QSB speaker system I mentioned there. It's the first system to use NXT's DyadUSB amplifier/speaker package, able to deliver 2x15W into a pair of NXT Balanced Mode Radiator drivers using no more than the power on the USB connection.

David happened to have some meetings not too far away from Haymarket Towers the other day, so came in with an early sales sample of the QSB, production of which starts early in October in time for the Christmas market. And when he insisted on me having a play with the sample speakers for a couple of days, was I going to refuse?

David showed me a very nifty pair of ceramic-bodied 'in-ear monitors', which combine a real luxury feel with a superb sound, no doubt in no small part due to the ultra-rigid, resonance-damping properties of the housings.

But for now we have the QSB themselves, likely to be in the shops in the next month or two at a price equivalent to €99. SoundScience has European warehousing and distribution in the Netherlands, and its salesforce is working with the 'big box' retail chains as we speak.

The speakers are small -– just 8.5cm on each side –, solidly built with their metal-mesh grilles, and have no controls: you just plug in using the USB cable, and then control the sound using your computer's sound controls, the volume slider in iTunes or whatever, and of course adjust the tonal balance using the iTunes equaliser.

Not that you're likely to want to do that much. Even though the set we had weren't quite to finished production spec – in that the USB cable and the link between the two speakers were via fixed cables, whereas in production they'll be detachable for easier packing for travel – the sound from these little cubes is mighty impressive.

Room-filling sound
They can easily fill a reasonably-sized room without any break-up or sonic nasties, and do that almost magical NXT/BMR thing of maintaining a decent stereo image even when you're much closer to one speaker than the other.

I've asked for a proper review sample to lob at the test team just as soon as the finished version hits these shores, not least because I'd really like to play with them some more...

Andrew has written about audio and video products for the past 20+ years, and been a consumer journalist for more than 30 years, starting his career on camera magazines. Andrew has contributed to titles including What Hi-Fi?, GramophoneJazzwise and Hi-Fi CriticHi-Fi News & Record Review and Hi-Fi Choice. I’ve also written for a number of non-specialist and overseas magazines.