Do your headphones constantly run out of power at the worst times? Maybe you're left with no entertainment on a flight? No escape from workout noises at the gym?

Well, our experts have found a solution. The Sony WH-CH520, now only £25 at Amazon, have a whopping 50-hour battery life, which is perfect for long travel periods, weekends away or just hectic everyday lives.

They're five-star headphones too, with the best sound quality we've heard at this price. So whether you need a full-on replacement, a low-cost option for your child as they head to university or just a cheap backup pair, the WH-CH520 have an all-around appeal.

You'll need to make sure you tick the voucher code to get this price, which is only available on the black model.

It's hard to nail the basics at the budget end of the market, which makes the WH-CH520 all the more impressive – Sony has proven it's just as good at making affordable wireless headphones as premium ones.

As you might expect, the WH-CH520 aren't exactly glamorous, but they are well made, solid and robust. They're also lightweight at 147g, ideal for taking on travels or long gym sessions.

On top of the 50-hour battery life, which even many premium headphones don't reach, the WH-CH520 offer Bluetooth 5.2, physical on-cup playback buttons, and compatibility with Sony's Headphones Connect control app, which offers EQ presets and custom adjustment. Not bad for the price of a drinks round.

However, it's the sound that really sets the WH-CH520 apart from other headphones at this price.

"The Sony WH-CH520 don’t take long to establish themselves as a nicely balanced, quite informative and enjoyable listen," our Sony WH-CH520 review reads, which then goes on to detail the solid, deep and controlled low-end and informative midrange.

If you do have a bit more budget, the step-up Sony WH-CH720N add active noise-cancelling and improved sound quality for £40 more. However, you won't be disappointed by the WH-CH520, especially at this price.

If you want impressive battery life at the best possible price, it's hard to argue with the value of the Sony WH-CH520. Whether for yourself or as a gift, the WH-CH520 won't let you down when it comes to battery life and is now available at its lowest price of £25 at Amazon.

MORE:

Want noise-cancelling? Also consider the next-model-up Sony WH-CH720N

Prefer in-ears? Here are the best wireless earbuds you can buy

Our expert pick of the best over-ear headphones: wired and wireless over-ears for every budget

Bose has announced the second generation of its popular wireless QuietComfort Headphones.

The QuietComfort Headphones (2nd Gen) were unveiled today and feature several upgrades that have trickled down from the firm's more premium flagship QuietComfort Ultra Headphones (2nd Gen).

Intended to provide a “more immersive listening experience”, these include improvements to active noise cancellation (ANC), as well as new spatial audio features and wired listening capabilities.

When it comes to ANC performance, the new headphones feature an upgraded six-microphone array, which the company claims better compensates for gaps in the earcups' seal. Additionally, a revamped Aware mode is designed to soften sudden noise spikes from your environment more effectively.

As introduced in the flagship QC Ultra Headphones (2nd Gen), noise cancellation can be completely switched off or manually adjusted via the Bose app. Users are also able to create customised noise cancellation modes, which can be cycled using a button on the left earcup.

Bose claims the second-gen model retains the brand’s “high-quality sound and proprietary SoundDesign digital signal processing”, but it hasn’t shared any specific details about what improvements have been made between the two generations, if any.

The second-gen QC headphones also feature wired lossless playback up to 24bit/48kHz via USB-C, with a USB-C to USB-C and 3.5mm to USB-C cables included in the box.

Previously exclusive to the QuietComfort Ultra series, Bose’s TrueSpatial technology is now available to the standard QC model, which features three immersive audio listening modes: Still, Motion and Cinema. These are Bose’s take on spatial audio playback, offering different three-dimensional effects.

The QuietComfort Headphones (2nd Gen) have a quoted 24-hour battery life (18 hours with immersive modes enabled), which remains the same as the first-generation model released in 2023. That figure falls behind the 45-hour performance of the QuietComfort Ultra Headphones (2nd Gen). However, the new headphones can be charged while in use, with a 15-minute fast charge yielding up to 2.5 hours of playback.

Additional features include support for the Bluetooth 5.4 and standard AAC/SBC codecs, Bluetooth Multipoint for connecting to two devices simultaneously, and Google Fast Pair for Android users.

The over-ear headphones’ design has also been updated, with a new headband, improved clamping force for a “secure fit” and new oval-shaped earcups with plusher cushioning, promising “a seamless profile and modern look”. The QC Headphones (2nd Gen) will also be available in three new limited-edition finishes at launch: eucalyptus green, dewdrop mint and rosewood mauve, as well as the previous white smoke and black options.

The new Bose QuietComfort Headphones (2nd Gen) are available to preorder now for MyBose members, with global shipping from 13th August. The new headphones cost £300 / $359, which is £150 / $90 less than the QuietComfort Ultra Headphones (2nd Gen).

At this price, the new Bose’s main rivals are the Sennheiser Momentum 5 Wireless (£330 / $400), which we gave a glowing five-star rating in May. We'll be curious to see how the two compare when we get the new Bose QuietComfort Headphones (Gen 2) into our listening rooms. Watch this space.

MORE

Read our full Bose QuietComfort Ultra Headphones (2nd Gen) review

Or browse our best wireless headphones 2026: reviewed and rated by our in-house experts

And our best noise-cancelling headphones 2026 – 6 sensational pairs picked by our expert reviewers

Remember when Qualcomm (one of the biggest mobile, wearable and headphone chipmakers in the world) promised we would see a wave of next-generation wireless headphones with significantly improved hi-res audio quality appear “soon”? Well, that was just over a year ago.

That’s a fairly long time in this fast-paced industry. Which is why, once the one-year mark passed, it was time for me to pull out my black book and do a ring-round of all the movers and shakers in headphone engineering to see what’s going on.

Sadly, now that I have, it looks as though we are still some way off a key milestone for wireless audio quality: scalable, lossless hi-res 24-bit/192kHz streaming.

The promise of fully scalable, lossless hi-res 24-bit/192kHz

The promise of fully scalable, lossless, hi-res, 24-bit/192kHz streaming has been viewed as the Shangri-La of wireless audio quality for more than half a decade.

Why is it such a big deal? Well, if the stars align and the audio can be delivered wirelessly without chunks missing, the standard could lead to palpable audio upgrades. As Neil Young said, when he railed against “lossy” formats, we could finally hear “the full sound the band created”.

Who wouldn’t want that?

Well, rather a lot of people, according to Christian Ern, global product manager at Sennheiser’s parent company, Sonova Consumer Hearing.

“The broad majority is quite satisfied with the quality and convenience that regular Bluetooth offers,” Ern tells What Hi-Fi? “For example with advanced codecs like AAC or aptX, which are also widely available on transmitting devices.”

Steven Hoyle, category line director, headphones, at Bowers & Wilkins, follows suit, telling us that, while the company has hard data showing that people using its wares do listen at higher quality, it isn’t convinced there is much demand for more, yet.

“Within the Bowers & Wilkins headphone range we already support playback of audio up to 24-bit/96kHz via USB. We know that some owners are actively using this connection instead [of Bluetooth] in order to access higher levels of performance; but that does compromise the ease of use and convenience that you have with a wireless connection,” he says.

“We’ll continue to evaluate the need for 24-bit/192kHz support, but we’ll always view through that lens of ‘what makes sense for the consumer’, within which ease of use and convenience are also critically important factors.”

The words “ease of use” and “convenience” quickly became a theme. Kazunori Otsu, director of Technics’ headphone business, tells us that while audio quality is paramount, it needs to be easy to access too.

And at the moment, getting a consistent, decent experience delivering fully scalable, lossless 24-bit/192kHz wireless audio quality is anything but simple, according to all three experts.

It’s all a bit difficult

As stated by B&W’s Hoyle, even if the headphones were made, it wouldn’t be “easy” for listeners to take advantage of the functionality.

“The biggest challenge is how we make access to better audio simple and straightforward. Having support for higher resolution formats is part of the puzzle, but it is not the only answer,” he says.

“There are plenty of examples where users may think that they cannot tell the difference in the quality between high resolution and ‘standard’ audio, but this is often because of limitations elsewhere in the chain. This is why we try to focus on a whole system view to ensure that any improvements in the source should translate easily to all users.”

There is an ecosystem of factors needed to support lossless 24-bit/192kHz wireless audio. At a broad strokes level, to deliver the promised quality, you need a source transmitting 24-bit/192kHz, a wireless transmission and protocol robust enough to handle it without losing parts along the way and an endpoint (headphones, for the purposes of this article) that can understand and articulate the data it’s receiving. That’s a lot of moving parts, even for an engineer.

The big drawback at the moment is that most networks, codecs and devices aren’t up to the challenge. Bluetooth, the most common protocol used to stream music, can’t support the quality, and even the top-end aptX HD and LDAC codecs for it are fairly lossy – meaning parts are lost during the digital compression and unpacking process. And wi-fi, which is the most stable and fastest option for most people, isn’t as ubiquitous as Bluetooth, and there are issues with how most devices behave when switching between the two.

Qualcomm wants to fix the transmission part with its Expanded Personal Area Network (XPAN) technology. This, it claims, will scale automatically and intelligently depending on network conditions. So in theory it could (eventually) deliver 24-bit/192kHz audio wirelessly when its data connection is good enough, but discreetly switch to lower quality, in a way that doesn’t lead to dropouts or artefacts, when it’s too slow.

Lenbrook’s Airia transmission codec, which itself was an evolution of the SCL6 codec that MQA was working on before the firm was bought by its current Canadian owner, has a similar goal.

That’s all before we get into my, and former What Hi-Fi? editor, Jez Ford’s, explorations of how Ultrawide Band could help wireless headphones, and audio in general, reliably reach the standard. Cliff Notes: this is an alternative protocol some firms believe could deliver the quality with lower power demands, removing Bluetooth from the equation entirely.

It’s this plurality of moving parts that is a big issue for companies, including Sennheiser, says Ern:

“There are many improvements available or on the horizon to improve wireless audio quality. The main obstacle is compatibility. New technologies usually require transmitter and receiver to use the same form of transmission and codec, but most devices only support the usual standards.

“Therefore, using such new standards often requires not only the right headphone, but also the respective transmitter (phone, tablet, computer).”

Technics’ Otsu expresses a similar frustration, noting there isn’t even full interoperability among Bluetooth and mobile devices right now:

“One of the main challenges today is the limited interoperability of high-quality wireless audio technologies across different platforms. For example, while technologies such as LDAC can deliver higher-quality audio, support varies depending on the operating system, device, and chipset.

“As a result, even when advanced audio technologies are available, not all users can easily access or benefit from them. Improving compatibility and accessibility across platforms will be an important step toward bringing high-quality wireless audio experiences to a broader audience.”

What do people want?

All the experts we spoke to also agreed that “mainstream” music listeners don’t necessarily put technical things, including codecs and bitrates, on the same level of importance as audiophiles and hi-fi enthusiasts – which is why they are focusing elsewhere, for now.

Technics’ Otsu sums this up, telling us: “Across the broader market, we believe consumers are increasingly prioritising everyday usability factors such as comfort, ANC performance, connectivity, and battery life.”

B&W’s Hoyle adds that even these are only part of a wider set of priorities, which flip in rank depending on the person, telling us: “I believe that each user has a clear idea of how they are planning to use their headphone and this informs their priority feature list and their purchasing criteria.”

For Sennheiser’s Ern, this is particularly problematic, as the technical implications of raising audio quality would lead to higher prices due to the need for more expensive chipsets and lower devices’ battery lives, due to their higher power consumption.

So does that mean we won’t see the upgrades promised by Airia and XPAN as soon as we had hoped? Not necessarily…

Hi-fi will still find a way

Despite the mainstream headphone makers’ reticence, there was one segment of the market that still thought the effort of making the jump to 24-bit/192kHz, lossless, wireless audio was worth it: luxury and high-end.

Matt Dever, senior global product line manager, Harman Luxury Audio (Mark Levinson’s parent company), tells us that in audio circles there will always be enthusiasts willing to chase audio quality above all else.

“For Mark Levinson, it is very important to achieve that pinnacle of 24-bit/192kHz performance in an active wireless headphone. And we know that the technology giants will help get us there in the not too distant future. There is a market for that level of performance, as well; it will continue to drive the aspirational side of the consumer to better performing products,” says Dever.

He adds that the firm is already looking at XPAN and Airia, as well as a multitude of other technologies to help improve its premium wireless headphones.

“From the Mark Levinson and the luxury/audiophile perspective, our end users crave the best-quality audio experience possible. So, incorporating technologies that bring the highest level of audio quality, be it through the connectivity elements of wi-fi, XPAN, Bluetooth [and the like], or through employing audio codecs like Airia, LDAC and LHDC. These types of elements are paramount in the development of a Mark Levinson headphone,” he says.

“And it doesn’t have to be just one of these technologies; many of these can be employed together to create an even more exceptional listening experience. For example, many of the audio codecs mentioned above scale up to higher levels of performance with greater connectivity bandwidth. The Mark Levinson team is always studying and testing the latest technologies to determine the best path forward to keep us at the forefront of delivering the finest sounding headphones.”

Despite that, he does concede that the firm is hitting many of the same roadblocks as Technics, B&W and Sennheiser, telling us:

“Mark Levinson is not a fan of any of the lossy compression codecs. But with the limitations of bandwidth available, there must be compromises made, at least for today. But the industry goal should be lossless wireless audio reproduction at 24bit/192kHz.”

So, while we may not see “mainstream” next-generation headphones as soon as we had hoped, the high-end is already taking steps towards delivering the audio Shangri-La promised by Qualcomm just over a year ago.

What do you think?

Do you agree with the experts that most people aren’t that bothered about lossless 24bit/192kHz wireless audio and that it makes sense only in the high-end market? Or, do you think it’s up to brands to do a better job of educating users about the jump ahead of delivering it? Let us know in the comments below!

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We rank the best over-ear headphones for serious music fans

The best wireless earbuds, rated by our experts

Are you an iPhone or iOS user? Statistically, a good many of you are. And if you're after a new pair of earphones, then the convenience and intuitive features of AirPods make a lot of sense.

However, there's one AirPods model our expert testers recommend above all others – the excellent AirPods Pro 3.

The combination of enjoyable sound quality, effective noise-cancelling, comfortable wear and futuristic live translation feature will make them an invaluable travel companion wherever you go, and we have a feeling you'll be using them long after.

To top it all off, the Pro 3 are now at a new lowest price – £174 at Amazon, 21 per cent down from the £219 launch price!

We weren’t sure how Apple was going to top the performance of the AirPods Pro 2, but somehow it has. More evolution than revolution for sure, but these small improvements all add up to a glowing five-star rating.

This is not just in the fancy features that grab the headlines, but in the core categories such as sound quality. The Pro 3 offer the familiar well-balanced presentation of the Pro 2, but improvements abound.

"It only takes a few minutes of comparisons to discover that the AirPods Pro 3 take a sonic step forward in every way, too," our AirPods Pro 3 review reads. "The Pro 3 sound clearer and more detailed; they are more spacious-sounding and more dynamic, too."

Noise cancelling is also a step above what came before, thanks to new ultra-low noise microphones, advanced computational audio, and new foam-infused eartips.

We tested them on a flight, and the Pro 3 are excellent at isolating you from the outside world, whether that's the rumble of the engine, announcements from the pilot or general chit-chat. They're comparable to the top performers for the money, and in a more natural way compared to the more intense ANC offered by the Bose QuietComfort Ultra Earbuds (2nd Gen).

There's been a design change too, with a slightly angled body and new eartips. These aim to fit a wider range of ear shapes and sizes than before. We found them to be light and comfortable, with five sizes of eartips so you can find your perfect fit.

There are also the usual Apple futuristic features – this includes Live Translation and a built-in heart monitor, as well as the usual snappy user experience with iOS devices.

The Apple AirPods 3 will more than suffice as talented, portable travel buds, but their all-around abilities will make them a great purchase whatever you buy them for – especially if you have an iPhone. Now at a new low of £174 at Amazon.

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Our pick of the best wireless earbuds you can buy right now

The AirPods Pro 3 reminded me of one key thing when it comes to wireless earbuds

Apple AirPods Pro 3 vs Sony WF-1000XM6: which wireless earbuds should you buy?

Nothing's budget sub-brand CMF has announced its first pair of open-earbuds, the Clip Pro, which are designed to deliver a listening experience "that feels as natural as it sounds".

Billed as ideal for wearers with busy or active lifestyles, the Clip Pro incorporate an open, clip-on design built around CMF's three-point configuration, wherein a slim 'C-bridge' hooks around the exterior ear and is anchored on each side. The result, says CMF, is a secure fit that remains comfortable through work, commuting and exercise.

