I tried spatial audio with head-tracking on Android – and there's good news and bad news

Dynamic Spatial Audio
(Image credit: Future)

3D audio has been more of a buzzword than 3D anything else for some years now, and since Apple introduced its own 3D audio technology – called ‘spatial audio’ – in 2021, the term has been bandied around at nearly every Apple device launch event. Apple’s spatial audio has been an enjoyable addition to the iOS and AirPods experience… for iOS and AirPods users. But what about Android users? 

Well, many non-Apple devices support immersive sound technologies like Dolby Atmos and 360 Reality Audio, and from next year we will start seeing other phone and headphones manufacturers launch models with the spatial audio experience. That’s because, as well as Android 13 laying down the framework for an Android spatial audio experience, telecomms giant Qualcomm is launching new chips that support its own version of spatial audio technology – Dynamic Spatial Audio – for the first time, and they will begin finding themselves in devices in the coming months. The new Snapdragon 8 Gen 2 phone chip will likely come to many of the flagship Android phones, while the new S3 or S5 Gen 2 audio chip is the one headphone and speaker brands will need to snap up (and Bose looks set to be one of those committed brands).

I attended the company’s annual conference and got a taster of what to expect from Qualcomm’s Dynamic Spatial Audio. So firstly, what is it? Well, like any and all 3D audio technologies and formats, Dynamic Spatial Audio delivers audio content – straight-up music, or soundtracks for films or games – in a broader, more dimensional soundscape in an effort to immerse the listener in sound. The ‘Dynamic’ part refers to something rather crucial – that the soundfield can move and adapt as the listener’s head turns so that the audio is always ‘glued’ to the location of the screen. So, if you’re wearing headphones with your phone in front of you while watching a film and you twist your head to the right, the headphones’ soundfield between your ears shifts more to the left earbud – just as, in a real-life situation, your left ear would hear more of what someone in front of you was saying than your right ear if you turned your head to the right. The idea is that it feels more natural.

Now, I’ve heard spatial audio through an iPhone/iPad and AirPods 3/Pro before, so I knew roughly what to expect. It seems a bit strange – redundant even – to have the head-tracking feature for moments when you’re sat comfortably looking straight ahead at a screen, though the adjustments do kick in for even the subtlest head movements – not just when you’re mimicking an owl for demonstration’s sake (or spinning around and around on the spot like some other journalist decided to do for his demonstration…). On previous occasions, I have found the effect more worthwhile when more casually watching something on a screen in a kitchen while moving around it, and I can imagine this being an even better experience through a wireless speaker that detects your body movement across a room as opposed to through headphones when you don’t want the isolation that headphones inherently provide. This could well materialise, though I imagine the spatial audio experience will first and foremost be offered through headphones.

My colleague not long ago wrote about how compelling a movie experience you can get from 'just' an iPad and pair of AirPods Max, partly thanks to the duo’s spatial skills, and this on-the-go movie experience is where I can see spatial audio thriving. Look out for the technology brandished on headphones, earbuds and speakers next year, particularly if you’re someone who watches a lot of TV or films or plays games on portable screens.

Becky Roberts
Freelance contributor

Becky is a hi-fi, AV and technology journalist, formerly the Managing Editor at What Hi-Fi? and Editor of Australian Hi-Fi and Audio Esoterica magazines. With over twelve years of journalism experience in the hi-fi industry, she has reviewed all manner of audio gear, from budget amplifiers to high-end speakers, and particularly specialises in headphones and head-fi devices.

In her spare time, Becky can often be found running, watching Liverpool FC and horror movies, and hunting for gluten-free cake.