Wireless headphones are about to get more advanced, thanks to Qualcomm’s next generation of processors. Its Snapdragon Sound Elite Gen 2 platform promises better active noise cancellation (ANC), greater power efficiency and, of course, oodles of AI. It could also help wireless headphones and earbuds sound even better.

Snapdragon Sound Elite Gen 2 offers twice the AI capabilities of the Snapdragon S7 Gen 1 Sound platform, uses up to 40 per cent less power and is 30 per cent smaller. Which should mean headphones featuring it have longer battery life and are more responsive to your surroundings. The smaller size should also let manufacturers use larger drivers and more components without making the headphones unduly bulky.

Qualcomm processors are used in headphones from Bose, Cambridge Audio, Sennheiser, Bowers & Wilkins and more, so we should see these advances in some of the biggest models of the year.

Qualcomm also bigs up the platform’s multi-core processing, which will let headphones simultaneously perform AI, audio, communication and wellness-sensing capabilities. And it uses what Qualcomm calls ‘integrated micro-power wi-fi’ to provide a more robust wireless connection with cloud-based audio and personal AI without impacting battery life.

It will support Bluetooth 7.0 and Higher Bands, XPAN and lossless, low-latency sound.

ANC promises to be up to twice as effective as in the previous generation, and is designed for “consistent, real-world performance, not just ideal conditions”. While its promises sound familiar – ANC that automatically adjusts to changes in fit, movement, and environmental noise isn’t exactly new – we should see advances in performance. In other words, it should do all this better than the current generation of wireless headphones.

We are also promised “stronger performance in challenging scenarios, including low-frequency noise, dynamic environments, and open-ear designs.”

Snapdragon Sound Elite Gen 2 will also see the debut of Snapdragon Sound Apps and Agents, which is effectively an app store for headphones. Powered by software ecosystem MicroEJ, it will expand your headphones’ capabilities through third-party support. Qobuz, Roon and infotainment/connected audio company Cinemo are confirmed as launch partners.

Of course, how good and useful all this is depends on how manufacturers implement the tech at their disposal. We should see the first headphones to feature Snapdragon Sound Elite Gen 2 to roll out soon, so stay tuned for our reviews to see how they fare.

MORE:

The best wireless headphones around

I spent 10 hours on trains listening to the Sony XM6 – and now I want to upgrade (my headphones, not my train ticket)

I test headphones for a living but can’t make sense of the AirPods 5 launch

After months of rumours, speculation and quite a few leaks along the way, Beats’ latest flagship wireless headphones have officially arrived.

The Beats 360 have been in the pipeline for a long while, but the all-new flagship cans have now definitively broken cover, pledging to bring “the best sound and most refined comfort in Beats history” along with them.

Built around a bespoke acoustic platform, the flagship over-ears boast an all-new acoustic architecture with bespoke drivers developed exclusively for the 360. The drivers employ three-layer diaphragms and dual neodymium magnets to create what Beats calls “powerful bass and incredible precision across the tonal range with ultra-low distortion”.

The 360 are also equipped with what Beats describes as its “most powerful noise-cancelling technology”, complemented by a transparency mode that lets users hear their surroundings more readily.

An Adaptive EQ setting works to dynamically adjust acoustic frequencies based on the wearer’s fit for a more personalised sound experience, while Dolby Atmos spatial audio with head tracking promises “deep, immersive audio across music and movies”.

The flagship Beats deliver around 32 hours of battery life with noise-cancelling switched off, and up to 32 hours with ANC and spatial audio on. Thanks to the headphones’ ‘Fast Fuel’ capabilities, a five-minute charge provides an hour of playback via USB-C.

The Beats 360 are powered by a custom Beats chip for integration across both Apple and Android ecosystems.

That means Apple users get iOS integration, one-touch pairing, access to Apple’s Siri voice assistant and automatic switching between devices, as well as ‘Find My’ capabilities to help locate your headphones using your iPhone. Android users, conversely, benefit from the likes of Android Fast Pair and the ‘Find Hub’ product locator for a smoother user experience.

The 360 are the first over-ear Beats headphones to come with an IPX4 sweat and water resistance rating, so you should be able to take them out in the rain without fear of damage, with Beats promising "an exceptional level of durability" from its latest wireless cans.

The headphones’ ear cushions are acoustically engineered to form an optimal seal that enhances sound isolation and helps deliver a “rich, immersive” audio signature. The flagship Beats also feature interchangeable ear and headband cushion kits to help users make their headphones feel like their own.

The Beats 360 are available now in four core colours – Black, Cloud, Pink or Sky – while cushion kits can be purchased separately across Black, Cloud, Pink, Sky, Navy or Volt options.

The headphones themselves will set you back £300 / $350, while the standard cushion kits will cost £50 / $50 per set. At that kind of money, Beats is pitching the 360 to rival the Sony WH-1000XM6 (currently £359 / $400), the Sennheiser Momentum 5 Wireless (£330 / $400) and the Bowers & Wilkins Px7 S3 (currently £319 / $429).

MORE:

Read our Beats Studio Pro review

Also consider the Sennheiser Momentum 5 Wireless

Best over-ear headphones: wired and wireless over-ears for every budget

Sonos’ first foray into premium wireless headphones left us feeling cold. Sonos was already riding high thanks to the success of its Era 100 and Era 300 wireless speakers and a raft of Award-winning soundbars, but translating those sonic successes to the mediocre-sounding Sonos Ace headphones in 2024 proved a bridge too far, to our ears at least.

As we wrote at the time, the “Ace's safe sound is put to the sword by several rival headphones that are more exciting, more detailed, dynamic and expressive across the board. Both their ANC and call quality can be bettered, too”.

These are the issues that the Ace’s follow-up, the new Ace Ultra, must rectify if Sonos is to become a major player in consumer audio’s most contested arena. Sonos has pledged “rich, detailed audio” from the Ace Ultra, aiming to make up ground against a plethora of premium wireless alternatives, all backed by seamless integration within the expanded Sonos ecosystem.

A tempting proposition for Sonos lovers, but has the brand learned its lessons from the original Ace?

Price

Sonos’ sophomore over-ears will set you back £399 / $449 / AU$699 at launch, putting them up against two strong contenders at this price: the Award-winning Sony WH-1000XM6 (£400 / $450 / AU$699) and the excellent five-star Sennheiser HDB 630 (£400 / $500 / AU$1000).

The original Ace launched at £449 / $449 / AU$699, but their price has since dropped to a more modest £299 / $299 / AU$449. To be clear, Sonos says it will keep the Ace on sale alongside the new step-up model, rather than pitching the Ace Ultra as a direct replacement.

Build & comfort

While we weren’t necessarily that keen on how the original Sonos Ace sounded, we found it hard to fault their design, praising the cans’ minimalist aesthetic, comfortable fit and premium feel.

Happily, those qualities have translated across to the new Ace Ultra. Sonos’ second effort hasn’t deviated much from the original over-ear’s clean, understated design language, with the Ace Ultra sporting a pair of clean, smooth plastic earcups adorned with a shining Sonos logo and complemented by exposed metal arms.

The minimalist aesthetic won’t suit all tastes, but in terms of how the headphones actually feel, it’s hard to complain. The plastic is solid and durable, the metal hinges shine with a polished presence, and the buttons and toggles are responsive and reasonably tactile during operation.

That said, we would ideally like the Ace Ultra to fold away as the Sony WH-1000XM6 do, rather than simply having the earcups swivel horizontally on their hinges, but that won’t be a dealbreaker for most.

Elsewhere, the Ace Ultras’ soft ear cushions and padded adjustable headband make them a pleasure to live with. The earpads have been upgraded for the Ace Ultra, with the new ‘Rebound’ memory foam cushions, designed not only to improve comfort levels but aid passive noise reduction – we found they offer a plusher, more forgiving fit.

They’re capable of keeping their cool, too, and even as wearing sessions turn from minutes to hours, the Sonos over-ears resist the urge to heat our ears and turn our listening from serene to sweat-inducing.

As before, the ear pads attach magnetically, meaning you can remove them easily and buy replacements from the Sonos store for around £40 / $40 if they begin to wear out over time. You can also replace the headphones’ battery yourself, adding to the headphones’ impressive sustainability credentials.

How about controls? Where the likes of the Sennheiser Momentum 5 Wireless and Sony WH-1000XM6 have implemented predominantly haptic on-unit systems, Sonos has stuck to its guns and gone for tactile buttons on the side of each of the Ace Ultras’ earcups.

A physical toggle for quickly adjusting your noise-cancelling mode is located at the base of the right earcup, while a ‘content key’ lets you control volume, pause music, and even answer calls by either sliding the toggle up and down or pressing down in the centre. In terms of its basic ergonomics, it’s a simple toggle to use, and our only issue would be that it can sometimes force your hand into a slightly odd position when performing certain commands.

While the Ace Ultra might look similar to the original Ace on the outside, scratch beneath the surface and you’ll find a fresh set of Sonos-designed 40mm dynamic drive units. The new drivers incorporate a dual-ring magnet motor structure, designed to significantly reduce distortion and deliver a clearer, more detail-rich sound alongside a punchier, fuller bass signature.

Given the lack of overall clarity and bass punch we bemoaned in the original Ace, it’s pleasing to see Sonos attempting to rectify such issues when it comes to the Ace Ultra’s internal hardware. We’ll get to that below.

Features

As with all of its products – even a pair of headphones – much of the Ace Ultra’s appeal comes from their willingness to play ball with the extended Sonos ecosystem. Even if the Ace Ultra don’t end up scaling the loftiest of lofty heights sound-wise, we understand that much of their appeal comes from their intra-brand compatibility.

This includes using Sonos’ 'headphone linking' feature, allowing you to transfer sound to the Ace Ultra from most current Sonos products working under the Sonos 27 operating system, including the Arc Ultra, Ray, Beam (Gen 2) and new Beam Ultra soundbars, and the Sonos Five, Era 100, Era 300, Move 2, Play and Roam 2 wireless speakers.

We give the feature a whirl using the Beam (Gen 2) soundbar that’s currently housed in our test room. Using the Sonos app to get everything working under the same network, we’re able to swap audio from Blade Runner 2049 from the Beam onto the headphones by pressing and holding the Ace Ultra’s content key for around five seconds. To get sound back onto the soundbar, we simply press and hold the button again, and the second-gen Beam takes over audio duties once more.

Sonos’ TrueCinema calibration tech also returns, which uses spatial software to tailor your headphones’ acoustics to your room, granting a more cinematic experience when watching Dolby Atmos-soundtracked movies. The headphones then ‘externalise’ the audio out of your head while the tech creates a more balanced reproduction that matches the real-world dimensions and characteristics of your listening room.

TrueCinema is quick to set up via the app – for us it takes around two minutes – and once we have it switched on, we notice that Blade Runner 2049 sounds impressively cinematic thanks to the headphones’ purposeful placement of spoken dialogue, whooshing spaceships and humming engines.

Away from fancy linking capabilities, the Ace Ultra boast a very healthy 35-hour battery life with noise cancelling activated, a figure that’s up from the 30 hours of the original Ace and five more hours than the Sony WH-1000XM6 can manage under the same conditions. As before, you also get three hours of playback from a three-minute boost.

The higher-quality aptX Lossless Bluetooth codec is supported for streaming files up to 16-bit/44.1kHz, while native support for 16-bit/48kHz resolution is available via the wired USB connection. Both USB-C to USB-C and USB-C to 3.5mm cables are included in the box.

Alongside TrueCinema, the Ace Ultra support Dolby Atmos spatial audio content with head tracking from platforms such as Tidal, Amazon Music and Apple, though there’s no toggle in the app to actively switch it on and off.

Listening to a Dolby mix via Tidal, the bass drum kicks at the outset of Billie Jean do sound a little deeper and more recessed, while the snares seem to echo within a more spacious backdrop, but the differences are relatively subtle when comparing against a standard stereo recording. David Bowie’s Heroes seems to work more effectively, with the Ace Ultra working to make those arcing guitar effects soar far higher than they usually would.

The effects of head tracking are far more noticeable, with the headphones able to quickly and smoothly transfer audio from earcup to earcup to simulate the effect of having your music playing from a fixed point.

ANC & call quality

We weren’t exactly bowled over with how the original Ace handled noise cancelling, so we’re happy to report that Sonos has made marked improvements to the new Ace Ultra in this regard.

The new over-ears offer standard full ANC alongside a more transparent ‘Aware Mode’. Within Aware Mode, you can also choose to toggle a Voice Boost setting which, as the name suggests, spotlights external voices to keep you aware of, say, announcements on public transport.

Sonos has pledged that the new headphones are twice as effective at blocking unwanted noise compared with the original Ace, with the Ace Ultra housing 10 microphones – up from eight – backed by an adaptive ANC system that continuously monitors your surroundings to deliver the best experience possible.

Such efforts have paid dividends. The Ace Ultra have dramatically closed the gap between their Sony WH-1000XM6 and Bose QuietComfort Ultra Headphones (2nd Gen) rivals, so that the general hum and rush of the outside world is impressively damped down – if not completely removed – when donning the Ace Ultra.

Piercing highs and sonic boom lows will still penetrate your serene bubble, but this is a vastly improved experience, and the Ace Ultra do a far better job of making the clamour and clutter of environmental noise feel more subdued.

Nearby voices and general chatter are still audible, but rarely to the extent that they feel bothersome or overly intrusive. For quelling the general hum and pulse of the world as it turns, though, the Ace Ultra are up to scratch, and certainly a good deal better than the original Ace.

Call quality is capably handled, too, but it doesn’t quite keep pace with the headphones’ improved noise cancelling. Taking our Sonos test pair out for a call next to a busy main road reveals the headphones’ capacity to make voices sound clear and well spotlighted, but they let in a good deal more environmental noise than the more isolating Sony WH-1000XM6.

Sound

This is more like it.

While the original Ace’s rather lacklustre sound was something of a damp squib, the new Ace Ultra are a firm step in the right direction. Sonos hasn’t arrived at the enlightened echelons of sonic Nirvana just yet, but it has imprinted a few eager footsteps on the path to better audio.

While the original Ace sounded timid, almost apologetic in their presentation, the Ace Ultra benefit from a much-needed dose of self-belief. These headphones sound far more self-assured than their de facto predecessors, with a rich, full-bodied sound that brings a muscular, confident presence to the tunes we feed them.

That newfound punch and power comes to the fore during a listen to Björk’s Army Of Me which, through the Ace Ultra, pulsates with a raw and assertive energy befitting the track’s original intent. The premium cans grant that massive drum beat perceptible heft, while Björk’s insistent calls that “if you complain once more / you’ll meet an army of me” have the weight and urgency to have us rethinking our current life choices.

This isn’t the subtlest presentation you’ll ever hear – and certainly not as insightful or layered as the breathtakingly detailed Sennheiser HDB 630 – but the fullness of the Ace Ultras’ delivery is undeniably satisfying, like a big old burger shovelled down after a rowdy night on the town.

Instrumental textures are weighty and assured, and while the HDB 630 fill in the gaps in between with more delicacy and precision, the Sonos have enough textural insight to feel adequately well-rounded. To return to our burger analogy, you can discern the taste of sharp pickles and tangy onions as opposed to nothing but fat, meaty beef.

That bottom bun isn’t too soggy, either, by which we mean the Sonos over-ears do well to keep their bass reproduction in check. The Ace Ultra aren’t short on lower-end clout, yet they do well to prevent those bass frequencies from sounding rumbly or lacking definition.

A wired connection helps to further firm up the bass just a tad, with a physical tether giving the Sonos over-ears a slightly lighter, clearer presentation than via Bluetooth. It isn’t night and day by any means, but it feels as though the Ace Ultra are painting with a finer, lighter brush when listening with the provided cables.

Wired or wireless, though, the Ace Ultra aren’t quite the finished article. Rhythmically, they’re not the most agile premium headphones we’ve ever clamped over our ears, nor are they the most precise. Leading edges of notes don’t cut through with the razor-sharp precision of the Sennheiser HDB 630 or Sony WH-1000XM6, robbing Stevie Wonder’s Higher Ground of its peppy potential when played via the Ace Ultra.

Dynamically, there’s also room for improvement, and while we can’t fault the headphones’ power, everything tends to sound a little one-size-fits-all. Listening to Hans Zimmer’s Jack Sparrow from the Pirates Of The Caribbean soundtrack highlights this comparative deficiency, as those raucous, swooping strings aren’t quite communicated with the jaunty abandon as befits the track’s off-kilter namesake.

Again, the class leaders from Sennheiser and Sony are simply more expressive and engaging in this regard, delighting in how they reproduce every arcing rise and swooping fall of the strings as they swell and break throughout the Pirates score. The Ace Ultra are the gentle lapping of waves on a shore – their rivals, by contrast, are like a cresting musical tsunami.

Verdict

The Sonos Ace Ultra are a significant improvement on the original three-star Ace. They haven’t reached that fifth star yet, but thanks to their powerful sound, improved noise cancelling and compatibility with the wider Sonos ecosystem, this is a far more compelling demonstration that Sonos could one day contend with the best of Sony, Sennheiser and Bowers & Wilkins.

If you’re a devotee needing a pair of wireless headphones to go with your Sonos soundbars and wireless speakers, we wouldn’t dissuade you from adding the Ace Ultra to your collection.

Review published: 22nd September 2026

SCORES

• Sound 4
• Build 4
• Features 5

MORE:

Read our review of the Sony WH-1000XM6

Also consider the Sennheiser HDB 630

Best wireless headphones reviewed and rated by our in-house experts

Do you commute into work?

If you do so on public transport, you’ll no doubt appreciate that it’s far from the quietest experience. Whether it’s the constant dinging of the bus bell, someone playing music on the train or the deafening roar of the underground (looking at you, Jubilee line), then the constant early-morning hubbub is the last thing any of us needs.

That’s where the Bose QuietComfort Ultra (2nd Gen) come in. With class-leading noise cancellation, they will wrap you in a cocoon of silence so only your precious music or podcasts can get in.

They are now available at a new lowest price too. A £39.78 reduction at checkout means you can pick up these noise-cancelling cans for only £286 at Amazon, down from their previous low of £303.

Bose invented active noise cancellation (ANC) technology, so it’s hardly a surprise that its headphones have consistently excelled at blocking out the outside world.

As our Bose QuietComfort Ultra Headphones (2nd Gen) review reads: “Whether you’re riding public transport or walking past roadworks or construction, they provide a blanket of silence so that your music (or podcasts) can bask in the spotlight, eliminating the deepest rumbles and the majority of mid-band hubbub we encounter on our daily travels.”

This second-generation model improves upon the original in several ways, including kicking in quicker to nullify sudden noises in Aware mode.

There is also the option to listen to them wired over USB-C, a battery life that has been extended to 30 hours, and an upgrade to Immersive Audio (Bose’s take on spatial audio).

Our favourite change to Immersive Audio is the new ‘Cinema’ mode, which pulls dialogue into greater focus when watching movies. It’s the most effective use of the technology yet.

There have also been some small but significant gains in sound quality – the second-generation cans are clearer and more detailed than their predecessors, as well as a bit more solid and musically tighter.

“Play Charli xcx’s Von dutch, and the Bose rev their engines, launching themselves into the upbeat track with their best foot forward,” our review reads. “The synths surge with low-end texture and impetus, the beat pulsates with snap and crispness. It’s the same pleasingly smooth, bass-rich character Bose has long favoured, simply more insightful and precise than ever before.”

While they do sound good, they’re not the class leaders sonically in the premium wireless headphones market. That honour goes to the Award-winning Sony WH-1000XM6, which offer greater clarity, texture, drive and dynamic subtlety.

The Sony pair cost at least £335 at the time of writing, however, so the Bose QC Ultra 2 currently have the edge in terms of value, thanks to this record low price of £286 at Amazon. If it’s noise cancelling you’re after, then the QC Ultra Headphones 2 will block out the sounds of your morning commute better than any other.

MORE:

More into buds? Our best wireless earbuds will sort you out

Our pick of the best wireless headphones

Read our Sony WH-1000XM6 review

Bose's Ultra Open Earbuds may go down as some of the most important wireless earbuds of their time.

They're not the best-sounding buds you can buy for £299 / $299 /AU$449, nor are they the most feature-laden, but given the market's trajectory over the past few years, it's hard to ignore their substatantial influence.

Since the Ultra Open Earbuds launched in early 2024, various brands, including Huawei, JBL, Shokz and Sennheiser, have tried to emulate their off-ear design, all to varying degrees of success and acclaim.

Bose wasn't the first brand to make an open pair of earbuds, but it was one of the first to show that the concept could really have legs, with the US brand's original effort standing tall as one of the best of its type we've ever tested.

With their blend of unobtrusive comfort and surprisingly satisfying sound quality, Bose's trailblazers remain the finest exemplar of what the rapidly expanding open market can be. Having lived with the Bose Ultra Open, I know just what they're capable of.

Bose has recently announced a sequel, the Ultra Open Earbuds (2nd Gen), and in my book, that's cause for celebration. Despite their imperfections, I've always been in the Bose Ultra Open Earbuds' corner, with a second-gen sequel representing the ideal opportunity to rectify the quirks and missteps of the fantastic yet flawed first-gen buds.

Second time's a charm

Before we get to that, we need to understand what makes Bose's original open effort so impressive, and to do that, we must understand what they were designed to do in the first place.

