It doesn’t look much like an iPod dock, does it? Nevertheless, this two-box system, which is sporting separate speakers as well as a little stand for the individual dock and amplifier components, is Pro-ject’s idea of a microsystem for your iPod.
We have nothing against the idea in theory – if you don’t mind what is arguably a fussier solution than just plonking down a Zeppelin-esque machine on a desktop – but we have to say the execution could be a little smarter in this instance.
Supplying decent cabling is a positive move, it’s true; but the choice of such rigid cables makes it a fiddly business getting everything set up correctly.
It does mean, though, that you can upgrade your speakers, should you desire.
The boxes themselves have a few sharp edges that could have been smoothed, while the stand doesn’t overly inspire any feelings of style or panache.
More after the break
Connectivity is fine, with a USB connection for updates, S-Video output for sending video and a dock that allows you to secure your iPod.
It’s not ‘Made for iPhone’ so, while it will play and charge your phone, you’ll need airplane mode on to avoid interference.
There’s a slim and small remote control to complete the package that gives full control, too.
A bright, lively sound
Expectations are high. The brand, design and price mean we expect big things from this system on sound.
A listen to Adele’s Someone Like You shows it’s capable of expressive vocals thanks to a detailed midrange.
Treble sounds are more forward in the mix than others, making for lively presentation – but one that can make you wince with an edgy recording played loud.
Foo Fighters’ Bridge Burning jumps along at a good pace, the Pro-ject sounding light on its feet. That pace is undoubtedly helped, however, by the absence of any real bass weight.
The new Kryptic Minds album really ought to have serious depth alongside room-filling atmospheres, but we don’t get the power or scale found on rival docks at this money.
The Pro-ject DBS1 is fast and detailed, and it certainly delivers open, natural vocals – it’s just lacking a little weight and poise at the top end.