Each earbud harnesses physical on-unit controls, while an IP54 rating means that sweat, water splashes and dust shouldn't be a problem if you're taking your new buds outside for a tough workout.

At the heart of the new Clip Pro is a 10.8 mm dual-magnet dynamic driver, tuned to produce what its maker describes as "full-bodied audio with powerful bass, detailed vocals and crisp high frequencies".

To compensate for the bass loss associated with open-ear designs, CMF has incorporated 'Ultra Bass Technology', designed to intelligently enhance low-end reproduction while reducing treble distortion for a more balanced frequency response

In addition, the Clip Pro are support Sony's LDAC Bluetooth codec for hi-res wireless streaming up to 32-bit/96kHz, alongside standard AAC and SBC codecs.

The CMF Clip Pro grant up to 10 hours of listening time on a single charge, rising to around 32.5 hours of total playback with the charging case in play. If you're short on time, a quick 10-minute fast charge provides up to 4 hours of listening.

Further features include Bluetooth Multipoint for more seamless switching between connected devices, as well as a 'Low Latency Mode' designed for gamers. Google Fast Pair is also on the menu with compatible devices, and Clip Pro wearers will be able to customise their experience via the supported Nothing X app.

The CMF Clip Pro will be available in a choice of Dark Grey, Light Grey or Coral finishes, priced at £79 / $99.

MORE:

Read our Nothing Headphone (1) review

I thought this simple upgrade would elevate Sony's WF-1000XM6 wireless earbuds – I was wrong

Our pick of the best over-ear headphones

If you think of earbuds as cutting you off from the outside world to isolate you in a bubble of music, prepare to have your preconceptions flipped on their head. The Shokz OpenFit Pro are part of a new breed of wireless headphones with an open design, that let your music mingle with your environment – but at the same time, they offer noise reduction technology that dampens down the most distracting sounds.

Add in the upgrades to sound performance and premium design, and you’ve got a whole new type of wireless headphones.

Open to new ideas

Open earbuds take the traditional approach to listening on the go and flip it completely. Instead of blocking your ear canals with intrusive earbuds, the earbuds sit on your ears and play music into them. Not only does this make the wearer more aware of their surroundings – like a colleague trying to talk to them or a car horn beeping – many people also find it a more comfortable way to listen.

Allowing the sound to mix with your environment also makes for a more natural-sounding performance, helped, in no small part, by Shokz’s upgraded sonics. The OpenFit Pro feature Shokz SuperBoost, a dual-diaphragm driver housed inside a reinforced acoustic structure. Not only does this go louder than traditional closed earbuds, but – crucially – it’s also more precise.

This enhanced precision improves stability, producing a cleaner and more consistent sound foundation, while also extending the frequency response up to 40 kHz for greater fine detail reproduction.

The result? Rich detail, smooth highs and deep lows. The premium silicone and aluminium dome caps minimise distortion so that bass remains smooth and punchy, adding real low-end heft to your playlists and work calls alike.

They’re also Optimised for Dolby Atmos spatial audio with dynamic head tracking, which makes the sound appear as if it’s coming from a fixed point in your environment, making for a more realistic, more immersive listening experience.

Devoid of distractions

But the enhanced sound quality is only one string to the OpenFit Pro’s bow. They also offer Open-Ear Noise-Reduction technology, which works in tandem with the Shokz SuperBoost to make for an even more impressive listening experience.

With SuperBoost creating a flatter, more predictable mid-to-high frequency response, the headphones are more accurately able to discern between music and other sounds coming from the environment around you, like the background chatter of an office or the pumping gym soundtrack. Because the frequency response is more stable, unwanted sounds stand out more clearly, allowing them to be targeted – and suppressed – with surgical precision.

The three-mic system is able to capture sounds from multiple angles, building a more complete picture of both voice and environment. This works hand-in-glove with an ear-adaptive algorithm that’s been trained on tens of thousands of tests using different ear shapes and sizes, wearing angles and real-world scenarios to help it adapt dynamically in real time. It’s constantly optimising the sound output whether the headphones sit slightly higher, lower, or the angle changes. They’ll also perform the same if you share them with a friend or loved one, no matter their ear shape, giving the same bravura performance for each and every listener.

Buds for work, rest and play

That’s the insides taken care of. But what about the outsides?

As befits a pair of flagship open-ear earbuds, the Shokz OpenFit Pro are crafted from premium materials for a marquee finish that‘s built to last. The soft silicone finish is hardwearing yet comfortable, while the ultra-thin titanium alloy ear hooks deliver outstanding comfort levels while remaining hardy.

All of which make the Shokz OpenFit Pro the perfect pair for work, travel, exercising and more. They’re open-ear earbuds without the distractions.

Buy the Shokz OpenFit Pro with a 10% discount using code WHATHIFI_10

We've been waiting for a sequel to the outstanding Sony WH-CH720N noise-cancelling wireless headphones for some time, and it looks as though our prayers may finally be answered in the coming months.

According to an often-reliable inside source, thewalkman.blog, recent import filings have revealed that a new pair of headphones is set to replace the Sony WH-CH720N, and will be called the "Sony WH-CH730N".

The filing also reveals the new colours for the upcoming sequel, with 'Black', 'White', 'Pink', 'Blue' and 'Beige' all listed. That's broadly the same as the finishes found on the established WH-CH720N, with 'Beige' representing the only new addition.

We don't have many details regarding the headphones' hardware or specifications. It remains to be seen what drivers they will implement, which chipset they will use, or what their prospective battery life figures will be.

We've had no word on price either, but as the WH-CH720N launched at £99 / $129 / AU$259 back in 2023, we'd hope to see an RRP that didn't rise too much beyond that.

So when could we see these new wireless cans finally arrive? According to thewalkman.blog, the FCC confidentiality end date is on October 20th, so there's a good chance we could see the WH-CH730N arrive at around that time.

The WH-CH720N landed in March 2023, but as we're well beyond that point in 2026, it appears that Sony may be shooting for a release that's somewhere towards the final quarter of the year.

For us, the sooner the better. The more we've had time to listen to and often live with the WH-CH720N, the more we've come to appreciate them as being some of the best sound-per-pound wireless headphones you can get. For sheer value, we're struggling to think of many that do so much for such a modest price.

They're not perfect, and when we speculated as to the four things we'd love to see from the then-speculated WH-CH730N, we hoped for a little less bass and for the new headphones to fold away fully, for a bit of added portability and convenience.

The WH-CH720N are lauded Award-winners, but a few new features, such as on-head wear detection or support for Sony's higher-quality LDAC codec, would be lovely additions for when a sequel materialises.

Whatever the case, the WH-CH730N have big shoes to fill. We dubbed the WH-CH720N as "dependably made, enthusiastic-sounding headphones that...deliver good ANC and a strong feature set to the very affordable end of the wireless headphone market", so any prospective sequel will have its work cut out to improve on such a potent combination of performance and sheer value.

Can Sony manage it? We'll be keeping our ears to the ground for any further rumblings regarding the WH-CH730N, and will keep you updated as and when any new information comes to light.

MORE:

Don't need ANC? Read our review of the cheaper Sony WH-CH520

I thought this simple upgrade would elevate Sony's WF-1000XM6 wireless earbuds – I was wrong

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Looking for a new pair of headphones?

There’s a lot to consider. Do you want the convenience of wireless or the sound quality of wired? Portable earbuds or powerful over-ears?

It can be a tough choice. And it’s not helped by a more competitive market than ever, with Sony, Sennheiser and more pulling out all the stops and improving on their already impressive headphones with every new iteration.

Luckily, we are here to help. I have put together a quick 30-second quiz that will determine which of the top-rated headphones are right for you, based on your preferences and requirements.

At the end of the quiz, you will be presented with a pair of the best headphones that we recommend – all of which have been tried and tested by our team of experts and deemed worthy of a top recommendation.

So what are you waiting for? Dive into our quick quiz and you could soon be acquainted with the headphones of your dreams…

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Anyone who has read my Sony WF-1000XM6 review will know I’m a big fan of these premium wireless earbuds.

However, as I’ve also written about previously, I don’t think they’re perfect. Put simply, I’m not the biggest fan of the eartips that come supplied with them.

If you’re new to my moaning (or what I like to think of as constructive criticism), I don’t find them particularly pliable, or super comfortable when in place.

If there was only one thing I could change about these five-star earbuds, it would be the material used and possibly the shape/sizing of the replaceable tips. After all, I think the buds’ sound quality, call quality and noise-cancelling skills are second-to-none.

So, in the name of journalism (and comfort), I’ve been on the hunt for alternatives.

I have been using the WF-1000XM6 since launch, and now I think my pair are in need of some attention, especially as the tips currently attached to them are starting to break up, which can be the case with foam designs. It’s like your favourite slippers when the soles have lost their grip and your heels start to wear through the furry surface.

The world of aftermarket eartips won’t be a surprise to many, but as someone who tends to believe that the manufacturer knows best when it comes to product R&D, it’s not something I’ve really looked into until now.

Hop on Amazon, and your choices are seemingly endless, whether you want memory foam or silicone, domed or flanged. Shapes and styles vary, as do prices. (Special mention to whathifi.com reader cyclonaut for bringing my attention to a couple of the popular brands in the eartip world)

I settled on four different options, one of which, Comply, actually reached out after reading one of my articles on a different pair of earbuds. Here’s what I picked and what I thought of them…

Comply Truegrip Pro £20 (L/L/L)

The Comply memory foam tips are a tiny bit shallower and more domed than the Sonys, with more of a pronounced tip. Their opening is larger, and like the Sonys, they have a mesh in the middle to protect from any debris.

I didn’t find them as comfortable as the silicone designs, and when it came to music, although they allow for an open, expressive and powerful delivery, I think they sacrifice subtlety, and there was less space between the different elements of tracks.

Buy the Comply Truegrip Pro at Amazon

AZLA SednaEarfit Max £27 (M/ML/L)

These were my favourite silicone tips. They feel premium and smooth to the touch and are easy to slide onto the tubes of the XM6 buds. There’s a nice balance between the flexible silicone dome and the more robust silicone nozzle.

I didn’t have any issues with fit or comfort, and I also like the fact that they have a built-in mesh guard. However, they don’t isolate as well as the Sony or Comply tips. They promote a balance which sounds more open but lacks the solidity and focus of the memory foam alternatives.

Buy the AZLA SednaEarfit Max at Amazon

SpinFit Omni £12.49 (L)

These looked and felt the most interesting tips. Their diameter was slightly smaller than the Comply and Sony alternatives. It was more of a struggle getting these onto the Sony tubes, but the tight fit means they won’t be slipping off any time soon.

The lack of any mesh in the tip would make me nervous that debris could make its way into the Sony tubes and potentially impact sound quality. Like the AZLA tips, they promote an open, airy sound, but it’s still a leaner balance, and the isolation wasn’t great.

The design includes a patented ‘spinnable core’ which claims to improve comfort. The silicon used here feels tackier than on the other pairs, which gives the impression it’s going to help with the seal. I didn’t have any issues with comfort or fit.

Buy the SpinFit Omni at Amazon

SpinFit Neo £11.49 (x1 L)

I found the sound quality of both SpinFit models to be very similar – there’s good detail and edges of notes sound crisp and precise. But, as has been the case with all the silicone tips I tried, music just doesn’t have the natural warmth or solidity as it does when heard through either of the memory-foam pairs.

The Neo tips were easier to fit than the Omni, requiring less force to slide them on. Comfort levels were very good, but once again, there’s no mesh protector in the nozzle to protect from wax.

Buy the SpinFit Neo at Amazon

Verdict

So, what did my eartip encounters tell me? The main conclusion I took away was that the Sony tips performed the best.

Is that a surprise, though? Sony must have spent a lot of time and money on research, learning about ear shapes, trying different materials, sizes, and fits. For me the WF-1000XM6 just sound better balanced, more subtle, and more natural when using their own tips.

But I can certainly see the appeal of trying something different. I don’t love the tips that currently come with the XM6, so if there was something more comfortable out there that didn’t sacrifice sound quality, then it would be foolish not to try to track them down.

I can see why some people might like a silicone alternative – there is something a bit more open and forward about the sound, giving the impression it’s more exciting – but for me, you are shifting the sound away from what Sony intended and what makes them arguably the best wireless earbuds on the market right now.

Not only does sound quality take a hit, but the switch to any of the silicone tips has a major effect on isolation and therefore noise cancelling. This is a big problem, because the eartips and earbuds will have been designed to work together.

Not only will the extra density of the memory foam give you more isolation just through the choice of material, but one would assume Sony will also have factored in which frequencies its tips are isolating and formulated its ANC to take this into account.

During testing, I found a track of ambient cafe noises, and the amount of information the silicone tips were letting through would seriously put me off using them long-term, especially in crowded environments or on places like the London Underground.

In conclusion it looks like I’m going to have to stick with a like-for-like replacement for my eartips for now, but that still won’t stop me asking for a slightly comfier design from an WF-1000XM6 successor.

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In case you missed them, the over-ear Beyerdynamic DT 990 Pro X were some of the best mid-range wired headphones we tested last year. We liked them so much, in fact, that we bestowed upon them a coveted What Hi-Fi? Award for their troubles.

Now, Beyerdynamic is bringing its considerable wired expertise to a more affordable end of the market with its new on-ears, the DT 275 Pro.

Conceived as a compact monitoring pair aimed at engineers, mixers, creators and DJs, the new cans house a set of 40mm dynamic drivers, combining "neutral sound tuning and long-wearing comfort" with a "lightweight, travel-friendly design".

Weighing in at 200g, the new on-ear cans feature faux leather ear pads and a flexible headband for improved comfort, even during extended wear. All of the cushion components can be replaced, too, meaning you won't have to part ways with your headphones as soon as they start to show signs of wear and tear.

While they don't feature active noise cancelling, the DT 275 Pro have been designed to offer "outstanding passive noise isolation" for professionals working in noisy studio environments.

According to Martin Stahl, director of Beyerdynamic's 'Pro' division: “The most common and costly mistakes happen when critical audio decisions have to be made in loud environments. The DT 275 Pro were designed to give creators and audio professionals the confidence to make critical monitoring decisions wherever their work takes them.”

Each pair of DT 275 Pro on-ears comes with a 1.5m locking cable with a 3.5mm jack, a 6.35mm adapter, and a drawstring carrying bag.

The DT 275 Pro are available for £99 / $150 / € 119.

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We are more than half-way through the year, so it seems like a good time to take a step back, survey the sonic landscape at our backs and take stock of what we’ve heard during 2026.

More specifically, which headphones we have had the privilege and often pleasure of hearing throughout the year. As somebody who works on the audio side of the great hi-fi/AV divide, I spend a lot of my time listening to headphones and earbuds, thanks in part to the fact that so many brands are desperately trying to make this massive market their own.

Whether it has been for reviews, comparisons or my own personal interest, these have been the headphones that have impressed – and occasionally frustrated – me over the past seven months.

A hero’s return: the Sennheiser Momentum 5 Wireless

At last, the Momentum Wireless have returned. The fifth iteration of Sennheiser’s heralded Momentum over-ear line has been a long time coming, so when they arrived earlier this year, expectations were high.

Happily, Sennheiser has managed to deliver the goods. The Momentum 5 Wireless are excellent premium over-ears, acting as a timely reminder to the likes of Sony, Bose and Apple that Sennheiser is still here, and, crucially, still up for the fight.

They are a little different to their competitors, especially in the sound department, prioritising a rich, smooth and refined presentation that can take a little while to warm up to. Once you click with them, though, you’ll find this to be a deeply rewarding pair of over-ears, especially if you like the sort of expressive, detailed midrange the premium Sennheisers so effortlessly exhibit. Oh, that midrange…

The earcups could feel a little more luxurious, the noise-cancelling isn’t Bose-beating, and having them fold away completely would be nice, but this is a five-star return for a brand that was just slightly in danger of being forgotten by the mainstream market.

Rivals, take heed: Sennheiser is back, and it means business.

The sonic standounts: Sennheiser HDB 630

Technically, technically, we reviewed the Sennheiser HDB 630 last year; but the supremely gifted premium headphones only landed on my desk in 2026, so I think I’m still on relatively firm ground when I say that they are, unequivocally, the best wireless headphones I’ve heard this year.

Scratch that: they might be some of the best wireless cans I have ever heard, full stop. They might not look particularly special, but the sound they produce certainly is.

£400 / $500 / AU$1000 isn’t pocket change, I grant you, but our entire test team is rarely so effusive when it comes to heaping praise upon a product. From top to bottom, we are huge admirers of the HDB 630 – and if you hear them for yourselves, you’ll understand exactly why.