The thing is, not everyone likes the feel of a traditional pair of wireless earbuds, especially when it comes to having a foam or silicone tip burrowing into their ear canal.

For some users, they can become uncomfortable over time, while for others, they can fall out or cause discomfort during exercise. In-ears also tend to isolate you from the outside world, so for those of us who spend time running on busy roads, dodging traffic and pedestrians as we go, the idea of a more aware alternative is appealing.

Just the other day, I stepped out into what I thought was a quiet country lane during a quick 5K, only to jump like a stabbed rat back onto the verge upon realising that a pick-up truck the size of a tank had been there the entire time. With open buds, such risks are negated by virtue of having more environmental noise filtering into your ears, keeping you more attuned to your surroundings as a result.

For runners, gymgoers and ordinary wearers with sore ears, the Ultra Open Earbuds solved most of their problems, providing a comfortable 'clip-on' fit that rarely became wearing or unstable no matter where we went or what we were doing.

They sounded good, too, with a far meatier and more detailed signature than almost any open pair before or since. They were, in essence, the most viable alternative to the established in-ear configuration that we'd yet heard.

Open to improvements

Despite their clear virtues, the Ultra Open Earbuds were not, and indeed are not, without their quirks and quibbles.

For starters, they're still a sonically compromised pair of earbuds. Despite Bose's best efforts, sound quality is always going to suffer if you don't have a sealed fit, and while the Ultra Open Earbuds exhibit a musical, entertaining sound with a good sense of timing and decent cohesion, they're not the clearest or most insightful performers you'll find at this kind of money.

Speaking of money, Bose's trailblazers were simply far too expensive at launch. When they arrived in 2024, the buds would set you back £299 / $299 / AU$449, meaning that they were essentially going up against not only Bose's own QuietComfort Ultra Earbuds (£300 / $299 / AU$450) but Sony's flagship WF-1000XM5 (£259 / $299 / AU$419) and the staggeringly popular AirPods Pro 2 (£249 / $249 / AU$399). That's a premium price tag for earbuds without noise cancelling or class-leading sound.

Thankfully, it looks as though at least one of my rather specific prayers has been answered. While writing about my experiences with Bose's open hopefuls at the time, I wrote that, "While I still support the open concept, I don't think its comfort benefits make up for the inevitable sonic sacrifices it incurs. Drop it down by £100 / $100 / AU$150? That's a different story."

And wouldn't you know it? That's exactly what Bose has done. The Ultra Open Earbuds are set to launch at a far more reasonable £180 / $199 / AU$350, with discounts that are almost exactly in keeping with my own requests. Does Bose religiously read my articles? Do I influence corporate policy? If so, can we get a sequel to the SoundLink Max Bluetooth speaker, please, and maybe a branded T-shirt while you're at it?

Money aside, any sonic improvements to the second-gen open buds are always gladly received. Lower-end frequencies are always going to be compromised when you don't have a proper seal, but any improvements to the quality of the bass from the sequel would be more than welcome.

There's power and weight to the original Ultra Open Earbuds, but as I wrote at the time, there's a hollowness that put me in mind of a "bucket being hit at the bottom of a well". Filling in those textures with more richness and authenticity would really complement the excellent sonic foundation Bose has already built.

Bose has teased “improved sound and call quality" for its sophomore effort, with the second-generation earbuds also using newly engineered drivers to deliver “deeper bass and higher volume” than their predecessors. Someone at Bose has definitely been reading my letters to Santa...

Great sound and a comfortable, easygoing fit, all for a much lower price? I'm listening.

Do you know why I like the Bose Ultra Open Earbuds so much? Competent innovation. Bose tried to do something different with its trailblazing buds, but rather than simply relying on the open gimmick to shift units, they doubled down on a decidedly premium product that, while somewhat overpriced, had the quality to back up its innovation.

It isn't just the fact that the Ultra Open Earbuds are different – it's that they're genuinely good at what they do. Not perfect, but a very admirable first effort.

While many rivals have tried to emulate its success, Bose's effort remains the best of its type that we've heard over the past five-or-so years. The Ultra Open Earbuds are the most viable alternative to traditional in-ear alternatives, and now that Bose has dropped the price and is teasing serious sonic upgrades, the sequel could well prove to be a five-star success.

MORE

What are open earbuds? How do the headphones work, and are they worth it?

I test headphones for a living but can’t make sense of the AirPods 5 launch

Check out our pick of the best wireless earbuds tested by our expert reviewers

There is no singular perfect album for testing a pair of headphones. Of course, certain recordings have earned a legendary reputation among hi-fi enthusiasts – Steely Dan’s Aja or Massive Attack’s Mezzanine, for instance – but it would hardly be appropriate, nor particularly enjoyable, to listen to the same tracks, time and time again, with each new product that enters the What Hi-Fi? test rooms.

A perk of the perpetual hunt for stimulating and effective test tracks is that you sometimes stumble upon pieces of music that leave a lasting impression. A recent personal example involves the avant-garde compositions of Ivan Wyschnegradsky.

Before we delve into Wyschnegradsky’s work, a bit of background on the man himself, who was almost as peculiar as his music.

Born in Saint Petersburg in 1893, Wyschnegradsky studied harmony, composition and orchestration as a young man, before entering law school. But before he would complete his law studies, at the age of 23, Wyschnegradsky experienced a ‘spiritual vision’, which is said to have inspired most of his later work.

Composition alone, however, would prove insufficient to convey his mystical experience.

Alongside music, Wyschnegradsky wrote theoretical articles. One of which, titled La Loi de la Pansonorité (The Law of Pansonority), outlined his belief that music represented a separation of sounds from a continuous fabric of the universe. This separation, the composer believed, rendered musical art "artificial and anti-continuous”.

In his efforts to rectify the situation, and draw closer to a “pansonorous” music, he adopted some interesting tactics, including tuning two pianos a quarter-tone apart – half the size of the smallest traditional step between piano keys.

And that is exactly what you can expect to hear throughout Étude Sur Les Mouvements Rotatoires, 24 Préludes.

So, why does this strange product of divine afflatus make such a good test for a pair of headphones? I think it has something to do with unfamiliarity.

In the midst of unusual scales, chords that sound almost, but not quite, out of tune, and occasionally violent staccato rhythms, one's ear (at least for those accustomed to the western musical tradition) is drawn out of its comfort zone and into a state of heightened alertness.

Suddenly, properties of the music beyond the melody, such as rhythm, dynamics and the spatial qualities of the recording, become auditory anchors. Holding on to them for dear life, you are likely to notice certain crucial, but all-too-often overlooked features of your headphones’ performance.

In the first of the 24 Préludes Dans L'Échelle Chromatique Diatonisée À 13 Sons, Op. 22, En Quarts De Ton Pour Deux Pianos, the swelling glissandos ought to convey a pulse-like rhythm, if your headphones’ dynamic response is up to scratch. Similarly, busy parts in the bass and abrupt discordant stabs will test how your cans keep up with rhythms and fast transients across the frequency spectrum.

In the third Prélude, weighty, somber chords should drag you along with their galumphing rhythm. The main melody of this piece, which draws somewhat closer to conventional harmony, but with a jazzy slant, should let the headphones’ midrange sing, as rich piano notes interact, warbling and beating while their pitches converge.

The fourth Prélude provides an altogether more energetic test than the third, with a defined beat and booming low-frequencies. While the two pianos veer occasionally into more chaotic rhythms, there should be a clear sense of pulse here. If your toes are tapping, as they will surely be relieved to do after a sombre start, that’s a good sign that your headphones are providing a low frequency kick with plenty of rhythmic acuity.

Further on in the album, the 16th Prélude begins with a sparse, melancholic melody. Thanks to the conservative use of chords at the start of this piece, the reverberation surrounding each note is clear and provides a palpable sense of the space in which it was recorded. Dynamically sensitive and texturally detailed headphones will shine with this track, offering a moment of tranquil immersion.

It must be said that this is not exactly a workout album (besides the fourth Prélude, which could probably work quite well for those intent on pumping iron to 20th century classical music).

But for anyone looking to explore a particularly strange corner of avant-garde classical composition, or hoping to put a new pair of cans to the test with something more than a little bit different, Ivan Wyschnegradsky’s Étude Sur Les Mouvements Rotatoires, 24 Préludes could be just the ticket.

MORE

Why this distinctive 1999 album I’ve loved for 15 years is a fantastic test for your stereo speakers

10 of the best Nick Cave songs to test your hi-fi system

The ultimate music tracks to test your hi-fi system – all our curated playlists compiled

FiiO has introduced its new flagship planar magnetic over-ear headphones, the FT15.

Following in the footsteps of the brand's established FT5 cans, FiiO bills the new over-ears as being aimed squarely at listeners "who want to explore the detail in their favourite recordings".

The FT15 use a set of 101mm planar drivers which, thanks to their generous surface area, aim to provide a "broad, open soundstage" with a tangible sense of scale. Central to the driver is an ultra-thin diaphragm, designed "to respond rapidly to the music" and provide a "precise, refined reproduction".

A diamond coating is added across the face of the diaphragm to increase rigidity, creating a blend of stiffness and lightness in pursuit of more accurate driver movement.

The drivers also feature FiiO's own uniform 'magnetic field' design, which employs custom contoured, high-strength magnets to help suppress diaphragm breakup and distortion for a cleaner, purer audio signature.

The headphones' cable uses monocrystalline copper and is cryogenically treated for a smoother signal transfer. The FT15 include a 4.4mm balanced connection, alongside 6.35mm and XLR-4 adapters, to give greater flexibility across a range of sources such as DACs and headphone amplifiers.

The FT15’s earcups are made from black walnut, so that each pair has its own unique appearance thanks to the variations in the wood's natural grain.

A carbon fibre headband complements the cans' wooden construction, chosen to keep the headphones' overall weight down to facilitate greater listener comfort.

The FiiO FT15 are available now, priced at £499 / $500 / €500. We don't get many planar headphones through our doors, but in terms of open-backed designs, the F15 sit between the Award-winning Grado SR325x (£250 / $250) and the superb Beyerdynamic T1 (3rd Generation) (£699).

MORE:

I test headphones for a living but can’t make sense of the AirPods 5 launch

10 of the best acoustic tracks to test your hi-fi system

Check out the best wired headphones you can buy

As a writer at What Hi-Fi?, I am, of course, a huge admirer of many premium wireless earbuds, whether it’s the user-friendly Apple AirPods Pro 3 or the noise-cancelling Bose QuietComfort Ultra Earbuds (2nd Gen).

But when my most recent, long-running flagship earbuds finally conked out and I faced the prospect of no headphones at all, I needed a cheap, reliable pair that could tide me over for at least a little while.

Step in the Sony WF-C510, now at a new low of £28 at Amazon.

Far from the temporary, functional replacements I had in mind, the WF-C510 soon proved to be extraordinary value for money. With a solid, musical sound and far more features than I expected for less than £30, the Sony pair are more than up to the task of being your headphones of choice.

Take a look at our Awards over the years, and you’ll see that Sony has long been the go-to brand for budget wireless headphones. The WF-C510 may be the cheapest option even in its budget range, but that doesn’t mean Sony has completely held back.

The WF-C510 offer a generous 11 hours of battery life, despite battery usually being one of the first sacrifices when a brand launches a budget pair of buds.

There’s also an ambient mode to let in more of your surroundings, which can come in useful when exercising outdoors or listening to announcements while commuting. The buds are also snug and comfortable, with an IPX4 rating to protect from rain, sweat and other splashes.

Bluetooth Multipoint is also on board, so you can pair the buds with two devices at once and switch seamlessly – instantly switching, say, from listening to music on your phone to a Zoom call on your laptop. If you’ve never used it before, this is highly convenient and a surprisingly advanced feature for a £28 pair.

And the all-important sound quality? Fun, engaging and musical, but still with Sony’s winning signature sound profile.

“We test them with a range of genres and the Sonys just go about their business,” our Sony WF-C510 review reads. “You can tell the WF-C510 are part of the Sony family, such is their musicality and rhythmic ability – even complex pieces of music don’t unravel and their sense of timing and ability to just get into the groove of a song works with any music you play through them.”

Our only slight niggle is the build, which does look and feel budget. However, it's hard to complain when they are yours for the cost of a round of drinks.

The Sony WF-C510 are comfortable and pack a huge sense of fun and musicality. Don’t just take my word for it, though – these are What Hi-Fi? Award winners, and now they can be yours for only £28 at Amazon.

If you’ve got a bit more of a budget, however, consider these alternatives:

MORE:

Read our Sony WF-C510 review

Take a look at the best wireless earbuds: top pairs tested by our reviewers

Check out the best cheap wireless earbuds you can buy

Bose has expanded its open-ear range with the new Bose Sport Open Earbuds and a second-generation sequel to the Bose Ultra Open Earbuds.

The US brand says the Bose Ultra Open Earbuds (2nd Gen) offer its flagship open-ear experience, while the Sport Open Earbuds have been “engineered for running, workouts and outdoor adventures”.

Central to both new models is a completely open design, which combines a transducer with a “tightly controlled acoustic structure” to deliver sound “precisely to your ear with minimal leakage”.

Unlike bone conduction designs, Bose says the earbuds “deliver sound through the air near the ear… resulting in fuller, more natural sound with a comfortable, pressure-free fit”.

The new Open earbuds have been designed with environmental awareness in mind, and as you might expect from open buds, neither offers active noise cancellation.

The Bose Sport Open Earbuds use custom-designed dynamic drivers to deliver “full, balanced audio”. The earbuds feature a C-shaped, flexible cuff with a matte silicone finish, which wraps around the ear for a stable fit, remaining “comfortable and secure” during workouts.

The Ultra Open Earbuds (2nd Gen) also build on the cuff-shaped design of their first-generation predecessors, teasing “improved sound and call quality”, an expanded feature set – including immersive audio settings – and a longer battery life.

The second-generation earbuds also use newly engineered drivers to deliver “deeper bass and higher volume” than their predecessors.

Both models feature Bose's AI-driven Speech Clarity technology that separates human voices from background noise, bringing what the company calls “Bose’s best call-quality experience” to its range of open-ear earbuds. Both pairs also feature an Auto Volume function, which adjusts the volume of music in response to changes in background noise.

In terms of battery life, the Sport Open Earbuds offer up to seven hours of playback on a single charge, plus an additional 22 hours with their “pocket-friendly” charging case. The Ultra Open Earbuds (2nd Gen), conversely, grant up to nine hours of playback from the buds and an additional 19.5 hours from the case.

Both pairs support Bluetooth 5.4, with standard AAC and SBC codecs, alongside Bluetooth Multipoint for simultaneous connection to two devices. Both also support Google Fast Pair for quick and easy connection to Android devices.

Each set also offers the option to set up customisable shortcuts for Spotify Tap, engaging your phone’s voice assistant and cycling through Bose’s Immersive Audio settings (Ultra Open Earbuds only).

The Bose App can be used to control both models and features a three-band equaliser, Auto Volume control, and touch control configuration.

Both pairs of earbuds will be available in Black or White Smoke finishes. The Sport Open Earbuds will also launch in limited-edition Eucalyptus Green, while the Ultra Open Earbuds (2nd Gen) will be available in limited-edition Cherry Chocolate, Olive Green and Sky Pink colourways.

The Bose Ultra Open Earbuds (2nd Gen) will be available on October 1st for £300 / $299 / AU$450, while the Bose Sport Open Earbuds are set to launch on October 15th, priced at £180 / $199 / AU$350.

MORE

What are open earbuds? How do the headphones work, and are they worth it?

I test headphones for a living but can’t make sense of the AirPods 5 launch

Check out our pick of the best wireless earbuds tested by our expert reviewers

Headphones, quite literally, come in all shapes and sizes, and are made in an equally broad range of materials. Alongside the usual plastics and metals, Audio-Technica has been making wooden headphones for three decades. Wood is not uncommon in the headphone world, and it is easy to see why: it brings visual warmth and individuality, but it can also play a structural and acoustic role. Each tree species has its own density, stiffness, grain structure and resonant behaviour, all of which become part of the enclosure surrounding the driver.

Audio-Technica’s approach has long been material led rather than one-size-fits-all. Since the ATH-W10VTG of 1996 — the first model in its W-series wooden-headphone line — the company has explored different timbers and finishes across its catalogue.

The limited-edition ATH-WP900SE is its most recent wooden-headphone release, based on the existing ATH-WP900 portable closed-back design. Aside from the visual and internal changes — which I will come to shortly — the most significant departure is the move from maple to solid ash. It is the first time Audio-Technica has used ash in one of its headphones, selected in part for its longstanding association with guitars. That connection is made explicit through the involvement of Japanese guitar maker Fujigen, which applies the three-tone sunburst lacquer to the earcups.

Build & design

I admit, I wasn’t familiar with the Fujigen name before this review, but I have of course seen countless guitars from other brands rocking attractive finishes. In the case of the Fujigen sunburst lacquer on the WP-900SE, it’s quite remarkable to see in person. The three-tone finish gives the solid-ash housings a depth and richness that is difficult to convey in product photography, while the grain ensures each pair will look slightly different. These really are a thing of beauty, and you would be hard-pressed to find a noticeable seam across the outer earcup enclosures.

The move to solid ash for the housings isn’t just for cosmetic purposes either. In a closed-back design such as this, the earcup forms part of the acoustic chamber around the driver — its material, internal volume, shape and damping can all influence resonance, airflow and, ultimately, the sound you hear.

Inside, Audio-Technica has made more substantial changes over the standard WP900 than the exterior suggests. The WP900SE uses a newly developed 53mm dynamic driver, paired with a revised voice coil, reworked ventilation behind the driver and a redesigned acoustic port. The driver is also set at an angle towards the ear, a configuration intended to improve the relationship between driver, ear and earcup seal.

Audio-Technica says the changes improve linearity, reduce asymmetric diaphragm movement and unwanted resonance, and give bass notes greater control. The new headphone has also been tuned with the attack, texture and sustain of stringed instruments — particularly guitar — in mind.

The frequency range of the WP-900SE is quoted as 5Hz–50kHh, with a 37 ohm impedance, 98dB/mW sensitivity and 1,000mW maximum power input. It is therefore not difficult to drive in the traditional high-impedance sense, though it will still benefit from a capable source. I primarily used a MacBook Pro feeding a Chord Mojo DAC/headphone amplifier, which provided a clean, controlled starting point. I also listened via the headphone output of Marantz’s CD 50n network CD player.

Elsewhere, the WP900SE’s construction is predominantly plastic, so there is some expected creaking as the earcups swivel. And while this does help to keep the headphones light — they come in at approximately 235g — it can mean they don’t necessarily feel their $1,199 price tag. I certainly didn’t from my first impression alone. I have handled less expensive models that feel more overtly premium before a note is played.

The clamping force is well judged, while the combination of memory foam and synthetic leather on both the headband and the earcups keeps the WP900SE comfortable over extended listening sessions. What I also appreciate is the size of the earcup opening, as it completely enveloped my ears. Too often have I worn over-ear headphones where the ear cups either still slightly push down on my ears, or the cut out is a little too small and so squishes my ears from the sides. Hats off to the Audio-Technica design team, then, for producing a genuinely comfortable set of cans.

There is also a generous range of headband adjustment, with clearly stepped increments on each side making it easy to match the fit precisely. The closed-back earcups and generous pads provide a worthwhile amount of passive isolation, helping to reduce the distraction of nearby household noise. There is no active noise cancellation, however, so don’t expect the WP900SE to completely block out the world around you.

Indeed, in my testing, whilst listening at my desk at home, I could still hear my partner talking on a call. I couldn’t always make out the exact words being said, but noise did still creep through. The Audio-Technica cans are therefore best considered a portable audiophile headphone rather than a direct rival to dedicated travel models from Bose, Sony or Sennheiser.

The swivelling earcups make the WP900SE slightly easier to travel with, although considering only a soft case is supplied, you’ll definitely want to be careful throwing them into a bag. Given the delicacy of the lacquered ash housings, a fitted hard case would likely offer greater protection.

Audio-Technica supplies two detachable 1.2m cables: a conventional 3.5mm stereo lead and a 4.4mm five-pole balanced lead, both terminated at the headphone end with the company’s A2DC connector. The latter will be particularly useful for owners of compatible digital audio players and balanced headphone amplifiers, while the 1.2m length means the WP900SE can be used as a genuinely portable set of headphones. A pouch, Fujigen cleaning cloth and handwritten serial-number card complete the limited-edition presentation.

Both supplied cables are sensibly chosen for the WP900SE’s intended use. The 1.2m 3.5mm lead is the obvious everyday option for a laptop, portable DAC or conventional headphone output — and indeed, the 3.5mm option was the one I used most with the Chord Mojo and MacBook Pro — while the 4.4mm balanced cable is a welcome inclusion for owners of compatible digital audio players and headphone amplifiers. Neither cable is overly stiff or unwieldy, and I heard no appreciable cable noise during listening. The A2DC connectors attach securely too, although their proprietary nature may make replacement options less straightforward than with the more widespread 3.5mm or dual-mini-XLR systems.

The real question however, is does the Audio-Technica WP900SE sound as good as they look? Let’s find out.

Listening sessions

The WP900SE were an absolute joy to use, not least because they prompted me to spend more time with artists that should already have been fixtures in my everyday rotation. Dolly Parton, Elvis Presley, The Who and plenty more all found their way into the listening queue.

