Thought there were more than enough premium wireless headphones around at the moment? Think again.

Samsung could soon be throwing its hat back into the over-ear ring, if recent reports are to be believed. According to a leak from Samsung-dedicated site SamMobile , the Korean company is currently developing a set of over-ear headphones to accompany its in-ear Galaxy Buds models, with a new pair of cans – codenamed 'Galaxy H1' – spotted in the Galaxy Wearable app.

That probably won't end up being the final official name of the upcoming headphones, though it's likely that the word 'Galaxy' will feature somewhere to keep the cans in line with Samsung's established ecosystem of mobile and audio products.

Aside from the headphones being Bluetooth-based, details are thin on the ground. SamMobile predicts that these will be premium headphones designed to do battle with the likes of the Apple AirPods Max 2 (£499 / $549 / AU$999) or Sony WH-1000XM6 (£400 / $450 / AU$699), though as we don't have official pricing figures, we can't be sure exactly where the Galaxy H1 will be positioned within the premium market.

In terms of features, we're once again in the realm of speculation, but active noise cancelling, some form of AI assistant integration, and support for Samsung's hi-res SSC UHQ audio codec from compatible devices would bring the prospective over-ears in line with their in-ear counterparts.

That SSC UHQ codec, for instance, was a key part of the Samsung Galaxy Buds 4 Pro's repertoire, so we'd expect to see it transfer over to the over-ears.

These won't be Samsung's first-ever over-ear headphones. The Korean titan released the 'Level One' back in 2015, but we haven't seen it release much in the way of over- or on-ear cans since then.

That could be set to change. We don't have an official release date for the Galaxy H1, but with most outlets speculating a release date sometime in 2027, it could yet be a while before we see if Samsung can challenge the likes of Sony and Apple for over-ear supremacy.

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I’m excited by the latest Sony wireless headphones rumours – but I have one major worry

These are the best noise-cancelling headphones you can buy

Google hosted its annual Made By Google event last night, in which the spotlight shone mostly on the new Pixel 11 series of smartphones. While there were a couple of additional product reveals, including the Pixel Watch 5 and Pixel Tag tracker, there was also a subtle surprise update that caught our attention.

It centres around the Pixel Buds Pro 2, a pair of wireless earbuds that launched back in 2024. Google gave these buds a very light refresh last year; it has followed that up with a similar move for 2026, with a new finish to match the new Pixel devices.

The Buds Pro 2 now come in a pleasing green shade – Olive – but it's what's inside the buds that we are more excited for.

Google is introducing a dynamic active noise cancelling mode this year, which can adjust the strength of the ANC to compensate for “subtle shifts in the seal”.

In practical terms, this means that the buds can now dial up the ANC performance when your earbuds move around in your ears, which can happen when you are walking, exercising, or just generally moving your head.

Furthermore, Google has implemented its Gemini AI assistant to allow for voice-controlled sound tuning. A simple request – Google uses “Hey Google, turn up the bass” as an example – will allow you to tweak the settings and adjust the sound performance of your buds without having to open the companion app.

Finally, Google has added Pixel Watch sleep pairing, which can detect if you have fallen asleep with your buds in and turn off any music and the touch controls, and an update to Live Translation which now supports over 70 different languages.

We have yet to test the Pixel Buds Pro 2, although the first-generation Pixel Buds Pro didn’t blow us away. We have, however, seen the likes of Apple and Samsung make huge strides between their respective generations of earbuds, so Google could join the pack here.

The Olive Pixel Buds Pro 2 are available to order now, and a software update launching in September will bring these new features to new and existing Pixel Buds Pro 2 users.

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Check out our picks for the best wireless earbuds

Read our full Apple AirPods Pro 3 review

As well as our Samsung Galaxy Buds 4 Pro review

If you believe the latest rumours, Sony is preparing to revive a classic pair of noise-cancelling headphones.

According to a leak from French retail publication Dealabs, the tech giant is set to unveil the WH-1000XM4C, a new version of its five-star WH-1000XM4 wireless headphones, which originally launched back in 2020.

The rumours point to a new Lavender finish (to add to the Platinum Silver, Black and Midnight Blue options that Sony used to offer for the originals) and a reduction in battery life from 38 hours to 34 hours, presumably with noise-cancelling turned off.

That’s right, a reduction in battery life. Now the obvious question to me is why would this happen? Is Sony using a new, smaller-capacity battery, or – and I’d like to think this was more likely – is it because the ‘C’ version offers something that the older model doesn’t?

If battery life takes a hit with ANC off, it follows that it will also be reduced with ANC turned on. Which leads me to wonder: has Sony added more power-hungry features? If it has, what could they be? A new processor? New usability features?

Both the original WH-1000XM4 and its successor, the WH-1000XM5, use Sony's HD Noise Cancelling Processor QN1 and Integrated Processor V1.

The more recent WH-1000XM6 flagship uses the QN3 processor – so could there be room for a QN2 processor in the XM4C? I may well be barking up the wrong tree, but it would be interesting to see, should these headphones arrive on the scene.