They are fun, dynamically adept and musically expressive – all ingredients that make listening to any set of over-ears a joy – but it’s the amount of textural detail and sonic precision the HDB 630 exhibit that really leaves us feeling bowled over. These are headphones that make the masterful Sony WH-1000XM6 sound almost vague and a bit slipshod by comparison, and that’s really saying something.

Part of that signature comes from Sennheiser’s clever BTD 700 USB-C dongle that you plug into your device’s USB-C port to give it aptX Adaptive powers. This means that any source device, including your iPhone, gains hi-res streaming up to 24bit/96kHz, even if it wouldn’t natively support it. Really clever stuff.

Add in 60 hours of battery life, very solid noise cancelling and a luxurious fit, and the HDB 630 are 2026’s headphones to beat.

The tricky second album: Apple AirPods Max 2

I didn’t end up testing the Apple AirPods Max 2, but I did spend a good deal of time listening to them when making comparisons with the likes of the Sony 1000X The Collexion (below) and similar premium contenders.

And you know what? They’re pretty good. The AirPods Max 2 give you that familiar Apple signature which blends smoothness and refinement with a crisp, sparkling treble that lovers of the original Max will recognise, all boosted by better punch, dynamics and precision than their predecessors.

They are also incredibly easy to use if you have an iPhone, thanks to their native integration within the iOS ecosystem, and they still have that look and feel of a premium product that you would be proud to own. We can see why the Max continue to enjoy such a stellar cultural cachet – they just look the business.

They’re not perfect, admittedly. The Max 2 are better than the originals, but they have fallen behind more recent rivals for dynamic punch, rhythmic precision and overall insight. Plus, we just cannot abide that ridiculous carry case, and rather wish that the battery life had been boosted a bit beyond 20 hours. The Sony WH-1000XM6 give you 30 hours, after all.

The thing is, the AirPods Max 2 feel like six of one and half a dozen of the other. They are certainly some of the best headphones, in objective terms, ever made by Apple, a brand that has only relatively recently started to trouble the class leaders when it comes to pure sonic performance.

On the other hand, the Max 2 had a chance to close the gap on their rivals. Instead, it feels as though that chasm has widened a little. For their failure to properly keep up with the pack, some might see this as a missed opportunity for Apple.

The in-ear kings: Sony WF-1000XM6

I have such a complicated relationship with the Sony WF-1000XM5 and, now that there’s a sequel, it is carried over to the Sony WF-1000XM6.

On the one hand, I really like them. I love how detailed, refined and musical Sony’s flagship buds are. I admire that Sony continues to push the sonic boundaries for its flag-bearing buds, and that it seems to improve their capabilities with every passing generation, both in terms of sonic performance and accompanying features.

The WF-1000XM6 are, in so many ways, the apex of what Sony can do from a form such as this, with a sound so textured and rich it practically glitters inside your ears.

My problem remains that fit. I couldn’t get the WF-1000XM5 to stay inside my ear holes, and I can’t get the WF-1000XM6 to do so either. Sony revamped the design of its sixth-gen buds, offering up a new charging case and dropping the teardrop design of the older model in favour of a more rectangular, boxy configuration; but it kept on with its memory-foam eartips.

It might be a personal thing, but I just cannot get them to stay put, especially if I’m walking, gymming or, heaven forbid, going for a run.

Fit issues aside, the XM6 really are something special. Of all the buds I have heard in my time at What Hi-Fi?, they rank somewhere towards the top, outshining the likes of the Technics EAH-AZ100, the Bose QuietComfort Ultra Earbuds (2nd Gen) and the Apple AirPods Pro 3.

If you can get them to fit, breathtaking sound will be your reward.

The missed opportunity: Sony 1000X The Collexion

Ah, what could have been.

Sony billed its super-premium wireless over-ears as being “the best-sounding headphones it had ever made” when it lifted the lid on the 1000X The Collexion (£550 / $650 / AU$900) earlier this year. While there's an extent to which we agree with that statement, there’s also a lot we find hard to endorse fully.

These are some of Sony’s clearest and most spacious-sounding cans – we’ll give The Collexion that. I spent weeks with the premium headphones clamped over my ears, and their clarity, textural refinement and cinematic soundscape impressed me every single time I booted them up for a listen.

For that clean, open ‘hi-fi’ sound, these really are among Sony’s finest, and that’s before even mentioning their admirable noise cancelling and excellent voice calls.

Across all parameters, though, are these Sony’s best-ever wireless headphones? I’m not so sure.

When you can get the Award-winning Sony WH-1000XM6 for less money (£400 / $450 / AU$699), and get a good deal more punch, dynamism and rhythmic spark thrown into the bargain, not to mention a similar battery life and better noise cancelling, it becomes hard to see exactly how to justify buying the more costly Collexion cans.

For the What Hi-Fi? team, The Collexion are a great concept, but we can’t quite square the execution with the elevated price tag. Like England at every major international tournament, we are left wondering what could have been.

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Technics has launched a new Rolling Stones-themed variant of its five-star EAH-AZ100 wireless earbuds.

The announcement has been made to coincide with the release of The Rolling Stones’ new album, Foreign Tongues.

The limited edition earbuds come in a gift box, which houses Technics’ flagship EAH-AZ100 earbuds in a black finish alongside an exclusive rubber case embossed with the band’s lips and tongues logo.

The rear of each pair’s protective case also features a laser-engraved serial number from 0001-5000. Technics says that serial numbers cannot be pre-selected.

The Technics EAH-AZ100 feature a wealth of cutting-edge hardware, including a magnetic fluid driver, which places an oil-like liquid filled with magnetic particles inside the driver’s voice coil to reduce distortion and improve bass reproduction.

We previously awarded the EAH-AZ100 a five-star review for the earbuds' “superb detail and clarity”, “expressive, spacious and engaging sound”, and “Bose-bothering ANC performance”.

But, rockers, take note: If you’re feeling tempted, you’ll need to act fast, because the earbuds are limited to 5000 units worldwide.

Exclusively available to buy online, the EAH-AZ100 Rolling Stones limited edition earbuds can be yours today for £259 / €299.

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A new pair of Bose over-ear headphones could be arriving very shortly.

That's according to French outlet Dealabs, which reports that Bose has leaked a second-generation iteration of its QuietComfort Headphones, slated for release in just a few weeks.

Bose's QuietComfort Headphones line isn't to be confused with the more premium QuietComfort Ultra Headphones. The QC Headphones are to the QC Ultra Headphones what the more affordable QuietComfort Earbuds (2024) are to the range-topping QuietComfort Earbuds Ultra (2nd Gen) – a lower price tag in return for slightly fewer features and not quite top-of-the-line performance.

That said, the new over-ears promise a full-blooded refresh over their three-year-old predecessors, with Dealabs' leak suggesting a new design, revamped controls and better sound quality could all be coming to the second-generation model in a bid to see Bose make a play for the competitive mid-range market.

Quite a few premium features could be about to trickle down from the premium QC Ultra Headphones (2nd Gen), including Bose 'TrueSpatial' spatial audio, lossless playback via USB-C, and a host of new listening flavours, including 'Cinema Mode' for making video content more, well, cinematic.

Many existing features and functionalities are set for significant improvements. Bose's 'ActiveSense' technology works to take the edge off unwanted noise peaks when listening in 'Aware' mode, while improved call quality comes courtesy of more effective ambient noise reduction.

The headphones' on-cup controls have been revamped, with Dealabs teasing more intuitive button placement on the earcups themselves.

Wholesale improvements haven't been made to every aspect of the incoming QuietComfort Headphones, however. Battery life will likely remain the same as the soon-to-be outgoing model, with the second-gen over-ears again set to max out at a reported 24 hours of listening with ANC switched on.

That revamped design is set to feature more on-ear padding alongside a more oval earpad shape and a wider headband, all designed to improve wearer comfort over time.

A veritable Delux colour wheel of new finishes could also be set to arrive, including Black, White Smoke, Rosewood Mauve, Eucalyptus Green, Dewdrop Mint, and Hazelnut Taupe.

What about prospective price? Figures are slated as £300 / $359 / €350, which represents a £50 / €50 drop for UK and European buyers respectively.

We never tested the original QuietComfort Headphones when they launched around three years ago, but we have reviewed both the QC Ultra Headphones (2nd Gen) and QC Ultra Earbuds (2nd Gen) in recent times.

Bose isn't quite dominating the premium wireless headphones space when facing competition from Sony, Apple and Sennheiser, but the upcoming QC Headphones' slightly more affordable asking price and bolstered feature set might help Bose claw back ground lost to its estimable competitors.

Dealabs claims that Bose's latest cans will arrive on August 13th. We've contacted Bose for comment, and will keep you updated with developments as they arise.

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Sennheiser has been enjoying a good few months.

The HDB 630 made its debut in late 2025 to acclaim from our reviews team, who dubbed them some of the best wireless headphones they had heard at this premium level. A few months later, the Momentum 5 Wireless landed and, at their slightly lower price, matched their bigger brothers in earning the full five-star haul.

Great news for Sennheiser, then. But, with both premium wireless headphones accumulating significant plaudits, which do you go for? To make the decision easier, we have broken down each pair’s strengths and limitations across a range of parameters so that you can be sure you’re getting the Sennheisers that suit your needs.

Sennheiser Momentum 5 Wireless vs Sennheiser HDB 630: price

These are both premium wireless headphones, so you’re not going to be able to pick up a pair for the same price as your morning coffee order. Well, unless you happen to frequent a very boujee coffee shop.

At £330 / $400 / AU4749, the Sennheiser Momentum 5 Wireless are the cheaper of the two, with a price that undercuts that of many of the established cans at this level.

At £400 / $500 / AU$1000, the HDB 630 are slap bang in the middle of what we’d call classic premium territory – not overpriced, but certainly par for the course in the world of flagship wireless over-ears.

Still, they are undeniably more expensive than their younger siblings, so it’s the Momentum 5 Wireless winning this one.

**Winner: Sennheiser Momentum 5 Wireless**

Sennheiser Momentum 5 Wireless vs Sennheiser HDB 630: design and comfort

Sennheiser tends to have a pretty distinct design language, one that’s very much on display with both of these premium pairs.

The large oval earcups of the Momentum 5 Wireless and HDB 630 will be familiar to anyone who has seen a pair of recent wireless Sennheiser over-ears. Little touches, though, such as the attractive fabric exterior, do make the Momentum 5 actually seem a little more premium than the rather plain HDB 630.

The Momentum 5 Wireless are also a little smaller and lighter than their bigger brothers, weighing in at 290g compared with the 311g of the HDB 630. Much of that weight is housed in the HDB 630s’ earcups, which are chunkier and sport a deeper profile than those of the fifth-gen Momentums.

Comfort isn’t a problem on either pair, though. The Momentum 5 Wireless do cause some mild on-ear heating past the hour mark (many premium headphones of this type do), but we rarely experience that dull aching that you might suffer from with rivals sporting heavier weight or higher clamping pressure.

They are secure and stable, too. Even when we’re walking pretty briskly with the Momentum 5 Wireless clamped over our head, there’s little on-ear rocking or instability thanks to the headphones’ well-judged clamping force.

In fairness to the larger HDB 630, they are hardly a chore to wear either. Yes, they’re heavier overall, but the more costly cans do have slightly plusher ear padding, as well as a nicely cushioned headband, making for a comfortable, amply sealed listen.

Both pairs use touch controls rather than a predominantly button-based system, and we struggle to find any complaints with how they are implemented. We like that every touch action is acknowledged with a sound, that controls can be switched off via the app, and that our commands are responded to promptly whenever we tap or swipe on the right earcup.

It’s a tricky one. The Momentum 5 Wireless are lighter and more appealing to look at, but the HDB 630 do win back marks thanks to their slightly more luxurious earpads and headband. A tie seems like a fair result.

**Winner: Draw**

Sennheiser Momentum 5 Wireless vs Sennheiser HDB 630: features

Let’s start with the basics.

Sennheiser has gone big on battery life both both its premium players, with the Momentum 5 Wireless squeezing out 57 hours when active noise cancelling (ANC) is switched on and the HDB 630 just pipping them to the post with 60 hours under the same conditions.

On both, Multipoint Bluetooth is available for connecting to two devices simultaneously.

If you want spatial audio with the Momentum 5 Wireless, Dolby Atmos is on the menu when listening to supported Atmos content, with head tracking to be added via an upcoming firmware update. Be aware, conversely, that the HDB 630 don’t support spatial audio.

Dolby Atmos can be toggled on and off via the Sennheiser SmartPlus app, a platform which we find ourselves really admiring the more we use it. It’s clean and orderly, and we like the levels of customisation on offer, such as the eight-band custom equaliser and a slider for dialling up and down the strength of the ANC.

For the Momentum 5 Wireless, Bluetooth codec support is impressive, with support for the routine SBC and AAC codecs alongside higher-quality aptX HD, aptX Lossless and aptX Adaptive flavours. The cans currently use Bluetooth 5.4, but an incoming firmware update later in 2026 will push this to 6.0 and include LE Audio.

With the HDB 630, codec support comes down to the inclusion of the headphones’ included Bluetooth dongle. The HDB 630 bundle in a BTD 700 USB-C dongle that you simply plug into your smartphone device’s USB-C port to give it up to aptX Adaptive superpowers, even if the source device natively doesn't support a higher-resolution codec.

That means you can stream in aptX Adaptive quality from the usually-AAC-only iPhone, for example. You can check the quality of the signal path in the Sennheiser Smart Control Plus app’s settings, and you’ll want to ensure the ‘Audio mode priority’ is set to ‘Hi-Res 24bit/96kHz’.

You don't get Dolby Atmos with the HDB 630, but there is a ‘Crossfeed’ feature to blend left and right channels for what Sennheiser calls a “more natural sound” with certain recordings. A bass-boost button, which does exactly what you think it does, is available for both.

A close one again, with solid showings across the board. But we feel that the dongle, plus a slightly better battery life, tip things over into the HDB 630s’ favour.

**Winner: Sennheiser HDB 630**

Sennheiser Momentum 5 Wireless vs Sennheiser HDB 630: ANC and call quality

Noise cancelling is acceptable on both the Sennheiser HDB 630 and the Momentum 5 Wireless. It won’t be troubling the likes of the Bose QuietComfort Ultra Headphones (2nd Gen) or the Sony WH-1000XM6 class leaders, but each outshines the rather weaker efforts of the Bowers & Wilkins Px7 S3.

In fact, there isn’t a huge amount to choose between the two Sennheisers. Each pair is capable of dealing with the basic humming of an air-conditioning unit during a hot day in May, all but blocking out that droning sound so that it doesn’t intrude upon our listening in any meaningful way.

Traffic noises prove a little trickier, but again, there isn’t a huge difference between the two. We feel that the HDB 630 offer a little more passive isolation due to their larger, plusher earpads, but standing next to a busy road sees both pairs dampening, not eliminating, the swooshing of cars as they pass by.

Low-frequency rumbles are perceptibly reduced, but again, they don’t disappear entirely, while high-end sound such as tweeting birds will often pass through.

Call quality is excellent no matter your choice. We take the Momentum 5 Wireless out for a chat on a blustery day, and our headphones effectively reduce intrusive wind and traffic noise while making human speech sound clear and natural.

The HDB 630 do a similarly fine job, and once again, voices come across as articulate and human rather than mechanical or robotic. Isolation is decent, too, so no need to worry about having to shout to be heard over surrounding noises.

**Winner: Draw**

Sennheiser Momentum 5 Wireless vs Sennheiser HDB 630: sound quality

If you like rich, smooth-sounding headphones that dig out plenty of detail and strike a fine balance precision and authority, the Momentum 5 Wireless could well be for you.

As we wrote in our review, the fifth-gen Sennheiser over-ears are “rich, smooth yet strikingly precise and detailed headphones, with an audio signature that makes listening a refreshingly undemanding experience. Sugar’s If I Can’t Change Your Mind can sound overly urgent or shrill... but the Momentum 5 Wireless have the poise and maturity to bring order to... chaos.”

If you’re after headphones that shine a sweet spotlight on your music’s midrange, the Momentum 5 Wireless demand an audition. The bass is full and a little on the rich side, but that poised midrange is a real highlight, offering a naturalness and insight that gives even more premium alternatives a run for their money.

Their qualities are further amplified when we use a wired connection, especially if you’re listening via USB-C for handling files up to 24-bit/96kHz. A wired connection lends further fullness and depth to instruments, while that outstanding midrange sounds sweeter and even more starkly defined.

In truth, the Momentum 5 Wireless never fatigue nor frustrate, instead letting music unfold naturally and precisely no matter the genre.