On several occasions, I actually had to remind myself I was reviewing the headphones, because I was getting so lost in what I was listening to. I’m no stranger to using headphones, but using the Audio-Technica pair was the first time I can immediately remember paying much closer attention to the music, rather than simply using a familiar track to isolate myself from the outside world.

Whilst I was shuffling through the aforementioned artists, the immediate observation I made was that the presentation consistently sounded clean, detailed and nicely weighted. The WP900SE also served up an inviting openness for a closed-back design, giving instruments room to breathe, while retaining enough rhythmic snap to keep the performances moving.

Take Elvis’ gorgeous ‘Can’t Help Falling In Love’ and his sultry vocal is given real body and intimacy, with enough texture to hear the subtle shifts in breath, phrasing and resonance behind each line.

There is enough weight behind each pluck of the double-bass strings to make it feel as though the headphones themselves are vibrating, which in turn lends the performance a more lifelike, ‘you are there’ quality. The backing singers can clearly be placed to the left, while the light taps on the snare drum and guitar occupy the right; Elvis himself remains solidly centred between the ears.

Naturally, I had to turn to home turf and spend some time rocking out with the WP900SE, so on went AC/DC’s ‘Hells Bells’. Brian Johnson’s vocals — or, perhaps more accurately, his screeches — cut through with just the right amount of bite. The Audio-Technica headphones handle the upper frequencies well, allowing that edge to come through without becoming overly harsh or fatiguing.

The reverb around the guitars is easy to hear, while Phil Rudd’s drums and Cliff Williams’ bass lines keep the track anchored, maintaining a clear sense of rhythm and layering beneath the vocal and guitar work

It is not quite the same story when the genre switches to dance. Listening to ‘Danceteria’ — arguably the best track on Madonna’s Confessions II, even if it lacks some of the je ne sais quoi of ‘Hung Up’ and ‘Sorry’ — the WP900SE reveals a slight reluctance to fully let go as the tempo rises. Madonna’s voice remains clear as day, and there is enough bass weight to give the track some physical presence, but the headphones stop short of delivering the sense of drive and excitement that makes this kind of music properly take off. There is rhythm here; it just feels a little too restrained to make you want to get down and boogie.

Conclusion

If the bulk of your music listening is vocal-led and rich in real instruments, the Audio-Technica ATH-WP900SE are a wonderful companion to have. They are capable of revealing subtle details in recordings and place an excellent emphasis on the midrange in particular. They can show signs of weakness if you stray too far from that formula, such as with bass-heavy dance tracks, but are, on the whole, an enjoyable listen.

They also look fantastic, with the Fujigen-applied sunburst finish making them feel genuinely special, even if the largely plastic construction does not immediately scream $1,199. Comfort is excellent, the supplied 3.5mm and 4.4mm cables are welcome, and the compact closed-back design makes them practical beyond the listening room — provided you can live without ANC and a proper hard case.

The WP900SE will not be the obvious choice for someone seeking maximum bass slam, wireless convenience or a true travel headphone. But for listeners who value vocals, guitars and well-recorded instruments — and want a portable wired headphone with real personality — the WP900SE is much more than a beautiful limited edition. It is a pair that makes you want to keep listening.

Rejoice! Sony has finally updated its budget five-star wireless headphones range.

This announcement includes the new Sony WH-CH530, available now for £50, which are just about to land in our listening rooms for the full What Hi-Fi? review treatment.

However, if you can't wait, we're also excited to announce that its five-star predecessors, the WH-CH520, have had their price crash.

Specifically, the WH-CH520 are back down to their lowest price of £25 at EE, officially half the price of their successors.

We're yet to review the WH-CH530, but it's worth bearing in mind that Sony claims they come with five hours more battery life, as well as a sonic boost thanks to improved processing and algorithms.

However, if you're after value, it's hard to argue with the WH-CH520, especially with its £25 price tag.

You'll want to temper your expectations, as these were budget headphones even at full price, but we were still mightily impressed by how much Sony was able to fit in.

They're full of features, with Bluetooth Multipoint letting you connect to multiple devices wirelessly and seamlessly switch between them, voice assistants are supported, they have on-earcup controls and you can fine-tune the sound using Sony's excellent Headphones Connect app.

However, what impressed us most was the sound quality at this level. They produce an even-handed, nicely balanced sound with a solid, deep bass response and an informative and eloquent midrange.

"The low end they generate is solid, deep and properly controlled at the leading edges, so the WH-CH520 express rhythms confidently," our Sony WH-CH520 review reads. "They hit reasonably hard, and keep bass firmly in its lane where it can’t interfere with the midrange activity above."

The WH-CH530 add a further five hours, but the CH-520 still boast a phenomenal 50 hours of battery life. That's enough to fly to Australia and back!

The design is a bit plasticky, as you might expect from this price level, but they're solidly built, and at 147g they're lightweight for long travels or gym sessions.

Successor or not, the Sony WH-CH520 are incredible headphones now at an incredible price of £25 at EE. If you're after a budget pair, the WH-CH520 won't be beaten at this price and are well worth picking up before they inevitably start leaving store shelves.

MORE:

Want noise-cancelling? Consider reading our Sony WH-CH720N review

Prefer in-ears? Here are the best wireless earbuds you can buy

Our expert pick of the best over-ear headphones: wired and wireless over-ears for every budget

Tribit's latest wireless earbuds aim to bring a considerable stack of features – including active noise-cancelling – to a more budget-friendly price point.

The new FlyBuds C3 cost less than £50 / $40, yet they promise a feature set that Tribit hopes can surpass the Award-winning Sony WF-C510 (tested at £55 / $60 / AU$110).

Before we get to that, the new FlyBuds C3 promise high-quality audio from their 10mm drivers. Each bud also packs a six-microphone array and AI-powered noise reduction for handling voice calls, with Tribit promising clear call quality which spotlights human speech while filtering out background noise.

Noise-cancelling is on board, something we wouldn't always expect to find from such a budget-friendly pair of buds. The FlyBuds C3 offer standard ANC alongside a transparency mode for keeping you more aware of your surroundings when you're on the go.

Tribit's latest delivers up to eight hours of playback from the earbuds, dropping to six hours with ANC switched on. Those numbers rise to 35 hours of standard playback with the charging case in play, or 25 hours in total with noise-cancelling on.

Customising your experience is done via the Tribit app, from which you can access 10 preset equaliser modes, a fully customisable EQ, and an 'XBass' toggle for granting a bit of extra low-end punch.

You can also manage your Bluetooth Multipoint connections for switching easily between two devices, or toggle the buds' low-latency mode if you want a smoother, more responsive experience for gaming or watching videos.

Tribit has vowed to prioritise wearer comfort from its new buds, with the FlyBuds C3 weighing in at just 4 grams, making them even lighter than their 4.6-gram Sony WF-C510 rivals. They're also IP55 rated, meaning they can handle sweat, light rain and dust particles without much fuss.

The Tribit FlyBuds C3 are available now in black or white finishes, with an official RRP of £50 / $40 / €50.

MORE:

10 of the best acoustic tracks to test your hi-fi system

Apple AirPods 5 vs AirPods 4: what's new with Apple's latest noise-cancelling earbuds?

These are the best budget wireless earbuds

Sport-focused audio brand Shokz has launched its latest pair of wireless earbuds, the OpenFit Air 2.

Billed as a lightweight set of buds that blend a secure, easygoing design with "powerful open-ear audio", the OpenFit Air 2 are built for users who want an unobtrusive fit that won't get in the way no matter the length of your workout sessions.

Each bud is equipped with a dual 'Bassphere' driver system, designed to produce "rich bass" and a "full, expansive soundstage". For toggling your sound to your liking, four preset equaliser modes – Standard, Vocal, Bass and Private – are available.

Like the bulk of Shokz's established earbuds, the OpenFit Pro employ an open off-ear design, with an over-ear hook for aiding greater stability and security during runs and workouts.

At 7.2 grams per earbud, the OpenFit Air 2 are also billed as the lightest ear-hook buds that Shokz has ever made, and they should be protected against splashes of water and dust ingress thanks to their IP55 certification.

You needn't be caught out if you're on a long run and your mum calls you in for your dinner, because the OpenFit Air 2 incorporate a dual microphone system combined with an AI noise reduction algorithm to keep voices clear while reducing background noise.

The sporty new buds grant hours of playtime on a single charge, rising to 50 hours in total with the charging case in play. If you're in a hurry, you can squeeze three hours of listening time with a speedy 10-minute quick charge.

Further features include Bluetooth Multipoint for connecting to multiple source devices simultaneously, as well as Fast Pair and Swift Pair for a one-tap connection to Android and Windows devices respectively.

The Shokz OpenFit Air will be available from September 16th in Black, White or Ice Blue finishes, priced at £129 / $130.

MORE:

I test headphones for a living but can’t make sense of the AirPods 5 launch

Rewind: New iPhones, wireless open-back headphones, a five-star spin on a classic turntable and more

Best running headphones and wireless earbuds tested on the road and in the gym

We have a new pair of AirPods winging our way. The AirPods 5 again come in two variants, but unlike their predecessors, both pairs have active noise cancellation (ANC). But the pricier pair do have some extra features to set them apart from their cheaper siblings.

How do they compare to their AirPods 4 counterparts? We haven't reviewed the new models yet, so can't comment on how they perform. But we can look at them side by side and say how they compare on paper.

So let's do just that.

Apple AirPods 5 vs AirPods 4: price

Before Apple's September launch event, price rises were heavily rumoured – the firm has recently upped its prices on certain products, after all. And while the new iPhones got a price hike, thankfully the new AirPods went the other way.

The AirPods 5 start at £119 / $129 / AU$219 for the base model, rising to £139 / $149 / AU$249 for the variant with the wireless charging case. Both of which compare very favourably with the launch prices of the corresponding AirPods 4 models (£129 / $129 / AU$219 and £179 / $179 / AU$299 respectively).

Apple no longer sells the 4 models, but you can still pick them up at other retailers while stocks last. At time of writing, they haven't dropped below the new models, though that could change when the AirPods 5 go on sale on 18th September.

Apple AirPods 5 vs AirPods 4: design

The AirPods 5 are virtually unchanged from their predecessors in terms of design, but there are some tweaks.

The pricier variant of AirPods 5 have a slightly recessed area on the stem so you can feel the on-bud volume controls. Otherwise, they are nigh-on identical visually to their predecessors.

Both pairs of AirPods 5 also have improved dust- and water-resistance: IP57, compared to the IP54 of the AirPods 4.

Both the AirPods 5 and 4 have an open-ear design with no eartips. That means their fit might be an acquired taste – some people love it, while others struggle to keep them in their ears.

The new pairs weigh the same 4.3g of the AirPods 4, which makes them barely noticeable in your ears.

Apple AirPods 5 vs AirPods 4: features

The headline news for the AirPods 5 is that both pairs feature active noise cancellation. Whereas the AirPods 4 come in one variant with the feature, and one without.

Apple claims the ANC has been improved, and is now 50 per cent more effective than the same feature on the AirPods 4. It claims this is "the best ANC in an open ear design".

Transparency mode – which allows in some outside sounds to keep you aware of your surroundings – is also more natural, Apple says.

Live Translation is now available on both pairs of AirPods 5 (on the 4 range, it's only available on the AirPods 4 with ANC, not the base model). Like the AirPods 4, they will work with the new, more conversational Siri AI.

In terms of battery life, the AirPods 5 are disappointing. The cheaper model offers 4 hours of use, while the model with the wireless charging case ups that to 5 hours (all with ANC enabled). Which is no improvement on the underwhelming figures from the AirPods 4 models.

The total battery life (including the charging case) is 20 hours from the AirPods 5, and 22 hours from the AirPods 5 with Wireless Charging Case. The AirPods 4 with ANC claim 30 hours, though this is with ANC disabled (the AirPods 5 figures are with it enabled), so there's probably nothing to choose between the two generation models.

The pricier model of AirPods 5 has a wireless charging case that works with Qi and Apple Watch chargers, while the cheaper model relies on wired USB-C charging.

The newer models also have all the features of the AirPods 4 range, including Spatial Audio, Conversation Awareness, adaptive audio and Find My features. They also run on the same H2 chip as the AirPods 4 models, and use the same Bluetooth 5.3 tech.

Apple AirPods 5 vs AirPods 4: noise cancellation

At this stage, we only have Apple's claims to go on for the AirPods 5. Once we have them in for testing, we'll be able to assess whether they really do cancel 50 per cent more noise than their predecessors. But bringing ANC to both new models is a smart move by Apple, and makes it less confusing for customers who will get ANC regardless of which pair of AirPods they buy.

We found the AirPods 4 with ANC's noise cancellation worked very well indeed. They get around the lack of a seal offered by eartips by targeting low-end frequencies. "The rumble of engines on the road, the grinding hum of trains, the exhaust fan in the kitchen – it all disappears. It’s quite impressive," we wrote in our AirPods 4 with ANC review.

While you're not encased in a bubble of silence as with the best noise-cancelling earbuds, they do cancel enough noise to make your music clear without the need to crank up the volume and potentially damage your hearing. It's also a much more natural and comfortable experience than some more suction-y forms of ANC.

If Apple has improved on it as it claims, we should be in for a treat.

Apple AirPods 5 vs AirPods 4: sound

Again, we only have Apple's claims to go on regarding the AirPods 5's sound quality at present. The new multi-port acoustic architecture and next-generation adaptive EQ claim to improve sound quality, with "richer, more detailed sound across a wider range of ear geometries". Personalised Spatial Audio should also be more immersive and dynamic.

We're big fans of the AirPods 4's sound quality, so any improvement is very welcome. When we popped them in our ears, we immediately encountered "clarity and detail, agility and balance, along with a focus on voices that make them immediately appealing to listen to," we wrote in our review.

They offer plenty of space between instruments, with plenty of textural detail and depth. High notes soar without a hint of brightness, while they remain dynamically engaging throughout.

We can't wait to put the AirPods 5 through their sonic paces.

Apple AirPods 5 vs AirPods 4: early verdict

The usual caveat applies: we won't know how well the AirPods 5 perform until we've put them through our rigorous reviews process. But from what we've seen so far, they look like another winning pair from Apple.

Improved ANC, better sound quality and the addition of much-loved features like on-bud volume controls will please listeners no end. And the fact they're priced aggressively leaves the AirPods 4 looking like an odd choice.

Of course that could change if the AirPods 4 do drop in price at third-party retailers once the AirPods 5 launch. But it looks like they'll have to see some significant discounts to be a truly tempting alternative.

We'll update this article once we've reviewed the AirPods 5.

MORE:

I test headphones for a living but can’t make sense of the AirPods 5 launch

I'm excited for Apple's newly announced AirPods 5 – but one major issue has me scratching my head

Read our Apple AirPods 4 with Active Noise Cancellation review

It’s not often I’m left bemused by an Apple launch, but the recent unveiling of the AirPods 5, its latest ‘open’ wireless earbuds, has left me scratching my head. It just doesn’t make any sense.

You see, the AirPods 5, like AirPods 4 before them, come in two flavours. But unlike the previous generation, which were clearly distinguishable by price (there was £50/$50 between AirPods 4 and AirPods 4 with ANC) and by the cheaper model's lack of noise-cancelling, they have more in common this time around.

Both pairs now offer the same ANC, the same acoustic architecture, the same H2 chip, the same sound modes and the same IP57 rating. And there was nothing said during Apple’s video event to suggest they won’t share the same sound quality.

And this time around, there is only £20/$20 between the two models. Spending that little bit extra gets you better battery life and more useful features, so you can hopefully see where I’m coming from?

Maybe I’m a sucker for specs, but the AirPods 5 Wireless Charging Case as they’re known (and doesn’t that name just roll off the tongue?), just seem the obvious buy.

To me at least, it feels like you’re actually getting shortchanged if you go for the standard AirPods 5 model. And the fact that the cheaper model can only muster four hours of battery life per charge is verging on the laughable in this day and age, as one of my colleagues has already pointed out.

Having the volume swipe feature on the force sensor on the pricier model shouldn’t be underestimated either. This gives usability a big boost and is something I use all the time on my ageing AirPods Pro 2.

So why is Apple offering both? Now, who am I to question Apple’s business plan - they seem to be doing a pretty good job of making money without my input – but is it really cost-effective to be selling two pairs of earbuds so similar in price when one pair is at a disadvantage? I can't wait to get both pairs into our test room to find out which pair is the better buy.

What do you think? If you’re an Apple fan, do you find the cheaper pair of AirPods appealing, or would you rather just spend a tiny bit extra to get the all-singing, all-dancing model? Let us know in the comments below.

MORE:

Our pick of the best wireless earbuds you can buy right now

Apple AirPods 5 boast improved ANC and updated acoustic architecture for a "richer, more detailed sound"

I'm excited for Apple's newly announced AirPods 5 – but one major issue has me scratching my head

Read our Apple AirPods 4 with Active Noise Cancellation review

Do you sometimes wish you could block out the outside world?

Active noise cancelling (ANC) is the way to go, and it's no longer gated behind super-premium headphones – good ANC can now be found in the budget headphone market.

So if you're a student who needs to focus while studying or just want to quieten the commute on a budget, our audio experts highly recommend the Award-winning Sony WF-C710N, now only £62 at Amazon.

That's quite the discount from the £100 price we tested at, and even cheaper than the previous low of £69 over Prime Day.

The Award-winning Sony WF-C710N are follow-ups to the Sony-C700N, also fellow Award winners, so it's clear that this is a high-quality pedigree.

The WF-C710N made several improvements, however, including upping the battery life to 8.5 hours with ANC on, and 30 hours including the case.

Speaking of ANC, that's one of the WF-C710N's key strengths. Sony's Dual Noise Sensor filters have been added to extract an extra layer of noise in the mid and bass frequencies. Our expert reviewers could hear the difference, with the hustle and bustle of the outside world kept firmly at bay.

And the other key strength of the C710N? Sound quality, which is a step above the competition at this price level.

"The WF-C710N extract a fantastic amount of detail for the money," our Sony WF-C710N review reads. "We switch over to Eminem’s Mockingbird and the buds give you a bit of everything. You have tightly defined, punchy bass that is weighty and nicely balanced.

"You also have the spritely percussion and clapping that punctuates higher up the frequency range. It sounds crisp, but not overcooked – notes are painted in texture and sharply defined."

There's support for Bluetooth 5.3, as well as the usual SBC and AAC audio codecs. The buds are also splashproof with an IPX4 rating, while Bluetooth Multipoint allows you to connect two devices simultaneously.

If you're after noise-cancelling on a budget, or indeed just want an excellent pair of mid-range earbuds, then the Sony WF-C710N come highly recommended. They're attractive, comfortable and capable noise-cancellers that are frankly a steal for £62 at Amazon.

MORE:

Sony WF-C710N vs WF-C510: which budget Sony buds are better?

Check out our list of the best wireless earbuds

Also consider the JBL Live Pro 2 TWS

Apple's long-rumoured AirPods with a camera – potentially called AirPods Ultra – made no appearance at the 9th September iPhone 18 launch event, with the release now rumoured to be pushed back to 2027.

Honestly? I'm happy that it was a no-show.

I think this is a wise decision. Not only does this mean that the focus is rightly on the new AirPods 5 models and the brand-new foldable iPhone Duo, but it gives Apple more time to iron out any kinks with these rumoured AirPods with camera (that's assuming it's a real product, of course).

AirPods with a camera were touted as early as 2024, with reports suggesting they will feature embedded IR cameras, centred around augmented reality. This is with a view to them working with Apple's Visual Intelligence, rather than capturing images and video directly.

Considering the current controversy surrounding the Meta glasses that can be used to record images and videos without people's consent and without making the fact they're recording obvious, I can't really imagine Apple going for a similar kind of camera embedded into small earbuds.

Apple has a reputation for being privacy-focused, so the cameras being used for features such as enhancing ANC, spatial awareness, or for accessibility reasons based on your surroundings (which are current best guesses) rather than actually capturing real pictures or videos around you seem more likely.

As reported by MacRumors, a video seen in a macOS Tahoe release doc shows short-term practical applications, such as identifying a book to save it for later.

AI and AI-powered features are all the rage today, and Apple Intelligence/Siri isn't exactly leading the popular race. With the updated, more conversational Siri AI that launched today with the iPhone 18 Pro and Pro Max – and which makes a big deal about protecting users' data and privacy – this could be a way for Apple to differentiate itself from the likes of Gemini, Claude and ChatGPT, and offer practical solutions that embed into users' iOS-led lives in a way that isn't too frivolous like generative AI.

The AirPods with camera, or AirPods Ultra, are rumoured to effectively be integrated in a souped-up pair of AirPods Pro 3, but considering the wealth of features already stacked into the Pro 3's compact buds (live translation, health features, various ANC modes and more) the current H2 chip would be working overtime.

It's not hard to imagine this would have a knock-on effect on battery life, along with perhaps less focus on improving overall performance – and that's not a trade-off I would be happy with.

And that's the key thing here: yes, technology advances in many ways, and it's exciting to have new possibilities, especially when products such as wireless earbuds have become so embedded in our busy, multi-tasking lives.

But I hope Apple doesn't forget what the AirPods' main purpose is: to allow people to enjoy their music.

