Britain declared "a digital music nation" as digital singles account for 99.6% of sales

The use of social media and the rapid rise of downloading music has turned Britain in to a ‘digital music nation’, according to a new report released.

In the British Phonographic Industry (BPI) Digital Music Nation report, it is revealed over a quarter of the population have purchased downloads or streamed content legally in the last year.

By contrast, sales of CDs, DVDs, Blu-rays and video games fell by 17.6% in 2012 – although they still account for around three quarters of the home entertainment market.

68.8% of people had heard of Spotify, closely followed by 63.8% awareness for Napster, 34.4% for last.fm, 13.0% for Deezer, 12.8% for we7 and 11.7% for Rdio, which recently announced a free service for the UK.

In the UK, Edinburgh residents were revealed as the biggest users of Spotify (per-capita), followed by Cardiff, Southampton and London.

"High Street will continue"

The report comes as HMV continues to struggle, with administrators yesterday announcing it was to shut 66 HMV stores, with scores of staff being made redundant.

No surprise perhaps, with the BPI report claiming almost one in five consumers have fully transitioned from physical to digital music, preferring to buy all their music in digital format.

New data showed the average music spend of legal only music consumers (£33.43) to be substantially more than the spend of filesharers (£26.64).

BPI chief executive, Hurst, was quick to support struggling stores, however, saying that there had “[High Street music retail] will continue – we must do all we can to serve music fans who love CDs and vinyl.”

Top Spotify streaming music cities (per-capita usage)

1. Edinburgh

2. Cardiff

3. Southampton

4. London

5. Bristol

6. Leicester

7. Sheffield

8. Coventry

9. Nottingham

10. Brighton

See also: Digital downloads break through the £1bn barrier

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Joe Cox
Content Director

Joe is the Content Director for What Hi-Fi? and Future’s Product Testing, having previously been the Global Editor-in-Chief of What Hi-Fi?. He has worked on What Hi-Fi? across the print magazine and website for almost 20 years, writing news, reviews and features on everything from turntables to TVs, headphones to hi-fi separates. He has covered product launch events across the world, from Apple to Technics, Sony and Samsung; reported from CES, the Bristol Show, and Munich High End for many years; and written for sites such as the BBC, Stuff and The Guardian. In his spare time, he enjoys expanding his vinyl collection and cycling (not at the same time).