As you would perhaps hope, the step-up HDB 630 do take things up a notch. They’re a chunk more costly, but you’ll be rewarded handsomely by the sonic dividends that extra outlay grants.

In fact, these might well be the best-sounding premium headphones currently available – and that’s even before that clever Bluetooth dongle is in play.

Here, precision and analysis go hand in hand with drive and vigour, making for the most informative and entertaining sound we’ve heard from wireless headphones at this price, with or without the use of the dongle for higher-quality streams.

The HDB 630 are hugely natural and dare we say sophisticated-sounding wireless headphones, with a poise and precision that demands to be heard. As we wrote at the time, these Sennheiser premium cans are “wonderfully smooth and natural sounding headphones, full of shape and dynamism across the frequency range”.

Instrumental textures are replete with both depth and shape, and the HDB 630 are remarkably insightful at teasing out the emotional heart of our testing catalogue. Songs are conveyed with conviction and gusto, and the Sennheisers seamlessly switch emotional gears as they tackle our tunes with gusto and grace.

Yes, the Momentum 5 Wireless are detailed and well organised, but the HDB 630 really take things up a notch in practically all sonic departments. That becomes only truer when the dongle is called into action. And you’ll notice tangible gains in clarity and solidity when upgrading from, say, a standard AAC stream to full-fat aptX Adaptive.

However you listen, the HDB 630 are genuine benchmark-setters. The Momentum 5 Wireless are great, but the HDB 630 are ‘Great’ with a capital ‘G’.

** Winner: Sennheiser HDB 630 **

Sennheiser Momentum 5 Wireless vs Sennheiser HDB 630: verdict

If you can’t stretch to the HDB 630, the Momentum 5 Wireless are the logical step-down choice. They still provide excellent sound quality and bring plenty of high-performance features to enjoy, all while saving you £80 / $100 in the process.

That’s not an inconsiderable amount of money, so we completely understand why money-savvy buyers would – indeed should – pick the Momentum 5 Wireless over their bigger brothers if costs are a factor.

If you’re happy to spend more, however, go for the Sennheiser HDB 630. They are essentially in a sonic class of one at the moment, outshining not only the Momentum 5 but practically anything else we can think of at their level.

If sound is your top priority, there’s no real excuse for not checking them out.

** Overall winner: Sennheiser HDB 630 **

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Skullcandy has released new premium wireless headphones, the Crusher 1080 ANC.

But rather than go it alone, the firm has enlisted the help of a powerful ally in a bid to get its latest cans competing with the best in the business.

That ally, in case you hadn't guessed already, is Bose.

The Crusher 1080 ANCs' extensive feature set is powered by 'Sound by Bose' technology, meaning the new headphones boast 'QuietControl' noise cancelling and 'TrueSpatial' sound design.

These let them deliver Bose's Immersive Audio, and 'SpeechClarity' features for, as you might have guessed, clearer voice calls.

You even get Bose-tuned EQ modes to more accurately tailor the sound to your specific preferences.

That's a lot of Bose-made tech, but what about how the Crusher 1080 ANC actually sound?

As you might have gathered from the name, the new over-ears promise "bass you can feel", complemented by "a rich, balanced sound" with plenty of "immersive detail", all aided by Bose's 'WaveForm' audio engine for improved signal processing.

The Crusher 1080 ANC boast a very impressive 60 hours of battery life with noise cancelling switched off, dropping to around 50 hours when ANC is in play, while a 'Rapid Charge' facility will grant four hours of battery life from a 10-minute boost.

Elsewhere, a decidedly premium feature set includes Google Fast Pairing, Multipoint Connectivity and Auracast audio sharing technology, as well as a low-latency audio mode for gaming and movies.

Outside of the Bose tech, the headphones also feature Skullcandy's patented 'Crusher Bass' technology, which allows you to use the Skullcandy app or a dedicated 'Crusher wheel' to dial up your lower-end reproduction and "create a physical bass sensation that adds impact and immersion to music, movies, and games".

The Skullcandy Crusher 1080 ANC are available now, priced at £220 / $280 / AU$400, in a choice of Brown, Pink, Grey or Black finishes.

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This is a lovely name for a pair of wired earbuds.

Sivga has introduced its new Lyrebird wired in-ear headphones, designed to produce "a high-end listening experience at an accessible price point".

The in-ears feature a quad-driver, hybrid driver array, consisting of a 10mm polymer dynamic driver handling the bass frequencies alongside a dedicated balanced armature unit designed to produce vocals with "exceptional clarity and detail".

A micro planar driver seeks to add a "smooth treble extension", while a 9.2mm multilayer ceramic driver rounds things off, dealing with "the finest high-frequency nuances".

Each earpiece is constructed using a handcrafted wooden faceplate, treated with resin to improve durability and, says Sivga, help reduce unwanted resonances for a cleaner, more refined audio signature.

The wooden faceplates combine with precision-machined aluminium alloy housings in further pursuit of an elegant yet durable aesthetic.

Included with the Lyrebird is a 4.4.mm balanced-ended cable combining silver-plated copper and gold-plated conductors, designed to help preserve the earbuds' "smooth, detailed presentation". The new in-ears also come with a leather carry case and a selection of silicone ear tips.

The Sivga Lyrebird are available now, priced at £149 / $149 / €167.

We reviewed another bird-themed pair of Sivga headphones – the over-ear SV021 Robin – back in 2024, and while their sound didn't quite take flight, there was enough evidence to suggest that Sivga's fledgling talents could one day see the brand soar.

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Japanese manufacturer Final has announced its new flagship closed-back headphones, the DX10000 CL, which the company calls its “most ambitious headphone project to date”. And we should hope so, too, considering that the standard edition’s pricing begins at £7499 / $8499.

So, what justifies the cosmic pricing of these high-end headphones?

Well, to start with, at the heart of the DX10000 CL is Final’s newly developed 40mm True Diamond diaphragm dynamic driver.

According to Final, diamond’s high rigidity and strong internal damping allow the diaphragm to maintain pistonic motion, reducing diaphragm deformation and suppressing residual vibrations after the signal is cut, for faster transient response and lower distortion.

A similar degree of care has been taken inside the headphones’ silver-accented, high-rigidity aluminium-magnesium alloy housing. Unnecessary material has been removed to reduce weight, and the resulting cavities have been filled with acoustic damping to minimise internal reflections.

The earpads are made of ultrasuede (a blend of ultra-fine polyester and elastic plastics), which Final says achieves the “intended acoustic response” through carefully controlled air permeability while ensuring “long-term comfort”.

According to Final, the DX10000 CL are “a closed-back flagship designed to sound powerful and immersive without losing the openness, clarity and natural tone expected from the highest level of personal audio”.

The headphones use screws rather than adhesives throughout the construction, which ensures that components can be replaced and serviced throughout their lifetime.

Included with the headphones are two silver-coated cables: a 1.5m cable with 4.4mm connection, and a 3m cable with XLR connection. 6.3mm adapters for each cable are also included for use with a wide range of sources.

The Final DX10000 CL are now available to pre-order, with shipping expected by the end of July.

The first 150 pairs of these high-end headphones are available as a limited collector's edition, which have gold-coloured accents, and include a presentation box, a silk pouch and a CNC-machined aluminium headphone stand for an extra £500.

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Sony has unveiled its latest pair of wired in-ear headphones, the IER-M500.

Developed in collaboration with monitoring engineers, Sony bills its latest in-ear headphones as being the perfect partner for musicians and performers who require "reliable and accurate in-ear monitoring" for both performance and practice.

The IEMs' fully sealed structure, combined with a large acoustic chamber, offers outstanding sound isolation, even in noisy live environments.

A set of 5mm dynamic drivers are complemented by a large acoustic chamber in pursuit of "deep, controlled bass", while the headphones' optimised internal structure has been designed to give a more refined high-frequency reproduction.

Designed to blend comfort and stability, the IER-M500 feature what Sony calls "fitting supporters".

This is a loop at the top of each earpiece which nestles under the inner ear ridge to anchor the IEMs in place. To further facilitate a better fit, four sizes of noise-isolating ear tips are included, as is a 1.6m detachable cable with a 3.5mm jack.

While they don't carry an official IP certification, Sony pledges that the IER-M500 are capable of handling moisture, such as splashes of water or human sweat, without too much trouble.

The IER-M500 will be available from August in a choice of Clear, Black and Red & Blue finishes, priced at £99 / $120 / €115.

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Like wired headphones? Read our recent Grado SR325 Classic review

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Best wired headphones: from outstanding in-ears to five-star over-ears

Looking for luxury headphones with the performance to match?

The Bowers & Wilkins Px8 are a well-built, good-looking pair of wireless headphones, but they're also backed up by outstanding clarity and a fast, punchy sound.

And the price just got a little less luxurious. The Px8 are now £379 at Amazon, a mega drop of £220 and the lowest price we've seen.

It's worth noting that the Px8 have been superseded by the better-sounding Bowers & Wilkins Px8 S2, but they're sticking stubbornly to their hefty launch price of £629.

Eyebrows were certainly raised at the premium asking price of the Bowers & Wilkins Px8, but we awarded them the full five stars even at full price.

As well as a classy design and supreme comfort levels, the Px8 is packed with features, including Bluetooth 5.2 with aptX HD and aptX Adaptive codecs for higher quality streams.

There are intuitive physical buttons on the earcups for reliable controls, while the B&W Music app gives you direct access to music services such as Tidal, Qobuz and Deezer. And to top it all off, you get 30 hours of battery life from a single charge.

And the all-important sound? It's an exciting presentation with excellent levels of clarity, precision and detail.

"The Px8’s midrange is crisp and clear, communicating vocal nuances superbly," our Bowers & Wilkins Px8 review reads. "These headphones reveal an impressive amount of detail and, just as importantly, present it in a musically cohesive way.

There is a reassuring sense of control here and the ability to track low-level instrumental strands, even when the music gets busy."

The Px8 also has four microphones for active noise cancelling (ANC), plus another two for voice pick-up during phone calls. The ANC is decent enough but not outstanding, especially compared to newer rivals that have moved the goalposts.

If ANC is important to you, you might want to consider the newer Bose QuietComfort Ultra Headphones (2nd Gen). They're currently a bit cheaper and offer a real step-up in the ANC department.

The Sennheiser HDB 630 are a similar price and will also appeal to audiophiles, thanks to an included dongle that enables aptX Adaptive over Bluetooth. Even without the dongle, the HDB 630 are class-leading in detail, dynamic expression and refinement at their level.

If you are after luxury, audiophile headphones with excellent build quality, the Bowers & Wilkins Px8 are now at a not-quite-so-luxury price of £379 at Amazon. While there are newer rivals on the scene, the Px8 still deserve serious consideration if you are buying at this level.

MORE:

Read our full Bowers & Wilkins Px8 review

These are the best audiophile headphones for true music lovers

Bowers & Wilkins Px8 S2 vs Px8: which premium headphones are better?

After more than five years of daily use, my AirPods Max recently stopped working.

I can't really complain. Between commuting, international travel and a house move, they'd spent years being stuffed into backpacks and suitcases before emerging to soundtrack thousands of hours of music and movies. They'd had a pretty hard life.

Rather than rushing to repair them, though, I saw an opportunity.

In the five years since I'd bought the AirPods Max, loads of exciting new headphones had launched. This felt like the perfect excuse to break away from Apple's ecosystem and find out whether anything could finally replace them.

Over the next couple of months, I spent time with headphones from Sony, Bose, Sennheiser and Bowers & Wilkins. Their relative strengths varied, but all of them sounded very accomplished with music. In the case of Sony's superb WH-1000XM6, I'd even argue the overall musical performance is better than that of the AirPods Max.

But this period of headphone flirtation had a surprising effect: my movie-watching almost ground to a halt.

For years now, I've used my AirPods Max at least as much for movies as for music. In fact, they've quietly become an essential part of my home cinema setup.

Once the rest of my family had gone to bed and it was no longer neighbourly to keep my Dolby Atmos system rumbling away, I had a simple routine. Rather than switching on Night mode and flattening every explosion, gunshot and orchestral swell, I'd put on my AirPods Max, tap the pop-up on my Apple TV 4K and carry on watching exactly where I'd left off.

The combination of the AirPods Max and Apple TV 4K remains astonishingly good. Their Dolby Atmos implementation, delivered through Spatial Audio with dynamic head tracking, creates an experience that's surprisingly easy to forget is coming from a pair of headphones. It doesn't simply sound spacious; it sounds uncannily natural.

And that's the bit I hadn't appreciated until the AirPods Max disappeared from my life. Every alternative I tried excelled with music, but none recreated that movie experience.

The closest I came was pairing Sony's WH-1000XM6 with the Bravia 8 II TV. It produced an impressively open and fairly cinematic presentation, but because the connection relied on standard Bluetooth, what I was hearing was ultimately a cleverly processed stereo signal rather than the sort of binaural Dolby Atmos experience that Apple's solution provides.

The difference wasn't night and day, but it was enough that I found myself missing the AirPods Max every time I settled down to watch a film, and that had a surprisingly big impact on my viewing habits.

If the family was asleep, I simply wasn't getting the experience I wanted. I wasn't about to hobble my main home cinema system with Night mode, but neither were the alternative headphones convincing enough to tempt me away from it.

Whether it's children, a partner or simply considerate neighbours, I suspect lots of people end up watching films after the house has gone quiet, and losing that window meant the number of films I watched absolutely tanked over the following weeks. I missed loads.

The good news is that I'm now making up for lost time, because I've managed to get hold of another pair of AirPods Max.

The whole experience taught me something I wasn't expecting, though: I'd quietly built my entire late-night movie-watching routine around one Apple feature.

That's not to say Apple has the only solution. Sony, for example, offers the little-known WLA-NS7 wireless transmitter, which promises a similar binaural Dolby Atmos experience with compatible headphones. I'll be testing that very soon.

But until something else can recreate what the AirPods Max and Apple TV 4K achieve together, they'll remain my favourite headphones for movies – even if some rivals have at least matched them when it comes to music.

MORE:

Here are the best wireless headphones you can buy right now

Check out our Apple AirPods Max review

If recent rumours are to be believed, Samsung is about to jump on the clip-on trend with its latest pair of wireless earbuds.

We've not had official confirmation yet, but one rather sharp-eyed Twitter / X user noticed an update to Samsung's Galaxy Wearable app which, among other things, listed the term 'Galaxy Able' in reference to a new pair of earbuds.

This tallies with earlier reports that Samsung is set to debut an entirely new product line – separate from its Galaxy Buds and Galaxy Buds Pro ranges – this year.

According to Forbes via Android Authority, earlier leaks using the moniker "BUDSABLE" and the model number SM-U6000 had confirmed that a new pair of buds could be on the way. Leaked artwork then suggested that a clip-on design could be the direction in which Samsung was headed.

Dedicated Samsung site sammyguru.com, also alleges they might even use bone conduction technology, similar to the tech used in the sport-centric Shokz OpenRun Pro 2 from 2024.

It certainly wouldn't surprise us if Samsung ended up jumping on the ever-growing open and clip-on wireless earbud trend.

Recent clip-on offerings have included the likes of Huawei FreeClip 2 and the Bose Ultra Open Earbuds, as well as the open-style Sony LinkBuds Open and the Apple AirPods 4 with ANC, all of which eschew traditional in-ear configurations in pursuit of a more comfortable, out-of-ear design.

Those rivals are all born from big-name brands, so it wouldn't be beyond the realms of possibility if Samsung moved to match its competitors by offering an open alternative to keep its Galaxy-focused fans happy.

Samsung's recent Galaxy Buds 4 Pro are some of the best buds we've yet tested from the Korean giant, so it might be in the perfect position to start rivalling its competitors in this emerging corner of the market.

Samsung has its annual Unpacked event slated for the 22nd of July, so there's a good chance we might get a proper unveiling of the new buds – and its next-gen foldable phones – when we attend in a few weeks time.

Naturally, we'll let you know what we discover.

MORE:

Read our recent Soundcore Liberty 5 Pro review

Now Playing: supercharge your summer listening with the 7 best tracks we’ve been using to test hi-fi

These are the best cheap wireless earbuds on the market

Nothing is back with a brand new pair of affordable, colourful wireless earbuds, the Ear (3a).

The latest addition to the brand’s more affordable, fun-centric (a) series, the new buds blend “immersive listening” with a “playful design” at a price that won’t exactly break the bank. They also have a rather intriguing feature up their sleeve…

Before we get to that, the Nothing Ear (3a) use a set of 12mm dynamic drivers designed to deliver “deeper bass and greater detail” than their previous generation antecedents, while a lightweight PMI diaphragm aims for “clear, detailed highs”.