Of course, Apple could use the proposed AirPods Ultra launch to launch an all-new, more powerful H3 chip. If it does, I hope it brings with it more advancements and improvements in the areas we really care about: sound quality, ANC quality, and battery life.

Camera or no camera, the current AirPods Pro 3 are a pretty great-sounding pair of 'buds. While the class leader, the Sony WF-1000XM6, still rules the roost here, the premium Pro 3 are a five-star pair whose nicely balanced, clear and dynamic sound is enjoyable with all genres, while ANC quality is excellent.

We wouldn't hesitate to recommend them for iOS die-hards, especially if you – like us – are all about the performance, and prioritise sound quality over fancy features.

Apple does a great job of refining features and improving performance, but it can sometimes be incremental – let's hope the next pair is a much bigger step forward in sound quality.

MORE:

Apple AirPods 5 boast improved ANC and updated acoustic architecture for a "richer, more detailed sound"

Read our Apple AirPods Pro 3 review

Our guide to the best wireless earbuds you can buy, tested by our in-house experts

Apple announced plenty of exciting goodies at its most recent September launch event, including a series of Apple Watches and its first-ever folding phone, the iPhone Duo.

No new HomePods materialised, but hey, you're always going to be let down by at least one major omission. Another year and no HomePod Mini 2? No surprises there, then.

The Californian mega-brand also announced the next generation of its standard wireless earbuds, the AirPods 5, again splitting the new models into two main variants: the AirPods 5 and the AirPods 5 with wireless charging. The standard AirPods 5 will cost £119 / $129, while the AirPods 5 with wireless charging case will cost £139 / $149.

That's a departure from the fourth generation of Apple's core AirPods line, where the key difference between the two models was the use or absence of noise-cancelling. Hence, the AirPods 4 and the AirPods 4 with ANC.

Many of the initial signs look positive. Apple is promising elevated sonic performance from the fifth-generation buds, teasing a "richer, more detailed sound across a wider range of ear geometries" alongside more immersive and dynamic spatial audio.

Noise cancelling should be better, too, with improved "computational audio algorithms" improving noise reduction by around 50 per cent. So says Apple, anyway.

Lots to be excited about, then, but one fly does appear to have landed in the ointment: those battery life numbers.

The standard AirPods 5 are teasing a paltry four hours of playtime from the buds with ANC enabled, which will creep up to around five hours when noise cancelling is switched off.

The AirPods 5 with wireless charging, conversely, offer five hours of in-ear battery, with 22 hours with the charging case. That total just edges the 20 hours of the standard model.

Those numbers seem bafflingly low, especially when compared with price-adjacent rivals. The Bose QuietComfort Earbuds (2024) (£119 / $149) deliver 8.5 hours of in-bud playback with ANC enabled, boosted to up to 12 hours with noise cancelling turned off.

The cheaper Sony WF-C710N (£70 / $130) are also superior, again granting 8.5 hours of playback with ANC turned on, 12 hours with it off, and a total of 30 hours with the charging case in play.

It's not as if Apple has improved on its last-gen offerings, either. The AirPods 4 delivered 4 hours of in-bud playback with ANC on, 5 hours with ANC off, and a total of 30 hours with the charging case. That means the in-bud playtime has gone down, and total playtime has actually decreased from one generation to the next. How has that happened?

It's fine for a more premium pair of earbuds to sacrifice a bit of battery life, or for a new generation to maybe lose out in this area because of new features or hardware, but when the mainline AirPods already offered such mediocre figures, Apple couldn't really afford to lose much more. What will the sixth-gen buds offer? Three hours of battery life if we're lucky?

It won't be a dealbreaker for many, but those figures really do seem poor in an era when some rivals are pushing to almost double the in-bud playback time.

It's not a disaster for Apple, but it means the onus is now on the AirPods 5 to deliver outstanding performance across the board – from sound to noise-cancelling – if they're going to justify such a glaring blind spot.

I might be wrong, but battery life figures do matter, especially when there's a fear of being left high and dry when your buds run out of charge, and you've no way of getting them powered again. I'm optimistic it isn't a decision Apple ends up regretting.

MORE:

The iPhone 18 range launches with a foldable iPhone and two new Pro models

AirPods 4 vs AirPods 4 with ANC: which Apple pair should you pick?

Check out our guide to the best wireless earbuds we've tested and rated

Apple has launched the next generation of its standard wireless earbuds, the AirPods 5.

As before, it comes in two model variants without eartips, with the big news being that both models now feature active noise cancellation. The more expensive AirPods 5 feature on-stem volume control, longer battery life with ANC on, and a wireless charging case.

They're an update on the AirPods 4 and AirPods 4 with ANC that launched two years ago on September 2024, and feature improvements to sound quality, ANC and the transparency mode, plus live translation capability.

The AirPods 5 will cost £119 / $129, while the AirPods 5 with wireless charging case will cost £139 / $149 – both go on sale on 18th September, with pre-orders starting today.

The AirPods 5 see an updated open-ear design, with a new multi-port acoustic architecture and next-generation adaptive EQ to improve sound quality. Apple says the new AirPods 5 deliver "richer, more detailed sound across a wider range of ear geometries", as well as making personalised spatial audio more immersive and dynamic.

Combined with improved "computational audio algorithms" Apple claims the improved ANC quality offers 50 per cent more noise reduction than the previous generation to deliver what Apple has called "the best ANC in an open ear design". The transparency mode has also been improved to be more "natural", says Apple.

Apple says the new AirPods 5 are "more durable than ever", with an increased IP57 rating for dealing with rain, sweat and dust ingress.

The AirPods 5 can be used hands-free in conjunction with the new, more conversational Siri AI, and both models will now also feature live translation, which was previously a feature reserved for the flagship Pro 3 and Pro 2 models.

In terms of battery life, the standard AirPods 5 offer four hours with ANC enabled on a single charge, with up to 20 hours with the included standard USB-C charging case.

The more premium AirPods 5 with wireless charging case offer five hours of on-ear battery with ANC on, and 22 hours with the charging case. This step-up model also features the on-stem volume controls – another feature borrowed from the AirPods Pro 3. The wireless charging case means it will work with Qi and Apple Watch chargers, while the standard AirPods 5 is restricted to wired USB-C charging only.

Both AirPods 5 will also support the usual iOS-focused features, such as spatial audio, conversation awareness, adaptive audio and Find My features.

MORE:

Read our AirPods 4 with ANC review

AirPods 4 vs AirPods 4 with ANC: which Apple pair should you pick?

Check out our guide to the best wireless earbuds we've tested and rated

Got noisy neighbours while you work from home? Builders banging down the road? Or just gossiping office co-workers?

We've all been there. But if you just want to escape to an impenetrable cocoon of silence, there's one audio company that does noise-cancelling better than any other: Bose.

And its latest premium wireless over-ears, the Bose QuietComfort Ultra Headphones (2nd Gen), are the brand's best noise-cancelling headphones yet, eliminating the deepest rumbles and most mid-band hubbub.

And now the noise-cancelling cans are available at a new lowest price – you can pick them up for £303 at Amazon thanks to a £30 saving at checkout. That's even cheaper than the previous low of £341 we spotted in May.

Yes, the name Bose QuietComfort Ultra Headphones (2nd gen) is a bit of a mouthful. But this latest generation has fixed the gripes we had with the first QuietComfort Ultra headphones: there's now wired listening over USB-C, battery life has been boosted from 24 hours to 30 and the Immersive Audio is more satisfying.

For the uninitiated, Immersive Audio is Bose's take on spatial audio. The 'Still' mode is now more spacious and dimensional, but it's the 'Cinema' mode that works best by pulling dialogue into greater focus while watching TV and movies.

We had high expectations when we put the QC Ultra 2's noise-cancelling abilities to the test, and we weren't disappointed. Whether we were walking past roadworks, riding public transport or jetting off on planes, the headphones provided us with a blanket of silence so we could enjoy our music and podcasts in peace. Only the shrill, high-frequency cry of a baby broke through the formidable shield.

The ‘Immersion’ mode can dial down the intensity if the vacuum effect is too eerie for you, while the 'Aware’ mode allows external sound in. A new algorithm can dampen down sudden loud noises more quickly now – we tested with a hoover and the headphones' noise-cancelling intensity reacts accordingly.

Sound quality has seen some tweaks from the first generation too, with meaningful gains when it comes to clarity and detail.

"Play Charli xcx’s Von dutch, and the Bose rev their engines, launching themselves into the upbeat track with their best foot forward," our Bose QuietComfort Ultra Headphones (2nd Gen) review reads. "The synths surge with low-end texture and impetus, the beat pulsates with snap and crispness. It’s the same pleasingly smooth, bass-rich character Bose has long favoured, simply more insightful and precise than ever before."

However, the Bose fall behind our current benchmark, the Sony WH-1000XM6, when it comes to sound quality, with the XM6 offering a more natural, even-handed tonality. The Bose prevail for outright sound-blocking intensity, however, and are currently £30 cheaper.

If it's noise-cancelling you're after above all else, Bose are the ones to beat. The QC Ultra Headphones 2 are strong all-rounders with an ANC ace up their sleeve, and are available at a new low of £303 at Amazon.

MORE:

More into buds? Our best wireless earbuds will sort you out

Our pick of the best wireless headphones

Read our Sony WH-1000XM6 review

“Really?!” That was my initial reaction when I heard the first rumours that Sony was readying the WH-1000XM4C.

The use of those two punctuation marks is intended to indicate that it was a reaction of both excitement and confusion. I was excited, because the original WH-1000XM4 is a classic. It’s one of the models that has made the biggest impression on me out of all the pairs of wireless headphones I have tested over the years.

These headphones took performance to a whole new level when they launched back in 2020 – look around online, and there’s still a lot of love shown to this particular pair.

The confused part of me, though, wondered where Sony would place them in its current range, since it already has the XM4’s successor, the WH-1000XM5 (pictured above). And this is a pair which is already pretty well discounted.

Following Sony’s official WH-1000XM4C unveiling (pictured below), though, the picture has become clearer. Or has it?

We know the new headphones cost £219 / $300 / AU$449.95, which is pretty close to where the WH-1000XM5 headphones sit right now.

We also know that the WH-1000XM5 will go end of life in February next year, as they aren’t compliant with EU battery regulation 2023/1542 (which stipulates that portable batteries need to be able to be removed by the end user), which comes into effect at the same time. The XM4C is compliant. So, I’m left wondering where the incentive is for people to go out and buy the XM5?

In our WH-1000XM5 review, we found them to feel less premium than the XM4, and they also don’t have the folding design of that model, which was a big selling point back at the time.

They still sound great, though, and at the time of our original WH-1000XM5 vs WH-1000XM4 comparison, we felt the newer model sounded “clearer and more open” and that the headphones were “more precise in the low-end, making the XM4 sound a little thick by comparison”.

We do know Sony has retuned the sound of the XM4C, but this is only through DSP – the hardware remains the same.

The WH-1000XM5, by contrast, introduced a smaller 30mm driver compared with the 40mm unit of XM4, so Sony will only be able to tweak the sound of the new model so far. We will, of course, let you know if and how the sound has changed once we get a pair into our test rooms.

I’m also intrigued to see how pricing looks over the next few months.

If retailers try to move all their existing XM5 stock with one eye on February next year, could they drop the price of those headphones below WH-1000XM4C? It could be an interesting few months that lie ahead, especially if you’re on the lookout for a new pair of wireless headphones at a great price.

It's not often we have two competing pairs of headphones from the same brand around the same price, but at least this should give an added element of choice for the consumer.

What do you think? Do you think there’s still a place for the WH-1000XM5 following Sony’s recent announcement? Would you consider a pair if they still sound better than the WH-1000XM4C? Let us know in the comments below.

MORE:

Back with a bang! Sony has resurrected a classic pair of wireless headphones by launching the WH-1000XM4C

Sony WH-1000XM5 vs WH-1000XM4: which headphones should you buy?

Our pick of the best wireless headphones for every budget

Read our full Sony WH-1000XM5 review

Audio-Technica is no stranger to wired over-ear headphones, but the Japanese company is expanding into unknown territory with its first-ever pair of open-backed wireless headphones: the ATH-AL5NC.

The beating heart of the ATH-AL5NC is a set of 53mm dynamic drivers that, says Audio-Technica, create a "detailed soundstage" made more natural and open by virtue of the headphones' open-backed design.

Being a pair of open-backs, the ATH-AL5NC don't offer full-fat active noise cancelling, instead offering a 'noise reduction' toggle to help reduce background noise and ambient sounds.

Audio-Technica is going big on battery life for the ATH-AL5NC, promising a hefty 75 hours of playback with noise reduction switched off and around 50 hours with it turned on.

If you run out of juice, a 15-minute quick charge promises to deliver up to eight hours of playtime, and if charging isn’t an option, users can switch to a wired connection via the included 3.5mm-ended cable.

The new over-ears also feature a 'Sound Leakage Reduction' mode, aiming, as you might have guessed, to reduce the amount of sound leakage coming out of the open-backed cans.

To toggle that mode and personalise your overall listening experience, you can control the new headphones via the A-T Connect app. You also get a low-latency mode for reducing audio lag during gaming and video calls.

Bluetooth Multipoint lets you connect to two devices at once, with standard Bluetooth AAC and SBC codecs alongside LDAC for streaming 24-bit/96kHz audio from compatible sources.

The Audio-Technica AT-AL5NC are available now in a single black finish, priced at £219 / $279 / AU$499. That could be a canny pricing ploy, as there aren't many great mid-range headphones available at that kind of money.

If anything, the AT-AL5NC are going up against the slightly more premium Grado GW100x (£249 / $275 / AU$440), which also blend Bluetooth powers with an open-backed design.

Could Audio-Technica be about to grab hold of an understocked corner of the wireless headphones market? We're intrigued to find out.

MORE:

Read our hands-on Sonos Ace Ultra review

4 updates on the new Sony WH-CH730N headphones that I'm excited for – and one that's bothering me

Now Playing: 5 of the best songs we've had on repeat in the test rooms as summer turns to autumn

Check out our pick of the best wireless headphones

We've pretty much been waiting for a sequel to the Award-winning Sony WH-CH720N wireless headphones since they arrived in 2023.

Not because they fell short of our expectations – quite the opposite – but because the budget noise-cancelling over-ears were so good, we couldn't wait to see what Sony could do when given another chance to impress.

A sequel has indeed finally arrived in the shape of the Sony WH-CH730N, vowing to elevate everything we liked about the WH-CH720N while mitigating their modest but not-trivial limitations.

Those limitations included a slightly bass-heavy sonic signature, as well as a design that, if we're being charitable, wasn't exactly the last word in luxury.

If the WH-CH730N can rectify such minor issues without losing the character of what made their predecessors so great, they could truly be successors to some of our favourite headphones of the past few years. Now that's something worth getting excited about.

When Sony invited us for an exclusive look at the WH-CH730N, we had to take advantage. We haven't heard the new headphones yet, but we've had a sneak peek at how they look and feel, and heard directly from Sony about the changes the next-gen over-ears have made. From what we've seen, they could be something very special.

Excited for: a new folding look

When we went to see them in person a few weeks ago, we really liked the way the new WH-CH730N looked.

Taste is subjective – and how a pair of headphones appear on the outside should be a secondary priority to how they sound – but that wholesale redesign really works for us. The WH-CH720N were, to be charitable, rather rough and ready headphones, but the smoother, more modern design of their successors feels like a big improvement. Out are the rather basic earcups, replaced by larger, more premium cups that come across as far more premium than the headphones' modest price might suggest.

Better still, they should be more ergonomic to live with thanks to the fact that the new over-ears feel sturdier and are now fully foldable, something that was lacking in the somewhat rigid WH-CH720N. It was always a worry that you might accidentally snap your precious headphones in transit, but full foldability helps assuage such fears this time around.

It makes sense considering that these are still reasonably budget-friendly headphones geared towards everyday use. When you've got over-ears that are going to be thrown into backpacks and tossed into the back of the car, you want to know they're going to survive years of potentially hard use.

Excited for: refined tuning and (hopefully) better sound

At first, it was easy to hear the news that Sony hadn’t updated the physical drivers for the Sony WH-CH730N. You expect new hardware from one generation to the next, so the fact that Sony had kept the same 30mm dynamic units as found in the WH-CH720N just slightly smacked of complacency.

Yet that needn’t be the case. The thing is, the WH-CH720N sound great – they might be the best sound-per-pound wireless over-ears you can buy – with their slightly enthusiastic bass the only real point of criticism. Even then, you can tone that down via the in-app equaliser, so it’s not a huge deal.

As it turns out, we want more of the same from the WH-CH730N, albeit with a bit of sonic tinkering to make them as good as they can be. Tweaking tuning algorithms rather than physical hardware can make a surprisingly profound difference, too – just look at how much better the Bose QuietComfort Ultra Earbuds (2nd Gen) sound over their first-gen antecedents.

The punchy, deeply musical personality of the WH-CH720N…but better? Sounds like a recipe for success to us.

Excited for: longer battery life

Wow, check out these numbers. We didn’t think the WH-CH720N were exactly short on battery life, thanks to their 50 hours of lifespan with ANC off and a still-massive 35 hours with it on, but Sony has really doubled down for the sequel.

The WH-CH730N will go for 75 hours before they need a recharge if you have noise cancelling turned off, a figure that quite frankly puts their predecessors in the shade. That’s a huge usability bonus, only sweetened by the fact that a three-minute quick charge will grant around an hour of playback when you’re in a hurry.

Not many rivals come close at this kind of money. The Austrian Audio Hi-X25BT (£129 / $140) will go for around 30 hours before they need a recharge, whereas even the mega-battery-boasting Philips TAH8000E's (£140 / $149) 70 hours with ANC off can't quite keep up.

Excited for: that seamless Sony usability

From the bottom of its range to the very top, Sony's headphones are very rarely a chore to live with. Quality tends to suffuse everything the brand does at the moment, with its wireless cans exemplifying this customer-first focus on usability and performance that few rivals can match.

What the WH-CH730N have in their favour right out of the gate, then, is the fact that they're a pair of Sony over-ears. That means certain features, such as DSEE upscaling for poorer-quality files, as well as 'Precise Voice Pickup Technology' for better noise calls and beamforming mics contributing to improved noise cancelling, are already in the bank.

Plus, access to the Sony Headphones app is never a bad thing, as while it's rarely been the most sleek or stylish platform in the world, the levels of customisation it offers are extremely tough to beat.

Unless something goes horribly wrong, we'd feel confident in stating that, from its voice calls to its ANC, we'll likely be in very safe hands with the WH-CH730N.

A small concern: that higher price

This isn't a dealbreaker for most, but it's still worth mentioning: the WH-CH730N are more expensive at launch than their predecessors. It's not a massive increase – only £10 in the UK – but it does point to a slightly more worrying trend in audio concerning rising prices.

This isn't something for which we blame Sony, but more a reflection of where things could be headed across the market. Due to poor market conditions, the global economic downturn, certain political decisions and an increasing scarcity of computer chips, consumer audio prices are rising, and even the budget end of the audio landscape isn't unaffected.

£10 isn't a huge rise from one generation to the next, but when even massive entities such as Sony are affected, it could point to an unwanted trend: higher prices for your headphones.

MORE:

Back with a bang! Sony has resurrected a classic pair of wireless headphones by launching the WH-1000XM4C

Now Playing: 5 songs we've had on repeat in the test rooms as we head into autumn

These are the best wireless headphones we've tested

At long last, Sony has announced sequels to two of its best-value wireless headphones: the five-star WH-CH520 and the Award-winning WH-CH720N.

The new budget WH-CH530 follow on from the entry-level WH-CH520 Bluetooth on-ears, while the affordable WH-CH730N are the sequel to the multiple-Award-winning WH-CH720N noise-cancelling over-ears.

Both sets come with a number of upgrades and tweaks to the firm's five-star formula, though only one has had an aesthetic refresh.

The WH-CH730N has had an external redesign, ditching the rough-and-ready aesthetic of its predecessors in place of a smoother, more premium design that doesn't look entirely dissimilar to the more expensive Sonos Ace.

Better still, the new noise-cancelling cans fold away; something their rather rigid predecessors couldn't do, much to our reviewers' annoyance.

The WH-CH530's design hasn't deviated much from the WH-CH520's, opting for similarly small rounded earcups, an on-ear fit and a reasonably compact form factor.

Internally, the actual hardware that the two new sets pack hasn't changed much, with both pairs housing the same drive units as before. That means both the WH-CH720N and WH-CH530 come with 30mm dynamic drivers.

Despite the lack of hardware changes, Sony claims both sets offer a major sonic boost over their predecessors, thanks to work it has done improving their digital signal processing and algorithms. Sony's established DSEE signal processing is also on board for cleaning up lower-quality files.

The WH-CH730N boast a titanic 75 hours of battery life with noise cancelling switched off, a figure that quite frankly puts the 50-hour lifespan of the WH-CH720N firmly in the shade.

The WH-CH530 aren't doing badly either, serving up 55 hours of battery life. That's a five-hour improvement over the 50 hours offered by their predecessors. A three-minute quick charge of the WH-CH730N will grant around an hour of playback, while the same charging time will grant 90 minutes of listening on the cheaper WH-CH530.

Both new pairs tease clearer voice calls thanks to AI noise reduction algorithms that spotlight human speech and dampen the clamour of the outside world. The noise-cancelling WH-CH730N also tout improved noise cancelling thanks to Sony's 'Dual Noise Sensor' technology and an array of beamforming microphones.

