3D at home: look out, there's a monster coming…


So, the 2009 IFA show has been awash with 3D demonstrations from big names including LG, Panasonic, Samsung and Sony.

The Blu-ray Disc Association is promising 3D standards will be set by the end of the year.

And some of the big movers and shakers are promising we'll start seeing 3D TV systems in British homes next year.


Excited yet? It seems you should be: we're told 3D TV at home is going to be the Next Big Thing. Flat, it seems, is so noughties; the 2010s are going to jump out of the screen at us.

But there's a bigger picture behind all this, and it has rather more depth than you might initially imagine.

The recent return of 3D to the cinema, and its impending arrival in our front rooms, is also about money; it's to do with addressing declining revenues.

After all, once consumers understand that £80 is what you pay for a Blu-ray player, and £269 the going rate for a 32in LCD TV, persuading them to pay any more for a premium product is something of a hard sell. Ask Pioneer…

Product differentiation
That's not to say the manufacturers haven't been trying their hardest to set their premium products apart from the budget stuff at the bottom end of the mass-market: think larger screens, thinner screens, internet-capable screens, LED-lit screens and so on.

But given that all flat TVs look much the same to many consumers – a flatscreen is a flatscreen is a flatscreen, and many still refer to LCDs as 'plasmas' – it really is tough to get mass-market consumers to spend more.

In the hardware world, 3D at home could be next big bonanza, or at least so the big names hope. Now they've taken us from CRT to flatscreen, from HD ready to Full HD, and from VHS to DVD to Blu-ray, the mere fact of better picture quality is running out of steam as a 'must have' proposition.

New player, new TV
3D, however, will require a new player and a new TV: after all, the player will have to deliver twin 1080p picture-streams, and the TV show twice as much information as it does now, if 3D isn't to be at the expense of lower overall picture quality.

And you can be sure those 3D products are going to sit at the top of the manufacturer's price-ranges, just as 3D Blu-rays will be pitched above the regular editions.

Yes, there's the reassurance that the new players will be back-compatible, allowing conventional 'flat' BD titles to be played, and 3D titles to be played in 2D, unless the disc mandates that it will only play in 3D, but there's no mention of the new discs being compatible with old players.

So we may well see titles getting exclusive releases in 3D to keep the early adopters and enthusiasts happy, perhaps with added content, and then appearing in 2D versions a little later. If you don't buy the 3D version, you may be made to feel like a bit of a pauper.

Let's not get carried away, chaps...
However, let's hope that the electronics companies and content providers don't get carried away with the whole 3D thing, and think that entire back catalogues can be tweaked up with a bit of depth and the odd pop-out computer graphic.

And yet it still goes on: last night I caught the start of Discovery HD's WWII in Colour and HD, its latest attempt at repackaging the archive film at the heart of much of its historical output.

Much heralded, it was packed with swimmy colours, fuzzy edges and aircraft looking like they'd come from the lid of an Airfix box. Only brighter.


To be frank, I started to watch it because I thought I should see what the quality was like. I gave up after a few minutes – the picture quality was pretty hard on the eyes.

I'm sure 3D done properly won't be like that when we're sitting at home watching through our special alternate shutter glasses – but I do fear the need to feed the 3D monster once it's unleashed will mean as much bad content as good...

Andrew has written about audio and video products for the past 20+ years, and been a consumer journalist for more than 30 years, starting his career on camera magazines. Andrew has contributed to titles including What Hi-Fi?, GramophoneJazzwise and Hi-Fi CriticHi-Fi News & Record Review and Hi-Fi Choice. I’ve also written for a number of non-specialist and overseas magazines.