Tested June 2010
Right from the off (November 2007's First Test) we've been big fans of the A5 speakers.
Just about compact enough to work on a desktop, though we'd recommend dedicated stands, they're a smoothly finished, glossy proposition.
The passive right-hand speaker, with just a reflex port and speaker binding-posts at the rear, is slaved to the left-hand speaker – which is where the action is.
This powered box houses 50 Watts of amplifier power per channel, two 3.5mm inputs (plus a USB output for charging your MP3 player), two subwoofer pre-outs for those who crave significant low-frequency action at their desk, speaker binding-posts for union to the left-hand speaker and an (EU) mains AC output for use with Airport Express.
Well-judged treble, timing and communication
The A5s come with a short 3.5mm-3.5mm connection, so any MP3 player will probably end up resting on top of the speaker – not ideal.
Nevertheless, with an iPod delivering a lossless file of The The's Gravitate To Me, the A5s sound stirring and subtle.
Stereo focus is good, and the top of the frequency range is judged equally well: treble sounds are crisp without tipping into hardness.
There's fine timing on offer, and a composed, unflappable quality to the midrange that makes a vocalist sound characterful and communicative.
There's a discernible shortage of dynamic potency available when push really comes to shove, mind you, and low frequencies can be a little soft and squashy. Still, your £225 is buying a really fine desktop sound.
Every aspect of the A5s is enjoyable, especially the way they make your MP3 player sound. Now replaced by the Audioengine A5+
- Flexible spec
- smoothly built
- poised, persuasive sound
- Really need to be on speaker stands to hear them at their best
Tested June 2010