The WH-CH530 are available now in a choice of Black, Cobalt, White, Pink, Coral, and Mint, priced at £50 / AU$99.95 – which is the same price as their predecessors' original price tag. The WH-CH730N are also available now in a range of Black, White, Pink, Blue, and Oat colourways, priced at £110 / AU$229.95. That's a small advance on the original £99 asking price of the current WH-CH720N in the UK, but a decrease of AU$20 in Australia.

Price rises aside, we can't wait to try out both of Sony's latest over-ears. The WH-CH520 and CH720N have been holding steady on our list of the best wireless headphones ever since they debuted, and we're expecting their respective sequels to elevate their performance to even greater heights.

MORE:

Now Playing: 5 of the best songs we've had on repeat in the test rooms as summer turns to autumn

If Sonos Ace Ultra headphones are in the works, here are three things they need to get right to rival Sony and Bose

Check out our pick of the best wireless headphones

No, your eyes aren’t deceiving you. Sony is bringing back one of its best-selling pairs of wireless headphones ever.

The WH-1000XM4C are a revised version of the original WH-1000XM4, which launched back in 2020.

That original XM4 was the longest-running pair of headphones in Sony’s 1000X series so far, and remained on sale for five years after their arrival.

In that time, not only did they become repeat What Hi-Fi? Awards-winners, the headphones also secured a place in the What Hi-Fi? Hall of Fame, where only products that make a long-lasting impression on our test team are included. This makes the arrival of the WH-1000XM4C all the more exciting.

So, “what’s changed?” we hear you ask.

The biggest change is to the battery. The reason the original XM4 reached end of life is that its battery was not compliant with the EU battery regulation (EU) 2023/1542, which stipulates that portable batteries need to be able to be removed by the end user.

• Why I think Sony’s new WH-1000XM4C headphones are a brilliant but risky gamble

This law comes into effect in February 2027, so for the XM4 to stage a comeback, the battery needed to change. The only downside is that it is smaller than the one used previously and doesn’t provide quite as much juice as the original.

This means battery life has dropped from 30 hours with ANC on for the original XM4 to 27 hours for the WH-1000XM4C.

Sony claims the design and finish of the headphones are identical, apart from a slight tweak to the Sony logo and the introduction of a letter ‘L’ and ‘R’ inside each respective earcup. The software driving the headphones is the same, too.

This means the 40mm driver of the original carries over to XM4C, as does the DSEE Extreme processing engine and the HD Noise Cancelling Processor QN1. While ANC performance should remain virtually identical to the original, Sony has been able to upgrade other elements of the new headphones.

The main change has been to the sound – Sony has tweaked the tuning of the headphones so it’s more akin to its most recent WH-1000XM5 and WH-1000XM6 models. It’s claiming richer and clearer vocals, greater separation and a more immersive listen, plus greater dynamics and punchier bass.

Through Sony’s Headphones Connect app, you can now access a ten-band equaliser and a dedicated Gaming EQ setting, which wasn’t available for the original.

The WH-1000XM4C have Multipoint Bluetooth and still feature Sony’s Precise Voice Pickup technology, which helps with phone calls.

In addition to the standard black and silver (which is a slightly lighter shade than before) finishes, there’s also a new lavender option which brings a splash of colour to the range. Sony hasn’t confirmed whether a Midnight Blue option will be available, as was introduced for the original model.

The WH-1000XM4C cost £219 / $300 / AU$449.95 and go on sale this month. You might be wondering what this means for the WH-1000XM5, which at the time of writing are still on sale. Their battery does not conform to the EU regulation, so they will go end of life before February 2027, and the WH-1000XM4C will continue in their place.

What do you think? Are you excited to see the XM4 return? Let us know by clicking on our poll and leave a comment below! We'll hopefully be getting a sample soon, so stay tuned for our full review!

MORE:

Here's our pick of the best wireless headphones you can buy right now

Read our original Sony WH-1000XM4 review

Sony WH-1000XM5 vs WH-1000XM4: which headphones should you buy?

The What Hi-Fi? Hall of Fame: the best products of the 2020s

If you take a look at our best wireless headphones page, you'll find lots of great recommendations for every budget.

But if you're looking for the ultimate option when it comes to style, luxury and sound quality, there's only one line we'd recommend: the Focal Bathys series.

Luckily, the original Focal Bathys now has a price tag that's not quite as high-end as its appearance: the premium pair of cans is now £399 at Peter Tyson.

That's the lowest price we've seen for the wireless wonders, which previously dropped to £449 earlier this year. Given that we reviewed them at a whopping £699, that's a rather generous £300 discount.

Focal was previously better known for its wired headphone offerings, but that all changed with the release of the Bathys. We're pleased to report that this transition to Bluetooth hasn't resulted in a step down in finesse – even at their high-end launch price, these cans don't disappoint.

As you will have likely noticed, the usual Focal flair is present in the design, with aluminium ear cups and light-up logos. The playback buttons have a plasticky feel, but otherwise this is a gorgeous and solidly built pair.

The Bathys were Focal's first foray into active noise-cancelling, and a strong opening effort. Two different levels are available ('soft' or 'silent') as well as a 'Transparent' mode. There's also codec support for SBC, AAC and aptX Adaptive.

30 hours of battery life is on offer, with charging via USB-C. There's even a USB-DAC mode that supports 24-bit/192kHz audio through the USB-C port.

However you listen, the Focal Bathys are among the most engaging wireless headphones we have heard.

As our Focal Bathys review reads: "Instantly we recognise the smooth, warm, full-bodied tonal balance the company’s wired headphones have found so much success with, and here too that is complemented by very good levels of resolution, dynamic subtlety and rhythmic ability within the context of their type and price."

If you're willing to go the wired route, then the USB-DAC mode adds a degree of refinement and tightness to the delivery.

Focal has released an updated model with a purely magnesium driver, helpfully called the Focal Bathys Mg. The sound is a cut above in terms of refinement and expression, though you'll have to swallow the £999 asking price.

With the high-end Focal Bathys now at a similar price to the majority of the premium headphone market, now is the perfect time to snap up a flashy pair of luxury headphones at a drop-down price. With as much substance as they do style, the Focal Bathys come highly recommended for £399 at Peter Tyson.

MORE:

How do active noise-cancelling headphones work? Are they worth it?

The best noise-cancelling headphones you can buy

And our pick of the best wireless headphones

When we think of the best times for outrageous deals, Black Friday and Prime Day usually spring to mind.

However, it seems the Labor Day sales have pipped them to the post for this particular deal. The Sony WH-1000XM5, a What Hi-Fi? favourite and the recipient of multiple Awards over the years, are down to $198 at Amazon.

That's officially 50 per cent off for Sony’s superb premium noise-cancelling headphones, and a fair bit cheaper than the previous lowest price we've seen of $248.

So what are you waiting for? If you haven't upgraded your headphones in a few years, this is an incredible value deal for a former flagship pair.

While this model has been superseded by the Sony WH-1000XM6, the XM5 are still a highly recommendable pair of wireless headphones and a fair bit cheaper than the XM6's current price tag of $398.

We gave the XM5 five stars at full price, so with this discount the cans are an excellent performance-per-pound proposition. Their engaging sound quality, impressive noise-cancelling, great call quality and comfortable fit make them a match for any rival at this price level.

The XM5 have had a complete revamp compared to previous entries in the series, with a slimmer “noiseless design” that folds flat into their carry case.

It's a design that certainly works when it comes to comfort, with our expert testers ranking them among the best with just the right amount of clamping force.

Noise canceling is impressive, thanks to the Integrated Processor V and eight microphones. Automatic noise canceling optimisation is also available, adapting the ANC as you move around without any manual fiddling needed.

Bluetooth Multipoint and LDAC Bluetooth support are also included - the latter allows streaming of high-quality audio from compatible devices at bitrates higher than conventional Bluetooth, while the former allows two devices to be connected to the headphones at the same time.

The XM5 also debuted some new features for the premium headphone line: Speak to Chat pauses playback when you start talking, Quick Attention lowers the volume when you cover the right earcup, and Wearing Detection automatically pauses your audio when you take the headphones off, restarting as soon as you put them back on.

And the all-important sound quality? Hugely musical and entertaining, with more detail than previous generations.

"With low frequencies, the WH-1000XM5 also display a newfound precision," our Sony WH-1000XM5 review reads. "It’s not that the previous model didn’t deliver, but the WH-1000XM5 make even the XM4s sound a little thick in the lower mids and bass. The new headphones expose greater detail and can differentiate between notes more easily.

"Move higher up the frequency range, and these Sonys continue to extract more information thanks to an extra sense of clarity. Notes are also dispatched with unerring precision – the XM5 headphones don't miss a beat when it comes to timing."

With a reduced price of $198 at Amazon, you'll be hard-pressed to find better value at this price point. With impressive sound quality, punchy delivery, an impressive feature set and a substantial 30 hours of battery life all packed in, the Sony WH-1000XM5 still have a lot to offer for a lot less money.

MORE:

Read our full Sony WH-1000XM5 review

We've rated the best headphones on the market right now

Sony WH-1000XM6 vs WH-1000XM5: which wireless headphones are better?

Beyerdynamic has announced a new affordable pair of wireless over-ear headphones with active noise cancellation at IFA 2026, called the Aventho Y.

According to Beyerdynamic, these closed-back, foldable headphones use 45mm dynamic drivers to deliver “Beyerdynamic’s renowned sound" and have been “designed for long-term ownership”.

The headphones are designed to be comfortable and durable, with components that can be replaced individually. These include a user-replaceable battery, magnetic earpads, aluminium sliders and stainless steel hinges.

The Aventho Y’s ANC system uses two built-in microphones to detect and filter out environmental sounds, reducing “background noise to a minimum”. A ‘Transparency Mode’ is also available, which lets sounds in so you can stay aware of your surroundings.

The headphones support Bluetooth 6.0 with multipoint connectivity, meaning that you can easily switch between two connected devices. Notably, the headphones only support standard AAC and SBC codecs.

In terms of battery life, Beyerdynamic quotes an impressive 60 hours with ANC switched on, which extends to 90 hours with ANC disabled. A full charge takes one hour, but just five minutes of fast charging will provide up to six hours of playback.

That comfortably beats Beyerdynamic's own Aventho 300 (50 hours with ANC on) and the Sennheiser Momentum 5 Wireless (57 hours with ANC on), although both these models are double the price of the Aventho Y.

Through the Beyerdynamic app, users can customise the sound thanks to a 5-band EQ and genre-based sound presets, as well as receive firmware updates and manage automatic power settings.

According to Andreas Rapp, CEO of Beyerdynamic: "The Aventho Y was developed around a simple idea: audio isn't just something people hear – it's something they use every day to focus, recharge, connect and express themselves. We wanted to create a headphone that delivers the performance people expect from Beyerdynamic while giving them the freedom to make it their own – in both the sound they hear and the style they choose.”

The headphones come with a USB-C charging cable and a soft carry bag. Optional accessories, such as ultra-soft black or grey earpads, a low-latency USB-C dongle and a detachable boom microphone, can be purchased separately for those that want to further customise the Aventho Y's use case with music, gaming, videos and more.

The Beyerdynamic Aventho Y will be available in four colours – Liquid Black, Blue Fusion, Soft Jade and Peach Blush – and are set to cost £129 / €149 / $150.

MORE:

Read our Beyerdynamic Aventho 300 review

9 monster milestones that helped shape home cinema: VHS, DVD, Dolby Atmos and more

Stay up to date with our pick of the best wireless headphones, tested by our expert reviewers

Just in case you’ve missed the news, Sonos has unveiled a new pair of flagship wireless headphones.

Dubbed the Sonos Ace Ultra, they’re successors to the original Ace, which launched back in 2024 and promise not only new features and a raft of changes inside and out, but improved sound quality too.

But what exactly has Sonos done to try and elevate its new headphones above the old model? We’ll go through all of that and more below.

Sonos Ace Ultra vs Sonos Ace - Price

They might be Sonos’s flagship wireless headphones, but the good news is there hasn’t been a price hike for the new model.

In fact, if you live in the UK, the Ace Ultra are actually cheaper than their predecessors were at launch. The Ultras go on sale on the 29th September and cost £399 / $449 / AU$699 compared to the £449 / $449 / AU$699 of the original model.

Of course, the Ace have been around for a couple of years now, which means you can find regular discounts closer to the £299 / $299 / AU$449 mark if you shop around online.

We’ve been told both pairs will continue to coexist for some time, so we’d expect there could be potential for further price drops for the original over time, especially around peak sales periods such as Black Friday.

Sonos Ace Ultra vs Sonos Ace - Design and build

We haven’t had the opportunity to go hands-on with a pair yet, but on the design and build front, it doesn’t appear that too much has changed from the Sonos Ace.

That’s not necessarily a bad thing as we were fans of the the way the headphones looked and felt in situ.

Looking at pictures of the Ace Ultra, the earcup and headband plastics look the same as before but the new model does use “new rebound foam ear cushions” so it’ll be interesting to see if the pads feel any different when you’re wearing them.

A quick spec comparison does actually show that the new model weighs ten grams more (322g versus 312g) but whether you’ll be able to actually feel the difference remains to be seen.

Sonos is offering two new finishes (sand and agave) to choose from, in addition to the standard black and white options you had with the original Ace.

The multi-function button/slider (also known as the 'control key') makes a return and is your main way of interacting with the headphones and controlling things such as volume, ANC, playback and switching between the headphones and your Sonos wireless speaker.

The big design news is that the Ace Ultra get a brand new Sonos-designed 40mm driver. Sonos hasn’t provided any information on the materials used or how it is improved over its predecessor but this is obviously huge news as the sound quality on offer will largely be dicteated by how this performs.

Sonos Ace Ultra vs Sonos Ace - Features

While the exterior design and build quality of the Ace Ultra might look familiar, there have been significant changes under the hood.

The key change is the introduction of Sonos’s new “Headphone Engine 2" which is a next-gen wi-fi hardware and software system that lets you link the headphones directly to your existing Sonos system.

It’s a feature that was missing from the originals at launch and will be the first time you can connect the headphones to other compatible Sonos wireless speakers, as well as its current line of soundbars, including the recently announced Beam Ultra. It’s done at the press of a button on either the headphones or app.

Sonos is promising big things on the noise-cancelling front, claiming that the ANC for the Ace Ultra is twice as powerful as that on the Ace.

It’s an adaptive system which should be able to change intensity as you change your surroundings, while it can also take into account any gaps in the seal due to headphones, hair etc. An Aware mode allows for transparency so you can hear the environment around you.

Presumably this is partly down to the fact that the new model boasts ten mics compared to eight used on the Ace.

This should also mean that calls are quieter and that background noise should be easier for the headphones to filter out. Their Sidetone feature should mean you’re able to hear yourself speak naturally while ANC is turned on.

Ace Ultra also get a boost in battery life, up from 30 hours in the old Ace to 35 hours in the new model with ANC activated. There’s a low power mode withing the Sonos app which claims to extend battery life by up to 30% but it isn’t clear whether this can work with ANC on or if you have to sacrifice some features to achieve it.

AptX Lossless is supported once again as the ability to listen over a wired USB-C connection although it’s a shame that sample rate support hasn’t increased from the 16-bit/48kHz of the original Ace.

Sonos Ace Ultra vs Sonos Ace - Sound quality

Although we’re going to have to wait until we get the Ace Ultra in our test rooms and use them out in public to see how they fare in the sound quality stakes, we are at least hoping for a much improved audio performance compared to the original.

In our Sonos Ace review we said the headphones delivered “a simplistic and safe sound – not one we would call exciting or enthralling”. We found them perfectly fine but at no stage did they come close to matching the class leading Bose and Sony rivals for entertainment, dynamics or detail.

The new model comes with a new custom-built driver in tow, which Sonos claims delivers “deep bass, clear detail, and balanced sound with no distortion”. The company has even called upon “award-winning audio engineers” to help tune the sound. Will Sonos be able to deliver? We have our fingers well and truly crossed.

Sonos Ace Ultra vs Sonos Ace - Initial verdict

With the Ace Ultra, Sonos has obviously gone to great lengths to try to produce a sequel that goes above and beyond what it served up with the Sonos Ace.

On paper, it certainly looks like most bases have been covered, and if they can deliver all the features and functionality that Sonos has promised in an intuitive, easy-to-use package, then that will go a long way to winning our test team over.

However, to really make a name for itself in the crowded wireless headphones market, not only will the Ultra Ace need to offer standout features that work, it will need to perform well across the board, whether we’re talking about ANC, call quality or sound quality.

MORE:

Here's our pick of the best wireless headphones for all budgets

Reacquaint yourself with our Sonos Ace review

Sonos Ace Ultra feature all-new drivers, updated ANC, and a "direct connection" to the current Sonos ecosystem

“We know the home, we know audio, we know music” – we speak to Sonos about its operating system rebrand, its "customer-led" focus and app updates

Anker has announced four additions to its Soundcore range, including the Space 2 Pro over-ear wireless headphones, Liberty Buds 2 wireless earbuds and Aeroclip 2 Pro and Aeroclip 2 open earbuds.

We only have limited details, but here’s what we know about the upcoming releases so far.

All of the new products use Anker’s latest 'Thus' chip. The new silicon is a compute-in-memory audio chip, which is designed to run AI calculations within its own memory, rather than splitting processing across several components, for improved efficiency and processing speed.

The new Space 2 Pro over-ear wireless headphones are the follow-up to the Soundcore Space 2, which our reviewers gave a two-star rating earlier this year, citing poor dynamics and detail compared with more talented competition at the price. The Space 2 Pro are £70 / $70 more expensive than the previous model and will cost £200 / $200, so we are hoping Anker has taken note of our reviewers' points.

Outside of this, Anker confirmed the Space 2 Pro have an optimised headband and “soft, skin-friendly ear cushions” for “pressure-free wear”. The headphones have a battery life of 60 hours (30 hours with ANC switched on), which is less than the Space 2, but a significant figure nonetheless.

Personalised audio will also be available in the form of HearID 5.0, which tests users’ hearing in order to provide a tailored sound curve.

Further features confirmed by Anker include adaptive ANC and enhanced call clarity, which are both delivered by eight sensors working in tandem with the AI chip.

Similarly, Anker claims the Liberty Buds 2 deliver “crystal clear calls in noisy environments”, thanks to an eight-sensor array working alongside the Thus chip. The company also says the new earbuds “block out chaos instantly”, using a six-sensor, full-band ANC system.

The Liberty Buds 2 weigh just 4.7g and also feature HearID 5.0 for personalised listening. For the drivers, we are told, the wireless earbuds use a 9.2mm wool paper diaphragm for “high dynamic detail”.

Anker hasn’t yet confirmed the Liberty Buds 2’s battery life.

According to the company, the AeroClip 2 Pro open buds are an “AI note-taker for every need”, thanks to the Thus chip, which captures online meetings and calls and “transcribes, summarises, answers and syncs your workflow.”

“Crystal clear calls” are yet again promised, this time courtesy of four high signal-to-noise ratio MEMS microphones and two bone conduction sensors, paired with built-in AI noise extraction.

The AeroClip 2 Pro use an 11.3mm dual diaphragm driver with ‘AdaptiveTune’ (Anker’s adaptive ANC option), which the company says provides “immersive sound in any environment”.

The open design features no silicon eartips, but promise “comfortable, secure all-day wear thanks to their C-shaped bridge.

A standard AeroClip 2 model will also be available. All we know about the product so far is that it will also use the Thus chip for clear calls and will have an eight-hour battery life.

The Space 2 Pro, Liberty Buds 2 and AeroClip 2 are set to launch on 22nd September, with retail availability in the UK, US and EU. The launch date of the AeroClip 2 Pro is yet to be announced, and Anker says that the product will only be available in the US. Full pricing is as follows:

Anker Soundcore Space 2 Pro: £200 / $200 / €200

Anker Soundcore Liberty Buds 2: £130 / $130 / (EU pricing TBC)

Anker Soundcore AeroClip 2 Pro: $230 (US only)

Anker Soundcore AeroClip 2: £160 / $170 / €180

MORE:

Read our full Soundcore Space 2 review

Our picks of the best wireless earbuds

Stay up to date with our pick of the best wireless headphones, tested by our expert reviewers

Huawei has announced a new generation of wireless earbuds, the FreeBuds Neo.

Positioned as a more accessible sibling to the FreeBuds Pro, the new earbuds share a lot of common features with the flagship range.

The FreeBuds Neo feature a lightweight, mini stem design. Each earbud weighs approximately 4.8g.

Huawei has also updated the eartips, optimising the design across “eight key ear-related surfaces”. While we're not 100 per cent clear what it means by "ear-related surfaces", the work will reportedly make them more comfortable to wear for prolonged periods and ensure they fit a wider range of ears.

An 11mm polymer composite dynamic driver is at the heart of their “turbo drive unit”, which uses a multi-port vent system to balance pressure behind the diaphragm for “smoother, more controlled diaphragm movement”. Huawei says that the driver’s lightweight, high-rigidity diaphragm delivers “clear highs and a realistic sense of presence”.

Standard Bluetooth codecs are supported, as well as higher-quality Bluetooth codecs including LDAC, which allows data transmission up to 990kbps when connected to a compatible source. The buds also support Huawei’s own L2HC codec that allows for higher 2.3Mbps high-resolution lossless transmission, but only with select Huawei smartphones/tablets.

