That Was Then… Musical Fidelity X-LP

Outboard phono stages haven’t always been a thing. Up until the late ’80s they were the preserve of obsessive high-end brands and those seeking the last percentage point of performance. Then CD took off, and vinyl sales fell off a cliff.

Amplifier manufacturers saw the potential for saving costs and decided to ditch the built-in phono sections in their products.

Those who still wanted to play their records had to find an alternative – and that led to the rise of the affordable stand-alone phono stage.

See all our phono amp reviews

If you’ve read the phono stage Group Test in our July issue you’ll notice Musical Fidelity’s LX2-LPS doing rather well.

It’s a well-built, sensibly featured product that also sounds remarkably sophisticated. We're not surprised. Musical Fidelity has long produced fine-sounding electronics, as the X-LP phono stage we reviewed back in July 1997 proves.

The company made more distinctive-looking products back then. The X-LP was built into a lovely cylindrical casing, a design used across the range (which also included preamplifiers, monobloc power amps and headphone amplifiers).

Take a look at the specification sheet and there’s not much to differentiate the X-LP from its descendant – both can cope with moving-magnet and moving-coil cartridges, though the newer product allows for adjustment of cartridge loading (albeit in a rather clunky way).

Start listening to your music and the two have far more in common than the difference in appearance and the time gap might suggest. Both have a refined, spacious sound that’s packed with detail.

The LX2-LPS is cleaner sounding and more precise, perhaps, but the old-timer doesn’t lose out when it comes to the fluidity of dynamics or the ability to enthral the listener.

If you find a second-hand X-LP for a good price, don’t hesitate to take the plunge. You won’t regret it.

MORE: Musical Fidelity LX2-LPS review

Simon Lucas is a freelance technology journalist and consultant, with particular emphasis on the audio/video aspects of home entertainment. Before embracing the carefree life of the freelancer, he was editor of What Hi-Fi? – since then, he's written for titles such as GQ, Metro, The Guardian and Stuff, among many others.