Bolstering the buds’ new hardware is support for LDAC, the Sony-developed codec which allows for hi-res audio transmission up to 24-bit/96 kHz from a compatible source.

Noise cancelling is also available, with the Ear (3a) using an improved acoustic mesh and a more advanced ANC algorithm to keep you even more shielded from the sounds of the outside world, with Nothing promising nearly 20 per cent better performance when compared with their predecessors.

The Ear (3a) deliver up to 10 hours of playback from the buds and up to 42 hours with the charging case when noise cancelling is switched off. With ANC enabled, they offer up to six hours from the earbuds and a total of around 25 hours in total with the case in play. When things get low, a quick five-minute charge provides around one hour of playback in a pinch.

What was that intriguing feature we mentioned earlier? The Ear (3a) offer ‘Audio Snapshot’ technology, letting users instantly clip media they are listening to, be it a an online lecture, a call or a voice note, by pinching both earbuds to create an “audio screenshot” for posterity.

Nothing’s ‘Static’ spatial audio tech is also in the mix, while a three-mic array on each earbud promises clear calls, even in busy environments.

The Nothing Ear (3a) are available now, priced at £99 / $99 / €99, in a choice of Black, White, Yellow or Pink finishes.

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We’ve got Sony’s next-gen TVs, Denon’s flagship AVR, Roksan’s range-topping amplifiers and exclusive hi-fi in for testing right now

These are the best cheap wireless earbuds on the market

What do you think of when you hear the word “liberty”? Perhaps the triumphant motto of the French Revolution which pledged liberty, equality and fraternity for all, or perhaps the Statue of Liberty with her torch aloft welcoming newcomers to New York via Ellis Island? The Liberty Bell in Philadelphia, perhaps, or The Man Who Shot Liberty Valance if you’re into your black and white Westerns?

You may not think of a pair of mid-price wireless earbuds, but could that be about to change? The Soundcore Liberty 5 Pro are already imbued with a certain grandeur by virtue of their very name, but a name alone does not make a pair of earbuds.

Anker’s sub-brand Soundcore must face off against the likes of JBL and Sony to make a dent in this mid-range field, and while this isn’t the most densely populated segment of the wireless earbuds landscape, there are still a handful of hurdles for the Liberty 5 Pro to overcome.

Price

At £150 / $170 / AU$280, the Soundcore Liberty 5 Pro are committedly mid-range wireless earbuds. For this kind of money, the JBL Live Beam 3 can be yours for around £120 / $150 / AU$150, while the more affordable and Award-winning Sony WF-C710N can be picked up for £75 / $80 / AU$128 at the time of writing.

The likeable Apple AirPods 4 with ANC, conversely, sit around the £179 / $179 / AU$299 mark.

Build & comfort

Hooray, a pair of wireless earbuds that fit snugly and securely in our ears! This isn’t faux surprise or mock celebration: it’s remarkable the number of in-ear headphones – wired or wireless – that fall at what should be the most basic of hurdles.

We rarely have such an issue with the Soundcore Liberty 5 Pro. The mid-range contenders use a similar configuration to the more premium Bose QuietComfort Ultra Earbuds (2nd Gen), with an outer stem attached to a main body accompanied by top-mounted fins designed to sit under the ear’s inner ridge and facilitate a more stable fit. Those fins are fixed to the buds directly, however, so it’s something of a one-size-fits all arrangement.

They may be small, but the difference they make is profound. Those fins are firmer than the ones found on the second-gen Bose QC Ultra Earbuds 2, but in acting as an anchor to keep your buds in place, they really do the trick. We took the Liberty 5 Pro to the gym and even on a short 5 kilometre run, and not once did they come loose or make a bid for freedom.

During everyday use, the Liberty 5 Pro are easy to get along with. Their silicone ear tips fit snugly and securely, yet it isn’t often that we feel fatigued by the buds as we clock up the minutes of wear. Better still, Soundcore has been kind enough to offer five tip sizes ranging from XXS to large, so you’re likely to find a set to suit your needs, and there is an ear-tip test on the app to further help you on your journey to achieving a decent seal.

We’d be remiss if we didn’t mention the Liberty 5 Pros’ charging case, which uses a narrow front-mounted screen to display your buds’ vital statistics. The idea of a smart screen that essentially does the job of a companion app on your phone can be a bit of a divisive one, but we do appreciate being able to see our buds’ battery life at a mere glance.

Features

If you want something that will last and last, the Liberty 5 Pro’s battery life is decent, but they aren’t quite the Duracell Bunny of the mid-range earbud world. You’ll get around 6.5 hours from the buds and up to 28 hours total from the case with noise cancelling switched on, falling short of the 9-10 hours (buds) and 48-hour total of the rival JBL Live Beam 3.

Even the cheaper Sony WF-C710N squeeze around 8.5 hours from the buds and 30 hours with the case in play, leaving the Soundcore earbuds lagging rather behind their main rivals.

The Soundcore buds support Dolby Audio with head tracking, something they implement with reasonable competence. Do be aware that switching on Dolby Audio will switch off Soundcore’s ‘AI Sound Enhancement’ algorithm, resulting in a modest but perceptible drop-off in audio quality as a result.

The Sony-developed LDAC Bluetooth codec is also on the menu, something we wouldn’t necessarily expect to find with a pair of earbuds at this price – the cheaper Sony WF-C710N, for example, don’t support it at all. Considering LDAC allows you to stream high-resolution audio streams up to 32-bit/96kHz at up to 990kbps data rates from a compatible source, that’s quite a feather in the Liberty 5 Pros’ cap.

Touch controls work well, with Soundcore’s system operating primarily via either a series of taps or swipes depending on what you want your buds to do. Our test pair are responsive to our various commands, and we’re particularly impressed by the levels of customisation on offer from the accompanying Soundcore app.

On the subject of the app, Soundcore’s is generally a good one. There are plenty of useful features, such as an eight-band equaliser, ANC mode toggling, touch control customisation, and a handy fit test, but some users might feel that some additions just get in the way, such as a ‘Discovery’ comments forum and a ‘Soundspace’ section filled with free meditations and various flavours of white noise. For us, such additions aren’t particularly necessary, although they may have their fans among users keen for an app with all of the bells and whistles.

Noise cancelling & voice calls

Soundcore has put a lot of effort into the Liberty 5 Pros’ voice calls, packing the buds with 10 sensors and powering it all with a new ‘Anker Thus’ AI chip, which draws on large audio datasets and uses a configuration whereby the chip’s CPU and memory are fused together for a more efficient and powerful performance when handling audio and calls.

Human speech is nicely spotlighted and impressively clear, although voices do sound a little artificial and robotic. The Soundcore earbuds do isolate speech admirably from environmental noise, so much so that traffic, wind and birdsong are barely audible as we natter away without distraction. The Sony WF-C710N sound more natural, but the Liberty 5 Pro have a cleaner presentation.

Noise cancelling is similarly capable. The Liberty 5 Pro keep up with their rivals as they suppress the general ambience of a busy cafe, making a decent fist of softening exterior noises if not completely eliminating them.

Higher frequencies, including some human speech or the clank of weights in a busy gym, will still penetrate through, as will the deepest of deep rumbles, but this isn’t a poor performance at this mid-price level. If you want a proper step up in terms of pure noise isolation, you’re going to have to spend more cash and seek out the premium Bose QC Ultra (2nd Gen) or the Sony WF-1000XM6 instead.

Sound

It’s been a reasonable showing thus far, but sound is ultimately where the race is won or lost, and it is here where the Liberty 5 Pro trip and stumble. From the outset, we’re impressed with the muscle and weight they bring to their respective renditions of Slipknot’s Left Behind and Nine Inch Nails’ As Alive As You Need Me To Be, but a lack of clarity and overall sonic precision limit the extent to which we’re truly involved in our music.

To their credit, we do get a sense of a pair of earbuds that are trying to entertain us. These aren’t bland or lifeless performers, with the Soundcore bringing enough robustness and power, especially at the lower end, to grant our tunes some proper wallop. Corey Taylor’s relentless performance on Left Behind is suitably ferocious, yet subtler quirks and vocal textures are lost amidst the earbuds’ somewhat clouded presentation.

Ultimately, there’s a lack of real refinement to go with all of that undeniable eagerness. The bass may be powerful, but it is both ill-defined and overdone, while a peakiness and lack of treble refinement haunts the upper frequencies. While doing a bit of tinkering with the provided in-app equaliser can help to rectify some of that excessive eagerness, it can’t do much to infuse any real quality into the resulting reproduction.

It’s an issue that really stands out whenever a track has plunging bass tones, which ultimately end up sounding amorphous, rumbly and lacking in sufficient definition. Boot up the opening of Noisettes’ Never Forget You or the first few bars of Agnes Obel’s The Curse, and you’ll hear what we mean.

A loose low-frequency reproduction is not the only issue. While the Soundcore buds do have decent weight and impact, they’re not as crisp or as well-disciplined as their rivals. The cheaper Sony WF-C710N are equally full-blooded, yet they have the punch, precision and propulsion to go with that muscularity. The C710N are a pro boxer’s powerful, clean leading jab; the Liberty 5 are a sloppy haymaker thrown on a booze-fuelled Saturday night.

The mid-range buds’ lack of rhythmic momentum is highlighted on tracks such as Ghost’s Satanized, during which a poor sense of timing and squashed dynamics conspire to make the whole thing sound both flat and sluggish. The JBL Live Beam 3 are better in both regards, while the supremely entertaining C710N are, frankly, streets ahead.

Verdict

Despite their secure fit and ample feature set, the Soundcore Liberty Pro don’t have the sonic talents to trouble the best mid-range buds. If sound quality is a priority, seek out the well-rounded JBL Live Beam 3 or the sonically superior (and cheaper) Sony WF-C710N instead.

Review published: 7th July 2026

SCORES

• Sound 3
• Features 4
• Comfort 4

MORE:

Read our JBL Live Beam 3 review

Also consider the Sony WF-C710N

Best wireless earbuds: 7 sensational pairs reviewed and rated by our experts

We’re only on day one of Amazon Prime Day in Australia, yet it’s already delivering in a major way where discounts on hi-fi, home cinema and all manner of AV tech are concerned.

Nowhere is that more evident than with headphones. And while there are literally hundreds of pairs to sift through, I’ve found 8 What Hi-Fi? Award-winning pairs — including our current Product of the Year — on sale with discounts of up to 39%.

So, if you want to make sure the pair you buy is going to give you the best possible performance, look no further.

• Check out all the latest Award winners

As I mentioned earlier, there are plenty more pairs of headphones available during the Prime Day Australia sales, alongside a solid selection of hi-fi components and Bluetooth speakers.

Remember, the majority of these deals are likely to come to an end when Prime Day finishes at 11.59pm on Monday, July 13. You’ll also need to be a Prime member to nab most of them. If you’ve not been a member before, you can sign up for a free 30-day trial.

Fancy something for the weekend? Well Sony has just the thing. Its Award-winning WH-1000XM6 headphones have just gained a new firmware update that enables an ultra-low-latency mode.

The update is also available for Sony’s 1000X The Collexion.

The update adds support for the Bluetooth LE Audio Gaming Audio Profile (GMAP). This reduces latency (the time that a sound takes to reach your ears) to less than 40 milliseconds.

As the name suggests, this will predominantly be of interest to gamers.

GMAP has four signal profiles (A-D) depending on whether speed or stability is the priority. Profile A is the quickest, while D is better suited for areas with lots of interference. GMAP is part of the Bluetooth specification laid down by the Bluetooth SIG, and so can work on other wireless headphones too.

In order to hear the benefit, your audio source also needs to support GMAP.

The new feature is available now via the 3.1.5 firmware update for the XM6 and 1.3.0 for the 1000X The Collexion. You can install the updates for both pairs of headphones using the Sony Sound Connect app.

MORE:

Read our Sony WH-1000XM6 review

And our Sony 1000X The Collexion review

I spent 10 hours on trains listening the Sony WH-1000XM6 – here’s what I learned

Growing up in rural Wales, I spent my adolescence desperate for noise.

As a teenager, roaming the serene forests that surrounded my home in search of something – anything – to do, I was invariably accompanied by a headphone-rattling playlist of punk, rock and industrial music. My natural gravitation at the time was towards anything that shook things up, that challenged the serenity of my environment, and would, I suppose, give my folks a headache.

As I became an adult and my taste diversified, I nevertheless sought out places to live that fell in line with that desire for chaos. Naturally, London was my first choice: loud, relentless, sometimes frightening.

By that time, I was enjoying everything from Fela Kuti to Chopin, but amid the blaring interruptions of tube trains, traffic and street-preachers, I simply could not hear quieter tracks in my music library.

Inexplicably, I never considered seeking out noise-cancelling headphones. Having embraced the city’s clamor as an inalterable feature of my circumstances, I took up the habit of listening, almost exclusively, to music that was loud enough to drown London out. Back to punk, we go.

That all changed once I started writing about audio equipment for a living.

Within my first few weeks as a new staff writer at What Hi-Fi?, I took home a pair of Sennheiser Momentum 5 Wireless headphones.

A heatwave was in full force when I swapped my cheap earbuds for these more premium over-ear ANC headphones, and on the crammed train home from work, the air con was going hell for leather. Above the bustle and groans of commuters sweating through their work clothes, the AC was all but shrieking with the effort it took to cool the carriage down.

Usually, the cacophony would have droned through my music, even at full volume; but placing the Momentum 5 Wireless over my ears and then enabling their full active noise-cancelling mode, I was astonished to discover how completely the world fell away.

In our five-star review of the Momentum 5 Wireless, we mention that Sennheiser has taken pains to improve on the ANC of the Momentum 4 Wireless, using twice as many microphones (a grand total of eight) to achieve what it describes as “three times” better noise cancellation, particularly in the midrange. In our view, the improvements were a success, keeping “traffic, wind” and, crucially, “the hum of air conditioners” at bay.

As I’ve fallen into the habit of listening to music through the Sennheisers during my daily commute, an unexpected side effect of their excellent noise-cancelling has been that my appetite for sonic carnage has subsided.

In its place, I’ve started listening to classical music on a regular basis. I wasn’t formerly much of a classical listener, but with environmental sound cancelled so effectively, I have found myself enjoying the newfound ability to pick out the finer points in classical arrangements – and while commuting, at that. Needless to say, if not for trying these headphones, I would have remained oblivious to these details.

These days, among my daily listens are Ravel’s Piano Concerto in G Major, M.83: II. Adagio assai and Debussy’s La damoiselle élue, L.62: Prélude.

To my ear, each of these musical discoveries has been complemented by the Sennheisers’ sonic signature, which we describe in our review as “rich, smooth yet strikingly precise and detailed”. In La damoiselle élue, the reverberant piano conveys a striking sense of scale, giving you a sense of the space in which the piece is played, which only grows as the notes are struck harder.

But even at the gentlest touch, the Sennheisers remain expressive, thanks to the “naturalness and insight” of their midrange performance. Listening to these recordings, I even find that their bass reproduction, which we describe as “on the richer side”, lends a pleasant and proportionate weight to every note.

So, where once you might have found me blasting Black Flag, Einstürzende Neubauten and Swans, I will instead be exploring – and what’s more, thoroughly enjoying – the back-catalogues of Debussy, Wagner, Ravel, and even some ambient albums such as Thomas Köner’s Permafrost.

That’s not to say I’m ditching the punk, I get the feeling that our love affair isn’t quite at its end. But who knows, perhaps, thanks to excellent noise-cancelling and performance from headphones such as the Momentum 5 Wireless, I’ll get to keep my hearing intact for a few more moshpits yet.

MORE:

Read our Sennheiser Momentum 5 Wireless review

Best noise-cancelling headphones 2026 – tested by our in-house review experts

FiiO's noise-cancelling wireless headphones want to challenge Sony for entry-level supremacy

There’s just something about a pair of Grado headphones.

While they’re an acquired taste for some, the Brooklyn-based brand’s roster of over- and on-ear cans has helped to shape the current headphone landscape, from the wood-clad RS1x to the innovative GW100x wireless open-backs and the perennially outstanding SR325x.

Grado knows headphones, with five-star reviews and What Hi-Fi? Awards becoming par for the course in recent times.

We’ve generally found the brand's ample roster of rugged cans appealing for a few key reasons. For a start, Grado tends to put sound above all other considerations, and as we're a publication that also places audio performance at the top of the hierarchy of needs, that tends to go down well in our test rooms.