The earbuds have an 'unlimited spatial audio' feature, which uses real-time head tracking to keep audio stable relative to head movements. There is also a fixed spatial audio option, as well as 'pinpoint game audio' – a setting optimised for first-person shooter games, which provides accurate tracking of footsteps and gunshots.

The FreeBuds Neo feature a “dual-channel noise cancellation architecture”, which sees a C-shaped tube and air vent working in tandem to minimise the entry of outside mid/high frequencies into the ear. A third-gen audio chip is used to process and cancel environmental sound, resulting in an average noise cancellation of -30dB across the hearable frequency range.

In an effort to boost call clarity, the FreeBuds Neo use three microphones and a bone conduction sensor, alongside AI processing. The earbuds' "anti-wind" design further reduces airflow interference, allowing users to take calls in noisy situations.

Like the FreeBuds Pro 5, the new earbuds feature tap controls on the stem, and see their antennae upgraded to offer an improved Bluetooth range of up to 170m, alongside enhanced resistance to interference.

The Huawei Audio Connect app can be used to control the earbuds, letting users switch between noise cancellation modes and EQ settings, locate the earbuds and check battery levels. The FreeBuds Neo are compatible with Android, iOS, and Windows and support cross-system dual device connection.

In terms of battery life, the FreeBuds Neo provide 40 hours of charge with their case, and up to 10 hours from the earbuds alone, which falls to 6.5 hours with ANC enabled. Notably, a 10-minute quick charge will give you four hours of playback.

The Huawei FreeBuds Neo will be available in four colours: Stellar Silver, Nebula Pink, Ice White and Starry Black. They are due for release in the UK on 23rd September, costing £120.

Customers purchasing the FreeBuds Neo before the 26th of October will be given a £20 discount.

MORE

Read our full Huawei FreeBuds Pro 4 review

Plus, I thought this simple upgrade would elevate Sony's WF-1000XM6 wireless earbuds – I was wrong

Stay up to date with our pick of the best wireless earbuds, tested by our expert reviewers

The Sonos Ace Ultra wireless headphones have landed, and it looks like good news throughout, with Sonos promising a "direct connection to the Sonos system."

Positioned above the three-star Ace – the brand's first headphones released in 2024 – the new step-up Ace Ultra have been designed from the ground up to deliver the improvements to sound, noise-cancelling and wider compatibility with the Sonos ecosystem that were missing from Sonos' debut over-ears.

At the heart of the Ace Ultra is the "Headphone Engine 2", a next-gen wi-fi hardware and software system that lets you link the headphones directly to your existing Sonos system. It's the feature that we (and Sonos customers) have wanted all along, allowing you to swap audio from any Sonos wireless speaker or soundbar to the Ace Ultra headphones at the press of a button (or via the app), and back again.

Listening to music on the Ace Ultra from your laptop or smartphone is still done via Bluetooth rather than wi-fi, but this is a marked improvement over the original Sonos Ace, where you could only 'swap' audio from select Sonos soundbars.

With the Ace Ultra, this 'headphone linking' feature will work with any current Sonos soundbar and wireless speaker under the Sonos 27 ecosystem, including the Arc Ultra, Ray, Beam (Gen 2), new Beam Ultra, Sonos Five, Era 100, Era 300, Move 2, Play and Roam 2.

The Ace Ultra feature all-new Sonos-designed 40mm drivers, and the sound is tuned with input from the Sonos Soundboard, which features leading figures in music and film (including Grammy winners) to deliver a sound "that stays true to the artist's intent."

Active noise cancellation has been given a boost, with the Ace Ultra promising to be twice as effective in this regard. The Ace Ultra house 10 mics (up from eight on the original Ace), with an adaptive ANC system that continuously monitors your surroundings to deliver the best ANC experience.

An Adaptive EQ also tunes the ANC to adjust to any imperfections in the acoustic seal around the earcups, such as gaps in the fit for those wearing glasses.

An Aware mode, which lets outside sounds in, also returns, as does support for headtracking with Dolby Atmos content.

Battery is up to 35 hours (up from 30 hours from the original Ace) with ANC activated, and you can get three hours from a fast-charge of three minutes. The higher-quality aptX Lossless codec is supported, while native support for 16-bit/48kHz resolution is once again supported via a wired USB-C connection.

The general design of the Sonos Ace Ultra remains the same as before, with soft foam cushions to provide maximum comfort, and physical buttons that include a multi-function button/slider (called the 'control key') through which you can adjust volume, change noise modes and playback, and send music to and from your connected Sonos speakers via the 'headphone linking' feature.

There are three-band and eight-band EQ settings in the app to further customise the sound to your tastes, whereas TrueCinema technology tunes the headphones' sound according to your room's acoustics when connected to a compatible Sonos soundbar.

The Sonos Ace Ultra headphones will cost £399 / $449 and be available globally from 29th September, with pre-orders starting from today, 1st September. The headphones will be available in four finishes: new sand and agave colours, as well as the standard black and white options.

Interestingly, the established Sonos Ace will continue to be available. The Ace are currently priced at £299 / $299 / AU$449, which is a considerable drop from their launch price of £449 / $449 / AU$699. Those in the UK will also get a bonus saving, as the new Ace Ultra will launch for £50 less than the inaugural Ace did.

We have high hopes for the new Sonos Ace Ultra headphones, which seem to address many of the issues we had with the original Ace – such as incomplete features, buggy connections, "average" sound, and ANC quality that didn't compete with strong rivals.

Let's see if they give the current Sony, Bose and Sennheiser class leaders a run for their money.

MORE:

Read our original Sonos Ace review

And our five-star Sony WH-1000XM6 review

Best wireless headphones 2026: reviewed and rated by our in-house experts

As it says on the tin, these are Sennheiser ‘Pro’ headphones, which means they come from the part of Sennheiser which is still fully Sennheiser, designed in Wedemark, Germany, by Sennheiser’s pro-gear people, then hand-assembled in the company’s extensive manufacturing facilities in Romania.

The HD 480 Pros are, therefore, much differentiated from the consumer Sennheiser brand licensed (though currently up for divestment) by Swiss medical company Sonova, which manufactures its consumer lines like Momentum and Accentum noise-cancellers over in Ireland.

In pro circles, as in consumerland, Sennheiser is a respected brand regarded as providing both quality and reliability. And we often comment that there are bargains to be found in professional headphone ranges, as these haven’t faced quite the surge of raging competition that has marked the last couple of decades of consumer headphones. Not all the HD Pro headphones are priced like these 480s: the HD 280 Pro headphones, say, can be found for as little as £83 / $100 / AU$139. The HD 380 Pros are no longer available, but will be familiar workhorses to many; we use a pair as regular headgear for studio and radio work.

Now here’s the new HD 480 Pro, with quite the price differential from the workaday lower cans, but then these, along with the open-back HD 490 Pro, reside at the very top of the 400 series of purpose-built professional audio headphones. They are priced on Sennheiser's own international sites at £339 / $399 / AU$739, but we have already seen the Australian price significantly discounted.

However, we were supplied the slightly-superior HD 480 Pro ‘Plus’ version, raising the price to £369 / $439 / $819, although the ‘Plus’ bonus is entirely an upgrade from a mere carry bag to a hard travel case like the ones you’d get with upmarket noise-cancelling headphones; there is no change to the headphones themselves for the additional Plus pricing.

Design & facilities

As with the hard case of the Plus version, the exterior design of these closed-back cabled headphones veers towards a consumer look: plain oval headshell and pivoting yokes, rather like those used with increasing monotony in recent years on Sonova’s consumer headphones. Previous Pro models were different: the HD 380 Pro had a yoke design which cut right into the shell, while the yokes and cables on the HD 280 Pros almost entirely obscure the shell, stuck to the outer surface like face-huggers.

Here the oval shell is more like that of the Momentums – free, although significantly larger in size, and not flat-backed but interestingly concave, the smooth surface unadorned other than some almost-invisible writing in black on black, like Disaster Area’s spaceship in Hitchhikers’ Guide, reading ‘HD 480 Pro Professional Studio Headphones’ (image below).

The headband extension system is entirely different to consumer cans however, employing a wide flat steel slider with nicely firm ratchets to keep it at your preferred length on either side. The earcups are velour, for our money better than pleathers and their ilk for hot and heavy use, as well as being very comfortable, and easily replaced. And they include a Sennheiser-patented feature for fit, known as Special Axes Geometry, where the mechanical design is supposed to adapt to any shape of head, maintaining equal and comfortable contact pressure.

Their overall weight will certainly seem remarkably low to anyone used to carrying electronics in their earshells: despite being larger than Momentums they are lighter: 274g on our scale versus 295g for the Momentum 4s (Momentum 5 specs say 290g). You can feel a little added weight from the hanging cable, of course, which here connects via a mini-XLR 4-pin plug to a socket on the left headshell. But there’s a little rubber seal over a socket on the right headshell, which you can switch to the left, should you prefer right-sided cable entry. Super handy.

The cable is long and curly, and at the plugging-in end it has a minijack plug and 6.5mm (quarter-inch) adaptor. A coily cable structure can claim to block cable-borne noise for the wearer, but some studio technicians hate coily cables, because they hang down and make audible tapping noises hitting things as musicians nod their heads! Happily optional non-curly cables are available in 1.8m and 3m lengths. A cable for balanced 4.4mm sockets is also available.

As for the interiors, the HD 480 Pro have 38mm dynamic drivers backed by neodymium magnets, their voice coils described as “ultra-light” without any further detail. The shell design promises multiple stages of passive sound shielding, with the interior chambers designed, says Sennheiser, to eliminate unwanted vibration, reflections and distortion in what it calls a ‘Vibration Attenuation System’.

These models are said to be aimed at being versatile for applications in the studio and beyond, but especially for recording, mixing and production; increasing numbers of mixers and producers are now favouring open-backed models like the HD 490 Pro, but those spill sound, so can’t be used in recording rooms and booths where the privacy of closed shells works both ways.

With mixing and studio work in mind, Sennheiser is presumably targeting a neutral response. Its literature promotes two things in particular: long-term comfort, and tight, accurate bass reproduction.

“With closed-back headphones, a good reproduction of the low-end is usually difficult to achieve,” says Sennheiser. “This is where the HD 480 PRO excel… their low-end is super-accurate and realistic.” notes Jimmy R. Landry, Category Market Manager, Music Industry at Sennheiser.

They claim a response down to -10dB from 3Hz to 28,700Hz, and offer a nominal impedance of 130Ω at 1kHz, making them versatile enough to be driven by sources from professional mixing desks and audio interfaces to laptops and even mobile devices.

Listening sessions

Coily cable attached and the HD 480 Pros under the considered control of the excellent headphone output on Eversolo’s DAC-Z10, we settled in for some serious listening. For this we had the quarter-inch adaptor screwed on to the integrated minijack plug, though later we used the minijack alone into a 2026 MacBook Pro headphone output, which now has DC load detection and adaptive voltage output to suit the headphones plugged in. (The Eversolo conducts a similar analysis.)

Both of these put the headphone socket on our left, but we’d been warming them up with use at a radio studio which had the socket on the right; for this we simply detached the cable from the left headshell, moved the rubber grommet and reattached the cables to the right. This is a very convenient system, and sturdily connected with a four-pin miniDIN using a release tab. We would note, though, that it will get heavy use for those moving the headphones around in the hard shell case which comes with the ‘Plus’ version of these headphones, as you have to detach the cable each time you stow them in that case.

The HD 480 Pros achieve excellent relative accuracy for use in studio and mixing scenarios; bass elements in particular are toned and tight, full but not pumped up. Yet they don’t lack emotion; they’re also a very enjoyable listening when you’re simply there to enjoy the music, for their insight especially – we found ourselves analysing the vocal lines on the Madonna/Kylie Love Sensation, listening to separate Mags from Kyls. The HD 480 Pros easily distinguished between the Madonna vocal line, treated and slightly raspy with age, and the subsequent sexier (and better phrased) Kylie lines. Compare Kylie’s kitten version of the line “It’s more than love… yeh!” with an emotionless Madonna-only version (on the third track of the EP release) to hear one queen of pop very much schooling the other… Kylie wins! We didn’t think too much of the song, but these headphones certainly laid out its pumped-up beats and swirly production tricks to their best advantage.

We used Roon to play Nick Drake’s ‘Bryer Later’ at 24-bit/96kHz, the delicacy of the delicious folk-and-strings instrumental Introduction, then the surprisingly rocky Hazey Jane II, driven along by the chugging guitar of Richard Thompson and the solidity of a Pegg/Mattacks rhythm section from Fairport Convention. Even with levels high, everything held solid here, the bass sufficiently present while nimble and clear in pitch and tone, with the drum work almost entirely tucked in a little pocket behind Drake’s unique vocal, while the horn arrangement sit at far left and right extremes.

It’s a joy to sit under a mix like this under headphones of this clarity; it’s not pumpy, it’s not enthusiastic, it’s just on the money. You’d have to go electrostatic or planar magnetic to hope for more in the way of detail, but here you gain the airshifting power of a conventional dynamic driver to underpin it all.

From our MacBook Pro hard-drive we played Pete Townshend’s 2026 ‘remake’ remixes of the 2019 album ‘Who’. Every element of Ball and Chain was laid clear: the opening guitar intro, the crisp piano motif, the distant soaring guitars joined by close-up acoustic plucking, until Daltrey arrives central and strong, rich and more gravelly even than Madonna, though his energy gives little betrayal of the fact he was 74 when he recorded it.

In addition to giving free access to each element in the mix, the headphones presented the track as a cohesive whole, and it was all tonally spot on from the transducers in their geometrically-angled positions, from Daltrey down to the running bass lines that were delivered at full strength from top to bottom.

We played a lossless Apple Music Classical Session by Max Richter, new arrangements of bits from the ‘Hamnet’ soundtrack. See things that others don’t begins with piano so very gentle that its presence is almost outweighed by the sense of an audience trying not to cough or rustle their programmes around the hall acoustic – which was very successfully created by the Sennheisers, then washed through by the entry of simple mournful strings in a kind of well-tempered version of Pärt-style sadness. It’s a short piece, but made beautiful by the HD 480 Pros.

They loved an open mix, so that while slamming home most of the new Stones album, the relaxed country shuffle of Ringing Hollow had the space to again enjoy each element individually, as well as the song as a whole. Steve Jordan’s drums got the space to shuffle, with the kick drum as only the gentlest of underpinning bass taps, but the snare rim shots snapping through.

This album, which is mastered at quite a high level, did occasionally get a little shouty through the Sennheisers when we took the level above their comfort levels. While the sweet spot was plenty loud enough, those liking even more might find there’s a limit to their smooth delivery.

It was similar with Amy Shark’s It’s Kinda Hot (the chorus sounding very Alex The Astronaut): beautifully handled up to the last few stops, then a little overwhelmed by the combination of complexity and sheer level.

We doublechecked these from the Eversolo DAC’s headphone output and found the same effect, also something odd, where the bass pedal imparted about the same energy all the time even as everything else was turned up, as if the pedal just wasn’t going to push any more no matter where we went. In an all-in-one speaker we might think this to be algorithmic speaker feedback limiting output short of distortion, but here it may just be the physical limit of the phones to give that element any more energy.

We found them impeccably comfortable despite their significant size, although we never quite got the hang of putting glasses on while wearing them, despite a special ‘soft zone’ for this purpose, and Gunnar Dirks, Senior Product Manager for professional headphones, saying specifically that they fit every head precisely and comfortably even if you’re wearing glasses. Not that he's wearing glasses on his LinkedIn photo.

These were very small notes against many hours of listening delight. We used them for at least 12 hours during radio broadcasts, and they proved perfect cans for the studio as the closed shells prevented feedback while the sound all came through at their ‘studio’ monitoring quality. We’ll leave the engineers to complain if the curly cable is tapping on the desk…

Verdict

The HD 480 Pros are extremely high-quality headphones, suited to both studio use via their good passive isolation and relative accuracy, and to music listening, where their high frequencies open up a mix to examination and appreciation, while the bass is tight and full but never swampy. They are quite large but super-comfy, so well-suited to long sessions whether making or enjoying music.

No noise-cancelling, no app, no messing with endless EQ options; we found it all rather relaxing, as well as a reminder that if it’s cabled headphones you’re after, then there are two Sennheisers to choose from, and you certainly shouldn’t ignore the Professionals.

• See all our Australian reviews from Sound+Image and Australian Hi-Fi magazines

The Sonos Ace wireless headphones launched back in 2024.

And they were big news for a brand more used to wrestling with multiroom audio than headband and earpad materials.

However, during rigorous testing, we were left underwhelmed for several reasons, all of which added up to a lukewarm three-star rating. (Here's our original Sonos Ace review.)

But, instead of packing it in after its first attempt, if online reports (and an official FCC filing) are to be believed, it looks like Sonos will be giving wireless headphones another go. And I’m all here for it.

Previously, Sonos has hinted that a new product is coming out in September, so if you put two and two together… Having said that, fresh rumours now suggest a new product will be unveiled, but it won’t actually be headphones.

Irrespective of who you believe, the new headphones model is allegedly going to be called the Sonos Ace Ultra. What the word ‘Ultra’ alludes to is anyone’s guess, but you’d automatically think a more premium pair of wireless headphones with advancements in sound quality and onboard tech.

Having reviewed the current Sonos Ace, I can think of at least three things that I’m desperate for Sonos to get right so it can really rival best-in-class models from the likes of Sony and Bose.

Read on for more and let me know if you agree in the comments below!

Improved sound quality

My top wish is quite simple. I want better sound quality. There isn’t anything particularly offensive about the way the Ace sound, but there isn’t anything memorable about them either.

In our Sonos Ace review, we described it as “a simplistic and safe sound – not one we would call exciting or enthralling”. And, in all my twenty-plus years of testing headphones, I can confirm there’s nothing worse than a “safe” sound from a product that fails to pull you in for a closer listen.

At the time, we compared Ace to their main rivals such as the Sony WH-1000XM5 and Bose QuietComfort Ultra, which sounded much more rhythmic and entertaining. You see, ultimately, if a product doesn’t get my feet tapping, I’m tapping out.

It's worth noting that both Sony and Bose have moved on with new iterations of their flagship wireless headphones since then, and the benchmark for performance has also moved up a notch – will Sonos be able to keep up?

More robust software

When we tested the Sonos Ace, they gave off a vibe that they weren’t quite ready for market. We came across a few bugs in the system, including distortion and crackling while switching from the company’s Arc soundbar to the headphones. We also suffered from a couple of lip-sync issues.

Sonos has released new software update since launch to improve functionality, but a product as big as Ace should really work straight off the bat.

I would hope that any new headphones come with more robust software in tow. I’d also want them to be ready to use with Sonos’ complete wireless speaker ecosystem.

At launch, the only product that worked with Ace was the Arc, until a later firmware update also added the Beam Gen 2, Beam Gen 1 and Ray to the list of compatible products

Being able to hand off the audio from one speaker (or soundbar) to the headphones for a more private listening experience is a unique trick which needs to be properly executed.

Wi-fi connectivity for hi-fi sound

One of the big initial rumours about the Ace headphones was that they might be networked home headphones with Wi-Fi, allowing users to stream high-quality, lossless hi-res audio wirelessly.

What we got was CD-quality audio via Bluetooth thanks to the inclusion of aptX Lossless. However, this only works with compatible source devices (i.e. smartphones and laptops), and because Bluetooth doesn't have the required bandwidth, hi-res levels of sound quality are out of reach.

This feature wouldn't be without issues, though, as joining other networks while you're out and about could be quite tricky, but from a home audio perspective, it could really help a pair of headphones stand out in this ultra-crowded market.

Any other business?

Elsewhere, there are a few extra features I think could make a new Ace model even better.

Besides support for a more advanced Bluetooth protocol (the original Ace supports Bluetooth 4), I’d like any USB-C connection to support more than just 16-bit/48kHz sample rates, given that modern streaming services can offer much higher resolution files.

I also think ANC and call quality will need to be better. All of Sonos’ competitors have moved the game along since we originally tested them, so Sonos needs to take this seriously.

We compared the Ultra to the Sony WH-1000XM5 and the original Bose QuietComfort Ultra Headphones at the time for both ANC and call quality and found the Ace to be lagging behind the pack.

And finally, there's pricing. The Ace launched at £449 / $449 / AU$699 and struggled to live up to their premium price tag. If a new model is just around the corner, it's going to need to offer a lot more at this price point to be competitive.

Of course, everything is pure speculation at the moment, but the rumour mill continues to turn at pace, and we’ll continue to keep a keen eye on any developments as we roll into September!

MORE:

Here's our pick of the best wireless headphones for every budget

Get reacquainted with our full Sonos Ace review

Sonos will launch new wireless headphones next month, official filing suggests

Reports suggest that Sonos could launch a major product in September – and it isn't the Ace Ultra headphones

If you're at all immersed in the world of wireless headphones, you will likely be aware of Sony's 1000X series, which has graced many a What Hi-Fi? Awards shortlist over the years.

So imagine our excitement when the Japanese tech giant announced Sony 1000X The Collexion, a brand new pair of Bluetooth over-ears to mark the line's tenth anniversary.

When we finally got our hands on a pair earlier this year, we found it impossible to ignore their poised, detailed performance, while also admiring their feature set and classy construction.