The original XM4 also had Sony’s Adaptive Sound Control tech; XM5 introduced a more advanced version which could automatically adjust the sound output depending on your listening environment. Could the more advanced version migrate over to a potential new model?

When it comes to call quality, the WH-1000XM5 has Sony’s Precise Voice Pickup technology, with four beam-forming mics and AI-powered noise-reduction, plus wind-noise reduction. Would the lower number of mics on the XM4 (five against eight) make this impossible?

If Sony is preparing a new WH1000 model, probably the biggest question is how much would they cost?

The Sony WH-1000XM5 currently sit at around £229/$200 – which makes a new version of the XM4 even more intriguing. Assuming a new model comes in under the XM5 (the XM4 dropped to around £177/£199 towards the end of their life), how much breathing space will there be between them? Would a new model too close in price kill sales of the WH-1000XM5?

Dealabs is reporting the retail price will be around £219.99, which, if true, would leave a major question mark hanging over the future of the WH-1000XM5.

What appealed so much about the original WH-1000XM4 and gave them cult status was the premium build and feel and the fact that they folded properly for extra portability. We felt the WH-1000XM5 felt less premium, and they only folded flat, so I can see why Sony fans would be excited about a potential revival.

And it’s why I have everything crossed that the rumoured WH-1000XM4C aren’t simply a relaunch with a new colour and shorter battery life. I have no doubt people will be pleased to see them back, but I’m hoping for a bit more. Don't let me down, Sony.

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Our pick of the best wireless headphones for every budget

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Sony WH-1000XM5 vs WH-1000XM4: which headphones should you buy?

Sony WH-1000XM6 vs WH-1000XM5: which wireless headphones are better?

The Sonos event next month will see the firm launch a new pair of wireless headphones, if this FCC filing is to be believed (via Lowpass).

The Federal Communications Commission is the US government agency that regulates digital devices. Firms have to submit their proposals to the FCC before launching a new device.

While the headphones are detailed in diagrams, they aren't named, though they have been dubbed the Sonos Ace Ultra. The device is simply known as 'S52a' in the filing.

While the name isn't confirmed, we do know that the headphones will come in new colours: Greige, Shadow Black, Agave, Blush and Sand are all listed in one document of the filing.

Their predecessors, the Sonos Ace, only come in black and white. Sonos has previously launched its Roam 2 portable speaker in multiple finishes. Given that most Sonos devices only ship in black or white, it could be targeting a younger market with these new headphones.

The filing also suggests the headphones could support wi-fi for pairing straight to a home wireless network (much like Sonos' speakers) rather than via a phone. They could also support Sonos' own voice assistant. Neither feature is confirmed, however.

Sonos confirmed a new product is coming next month during a recent earnings call. Its CEO hinted that AI would play a large part in the company's future success.

The original Sonos Ace only scored three stars in our review – a disappointing score for a marquee brand like Sonos. The company has since been on something of a rollercoaster ride, shedding customers with a botched app update and trying to win them back through a concerted effort to right its past wrongs, even shelving its planned set-top box in the process. The Award-winning Arc Ultra soundbar didn't hurt either.

We've contacted Sonos for comment.

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How Sonos is making existing products more sustainable

Which Sonos speaker should you buy? Find out here

Best Sonos alternatives if you want a rival

When we think of wireless headphones, Sony is the first brand that pops into our heads – and given the stellar reputation of its Bluetooth cans, it makes sense why.

In fact, the brand's six-year-old WH-1000XM4 wireless headphones still top my personal list of the best wireless headphones to this day, and I continue to see countless pairs on the heads of commuters daily.

That said, I and our annual What Hi-Fi? Awards list alike have moved on to the current five-star WH-1000XM6; although it looks like Sony isn't quite ready to let go of the old XM4 model just yet.

A new leak reported by French retail publication Dealabs suggests that Sony is preparing to launch a new version of its beloved wireless headphones, which are expected to be called the WH-1000XM4C.

We're not sure what the "C" stands for yet, but we've theorised "Classic" and "Comeback" as potential solutions.

According to the leak, these "new" Sony cans will be practically identical to the existing pair in terms of design, functionality and driver technology, but with reportedly two very minor changes.

Battery life has reportedly been reduced to 34 hours (down from 38 hours on the original XM4 headphones), and this new "C" variant could come in a new Lavender finish alongside the existing Black and Platinum Silver colours.

While we'll have to take this leak with a pinch of salt (nothing is official until it comes from Sony itself), it's worth noting that Sony has extended the lifespan of a previous pair of headphones from its popular 1000XM-series headphones.

It launched the WH-1000XM5SA variant of its Award-winning WH-1000XM5 headphones back in October 2025 (five months after the launch of the XM6), which featured a new soft case and trimmed-down price tag. The WH-1000XM4C could be a similar affair, with a minor cosmetic change to justify an extended lifespan.

These refreshed XM4 headphones are expected to launch on 7th September, and Dealabs reports that they will be priced at £219.99 / €249.99. Interestingly, this would position the XM4C just £10 below the current widely available price for the XM5SA.

