A Girl Walks Home Alone At Night – Blu-ray review

Ever since the skeletal, rat-toothed figure in 1922’s Nosferatu, cinema has had a long love affair with vampire tales.

For decades, cult classics have persistently drawn upon our perceptions of the undead - from gothic, seductive Dracula to sparkly skinned heart-throb Edward Cullen.

Just when we thought the recent vampire movie epidemic had sucked most the genre’s last drops of originality, along comes an Iranian vampire western (unsurprisingly, the first) that’s as fresh and original as its mouthful of a title.

The lack of action and dialogue give this film a languid, dream-like feel, sporadically punctuated by darkly comic moments.

At its best, Ana Lily Amirpour’s directorial debut is moody and surreal; at worst, a little too pretentious and arty. It builds to a satisfyingly bitter-sweet ending but its self-conscious pacing and longheld shots can try your patience.

The noir cinematography is crisp and striking, and all about black detail and high-contrast as faces hide in the shadows and car lights tear through the night. Audibly though, it couldn’t be more colourful. The vivid score – from Iranian pop and techno to frenetic, haunting overtones reminiscent of 1960s Hammer scores – demands swinging dynamics and energy from your system.

A Girl Walks Home might just be one of the most inventive films of the year, but it’s also proof that there's life in the vampire genre yet.

Buy A Girl Walks Home Alone At Night on Blu-ray at Amazon

Bonus content

  • Deleted Scenes
  • Vice Behind the Documentary
  • Vice Meets Ana Lily Amirpour and Sheila Vand

Kob began his career at What Hi-Fi?, starting in the dusty stockroom before rising up the ranks to join the editorial and production team as the Buyer’s Guide editor. Experienced in both magazine and online publishing, he now runs the TV & audio section at Trusted Reviews where he keeps a beady eye on all the latest comings and goings in the hi-fi and home cinema market.