And they've just had their first discount, so you can buy the premium pair for £499 at Richer Sounds, saving you £51 off their launch price.

The Sony 1000X The Collexion look good and make you feel good when you wear them – the cans have a clean, minimalist exterior made from metal and faux leather and make for an appreciably lightweight and unobtrusive listen.

The feature set mostly matches that found on their cheaper WH-1000XM6 siblings, including Sony’s ‘360 Reality Audio Upmix’ tech, support for the high-res LDAC codec and Bluetooth LE Audio for lower power consumption and better-quality sound.

They also offer 24 hours of battery life with ANC on and include a 3.5mm-to-3.5 mm audio cable for old-school wired listening (you can't listen via their USB-C connection). The 1000X The Collection are the first Sony headphones to feature its DSEE Ultimate processing engine, which improves lower-quality digital audio files.

Despite being sound-first headphones, noise cancelling also impresses, with the XM6's QN3 chip and 12-mic array doing an excellent job of suppressing noise across frequencies.

And the all-important sound? One which prioritises refinement, detail and maturity over the punchier, more flavoured personality of the WH-1000XM6.

"Detail levels are excellent, and when you have a pair of over-ears that offer clarity, textural insight and spaciousness to this extent, it’s hard not to be impressed," our Sony 1000X The Collexion review reads. "The elegiac strings on Never Goodbye are rich and mournful, while the piano on Debussy’s austere Sarabande strikes a wonderful balance between rich intent and subtle delicacy."

We did miss the extra sense of fun and entertainment that came from the XM6, but it's hard not to admire the spacious, open and mature personality of the 1000X The Collexion.

If it's scale, detail and clarity you're after, then the Sonys are seriously talented performers that consistently impress, and are now available with £51 off at Richer Sounds.

MORE:

Check out our pick of the best wireless headphones for all budgets

Consider reading our full Bowers & Wilkins Px8 S2 review

And our Sennheiser HDB 630 review

Sony WH-1000XM6 vs 1000X The Collexion: which premium wireless headphones should you pick?

There has been much talk recently about the rumoured upcoming release of AirPods with built-in cameras, but a new report from Bloomberg’s chief correspondent for Apple, Mark Gurman, suggests that the most imminent generation of AirPods might be a touch more familiar than anticipated.

According to Gurman’s report, Apple is preparing to launch the 5th generation of the standard AirPods next month. This will be an update on the current AirPods 4 and AirPods 4 with Active Noise Cancellation, which were released in 2024.

The AirPods 5 is set to consist of the same two models – one with ANC and one without.

The report suggests that the AirPods 5 could arrive in early September, coinciding with Apple’s annual iPhone launch event, which is predicted to see several new products including the iPhone 18 series, a new Apple Watch and the first folding iPhone Fold (or iPhone Ultra).

Apple expanded its standard non-Pro AirPods range in 2024 to include the AirPods 4 and AirPods 4 with Active Noise Cancellation. These are the brand's most affordable wireless earbuds and don't come with eartips like the flagship Pro models do, and they were a marked improvement over the AirPods 3 and featured ANC in the 'open' design for the first time.

We awarded the AirPods 4 with ANC a four-star review for their “impressive ANC”, “powerful sound” and an “extensive feature set that borrows from the flagship model”, while criticising poor battery life, earbuds shape that still didn't fit everyone in our review team, and a sound that could do with “a greater dose of dynamic subtlety, solidity and punch".

Given the expected similarities between the upcoming release and the previous generation, we are hoping that Apple will have taken note of these areas and improve the standard AirPods even further.

Will they adopt more of the flagship AirPods Pro 3's features, will the prices for the AirPods 5 change or remain the same, or will Apple make any surprise overhauls of its popular earbuds? In such a competitive market as wireless earbuds, it will be interesting to see if Apple makes any substantial changes to stay ahead, or if the updates will be incremental between the generations. We shall find out soon enough, if the launch rumours are true.

What features or improvements would you like to see in the AirPods 5? Let us know in the comments.

MORE:

Read our Apple AirPods 4 with Active Noise Cancellation review

Also read our Apple AirPods Pro 3 review

Stay up to date with our pick of the best AirPods, tested by our expert reviewers

Sport-centric audio brand Shokz has announced its latest pair of bone conduction headphones, the OpenRun Air 2.

Built for runners, sports-ready headphones use an open design whereby the drivers sit outside of the ear rather than burrowing into the ear canal, so you're always aware of your surroundings. Over-ear hooks and a wraparound stability band keep the headphones in place. Think of the Shokz OpenRun Pro 2, and you're in the right area.

The new OpenRun Air 2 deploy Shokz's 'PremiumPitch' technology, which is designed to offer greater extension to higher frequencies while delivering clearer mids and a deeper bass signature.

The drivers feature a metallic dual-coil design that again aims to deliver clear vocals and a defined low-frequency signature within a balanced, clear sonic experience.

The OpenRun Air 2 are IP67 rated, so sweat and rain shouldn't be a problem. Battery life clocks in at 10 hours on a single charge, with a five-minute boost delivering around two hours of playback in a pinch.

Further features include Bluetooth Multipoint for fast switching between devices, four preset equaliser modes, customisable physical buttons, and a 'Find My Headphone' feature whereby the Shokz will play a loud tone if you've misplaced them.

The Shokz OpenRun Air 2 are available in the US in Black or Ice Blue colourways, priced at $130, with buyers able to choose between Standard and Mini band sizes. We'll keep you updated on future availability in other territories.

MORE:

These are the best running headphones you can buy

Read our Shokz OpenRun Pro 2 review

7 tracks we've been enjoying in our test rooms over the past month

A new pair of Beats wireless headphones is on the way, according to a fresh leak.

The upcoming Beats 360 have been teased before in various formats. But the latest glimpse of the premium over-ears all but confirms the headphones are on the way.

The latest leak stemmed from MacRumours, which discovered a Beats codename in the macOS Tahoe 26.7 software update

This isn't the first time that the 360 have prematurely broken cover. Leaked product listings have already been discovered in the past few weeks, whereas multiple Reddit users found the headphones listed on major retailers, including Amazon, before they were subsequently removed.

The mooted cans have also shown up on US Federal Communications Commission documents, and were even given to various global football stars to wear during the World Cup.

Thanks to these continuing accidental (and not-so-accidental) reveals, we do know quite a bit about the upcoming wireless cans. No release date has been officially revealed yet, but now-redacted listings suggest the 360 are a more lifestyle-oriented pair of wireless headphones designed as much for workouts and leisure wear as for work and commuting.

MacRumours reveals further specifications from previously unearthed product listings, including personalised spatial audio, active noise cancelling, AI-powered voice calls, "all-day battery life" (no official figures have broken cover just yet) and easy integration with both Apple and Android devices.

What about price? This is still a decidedly premium pair of wireless headphones, with prices expected to hover around the $300 mark. That's a lot less than big-hitters such as the Sony WH-1000XM6 ($450) and AirPods Max 2 ($550), and a little more affordable than the Beats Studio Pro we reviewed at $350 way back in 2023.

Colour options include Pink, Black, Sky, and Cloud, with Volt (AKA yellow) and Navy potentially on the menu as well.

With so many recent leaks and so much information about the Beats 360 readily available online – not always released by accident – a proper launch seems imminent.

Will we see the Beats 360 arrive before the end of 2026? We wouldn't be surprised if they did. Apple's launch event is coming in September, which could be the perfect time to launch the 360 alongside the also-teased Apple HomePod Mini 2 and HomePod 3.

MORE:

Read our review of the Sony WH-1000XM6

Also consider the Sennheiser Momentum 5 Wireless

Best over-ear headphones: wired and wireless over-ears for every budget

With a legacy stretching back over 80 years, Sennheiser is one of the most storied brands in the audio game today. You might know it for its consumer headphones like the Momentum 5 Wireless and HDB 630, but it also has some serious pro chops, supplying microphones and studio-quality cans to professional musicians the world over.

Now it's working with iconic nightclub Fabric London on a collaboration that includes Fabric-edition headphones and musical performances at the top of The Shard.

In honour of this, we sat down with some of Sennheiser and Fabric London's audio experts to chat about what constitutes great sound.

Like a hi-fi listening room full of people dancing

A lot of nightclubs position themselves as places to be seen – one memorable promo that landed in my inbox years ago advised booking early, as "last week, we had to turn away too many beautiful people". But Fabric has always been all about the sound.

After all, it's not every nightclub that has a sound system from legendary speaker company Martin Audio. As part of its 25th anniversary celebrations a couple of years ago, Fabric upgraded its sound system, and added moving magnet linear transducers under its dance floor, so you feel each bass hit as a haptic vibration.

Given the club's deep association with electronic music, you might expect a 'louder is better' approach. But it's actually much more nuanced than that.

"It's not about loudness," explains Mike Becker, senior sound tech at Fabric London. "It's about dynamics, and clarity, and having a well balanced sub-to-top ratio so that every sound in the mix is valued. Our new system cuts through really well, it gives the club much more of a hi-fi feel. It's like a hi-fi listening room, just full of people dancing, and a lot louder of course, because you're catering to a much bigger audience."

Fabric doesn't just host dance music – bands play there, too. What kind of music is playing will dictate how the system is tuned for a particular night – and the club's engineers are out on the floor doing the rounds every 15 minutes to make sure the system sounds as accurate as possible.

"Drum'n'bass tracks are all maximised, and very mid-rangy," Becker says. "There are no dynamics left. So you have to cut down the mix a little bit, because it can get quite intense. A rock band is totally different. We can do most tweaks from the front of house desk, but every now and then we have to go into the deep end of the system, back of house, and do some fine-tuning. But we will always optimise the sound to the band or genre of music that's playing."

Sorry, beautiful people – this might not be the nightclub for you.

• This listening bar experience made me question whether the trend has gone too far

The best results from different types of headphones

So why has German company Sennheiser chosen to team up with Fabric? According to Adrian Reid, inside sales representative at Sennheiser's Pro Audio division, the two brands have more in common than you might think.

"Fabric shares a lot of the same principles of sound that we do," he says. Sennheiser's aim is to "create a natural, detailed and engaging listening experience that brings you closer to the music", adds Tim Bosmans, Sennheiser's VP marketing & portfolio management.

But while the end goal is the same, how Sennheiser achieves great sound varies depending on the product in question.

Its Momentum wireless headphone range (the latest of which, the Momentum 5 True Wireless, has just launched) is tuned differently to its wired pairs, as it combines acoustic architecture with ANC, DSP, wireless transmission and more. That's a lot of tech to cram into a relatively small headphone enclosure.

Wireless headphones also have more environmental factors to compete with compared to a wired audiophile pair that's tethered to the listening room or studio. "Active noise cancellation is a big part of addressing that, and it means rebalancing the tuning around it rather than simply carrying over a wired sound signature," says Bosmans. "Whereas our wired audiophile products can take a more purist approach, where the acoustic architecture and transducer do much more of the work directly."

But what unites the two product types is the belief that technology is a means to a better listening experience, not an end in itself. As Bosmans says: "Ultimately, whether it’s wired or wireless, we want the technology to disappear and leave you with that feeling of discovering something new in music you already know."

• The inside story of the Ministry of Sound sound system

Changing your relationship with music

So, the collaboration is built on a shared vision of great sound and how to achieve it. But it also challenges the traditional idea of where hi-fi belongs, bringing it out of the listening room and into headphones, living rooms and nightclubs.

"Great sound doesn’t only happen sitting between two loudspeakers in a dedicated listening room," says Andreas Andersson, Sennheiser's regional marketing manager for the UK and Nordic. "It can happen through headphones on your commute, at home, at a live performance or at three o’clock in the morning at Fabric.

"We want more people to have those experiences where great sound changes their relationship with a piece of music."

Of course, Sennheiser doesn't just make headphones. As well as its pro side of microphones, conference systems and studio cans it also makes soundbars – the Ambeo family has a couple of five-star members (the Ambeo Soundbar Max and Ambeo Soundbar Plus), along with the three-star Ambeo Soundbar Mini. Is it planning on having these devices work with its headphones in a way that Sonos is (gradually) doing with the Ace headphones and Arc Ultra soundbar?

Sadly it wouldn't reveal if that is the case, but we would be surprised if it isn't. All it would say is that it's "definitely interested in how different listening experiences can work together more naturally, particularly as consumers move between personal listening and listening in the home", and that it would only connect products together if it would improve the listening experience. Bosmans added that "the interaction between our different listening categories is certainly an interesting space for us".

And for us, especially if it means bringing great quality sound to more devices – and more seamlessly – than ever.

MORE:

Quiz! Take on our turntable-themed crossword for a spin and see how quickly you can solve the clues

Sennheiser could be the sleeping giant of premium wireless headphones

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: which are better?

"Sound comes first" – we speak to Sennheiser about German engineering, changing ownership, and 80 years of making music

Sennheiser has revealed the Sennheiser Momentum 5 True Wireless, the sequel to the Sennheiser Momentum 4 True Wireless we awarded five stars in 2024.

Sennheiser describes the Momentum 5 True Wireless as sharing the same "sound-first DNA" that went into their recently reviewed fifth-gen over-ear counterparts, the Momentum 5 Wireless.

The new earbuds house Sennheiser's signature 7mm TrueResponse dynamic drivers, designed to offer both "remarkable detail" and "full-bodied, bass-driven tuning", as well as "exceptional precision, clarity and dynamics".

Bluetooth 6.0 with aptX Adaptive codec support further bolsters the buds' sonic credentials, allowing the transmission of hi-res wireless audio up to 24-bit/96 kHz from compatible sources.

The fifth-gen buds incorporate a revised hybrid noise-cancelling system, working in tandem with redesigned ear tips and a dedicated four-microphone array to maximise ANC performance. For clearer voice capture, the earbuds combine six dedicated microphones, two bone-conduction voice accelerometers and an AI speech-extraction algorithm, all in a bid to isolate human speech in busy environments.

The Momentum 5 True Wireless will offer around 12 hours of playback from the earbuds themselves, extended up to 40 total hours in total with the charging case in play. Be aware that, according to Sennheiser, those figures will drop to around 6 hours from the buds and between 20-25 hours in total when noise cancelling is switched on.

On the subject of batteries, the Momentum True Wireless 5 introduce a new user-replaceable battery system for both the earbuds and wireless charging case. This will let owners quickly replace the power cells in their buds using a screwdriver.

Sennheiser has pursued a "barely there" fit for its latest flagship buds, with the Momentum True Wireless 5 sporting a new aerodynamic shape which aims for a more comfortable, less obtrusive experience.

The buds' new shape and revised ear tips have been designed to improve both passive noise-cancellation isolation and sound quality, with Sennheiser pushing for an ergonomic design that aids a more secure fit. On the subject of ear tips, four sizes are available ranging from extra small to large.

Sennheiser's latest are rated IP54, guaranteeing a degree of protection against dust, sweat and splashes of water, while a perforated microphone plate aims to mitigate against wind interference to improve voice calls and noise-cancelling.

According to Lilika Beck, Sennheiser's President of Consumer Hearing: "Balancing compact size, our signature high-fidelity acoustics, and a replaceable battery is a major breakthrough. With the Momentum True Wireless 5, we are proving that cutting-edge performance does not have to sacrifice longevity.”

The Sennheiser Momentum True Wireless 5 will be available from September 3rd in a choice of Graphite, Cream, Copper, Denim or Lavender finishes, priced at £250 / $300 / AU$480.

MORE:

I edited What Hi-Fi? in the late 2000s and saw Sony launch a dancing egg, headphones go mainstream, and the launch of a revolutionary (and divisive) music service

What will hi-fi look like in 2076? We asked some of the most influential experts in the industry

These are the best wireless earbuds you can buy right now

Sony's rumoured cut-price reboot of the classic XM4 wireless headphones has leaked again, this time with very official-looking images. There’s also news on the specifications.

WinFuture has posted some images of the cans, which look very similar to the standard XM4 which launched in 2020. The images show the headphones in black, white and violet colourways.

The German site has also seen “excerpts from the manufacturer’s data sheet” which spills the beans on the specs. Bluetooth 6.0 is apparently supported, which is a later version than even that on the Award-winning XM6 (which have Bluetooth 5.3), and matches the premium 1000X The Collexion. Whether this translates to any new or improved features remains to be seen.

Some corners are rumoured to have been cut in order to offer the headphones at a lower price. The NFC logo is missing from the pictures, which suggests Sony axed the easy-pairing feature to keep the costs down. Battery life is also said to be lower than the XM4, at 27 hours with active noise cancellation (ANC) activated, and 34 without (the XM4 boasted 30 hours and 38 hours, respectively).

But, like the standard XM4, they are said to feature 40mm drivers, ANC, and to have a frequency response of 4Hz-40,000Hz. They should also weigh the same as the XM4.

Launch price is said to be €250, which would be lower than the XM4’s original price of £380. Given that the XM4 have fallen to £170 before, however, Sony will have some way to go to make the XM4C a compelling alternative. Having said that, given that the XM4 are no longer on sale, the XM4C could be a tempting budget option for Sony fans unable or unwilling to stretch to the XM6.

They are rumoured to launch in early September – we’ll bring you all the news as soon as we have it.

MORE:

I’m excited by the latest Sony wireless headphones rumours – but I have one major worry

I spent 10 hours on trains listening to the Sony WH-1000XM6 – and it convinced me to upgrade my beloved XM4 headphones

Check out our picks for the best Sony headphones

While Yamaha’s history with high-end headphones dates back to the 1970s-released HP-1, a subsequent five-decade dormancy in that market implied that the Japanese company’s head-fi journey might well be destined to both begin and end with that iconic model. Fortunately, that hasn’t played out.

The AV legend crawled out of that particular woodwork in 2023 to introduce its first audiophile headphones in decades, launching its ‘special edition’ open-back YH-5000SE (and a partnering HA-L7A headphone DAC/amplifier) to industry-wide acclaim, and putting itself back on the personal listening map.

The following YH-4000 were more affordable, mass-production revisions with a tweaked design and fewer bundled accessories, released to appeal to a wider audience. And, with Yamaha clearly reluctant to take its foot off the gas, we now have a closed-back pair that is even more affordable still. Meet the Yamaha YH-C3000, the ‘C’ denoting their closed-back design.

Design & build

Unlike the two open-back models, which use Yamaha’s sophisticated orthodynamic (planar magnetic) driver, the YH-C3000 are built around a dynamic driver that was newly developed specially for them over the course of a decade.

This ‘armodynamic’ driver – named after the Italian noun ‘armonia’, which refers to musical ‘harmony’ – has a unique three-layer diaphragm design that combines Zylon (also used in the drivers of Yamaha’s flagship loudspeakers) with composite materials such as paper and resin.

Completing the driver design is a clever ventilation system at the rear and a patented Y-shaped reinforced mesh damper for promoting clarity and reducing distortion, plus a pure iron pole designed to enhance speed and punch.

Being closed-back in design and thus having sealed enclosures behind their drivers, the YH-C3000 naturally look pretty different to their open-back siblings, which have perforated ear cups that ‘leak’ the sound that their drivers inherently fire away from the ears.

While the YH-4000’s magnesium ear cups comprise an intricate spider-pattern structure, the YH-C3000’s beech wood housings are ‘marble-like’: round, solid, shiny and smooth.

It’s a comparatively ‘safer’ look – more polished, less industrial-looking – and in tune with the company’s signature glossy black aesthetic, as adopted by its iconic pianos and motorbikes.

The only slight repercussion of this hallmark mirrored finish on such a tactile product is that it is unavoidably a fingerprint magnet.

Thankfully, Yamaha bundles a microfibre wipe cloth into the semi-hard fabric carry case, and giving them a quick polish after each use doesn’t feel taxing when you consider that the same skilled hands that handle Yamaha’s flagship grand pianos and audio components in the company’s Kakegawa factory in Japan have spent hours carefully sanding, painting and polishing multiple layers to achieve the desired finish.

We also like how you can make out the natural beech wood grain beneath it when you hold the headphones up to the light.

Considering the YH-C3000’s dynamic, closed-back nature, it’s also impressive that they weigh only 10g more than the planar-magnetic, open-back YH-4000.

Their 330g structure tips the scales slightly less than the rival closed-back Sennheiser HD 820 and Sony MDR-Z1R headphones, and doesn’t feel like a burden on the top of the head thanks to how effectively the soft pleather head pad spreads the pressure evenly across it.

The stainless steel band hovering above it connects to smooth stepless sliders for easy fit adjustment, although it’s a pity the plastic outer piece somewhat compromises an otherwise luxurious, premium build.

Yamaha has ensured there’s plenty of vertical movement in the ear cups’ swivel rotation axis so that the earpads sit snugly against your head, preventing sound leakage.

The clamp of the silk protein leather-coated memory foam earpads is indeed firm, but not so much that it causes discomfort. During a heatwave, they feel sticky in a way that suede-like alternatives on other headphones don’t, but in normal, cooler conditions they are exceptionally comfortable to wear for our two-hour listening sessions.

Sound

Supplied is a two-metre 3.5mm cable that connects to each ear cup, plus a 6.3mm adaptor, although Yamaha offers a range of balanced cables and a headphone stand as optional extras.

More important for your YH-C3000 setup than those accessories, however, is a quality DAC/headphone amplifier that can reveal the extent of the headphones’ talents – something a laptop, for example, isn’t capable of.