Grado headphones tend to ride that line between analysis and entertainment so effortlessly, digging into the details while bringing out the essential musicality of our favourite tunes. Results inevitably vary, but it’s safe to say that some of the finest wired headphones we’ve heard over the past decade have been born in Brooklyn.

Further, this is a brand with a real sense of identity. Its products tend to look and sound distinctive, and while that can be alienating for those not in tune with this given sonic and aesthetic philosophy, it can be pure heaven to anyone with similarly aligned priorities.

Grado has always felt like a no-nonsense outfit: few frills, no gimmicks, just an unerring focus on (mostly) great sound.

Substance over style?

That philosophy, however, can be something of a double-edged sword, and as is often the case in life, the thing that offers the greatest appeal can also end up becoming a brand’s most burdensome failing.

Strikingly minimalist as most Grado cans appear, they rarely ride high in the comfort stakes. We’ve tended to temper our reviews of the Grado's headphones with the same caveat about user comfort, especially with regard to its continued use of rather thin, often scratchy foam ear cushions.

Grado’s continued allegiance to its lean, on-ear designs is admirable, and we’re aware that much of that commitment comes from a desire to aid sonic performance, but we wonder if a better balance could ultimately be struck. From the SR325x to the high-end Grado GS3000x, we’ve raised concerns that comfort was often lagging behind performance.

Take the recently reviewed SR325 Classic. They’re lightweight and sturdy in terms of their general fit, but the ear cushions are so lean, unforgiving and scratchy that it will inevitably put some prospective wearers off, especially when you could get the more luxurious and comfortable Beyerdynamic DT 900 Pro X for a lower price.

The new SR325 Classic's headband is also pretty thin on padding, as is Grado's wont, although this has rarely been as much of an issue as the ear cushions.

Grado quite reasonably argues that its ‘F’ cushions aid the SR325 Classics’ “immediate and energetic presentation”, but when the over-ear DT 900 Pro X manage to nail comfort without compromising on sound, all for a lower price, that excuse only goes so far.

These are not cheap headphones – the SR325 Classic cost £349 / $350 at launch, while the supremely comfortable DT 900 Pro X are around £200 / $250 at the moment. We know which pair we’d prefer to wear for hours at a time, and while we accept that the SR325 Classic are an on-ear design rather than over-ear, again, that excuse only goes so far.

We also found that the Classics’ ear cushions came off so easily on our review sample that we could remove them from our test pair with a single finger. It might just have been a bad batch that we received with our test sample, but given our extensive history with Grado, that’s a rather charitable interpretation.

Is our patience wearing thin?

The problem for Grado is that, while it may be reasonable to make the defence of being a ‘sound-first’ company, or argue that such ear cushions are conducive to getting that signature Grado experience, those arguments tend to hit rockier ground when a given pair fails to perform on the audio front.

The SR325 Classic might have won our affections had their sound quality lived up to the standards of the SR325x across the board. We found that while the new pair are clearer and more articulate, it has poorer sense of rhythmic drive than the older model. In light of this, a somewhat Spartan approach to comfort is much harder to forgive.

We previously raised concerns that the premium GS3000x's ear cushions “feel a little scratchy” and pointed to the need “to find a classier alternative at this premium price level”, with the five-star cans only getting away with it because they’re some of the best sounding cans Grado has ever made.

When performance fails to meet those lofty standards, however, we’re much less willing to be so forgiving of inescapable drawbacks in other areas.

We’re not expecting Grado to completely throw the baby out with the bathwater. The way its headphones are a huge part of the brand’s hard-edged, industrial identity, while those sonically-minded ear cushions are designed, at least in part, to aid in granting that familiar Grado sound and look.

Like all things in life, balance is key, and we just wonder the extent to which Grado can justify skimping so much on comfort and, in the case of the SR325 Classic, overall quality.

It’s all well and good when you’re really nailing things in terms of audio performance, but when five-star alternatives are able to offer competitive audio and greater comfort for a similar price, it might be time for Grado to concede that would-be buyers are choosing headphones not solely for what they're like to listen to, but how they feel to wear.

MORE:

Read our Grado SR325 Classic review

Closed-back vs open-back headphones: which design is better for you?

Read our guide to the best wired headphones

FiiO has unveiled its latest pair of wireless headphones, the EH13.

The new over-ears are conceived as a pair of budget-friendly cans that go big on features while keeping costs to a minimum, aiming to give would-be buyers "high-quality audio at an accessible price".

The EH13 feature a set of 40mm dynamic drivers fitted with sapphire-coated composite diaphragms, while support for the Sony-made LDAC codec allows for hi-res Bluetooth streaming up to 32-bit/96kHz.

Despite their modest price, the EH13 offer hybrid active noise-cancellation, while five built-in microphones and advanced 'Environmental Noise Cancellation' algorithms aim for clear voice pickup and reduced surrounding noise during calls.

The EH13 grant up to 45 hours of playback with ANC on, rising to a whopping 75 hours when noise cancelling is switched off. Further, Multipoint Bluetooth allows for connecting the FiiO over-ears to twin devices simultaneously.

The new headphones house a 3.5mm input and come with a provided cable if you want to hook up directly to your chosen music source, while a fully foldable design makes the budget cans easier to transport.

If you want to tinker with your listening experience, including altering your EQ settings, you can do so via the provided FiiO Control App.

The FiiO EH13 are available now in a choice of black or beige finishes, priced at £49 / $49 / €49. That sort of money puts them in direct competition with the budget Sony WH-CH520 (tested at £49 / $59 / AU$79) that we've so often praised since their release in 2023.

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Want cheap wireless headphones? Read our Sony WH-CH520 review

These are the best wireless headphones you can buy

Best wireless earbuds: top pairs tested by our reviewers

Apple's AirPods wireless earbuds: they're white, and they're expensive. But while the former fact may hold true, the latter certainly doesn't: the AirPods 4 have dropped to just £80 at Amazon – a discount of just under £40. That's their lowest ever price.

But the deal won't last long – it expires at midnight tonight. Which gives you just – checks watch – less than 10 hours to buy. Cue the Countdown music, but extended to nearly 300 times as long.

Apple AirPods 4 best ever price

Apple hiked its prices yesterday due to the global RAM shortage – the AirPods 4 may have escaped unscathed, but this is still your last chance to save before they return to their full price.

We haven't reviewed this exact model, but the equivalent with active noise cancellation (ANC) scored four stars. Given that these are identical (bar the lack of ANC and the associated features), we have a good idea of what to expect.

Think a sonic performance that's close to the outgoing AirPods Pro 2. In our review we concluded that the AirPods 4 with ANC's "snappy, agile and clean performance is easy to enjoy at this mid-range level."

They're very well put together (as you would expect from an Apple product) and a dream to use with an iOS device (ditto). About the only disappointment is the battery life: five hours from the buds alone, and a total of 30 hours with the charging case. Ho-hum.

Still, at this price (£80 at Amazon) you can hardly complain.

And if you do want ANC, the AirPods 4 with ANC are also on sale – they're just £125 at Amazon, but again, the deal ends tonight. Decisions, decisions.

MORE:

The best wireless earbuds you can buy

All the action from Prime Day 2026

Sony has the hottest Prime Day headphones deals around – here are 5 of the best I’d recommend and one pair I’d seriously avoid

The (absolutely scorching) sun is starting to set on Prime Day 2026, but there are still plenty of great deals available – particularly on wireless headphones.

We've seen excellent discounts on earbuds and over-ears, from new models to old favourites, current Award winners and five-star favourites.

Unfortunately, this can make it all the more difficult to know exactly which deal is right for you.

We've tested hundreds of headphones here at What Hi-Fi?, and we know a good deal when we see one. And we've been delighted to see discounts on the products we've long been recommending on our best wireless earbuds and best wireless headphones buying guides.

So if you're after some Prime Day-specific buying advice, I've found the best headphone deals and fashioned a quiz to help you find the perfect Prime Day pair.

All you need to do is answer two quick questions about your headphone requirements, and we will take you to a five-star pair that What Hi-Fi? has rated and recommended. Enjoy...

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Sony WH-1000XM6 vs WH-1000XM5: which wireless headphones are better?

Sony has the hottest Prime Day headphones deals around – here are 5 of the best I’d recommend and one pair I’d seriously avoid

I've tested dozens of headphones – these are the 6 best Prime Day headphones deals I recommend for under £150

Prime Day is in full swing, and our deal experts are still trawling through all the savings to bring you our top recommendations.

While the options aren’t as plentiful as they would be around Black Friday, with any big sales event, you’re always guaranteed some brands will lead the way in certain categories.

And one of those names is Sony, who is one of the biggest players in the wireless headphones space. It’s a position that’s reflected in the impressive range of deals we’ve seen so far during Prime Day.

I’ve highlighted my favourite picks so far below and also included one heavily discounted pair I would urge you to avoid…

The Sony WH-CH720N headphones are an easy recommendation for me because they're so affordable and sound so good. Build quality is robust, and they deliver impressive active noise cancellation for the money, too. Add a very decent 35 hours of battery life into the equation, and you can't go wrong, especially for £60 for the black finish.

Another affordable recommendation, the Sony WF-C710N are brilliant budget wireless earbuds. They are attractive, comfortable in-ears that give a fun yet mature performance for an amazing price. And that Glass Blue finish is an absolute stunner, in my eyes at least.

If you want the very best wireless headphones Sony has to offer, you have to go for the WH-1000XM6 this Prime Day. With stunning sound quality, excellent comfort, great portability, and brilliant noise-cancelling skills, these are the flagship wireless headphones to beat, especially at their discounted price

Alternatively, the best wireless earbuds currently in Sony’s stable are the magnificent WF-1000XM6, which have their first major price drop this Prime Day. In our five-star review, we praised their “breathtaking all-round performance”, which includes awesome noise-cancelling and super-clear call quality.

The Sony WH-1000XM5 headphones are five-star cans that won themselves a coveted What Hi-Fi? Award in 2024. This stunning pair offers great sonic clarity, a punchy delivery and precise, agile bass. Yes, the WH-1000XM6 are newer and perform better across the board, but they are much more expensive.

Proof that Sony doesn’t always get it right are the ULT Wear noise-cancelling headphones. Yes, they boast a less-than-half-price saving, but I wouldn’t rush out to snap them up. I don't really think the Sony ULT Wear are worth your cash – there are far finer alternatives available at this level (like the WH-CH720N) that offer a much more balanced and entertaining sound for the money.

MORE:

Our pick of the best wireless headphones for all budgets

Sony WH-1000XM6 vs WH-1000XM5: which wireless headphones are better?

Sony WF-1000XM6 vs WF-1000XM5: which premium wireless earbuds are better?

Prime Day 2026 LIVE: our hi-fi experts choose the best speaker, headphone and turntable deals

Boy howdy, what a doozy of a deal.

Of all of the wireless headphones deals we've seen this Prime Day, this has to be one of the very best. The Bowers & Wilkins Px7 S3 are just £255 at Amazon, a colossal saving of £144 that far outstrips any deal we've thus seen on the five-star wireless over-ears.

You'll have to get them in a rather stylish white colourway to get the lowest price possible, but that's hardly a great loss – white finishes are so in right now.

The Bowers & Wilkins Px7 S3 are some of the best wireless headphones we've had the pleasure of testing in the last few year, impressing in terms of both style and substance.

First launching in April 2025, it's not surprising to see discounts creep in as the good-looking over-ears approach roughly one-and-a-half years of life, but a £144 saving at Amazon is by far the best deal we've seen yet Hey, thank Prime Day for that..

While we've awarded the Px7 S3 the top spot for being best for style, being really, really, ridiculously good-looking is not all they have to offer. They're also lovely to listen to and packed with great features, even if the ANC could reasonably be quite a bit better.

As we wrote in our review: "The Px7 S3 really are exceptionally refined and detailed headphones. They drop you deep into a performance, breaking the boundary between you and your music and insisting that you become a part of the experience, a little like a mate at a gig who ushers you ever-closer towards the stage."

Thanks to their cannily-positioned eight-mic array, the Px7 S3 deliver a reasonably solid barrier between you and the outside world.

While their biggest rivals, the Bose QuietComfort Ultra and Sony XM6 block out sound a little more competently, these Bowers do a decent enough job, and at this price, they're now considerably cheaper than the XM6, and a lot better looking.

Their features also impress at this price point, with aptX Lossless and Adaptive Bluetooth support and a respectable 30-hour battery life with ANC on, while Bluetooth Multipoint makes switching between multiple connected source devices as easy as falling off a log.

For anyone looking for the convenience of wireless and ANC without giving up too much when it comes to sound quality, the B&W Px7 S3 are easy to recommend, especially now that they're just £255 at Amazon.

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Bowers & Wilkins Pi8 vs Pi6: which B&W wireless earbuds should you choose

No cap, wired earbuds are #themoment, so if you're looking to soundmaxx your life, get on the trend and slay.

Don't worry if you didn't understand a word of that. Wired earbuds might be coming back among Gen-Z listeners and celebrity influencers, but this is a trend that everyone should be a part of. Wired in-ear headphones are convenient, cool and, most importantly, sound far better than their wireless counterparts.

If you're keen to hear what all of the fuss is about, might we suggest the SoundMagic E11C as a great place to start. The E11C are £35 at Richer Sounds, dropping by £15 from their initial £50 test price, and at this level, not much comes close. As our current What Hi-Fi? Awards winners in their class, this is a bit of a no-brainer.

Best Prime Day SoundMagic E11C deal

The SoundMagic E11C are no-fuss budget wired headphones that punch well above their weight. If you're looking to get on board with the wired trend (and you should be, by the way), they're the perfect place to start.

Budget they may be, but the E11C are surprisingly well-made, with a solid, sleek design complemented by a choice of small, medium and large silicone tips and an in-line remote.

In case you need reminding, they have the standard 3.5mm headphone cable connection, so you’ll need a dreaded dongle for connecting to USB-C or Apple Lightning ports. That's part of the 'retro' charm, right?

In terms of sonic performance, the E11C are a delight. They're sparky and peppy headphones that go big on detail and clarity, offering an entertaining sound that really delivers when it comes to putting the pep into your music's step. At this kind of price, we can't think of much better, though the SoundMagic E80D are also worth considering if you want a USB-C-ended alternative.

As we concluded in our review: "The E11C in-ears continue the fine work of their predecessors and deliver an entertaining, upfront sound, complete with a remote control and mic".

Grab them at Richer Sounds and feel young again.

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Bowers & Wilkins Pi8 vs Pi6: which B&W wireless earbuds should you choose?

It's time to get serious this Prime Day. If you're after the best wireless earbuds you can buy, you couldn't do much better than the five-star Bowers & Wilkins Pi8.

Right now, the Pi8 can be yours for just £275 at Peter Tyson, which isn't the lowest price we've ever seen the five-star buds, but still represents a major saving of £74. Not to be sniffed at, certainly!

The Bowers & Wilkins Pi8 certainly come in pricier than your average wireless buds, but in terms of performance, they justify their premium price tag.

The stylish buds offer serious performance across the board. As our expert testers said: “Immediately you’re made aware that this is no pair of budget earbuds. There’s a maturity and refinement to the sound which you just don’t get from entry-level and mid-price wireless earbuds.

“This level of sophistication really allows the Pi8 to stand out. They shine a light on any music streamed their way with a beautifully balanced approach – you can savour every frequency from the lowest of lows to the highest highs.”

From dynamic insight to genuine rhythmic drive, you can be kept entertained for the duration of the Pi8s' 6.5 hours of battery life from the buds themselves, rising to 20 hours with the case in play.

That charging case is smarter than you think, doubling up as wireless audio re-transmitter. This means that you can plug the case into a source that does not support Bluetooth, such as an in-flight entertainment system, and play audio through the wireless buds.

There is also support for Bluetooth 5.4, the inclusion of AptX Adaptive support at up to 24-bit/96kHz and also aptX Lossless. Plus, the ANC uses the same technology as B&W's Px8 over-ears, which can be switched off entirely or switched into Transparency mode.

All this led us to reach an incredibly positive verdict, saying: “Their wonderfully sophisticated, balanced and transparent sound delivers a level of insight that’s rare in wireless earbuds. You do have to pay for that quality but, ultimately, we think it’s a price worth paying.”

Fortunately, right now, you don’t have to pay as much as you once would have. In fact, you can save a very healthy £74 if you check them out at Peter Tyson or John Lewis.

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Bowers & Wilkins Pi8 vs Pi6: which B&W wireless earbuds should you choose?

A pair of Sony headphones for £100 off? Normally we'd be recommending that you throw caution to the wind, boot up that laptop, stretch your clicking finger and get those cans into your digital basket, because that sounds, on paper, like a Prime Day deal worth taking.

This is one of the rare instances, however, when we'd advise you to look elsewhere. The Sony ULT Wear are a rare misfire from Sony, and while they're down from £180 to just £88 on Amazon, we just don't feel that they're worth your time. Save your cash and pick up a pair of five-star alternatives (listed below, obviously) instead.

Sony ULT Wear deal

Hooray, a pair of heavily discounted Sony headphones! They’ve got noise cancelling, a comfortable design, loads of high-performance Sony features and a majorly knocked down right, so what exactly isn’t there to love?

The problem is that the ULT Wear don’t sound as good as we had hoped. In fact, they are a rare sonic misfire for Sony, with a sound that sounds either too enthusiastic and bass-heavy, or simply too lacking in the basics of dynamics and detail to have us singing their praises. Great Sony headphones abound at the moment, but sadly, the ULT Wear are quite a long way from greatness.

Consider these alternatives instead

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I have been happily rocking a pair of the four-star Beyerdynamic Aventho 300 as my go-to pair of wireless headphones for a while now.

For me, they’re great, and I am more than happy with them. But, after a few readers got in touch asking if they should take advantage of Amazon’s current Aventho 300 deal, which lets you grab a pair for £239 (saving £120), my answer is, probably not.

Instead, I would point most people to Amazon’s current deal on the five-star Sony WH-1000XM6, which lets you pick up a pair for £236 (save £164).

That’s not because the Aventho 300 and I have fallen out of love and are on a break. They are fantastic, wonderfully unassuming headphones with a sonic profile that will truly delight any listener who values composure and balance, even if it means they might be a little clinical. That’s why I love them.

For most people, however, there’s a reason we scored the Sony WH-1000XM6 higher and gave them a What Hi-Fi? Award. Their sonic profile is more entertaining and packed with detail, and will please a wider audience of listeners than the Aventho 300.

They also offer better ANC, which again is a big factor that gives them more mass appeal. We said as much in our reviews of the two headphones.

For example, here is our WH-1000XM6 verdict:

“Sony’s wireless headphones deliver a performance more than befitting a flagship pair of wireless headphones. Comfort levels are great, they’re nice to use, ANC is excellent, call quality is class-leading, and sound quality can match anything at this level. Simply sensational.”

Whereas in our Aventho 300 review we reported:

“The Beyerdynamic Aventho 300 won’t be for everyone [...] That said, these are really solid performers for the money, that resist the urge to impose their will on your music and instead step back and allow your tunes room to shine.”

We stand by those statements. Which is why, generally, I recommend that most buyers should opt for the Sony WH-1000XM6, even though I am personally very fond of my Aventho 300.

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Check out our Prime Day 2026 hi-fi deals live hub

These are the best wireless headphones we have reviewed

Our picks of the best wireless earbuds

I love listening to music and podcasts on planes, especially as a way to lull myself to sleep.

Unfortunately, that’s not always possible, with the drone of the plane engine, chattering of fellow passengers and general hubbub piercing through my music and my personal fortress of solitude.

Luckily, I’ve found an effective and affordable solution: the Bose QuietComfort Earbuds (2024), now only £105 at Amazon.

Bose has long proved itself to be the master of noise-cancelling, and its expertise is clear to see in these excellent earbuds.

Finding a good balance between good noise-cancelling and affordability is always tricky – but Bose’s entry-level ANC earbuds impress for the price.

“Time and again, Bose’s noise-cancelling has proved itself to be a cut above the competition and the QuietComfort Earbuds don’t disappoint,” our Bose QuietComfort Earbuds (2024) review reads. “They do a very good job of eliminating mid- and low-frequency drones and rumbles.”

Having tested them in a busy train carriage, we’re pleased to report that rumbles were dampened down and chatter nicely subdued.

However, there’s more to the QuietComfort Earbuds than noise cancelling – as evidenced by their What Hi-Fi? Award.

The brilliant buds sound great too, which is rather important given that other sounds will be blocked out.

“If it’s drive and musicality you’re after, then the Bose QuietComfort Earbuds (2024) deliver in spades,” our review reads. “They’re powerful and punchy performers that build an entertaining sound on the foundations of robust low frequencies, an expressive midrange and controlled highs.”

The design might be a bit stocky, but we found that Bose’s carefully engineered ear tips and stability bands to deliver a comfortable and secure fit.

Battery life impresses too, with 8.5 hours from a single charge and an extra 21 hours from the case – enough for even the longest flights. Wireless charging is included too!

To top it all off, the earbuds include Bluetooth 5.3 with multipoint connectivity and IPX4 water resistance. For £105 at Amazon, this really is a bargain for an Award-winning pair of earbuds – one that could prove a lifesaver during a particularly noisy flight.

If you have a bit more of a budget, do consider these alternatives too:

We are big fans of the Technics EAH-AZ100 wireless earbuds. So much so, that at the end of last year, our editor in chief wrote an article about how he had waited all year for a decent discount.

Since then, we are pleased to report that the deals have only improved.

This latest Prime Day deal sees these five-star rated and What Hi-Fi? Award-winning earbuds available at their cheapest price to date. For just £189.99 from Amazon, these premium earbuds could be yours at a discount of almost 30 per cent.

A pricey option at the time of their release, the Technics nonetheless landed themselves a stint as our best premium pick on our best wireless earbuds page.

With a 10mm “Magnetic Fluid Driver”, these earbuds have a clear, spacious sound that gives each part of a composition ample breathing room.

Reviewing the EAH-AZ100, we were struck immediately by their “clear and open sound“ and “superb amount of detail”. Digging, deeper, we found them to be punchy, present and dynamically impactful – a combination that ultimately earned them a five-star review.

Complementing their sonic merits, the Technics are also small, light, and comfortable to wear over long periods of time. Touch controls for audio modes, playback and volume are fully customisable, so you can use them any way you please.

A strong and stable Bluetooth connection (with support for SBC, AAC, LDAC and the LC3 codec) means you are unlikely to find yourself grieving a wired option, especially given the earbuds’ impressive 10-hour battery life with ANC enabled.

Used alongside the charging case, their battery life rises to 28 hours.

Nobody, it seems, can keep up with the class-leading noise cancellation of Bose QuietComfort Ultra Headphones (2nd Gen), but the Technics make an honourable attempt, with an effect “like heavy snowfall muffling the world”.

They also feature an Adaptive mode, which automatically adjusts noise-cancelling based on your environment. Alternately, of course, you have the option to dial the intensity up or down yourself.

For a cherry on top, these earbuds include three-way Bluetooth Multipoint connectivity, allowing for connection to multiple devices at once, as well as support for Auracast transmission.

Conventionally, the main drawback of a premium product is its price, but given that these headphones are now available for £189.99 from Amazon, in this instance, you can have your cake and eat it.

MORE

Read our full Technics EAH-AZ100 review

Visit our best wireless earbuds 2026: seven sensational pairs reviewed and rated by our experts

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This Prime Day is the perfect time to find your latest pair of wireless headphones or wireless earbuds. Prices are dropping faster than Scotland's World Cup chances, and good deals are becoming great ones thanks to ever-plummeting RRPs. There's no time like the present to snap up a bargain.

This Prime Day has seen major discounts on a massive variety of headphones, but we're limiting this rundown to those which fall under £150. Times are tough right not, so the products we've listed below, be they in-ear or over-ear, are all designed to elicit maximum satisfaction from the lowest cost possible. Nice.

Wireless earbuds

Best mid-price: Bowers & Wilkins Pi6

Best noise-cancelling: Sony WF-C710N

Best entry-level: Sony WF-C510

Over-ear headphones

Best entry-level: Sony WH-CH520

Best budget noise-cancelling: Sony WH-CH720N

Best budget wired: Røde NTH-100

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Sony’s WF-1000X range has gone from strength to strength. The recent addition of the WF-1000XM6 was no exception, and the new wireless earbuds earned a five-star review from our team this year.

At their launch in February, we predicted that Sony’s new earbuds might see a Prime Day discount, but thought that, given their recent release, we were unlikely to encounter any significant savings.

How wrong we were.

As part of this year’s Prime Day savings, you can now pick up a pair of the Sony WF-1000XM6 at a whopping discount of almost £50, bringing them down to just £199 at Amazon.

We found that the WF-1000XM6 improved on the sonic performance of their predecessor, the WF1000XM5, with a “newfound sense of natural warmth throughout the frequency range”.

They sport all the features we expect from a flagship pair of wireless earbuds – “a fantastic sense of timing, an expressive midrange, weighty yet well-defined bass and crisp, nicely controlled highs” – and we feel that these earbuds cover all bases.

The WF-1000XM6 use a new QN3e processor, alongside four mics in each earbud, to improve the quality of their ANC – a move we feel has been highly effective.

When we took them out on the London tube, we were pleased with how the earbuds extracted both low-frequency rumbles and high-pitched screeches from our environment.

During calls, too, these earbuds impressed us with their ability to subdue a variety background noises, with voices coming through “loud and clear with a great level of detail”, even in windy conditions.

A battery life of eight hours places the WF-1000XM6 somewhere in the middle of their competitors, but two extra charges from the wireless charging case result in a respectable total battery life of 24 hours.

For anyone looking for a convenient, pocket sized dose of “benchmark-setting” audio performance, these earbuds could be just the thing. Even better, you can buy them now for their cheapest price yet, of just £199 from Amazon.

MORE

Read our full Sony WF-1000XM6 review

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When you're looking for a great Prime Day deal, what you're really after is the cheapest price for a very good product. While we've spotted gigantic speaker savings and great OLED TV discounts, those price tags still number in the hundreds.

So what's the best cheapest Prime Day deal this week? That would be the Sony WH-CH520. These budget wireless headphones already won us over thanks to their blend of talents we tested them at full price (£49) but they're now available for just £30 at Amazon.

Only £30 for five-star Sony headphones! If you regularly peruse the glorious Tesco meal deals for your work lunches, this amounts to about seven meal deals. Even more if you're a Clubcard holder.

Which one is better value? The meal deal is invaluable – a sandwich, a snack, a drink! – but I would happily swap it for a plainer home-made lunch for a week, just so I could spare that £30 to invest in these ultra-budget Sony headphones.

It would be a good investment in the long run: these wireless headphones have a massive battery life of 50 hours, are comfortable and lightweight to wear, and they sound balanced, informative, and engaging. As a travel companion on my commutes, they would be just as invaluable, keeping me fed on a diet of new and much-loved songs.

As we said in our review: "You can’t really expect the Earth when you’re paying this much for a pair of headphones, but what’s remarkable about the Sony WH-CH520 is how little compromise they demand of you, both in terms of audio performance and ergonomics. "

If you're keeping a strict eye on your budget – as you have to be in today's rising cost-of-living crisis and hectic lives – it can be an indulgence to spend money on a pair of wireless headphones. And when you do, you want to make sure you've got your money's worth – you don't want to spend it on something that will disappoint you.

And these cheap Sony five-star headphones, with a Prime Day deal that makes them ever cheaper, won't disappoint. They are undoubtedly great value and worth indulging in.

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Like most human beings, I hate airports.

Most of all, I hate airports in the summer time.

Between hordes of airport-pub-fuelled lads on tour, endless hanging around in front of departures boards, the throat-constricting stench of duty-free perfume and my innate terror of taking to the air, I rarely manage to have anything short of a terrible time at the start of a holiday.

If I were a more stoic person, I might take this as par for the course: a small, endurable discomfort, for the privilege of international travel. Sometimes I can entertain this sentiment, if briefly.

On previous journeys – always with cheap headphones I picked up last minute after forgetting mine at home – I have tried to find serenity in calming piano playlists and ambient jazz mixes. But, whether due to a glitching Bluetooth connection or tinny, unpleasant sound, things have never quite gone to plan.

What I mean to say is that something has to change. Not the airports; I understand they are a necessary evil. But I’ve got to do something about my interactions with them.

That’s why, as Prime Day rolls around again, I’m hoping to upgrade and pick up a pair of Bose noise-cancelling wireless earbuds.

They are currently at their lowest recorded price of just £209.95 from Amazon, so could these highly recommended Bose QuietComfort Ultra Earbuds (2nd Gen) be the end to my travel-induced suffering?

When the What Hi-Fi? team tested these 2nd-generation Bose earbuds, we awarded them five stars for their “punchy, full bodied sound”, “excellent” noise cancelling and “secure and comfortable design”. A promising roster of qualities in the face of my aforementioned predicament.

Describing them as an “entertaining, eminently likeable pair of wireless earbuds”, we were pleased with their “admirable knack for organisation and control” – two of the things I crave the most in an airport setting.

But what I get particularly excited about is their noise cancellation. With two modes to select from: Quiet and Aware, I can choose just how much of the environment I want to drown out. Quiet is their most powerful ANC setting, so I have a feeling I’ll be retreating to my “eerily silent cocoon” that these Bose promise to envelop me in, and staying there, thank you very much.

What’s more, with six hours of battery life on a single charge, and three additional charges from the case providing a total battery life of 24 hours, I can go on ignoring the lads on tour, even if we happen to catch the same flight.

So, that’s them dealt with, and I suppose some calming music might quell the boredom/terror combination during the flight, too. Unfortunately, Bose hasn’t yet developed off-duty-perfume cancellation technology, but we can hardly blame it for that.

So, before I embark on my next holiday, I’m going to be sure to snap up these Bose earbuds at the great discounted price of £209.95 from Amazon, before the sale period ends.

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There are great headphones, and then there are the Grado SR325x. We're not being hyperbolic when we say that the SR325x are some of the best open-backed headphones we've ever tested, a pair of legends that have continued to scoop Award after What Hi-Fi? Award following their debut in 2021.

In fact, if you're sick of wireless headphones and just want the quality and convenience you get with wired cans, the Grado SR325x have to be on your shortlist. At £199 at Peter Tyson down from £329, they're also at what is possibly the lowest price we've yet seen.

Come on, it's time to start taking your music seriously. It's time to graduate to a pair of Grados.

Best Prime Day Grado SR325x deal

In terms of pure sound quality, wireless headphones are as good as they've ever been, but wired headphones are in a different league, with the Award-winning Grado SR325x continuing to set the standard at their premium price point.

The multi-award-winning open-backs are ideal for home listening, as while they might be hugely entertaining to listen to, they're also extremely leaky. That's just what you get with a pair of open-backed cans.

That shouldn't matter, however, as the SR325x aren't the sort of cans you simply throw in your back to fill some hours during your commute. As we wrote in our review: “The SR325x... are wonderfully expressive dynamically, and lows are agile and tuneful, but there’s still not the outright weight and low-end punch of closed headphone designs".

To get the most out of the SR325x, pair them with a DAC or decent audio source such as a portable music player. Do so, and you'll realise just how insightful and expressive the Grados are, with a fast, sparky yet authoritative signature that really shines when given proper support.

While they boast an industrial design that that might not be everyone’s cup of tea, what you get from these cans is a ruggedness and durability that’s hard to find. Comfort isn't the name of the game here – it's all about audio quality.

Ditch the Bluetooth this Prime Day, and return to the warm embrace of good old fashioned wires. Get the Grado SR32x at Peter Tyson and enjoy true headphone greatness.

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Sometimes, when it comes to deal-hunting, the obvious choice is the best. It might not be the most glamorous or most inventive, but when it comes to finding the best discounted product for your particular needs, there’s no need to pick something out of left field just for the sake of it.

Take the AirPods Pro 3 as an example. These have been our favourite Apple in-ears since we tested them back in January.

This means that, in my eyes at least, they are the obvious choice for anyone who wants a pair of the best wireless earbuds you can buy, who is into music and who also happens to be part of the Apple ecosystem – whether you own just an iPhone or you’re a fully fledged member of the Apple-appreciation society.

And, this Prime Day, I think the AirPods Pro 3 are making a pretty convincing case for themselves – because they are currently sitting at £175 over at Amazon. This isn’t quite their lowest-ever price – they have briefly hit £170 before – so you could wait a little longer, but I still think now is a great time to buy.

Yes, we feel they are an evolution rather than revolution when compared with their excellent predecessors, the AirPods Pro 2. But all the improvements made added up to a glowing five-star rating.

In our AirPods Pro 3 review, we say, “there is no doubt that they are a step forward in nearly every way that counts – the sound quality is more powerful, dynamic and spacious, while noise-cancelling is further improved.”

They deliver an “exciting and confident performance, and allow songs to breathe in an airy soundscape.” We also describe their sound as “impressively natural and engaging”.

In addition to excellent sound quality, their noise-cancelling is a step above what has come before, and is comparable with many of the top performers at the money.

They are designed to fit a wider range of ear shapes and sizes than before, with a new foam-induced eartip material and slightly angled body, allowing for more effective positioning. We had no problems fitting them comfortably during testing.