We drive the YH-C3000 using a Chord Hugo 2, and from the very first song we are smitten.

Deep Blue by BrhyM, the joint project of Bruce Hornsby and contemporary chamber ensemble yMusic, is a jazzy, groove-laden flurry of energetic, experimental sound, and the Yamahas do the esoteric collaboration justice.

There’s plenty in the mix to wrap your ears around, from piano and clarinet melodies and Hornsby’s lead vocal to a percussive beat and an array of strings including electric sitar, some of which are woven together in rhythmic patterns while others are more disparate. Everything has room in the soundstage to perform and flaunt its musical purpose.

The YH-C3000 have the top-to-bottom clarity and resolution to grasp instrumental textures and bring minute details and dynamic subtleties to the fore, as well as the precision and organisation to ensure music remains well imaged and coherent no matter how dense.

They’re clean and perceptive, and while leading edges of notes are crisply defined, that always stays within the confines of naturalness, never crossing into hardness. That said, some may find the Yamaha’s directness and top-end bite fatiguing compared to richer, smoother alternatives.

Despite their impressive insight, the YH-C3000 don’t feel in any way systematic. They know how to have a good time. With Eminem’s The Way I Am, the rhythmic interplay between the piano and beat pattern is tight and propelling, while his iconic rapid-fire rapping packs all the attack and conviction we know it to have.

A pleasing combination of low-end weight and agility can meet the challenge of upbeat, bassy bravado like Jamie xx’s It’s So Good, too. They sink to the depths demanded by the club-ready bassline, while affording plenty of headroom and dynamic attention to the rattling percussion, glitchy beats and squeaking synths that dance above it.

We finish with Oneohtrix Point Never and Iggy Pop’s The Pure And The Damned, a piano ballad with a dystopian undertow, and the Yamaha headphones convey the track’s gravitas and the sense of longing that it – and the film it scores – bathes in.

The tectonic droning backdrop anchors the recording, while the piano notes drip through with harmonics intact and can be easily tracked as they move and fade throughout the soundstage. Iggy’s raspy, spoken-word vocals pack an emotional punch, and the celestial synths emerge with a spot-on balance of warmth and sizzle.

Such is the YH-C3000’s completeness that our comparative testing with the veteran Sony MDR-Z1R is rather short-lived. While the recently discontinued Sonys offer a pleasing depth and richness and a nice flow to music, they come second best in clarity, detail and punch, ultimately sounding comparatively muffled, flat and laid-back.

Verdict

So that’s three for three for Yamaha. Rather than rush out a line of models off the back of the inaugural YH-5000SE’s success, the company has taken time to consider and engineer an attractively priced closed-back companion.

Understandably, the YH-C3000 don’t possess the clarity, airiness and transparency of their higher-end open-back siblings, but by setting new standards in their own price and design class, they continue one of head-fi’s greatest modern comebacks.

Review published: 19th August 2026

SCORES

• Sound 5
• Build 5
• Comfort 5

MORE:

Read our review of the Sennheiser HD 820

Also consider the Sony MDR-Z1R

Best over-ear headphones: wired and wireless pairs tested by our in-house experts

What’s next for wireless headphones? It’s a tough question to answer for a couple of reasons.

First, predicting the future is always tricky. Even the best sages and farseers, ranging from Nostradamus to Mystic Meg, don’t have a perfect hit rate.

Second, new technologies with the potential to change fundamentally how tech works – including portable noise makers – are appearing on a near-daily basis.

This week, then, we forsake our usual tea-leaf/tarot-card reading strategy and instead ask five experts from major companies just what music fans can expect from the field of wireless headphones in the next five years.

Somewhat to our surprise, they all seem to be singing from the same hymn sheet with their responses.

AI is the next big thing in wireless headphones

For Christian Ern, global product manager at Sennehiser’s parent company, Sonova Consumer Hearing, the answer is simple: artificial intelligence.

“The use of AI-powered sound processing can also create a significant experience difference when used in the right way: for example, allowing listeners to customise their experience and adapt to their own taste or hearing profile,” says Ern.

Outside this, the firm believes there will be gradual improvements to things such as battery life, fit and active noise cancellation, but Ern reiterates it will mainly be the advanced processing power that AI offers that will define the next five years, warning that outside this:

“It's easy to fall into the trap of a feature race, where brands add more and more gimmicky features to show they have a lot – but it's not always relevant to the user.”

Kazunori Otsu, director of headphone business at Technics, shares Ern’s opinion, telling us:

“One of the biggest changes over the next five years will likely be the expansion of AI-driven user experiences. Beyond improvements in noise control and call quality, AI will increasingly enable headphones to optimise audio performance according to the user’s environment and listening situation. We expect a growing range of intelligent features that make the listening experience better.”

Personal tuning isn’t a new concept. Numerous firms, including Nura, before it was bought by Denon, have experimented with the idea. Denon’s true wireless PerL Pro are still on sale and offer “personalised” audio profiles.

The difference here, according to Matt Dever, senior global product line manager at Harman Luxury Audio, is that future headphones will leverage AI processing to push performance even further across the board.

“Integrating AI decision-making into the processing chain will allow even faster results and improve things like adaptive ANC and Awareness functionality. Minimising the latency in those types of decisions will improve the overall user experience,” he says.

“With the increased processing power, the technology will customise the sound of the headphones and tune them automatically to your specific hearing attributes.”

But that’s not all

Despite the focus on AI, the experts argue that there are at least two other areas where wireless headphones will advance in the not-too-distant future.

First, Dever highlights sustainability as a key area that manufacturers will focus on improving over the next five years – “User-replaceable rechargeable batteries [for example],” he says.

“Today, when your rechargeable battery in the headphone has finally lost its chargeability, you must recycle the headphone even though the electronics and driver units may still be functional. Tomorrow, it will be a different story.”

The second is wireless connectivity. While all the experts are sceptical of scalable, lossless hi-res 24-bit/192kHz streaming becoming mainstream, they flag advancements in Bluetooth technology as another key upgrade that will define the next half-decade.

Category line director of headphones at Bowers & Wilkins, Steven Hoyle, flags Low Energy Audio (LE Audio) as a particular milestone he expects will help improve wireless headphones’ performance.

“LE Audio is coming! The Bluetooth Special Interest Group (the central group that owns the standards for Bluetooth, with input from stakeholders across various brands and technologies) is phasing out Bluetooth Classic and only focusing on advancing the Bluetooth standard with LE Audio,” he says.

“Once there are more devices supporting LE Audio, we expect that the functionality will be greatly expanded. The launch features for LE Audio focused heavily on broadcast and Auracast, but LE Audio does allow for higher data rates and therefore could support higher resolution audio. However, we are still at the mercy (in the short term) of compatible source devices.”

The ultimate goal won’t change

Despite the focus on what’s next, all of the experts agree that their core focus when creating wireless headphones will ultimately remain unchanged, regardless of what new tech appears: making them sound as good as possible.

This sentiment is summed up by Yusuke Wada, senior manager at Sony:

“Over the next five years, we believe devices and technologies will change significantly, and more environments will emerge that allow users to enjoy music more conveniently. While adapting to changes in how users enjoy music, Sony hopes to continue delivering the enduring value of bringing the emotion of music exactly as intended by the artist.”

Wada’s colleague Kenji Ide, acoustic Manager at Sony, adds, “Sony believes that delivering the music experience exactly as intended by the artist is of utmost importance, and we continue to pursue headphone sound quality to make that experience possible.”

Do you agree with audio pros’ comments? Are you excited about the prospect of easier-to-repair wireless cans? Or are you against the idea of AI-tuned wireless headphones? Let us know your thoughts in the comments below!

MORE:
These are the best wireless headphones we have tested

Our experts rank the best wireless earbuds

We rank the best portable music players

Apple’s next AirPods have leaked in an official video from the tech giant itself. And they have a feature we have never seen in a pair of wireless earbuds before: a camera.

The AirPods with a camera have been rumoured for a while now. This leak suggests they will launch alongside the iPhone 18 Pro at the Apple event rumoured for 9th September.

The camera enables a feature called Visual Intelligence, which is basically capturing images to store for later. The video shows a wearer holding up a book to remember for later. The Siri voiceover says:

“With Visual Intelligence, your world becomes savable. See something you like? Just ask me to save it for later.”

The video was found within the latest version of Apple’s desktop operating system, macOS Tahoe, that Apple has just released for public testing. It was spotted by 9to5Mac.

You can also see the new AirPods in question. They look very similar to the AirPods Pro 3, although the stems are slightly thicker.

You can’t see the cameras in the AirPods. But given Apple’s privacy-first focus, they would probably light up to alert anyone in the vicinity that they are being filmed or photographed.

There is no word on what – if any – sound improvements the new AirPods might bring, or whether they would simply be the standard AirPods Pro 3 with an added camera. But we shouldn’t have to wait long to find out.

MORE:

The best AirPods for all needs

The best AirPods alternatives for Apple naysayers

And the best wireless headphones full stop

In our 50-year lifetime, several products have won a coveted What Hi-Fi? Award.

But very few products have won five What Hi-Fi? Awards, including two Product of the Year gongs for good measure.

That’s just how good the Grado SR325x are – and they still hold up astonishingly well in 2026. Only now they are available a bit cheaper: the cans are available for £199 at Peter Tyson, a £131 saving and the lowest price we’ve seen.

If you’re sick of Bluetooth headphones disconnecting and are looking for the quality and convenience of wired cans, then these Grados are among the best you can buy.

The Grado SR325x are class leaders at this price point, and indeed have taken the wired headphones spot on our best headphones buying guide.

“We switch to Lana Del Rey’s Chemtrails Over The Country Club set and love the Grados’ ability to convey the texture and attitude in her voice,” our Grado SR325x review reads. “The excellent insight generates a lovely sense of atmosphere and we find ourselves getting lost in the music rather than focusing on analysing the SR325x’s performance. The newfound sense of refinement makes it easier to relax when listening too.”

You’ll have to bear in mind the SR325x are open-backed headphones, so they are best reserved for listening at home, as they are quite leaky. This open-backed design does mean that they are wonderfully expressive dynamically, with agile and tuneful lows, so it’s a trade-off we’re willing to make.

To get the most out of the SR325x, you’ll want a good DAC such as the Chord Mojo 2 or a decent audio source such as a portable music player. With a high-quality pairing, you’ll hear the full scale of the SR325x’s talents, including a fast, sparky yet authoritative signature.

The retro design might not be for everyone, but the SR325x are rugged and durable, with the majority of the attention clearly focused inside on the sound quality.

If you’re looking for true audio greatness from your headphones, then the Grado SR325x are a very easy recommendation. They may lack some of the high-tech features of Bluetooth headphones, but they more than deliver where it counts – sound – and are now under £200 at Peter Tyson.

MORE:

MORE:

Read our guide to the best wired headphones

Read our Austrian Audio Hi-X55 review

Closed-back vs open-back headphones: which design is better for you?

Thought there were more than enough premium wireless headphones around at the moment? Think again.

Samsung could soon be throwing its hat back into the over-ear ring, if recent reports are to be believed. According to a leak from Samsung-dedicated site SamMobile , the Korean company is currently developing a set of over-ear headphones to accompany its in-ear Galaxy Buds models, with a new pair of cans – codenamed 'Galaxy H1' – spotted in the Galaxy Wearable app.

That probably won't end up being the final official name of the upcoming headphones, though it's likely that the word 'Galaxy' will feature somewhere to keep the cans in line with Samsung's established ecosystem of mobile and audio products.

Aside from the headphones being Bluetooth-based, details are thin on the ground. SamMobile predicts that these will be premium headphones designed to do battle with the likes of the Apple AirPods Max 2 (£499 / $549 / AU$999) or Sony WH-1000XM6 (£400 / $450 / AU$699), though as we don't have official pricing figures, we can't be sure exactly where the Galaxy H1 will be positioned within the premium market.

In terms of features, we're once again in the realm of speculation, but active noise cancelling, some form of AI assistant integration, and support for Samsung's hi-res SSC UHQ audio codec from compatible devices would bring the prospective over-ears in line with their in-ear counterparts.

That SSC UHQ codec, for instance, was a key part of the Samsung Galaxy Buds 4 Pro's repertoire, so we'd expect to see it transfer over to the over-ears.

These won't be Samsung's first-ever over-ear headphones. The Korean titan released the 'Level One' back in 2015, but we haven't seen it release much in the way of over- or on-ear cans since then.

That could be set to change. We don't have an official release date for the Galaxy H1, but with most outlets speculating a release date sometime in 2027, it could yet be a while before we see if Samsung can challenge the likes of Sony and Apple for over-ear supremacy.

MORE:

The end of an era: the Marantz CD6000 series is one of modern hi-fi’s greatest hits – we look back through the evolution of this budget CD player range over the past two decades

I’m excited by the latest Sony wireless headphones rumours – but I have one major worry

These are the best noise-cancelling headphones you can buy

Google hosted its annual Made By Google event last night, in which the spotlight shone mostly on the new Pixel 11 series of smartphones. While there were a couple of additional product reveals, including the Pixel Watch 5 and Pixel Tag tracker, there was also a subtle surprise update that caught our attention.

It centres around the Pixel Buds Pro 2, a pair of wireless earbuds that launched back in 2024. Google gave these buds a very light refresh last year; it has followed that up with a similar move for 2026, with a new finish to match the new Pixel devices.

The Buds Pro 2 now come in a pleasing green shade – Olive – but it's what's inside the buds that we are more excited for.

Google is introducing a dynamic active noise cancelling mode this year, which can adjust the strength of the ANC to compensate for “subtle shifts in the seal”.

In practical terms, this means that the buds can now dial up the ANC performance when your earbuds move around in your ears, which can happen when you are walking, exercising, or just generally moving your head.

Furthermore, Google has implemented its Gemini AI assistant to allow for voice-controlled sound tuning. A simple request – Google uses “Hey Google, turn up the bass” as an example – will allow you to tweak the settings and adjust the sound performance of your buds without having to open the companion app.

Finally, Google has added Pixel Watch sleep pairing, which can detect if you have fallen asleep with your buds in and turn off any music and the touch controls, and an update to Live Translation which now supports over 70 different languages.

We have yet to test the Pixel Buds Pro 2, although the first-generation Pixel Buds Pro didn’t blow us away. We have, however, seen the likes of Apple and Samsung make huge strides between their respective generations of earbuds, so Google could join the pack here.

The Olive Pixel Buds Pro 2 are available to order now, and a software update launching in September will bring these new features to new and existing Pixel Buds Pro 2 users.

MORE:

Check out our picks for the best wireless earbuds

Read our full Apple AirPods Pro 3 review

As well as our Samsung Galaxy Buds 4 Pro review

For the best-value noise-cancelling buds around, it has to be the Sony WF-C710N. The outstanding buds took home the What Hi-Fi? Award for best wireless earbuds in the £70-£150 range, and in truth, nothing has really come close to beating them in this particular price bracket.

£100 or so is a good price, but a £31 discount knocking them down to just £69 at Amazon is an absolute steal, and one you shouldn't miss. £69, by the way, matches the lowest we've seen the WF-C710N drop so far, and that was during Amazon Prime Day.

The Sony WF-C710N are the follow-ups to the Sony-C700N, which were themselves Award winners and even previous Product of the Year title holders thanks to their potent blend of performance, features and overall value.

The WF-C710N made a number of meaningful improvements to their class-leading antecedents, most notably to battery life and noise cancellation. Including the case, the WF-C710N has an impressive 30 hours of battery life and roughly 8.5 hours from the earbuds, both with ANC switched on.

Speaking of ANC, that's another area where the WF-C710N really excel. The buds' 'Dual Noise Sensors' extract further layers of noise, especially in the lower mid and bass frequencies, to keep the bustling outside world at bay.

Soundwise, the WF-C710N really excel, with the mid-range buds standing head and shoulders above the competition for this price level.

As our review reads: "Playing Mombasa from the Inception OST, the track immediately makes big bold, powerful strides. There’s a weight, solidity and fullness in the bass which makes the WF-C700N sound lightweight and a little top-heavy. The Sonys deliver the song with a real sense of intensity, and you can feel the drama unfolding – you don’t need to see the movie to get a feeling that something serious is going down."

Bluetooth 5.3 is on the menu, along with SBC and AAC audio codecs, which are pretty standard at this level. Auto pause and wearer detection are also included, so your music will automatically stop when you remove an earbud.

If you're after a midrange pair of buds, you'll struggle to do better – or get some for cheaper – than the Sony WF-C710N. They're attractive, comfortable wireless earbuds that give your music plenty of gusto, making them an absolute steal for £69 at Amazon.

MORE:

I’m excited by the latest Sony wireless headphones rumours – but I have one major worry

Sony WF-C710N vs WF-C510: which budget Sony buds are better?

Check out our list of the best wireless earbuds

If you believe the latest rumours, Sony is preparing to revive a classic pair of noise-cancelling headphones.

According to a leak from French retail publication Dealabs, the tech giant is set to unveil the WH-1000XM4C, a new version of its five-star WH-1000XM4 wireless headphones, which originally launched back in 2020.

The rumours point to a new Lavender finish (to add to the Platinum Silver, Black and Midnight Blue options that Sony used to offer for the originals) and a reduction in battery life from 38 hours to 34 hours, presumably with noise-cancelling turned off.

That’s right, a reduction in battery life. Now the obvious question to me is why would this happen? Is Sony using a new, smaller-capacity battery, or – and I’d like to think this was more likely – is it because the ‘C’ version offers something that the older model doesn’t?

If battery life takes a hit with ANC off, it follows that it will also be reduced with ANC turned on. Which leads me to wonder: has Sony added more power-hungry features? If it has, what could they be? A new processor? New usability features?

Both the original WH-1000XM4 and its successor, the WH-1000XM5, use Sony's HD Noise Cancelling Processor QN1 and Integrated Processor V1.

The more recent WH-1000XM6 flagship uses the QN3 processor – so could there be room for a QN2 processor in the XM4C? I may well be barking up the wrong tree, but it would be interesting to see, should these headphones arrive on the scene.

The original XM4 also had Sony’s Adaptive Sound Control tech; XM5 introduced a more advanced version which could automatically adjust the sound output depending on your listening environment. Could the more advanced version migrate over to a potential new model?

When it comes to call quality, the WH-1000XM5 has Sony’s Precise Voice Pickup technology, with four beam-forming mics and AI-powered noise-reduction, plus wind-noise reduction. Would the lower number of mics on the XM4 (five against eight) make this impossible?

If Sony is preparing a new WH1000 model, probably the biggest question is how much would they cost?

The Sony WH-1000XM5 currently sit at around £229/$200 – which makes a new version of the XM4 even more intriguing. Assuming a new model comes in under the XM5 (the XM4 dropped to around £177/£199 towards the end of their life), how much breathing space will there be between them? Would a new model too close in price kill sales of the WH-1000XM5?

Dealabs is reporting the retail price will be around £219.99, which, if true, would leave a major question mark hanging over the future of the WH-1000XM5.

What appealed so much about the original WH-1000XM4 and gave them cult status was the premium build and feel and the fact that they folded properly for extra portability. We felt the WH-1000XM5 felt less premium, and they only folded flat, so I can see why Sony fans would be excited about a potential revival.

And it’s why I have everything crossed that the rumoured WH-1000XM4C aren’t simply a relaunch with a new colour and shorter battery life. I have no doubt people will be pleased to see them back, but I’m hoping for a bit more. Don't let me down, Sony.

MORE:

Our pick of the best wireless headphones for every budget

Sony could be giving my favourite wireless headphones of all time an unexpected revival

Sony WH-1000XM5 vs WH-1000XM4: which headphones should you buy?

Sony WH-1000XM6 vs WH-1000XM5: which wireless headphones are better?

The Sonos event next month will see the firm launch a new pair of wireless headphones, if this FCC filing is to be believed (via Lowpass).

The Federal Communications Commission is the US government agency that regulates digital devices. Firms have to submit their proposals to the FCC before launching a new device.

While the headphones are detailed in diagrams, they aren't named, though they have been dubbed the Sonos Ace Ultra. The device is simply known as 'S52a' in the filing.

While the name isn't confirmed, we do know that the headphones will come in new colours: Greige, Shadow Black, Agave, Blush and Sand are all listed in one document of the filing.

Their predecessors, the Sonos Ace, only come in black and white. Sonos has previously launched its Roam 2 portable speaker in multiple finishes. Given that most Sonos devices only ship in black or white, it could be targeting a younger market with these new headphones.

The filing also suggests the headphones could support wi-fi for pairing straight to a home wireless network (much like Sonos' speakers) rather than via a phone. They could also support Sonos' own voice assistant. Neither feature is confirmed, however.

Sonos confirmed a new product is coming next month during a recent earnings call. Its CEO hinted that AI would play a large part in the company's future success.

The original Sonos Ace only scored three stars in our review – a disappointing score for a marquee brand like Sonos. The company has since been on something of a rollercoaster ride, shedding customers with a botched app update and trying to win them back through a concerted effort to right its past wrongs, even shelving its planned set-top box in the process. The Award-winning Arc Ultra soundbar didn't hurt either.

We've contacted Sonos for comment.

MORE:

How Sonos is making existing products more sustainable

Which Sonos speaker should you buy? Find out here

Best Sonos alternatives if you want a rival