Battery life is eight hours from a single charge with ANC on, with a total battery life of 24 hours including the case.

You also get a heart-rate monitor to track health and workout stats and a Live Translation feature to take advantage of too.

There isn’t much the AirPods Pro 3 can’t do, then, and I think they are a cracking buy at £175 over at Amazon.

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My favourite headphones are now substantially cheaper than when I bought them – but I’m not bitter. Which, considering how tight I am, is a sign of just how good the Sony WF-C710N are.

They can be yours now for £65 at Amazon, which is £10 less than when I bought them in February. Still, considering the use I have had out of them since then, that extra tenner was money well spent.

Best-ever deal on the Sony WF-C710N earbuds

The C710N take everything we loved about their Award-winning predecessors, the C700N, and crank it up a notch: the battery life is an hour longer; the ANC has been beefed up with the addition of Dual Noise Sensor filters; the on-bud controls are now touch sensitive – and very intuitive to use.

They also have auto pause and wear detection, to help when having to interact with people.

But it’s the sound that’s the real highlight. “There’s a weight, solidity and fullness in the bass which makes the WF-C700N sound lightweight and a little top-heavy,” we note in our Sony WF-C710N review. “The new model fleshes things out better.”

They extract an enormous amount of detail from a track, lending notes plenty of texture. And they have Sony’s trademark musicality in spades.

From a personal point of view, the C710N are a great daily pair of earbuds. Their stacked feature-set makes them very versatile, and they have accompanied me on runs, walks, commutes, Zoom meetings and everything in between. If even a skinflint like me would pay more than their current price of £65 at Amazon, you know it’s a good deal.

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The only downside of recommending products for people to buy during Prime Day is that you start to sound like a broken record.

When one product I know well is the perfect fit for most people, I can’t help but keep blurting it out, and that’s exactly the case when it comes to one particular pair of ridiculously affordable wireless headphones.

The Sony WH-CH720N have become part of the furniture at the What Hi-Fi? Awards in recent years, such has been their domination of the sub-£100 area of the market.

They're consistently among the best wireless headphones we've tested.They continue to dominate all rivals at the money, and I’m pleased to say that they are back to just £60 at Amazon (which is pretty much their lowest price ever) in the Prime Day sales.

The WH-CH720N are fabulous all-rounders. The way they deliver your favourite tunes with conviction and enthusiasm is to be applauded, and their outgoing nature and wonderful sense of musicality keep you coming back for more.

Rival headphones at this price can only dream of sounding as entertaining.

In our Sony WH-CH720N review, we said their “punchy presentational style feels tailor-made for the genres that can get the best use from it, namely rock, hip-hop, big orchestral numbers and peppy, energetic pop hits”.

Some might feel the bass can be a little boisterous at times, but we found you can quickly dial this down a notch on the headphones’ companion app.

The build quality reflects the price tag, so don’t expect too much in the way of luxurious materials, but the Sonys still feel solid and durable. They’re ideal for daily use – you can just fling them into a rucksack and forget about them when not in use.

The built-in noise-cancelling is great for the money, and you don’t feel shortchanged. As we said in our review, “these affordable Sonys do an effective job of dampening, if not silencing completely, the rumble and swoosh of each passing car as it whizzes its way past on a busy nearby road”.

They deliver a ridiculous level of performance for the money, which is the reason why I recommend them so much – for just £60 at Amazon, you really can’t go wrong.

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Forget the rest – these are the premium wireless headphones I'm recommending to everyone this Prime Day

I've heard a lot of premium wireless headphones in the past few months. No, seriously, when I say a lot, I mean a lot.

The Sony WH-1000XM6, the Sennheiser Momentum 5 Wireless, the Apple AirPods Max 2, the Sony 1000X The Collexion, the Bose QuietComfort Ultra Headphones (2nd Gen), the Bowers & Wilkins Px8 S2; the list just goes on and on.

And yet, this Amazon Prime Day, I would pick one pair above all others. Those aforementioned headphones are all excellent, sometimes spectacular, in their own respective ways, but one pair stands head and shoulders above the rest: the Sennheiser HDB 630.

At £400 / $500 / AU$1000, they're not cheap, and discounts aren't exactly common, but if you see a drop this Prime Day, across any of the major retailers, I would urge you wholeheartedly to snap it up while you can.

In fact, even if they don't budge an inch, I'd still be urging you to get hold of the best wireless headphones Sennheiser has ever made.

It's going to be a crazy twist of fate if some of the best wireless headphones you can currently buy this Prime Day aren't currently available on Amazon. Well, it's their loss.

In truth, forget Prime Day and Amazon altogether. Forget discounts and price cuts, and even brand loyalty. Just remember one key fact: if you want the best premium noise-cancelling wireless headphones, you want the Sennheiser HDB 630. It's that simple.

Why? Well, mainly because these are sound-first headphones that have pushed the needle for how good Bluetooth over-ears can sound at this sort of price. The HDB 630 are exceptionally smooth and natural-sounding headphones, with a beautifully realised bass reproduction, a sweet, immersive mid-range and a crisp, sharply defined treble.

They're fun, dynamically adept and musically expressive, walking that tricky tightrope between analysis and entertainment with sure-footed precision.

Part of that quality comes from the Sennheiser's super-clever BTD 700 USB-C dongle that you simply plug into your device’s USB-C port to give it aptX Adaptive superpowers.

That means that any source device, including your iPhone, gains aptX Adaptive hi-res streaming up to 24bit/96kHz, even if it wouldn't natively support it. That is, quite simply, an absolute game-changer, and it works terrifically.

Plus, you get wired listening via 3.5mm and USB-C-ended cables, around 60 hours of battery life with ANC switched on, very solid noise cancelling, a luxuriously comfortable fit and very solid voice calls, all of which combine to make an exceptional all-around package.

We get that Prime Day should be all about Amazon and, of course, all about deals, but the HDB 630 are so exceptional that all sort of goes out of the window.

Discounts don't really matter (although they're great to see). Retailers don't matter. What matters is that, if you can, you pick up a pair of some of the best-sounding premium wireless headphones we've ever heard.

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If you know much about wired open-back headphones, you’ll probably be familiar with the talents of the Grado SR325x. The rugged over-ears have been scooping What Hi-Fi? Awards since their 2021 release, delighting us with their exceptional musicality and hugely entertaining presentation. In fact, the SR325x are already a pair of bona fide classics.

Even the all-time greats must move with the times, though, with Grado reimagining the SR325x as the SR325 Classic as part of the brand’s overhaul of some of its most established wired headphones. The new Classic range brings together many of its most recognisable headphones under the same banner, all united by the addition of a new 'X2' driver, with the newer models set to replace all of the ‘x’ versions currently available.

That’s a big deal. With the SR325x soon heading off for a well-earned retirement, they’ve left their successors with awfully big shoes to fill – are the new SR325 Classic up to the challenge?

Price

The Grado SR325 Classic cost £349 / $350, making them a little more expensive at launch than the original SR325x, which came into the world at £330 / $295. The latter pair have dropped considerably in the UK since then, however, tending to hover around the £200-250 mark.

Wired competition at this price is hardly scarce. For less money, you can grab the exceptionally talented Beyerdynamic DT 900 Pro X open-backs for £219 / $299, or spend a little more for the five-star Austrian Audio Hi-X65 for $400 in the US and £300 in the UK at the time of writing.

If you want to spend a bit more, the smooth-sounding Sennheiser HD 660S2 can be yours for £399 / $599.

Build & comfort

Classic name, classic Grado look. The new SR325X Classic sport the industrial, hard-edge aesthetic so familiar to fans of Grado’s established roster of wired headphones, typified by small rounded earcups, aluminium speaker grilles and lean, minimalist construction.

Those aluminium housings are now all black as opposed to the previous silver finish of the SR325x, but this is still the classic Grado design language with which we’re familiar. Nothing here screams luxury, but we’d be confident that, as we’ve found with the established SR325x, these are headphones that will last and last.

While general levels of construction are high, we do have to raise our usual concerns about the cans’ rather unforgiving foam earpads. Grado has never been particularly generous with the padding it provides across its extensive roster of on-ear and over-ear cans, but when you could buy a pair of ultra-luxurious DT 900 Pro X for a similar price, it’s hard not to feel a little short-changed when dealing with the somewhat coarse, slightly scratchy cushions provided with the new SR325.

Yes, the Grados’ light weight helps to offset any potential discomfort, but when the relative leanness of the ear cushions means there’s not a huge barrier between the driver housing and your precious ears, we can imagine that some users will find the SR325 Classic to be more unforgiving than the headphones they’re used to.

Plus, it might just be a bad batch, but the Classics’ removable ear pads do seem to come off incredibly easily on our review sample, so much so that we can remove them from the main body of our test pair with a single finger. That can become a real issue, especially when you’re spending half of your time fiddling to try to reattach the cushions to their housings rather than actually listening to your headphones.

Thankfully, we don’t find too many other gripes concerning usability. Adjusting the headband is done via a simple vertical slider mechanism that responds to a firm push or pull, and we find that the SR325 Classic will clamp firmly – but not too firmly – to your head without too much trouble.

Grado has given other structural elements of the Classic headphones a refresh, such as re-engineering the height rod, junction block and gimbal system for better stability around the headband and earcups. The headband also has more padding than before, while the braided cable has been updated to be lighter and more flexible.

Sound

Improving upon the SR325x was never going to be easy. We’re talking about headphones that have scooped award after shiny award while laying down a sonic benchmark for musicality and verve – improving upon that particular recipe is a bit like trying to add a bonus track to Sergeant Pepper’s.

Yet improvements have been made, that much is for certain. Grado describes the implementation of its new X2 driver as delivering "improved consistency, control, and refinement" alongside "greater clarity, extension, and balance". We couldn’t have put it much better ourselves.

Those 44mm X2 dynamic drivers, built using a Mylar diaphragm and a copper voice call, bring levels of clarity and composure to these Classic cans that the established SR325x can’t match. The Classic are rich, powerful yet precise in their presentation, handling a hi-res recording of Agnes Obel’s Fuel To Fire without a hint of freneticism or fuss.

Such a sparse, delicate and carefully curated composition plays perfectly into the Classics’ hands, exhibiting the over-ears’ talents for overall control and organisation. Instrumental textures blend delicacy and weight beautifully, granting insight and real personality to the dark, mysterious strings on Obel’s The Curse.

Much as we’d like to, we can't listen exclusively to super-talented Danish singer-songwriters all day, so it’s time to kick things up a notch with The Smiths’ How Soon Is Now?. The Grados’ smooth yet open presentation gives the tune a fittingly cinematic presence, while the thudding drums are presented with a satisfying balance of control and brute force.

We spend a great deal of time listening to the SR325 Classic, be it via our trusted Astell & Kern A&norma SR35 hi-res player or plugged directly into a laptop, and there’s no question they benefit from notable improvements over their predecessors, particularly in terms of greater precision, detail and clarity.

So why, then, do we feel increasingly frustrated the more and more we listen? In the back of our minds, we can’t shake the feeling that this ‘Classic’ spin on the SR325 isn’t hitting the spot in the same way as the SR325x.

Much of that owes to a poorer sense of rhythmic drive. The SR325x are far better in this regard, propelling tracks forward with their sparkier, more propulsive temperament. The established Award-winners are more agile and energetic, too, with a brio and enthusiasm which has been somewhat muted on the newer iteration.

Much as we’re impressed with how clean and well-ordered the SR325 Classic are, too often we find ourselves willing them on, like a jockey trying to kick more life into a tiring racehorse. The Classic cans don’t have such a forward feeling of momentum, while the SR325x have a carefree skip in their step that we continue to find utterly irresistible on tracks such as Hans Zimmer’s pulsating Supermarine or Stevie Wonder’s relentlessly funky Higher Ground.

Ultimately, the SR325 Classic seem to have sacrificed verve and excitement for composure and clarity, and to our ears, that’s a shame. Grados are all about fun and panache, but there’s a seriousness – dare we say a standoffish quality – to the SR325 Classic that we can’t help but find slightly disappointing.

Verdict

In some ways, the SR325 Classic are an improvement over their predecessors. They’re undeniably clearer, more rounded sounding headphones, bringing new levels of poise and maturity to an Award-winning Grado recipe.

Yet during our side-by-side testing, we find ourselves yearning more for the SR325x than their newer counterparts. They may be less forgiving and less refined, but the SR325x are simply more entertaining than their slightly po-faced successors.

The Classics will have their fans, but if we had to pick a pair to live with, we’d snap up a deal on the older Grado SR325x before they run out.

Review published: 22nd June 2026

SCORES

• Sound 4
• Comfort 4
• Build 4

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Dan Clark Audio is making some bold claims about its latest wired headphones. It says the Aeon Core set a new standard for closed-back headphones under the £1000 mark, thanks to their new planar magnetic driver, revised tuning and wider compatibility.

Believe it or not, like others in the Aeon line before them, these are the brand's entry-level pair. Which gives you an idea of its prestige.

It also claims that their sound is "unusually open" for a closed-back pair, delivering a "spacious, detailed, articulate and expressive" performance.

At the heart of these cans is the all-new planar magnetic driver stack, which promises efficiency, tonal consistency and unit-to-unit reliability. Dan Clark Audio claims this makes them easier to drive than most planar magnetic headphones, with their sensitivity reaching 97dB/mW making them compatible with portable DAC/amps, dongles and desktop setups, as well as more powerful headphone amps. All you need is 125mW into 16 ohms, and you're away.

This new stack features a new diaphragm material which enhances efficiency and reliability, while the brand's V-Planar tech is found on the diaphragm's surface to reduce distortion, enhance dynamic performance and optimise the frequency response.

The Aeon Core are also the first headphones to be developed using a new variation on the Harman Curve, the industry gold standard frequency response profile that Dan Clark Audio feel is now outdated due to modern sound measuring technologies. Company founder Dan Clark worked with original Harman Curve inventor Dr. Sean Olive to come up with an updated version.

Hence the tuning has been slightly tweaked from previous Aeon models. We're promised a slightly leaner upper bass, gently lifted lower midrange and softer upper midrange.

But from a design perspective, the cans are recognisably Dan Clark Audio. Their new aluminium and dark wood aesthetic combines with the signature Aeon earpads, lightweight titanium headband and self-adjusting suspension strap. At 440g, they might be light for a pair of planar magnetic headphones, but they're still heavier than the AirPods Max 2.

Bundled is a detachable cable with either a balanced 4.4mm, 4-pin XLR or 6.35/3.5mm connector – the choice is yours.

The Aeon Core go on sale in early July for £920 (around $1200 / AU$1700). In the UK, they're distributed by Electromod.

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Some things just go well together. Fish and chips. Batman and Robin. And, of course, AirPods and Amazon Prime Day.

Apple's perennially popular earbuds rarely get discounts, but make up for this with head-turning drops during sales events such as Prime Day.

Well, ladies and gentlemen, the time is here. The AirPods 4 with ANC are now down to £125 at Amazon, the lowest price we've seen yet.

You'll need to be a Prime member to get this saving, but the non-deal price of £132 is not too shabby and still a drop from the previous low of £139.

The concept of active noise cancellation (ANC) with an open (no tips) design certainly raised some eyebrows – but we shouldn't have put it past Apple to forge yet another technological breakthrough.

Instead of using eartips to form a seal, Apple has targeted low-level frequencies to cancel out. The result is impressive, with engine rumbles, aircon sound and traffic rumbles all melting away.

This being Apple, though, ANC is far from the only feature on board. Spatial audio, dynamic head tracking, Bluetooth 5.3 support, and an IP54 dust- and waterproof rating are all part of the package, along with Apple's seamless connectivity with iOS devices.

The charging case is the smallest yet, with a speaker for the Find My function and support for wireless charging. The nifty Adaptive Audio, Conversation Awareness and Transparency features are also included, giving you plenty of options if you still want to hear parts of the world.

Battery life is 30 hours, including the case, though be warned that this drops sharply to 20 hours with ANC turned on.

And the sound? More detailed, powerful and overall more entertaining than their predecessors. As our Apple AirPods 4 with ANC review reads: "There’s clarity and detail, agility and balance, along with a focus on voices that make them immediately appealing to listen to."

If you've got the budget, we recommend the Apple AirPods Pro 3 for a step up in sound quality and ANC, though you'll have to shell out an extra £50 for them.

If not, the AirPods 4 with ANC are a great value proposition with just the right amount of compromise. If you're not a fan of eartips but still want the benefits of ANC, then the mid-range AirPods are a no-brainer – especially for £125 at Amazon.

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