However, with their potentially sturdier and more compact design, the XM4C could be the more alluring choice. They could also be a preferable choice for those who are eyeing up Sony's premium headphone offerings, but don't want to spend big on the XM6 or 1000X The Collexion cans.

We'll bring you the any official news of the rumoured XM4C model if and when details are confirmed.

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I spent 10 hours on trains listening to the Sony WH-1000XM6 – and it convinced me to upgrade my beloved XM4 headphones

Check out our picks for the best Sony headphones

As well as the best wireless headphones

Bose has recently revealed the second generation of its noise-cancelling wireless headphones, the QuietComfort Headphones (2nd Gen). The release brings the headphones up to date with Bose’s flagship QuietComfort Ultra Headphones (2nd Gen), which were released at the end of last year.

Among the improvements made to the flagship model were enhanced ANC, more spatial audio features and even the option for wired listening via USB-C. Our expert review team awarded the QC Ultra Headphones (2nd Gen) a solid four-star review, but they ultimately lost out on a fifth star due to steep competition at their premium price point.

Bose’s latest release sees many of the flagship’s features and technologies trickling down to the more affordable model, but there remains an appreciable price disparity between the two pairs.

If you’re wondering whether you’ll be losing out by opting for the cheaper pair, we've compared the QuietComfort Headphones (2nd Gen) and the Bose QuietComfort Ultra Headphones (2nd Gen) by price, specs and features to see which might be the right headphones for you.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): price

• Ultra 2 costs more but are frequently discounted during sales

The Bose QuietComfort Headphones (2nd Gen) launched at £300 / $359 / AU$550, which is slightly less (for UK customers) than the previous standard Bose QuietComfort Headphones, which arrived at £350 / $350 / AU$549. You can now find the original model available at a significantly reduced price, typically costing around £179 / $240 at the time of writing.

The flagship Bose QuietComfort Ultra Headphones (2nd Gen), on the other hand, launched at £450 / $450 / AU$700, which was the same as their previous model in the UK, but $20 / AU$50 pricier in the US and Australia respectively.

Both models have seen discounts take up to £200 off their original price, but there has still tended to be a gap of around £100 between the flagship model and their more affordable counterparts.

At this price point, both headphones land in a seriously competitive bracket. The closest rivals to the QuietComfort Headphones (2nd Gen) are the five-star Sennheiser Momentum 5 Wireless (£330 / $400 / AU$749), while the QC Ultra (2nd Gen) are more expensive than the five-star Sony WH-1000XM6 headphones (£400 / $450 / AU$699) but more affordable than the Apple AirPods Max 2 (£499 / $549 / AU$999).

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): design

• QuietComfort (2nd Gen) feature one more finish option
• Both pairs are foldable
• Ultra 2 feature a more premium design with polished metal materials

Both new models are foldable; a convenient design facet which isn’t always guaranteed at a premium level.

The QC Ultra (2nd Gen) are available in four finishes: Midnight Violet, Driftwood Sand, and Bose’s standard Black and White Smoke colourways. The QC (2nd Gen), on the other hand, come in the regular Black and White Smoke finishes, as well as three limited edition colourways: Eucalyptus Green, Dewdrop Mint and Rosewood Mauve.

We previously noted that the QuietComfort Ultra Headphones (2nd Gen) had more cushioning along the length of the headband compared to the standard model, as well as thicker earpads. However, according to Bose, the latest QC Headphones have been updated with a new headband, improved clamping force for a “secure fit”, and new oval-shaped earcups with plusher cushioning.

While we haven’t yet had a chance to try the QuietComfort (2nd Gen) Headphones ourselves, those changes sound like they might bring the cans almost up to speed with the QC Ultra (2nd Gen), which we described in our review as “one of the most comfortable wireless over-ear pairs for longer periods of wear that we’ve come across”.

Despite these changes, according to Bose the standard model hasn’t quite caught up with the Ultra in terms of overall design, with the Ultra featuring “a more premium elevated design featuring polished metal materials and more plush cushioning”.

A key technical difference between the two is the capacitive touch strip included on the second-gen Ultra Headphones, which can be used to control volume and customisable settings.

This feature still hasn’t been added to the second-gen QuietComfort Headphones, which have stuck to standard tactile buttons. Still, the latest generation QC Headphones do feature more customisable settings, such as EQ and ANC personalisation, available via the Bose App.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): battery & features

• Ultra 2 has a significantly longer battery life than the new standard QuietComfort (2nd Gen)
• Both headphones support spatial audio

The new QuietComfort Headphones have had their ANC boosted, employing several features available on the more expensive Ultra Headphones (2nd Gen). Like the QC Ultra Headphones (2nd Gen), the second-generation QC Headphones are also compatible with the Bose companion app.

When it comes to battery life, the second-gen QC Ultra Headphones take the lead with 45 hours of charge available with ANC switched off and 30 hours while it is engaged. This figure falls significantly, to just 23 hours, when Immersive modes are enabled (more on those later).

The QuietComfort Headphones (2nd Gen), meanwhile, have a 24-hour battery life with ANC switched on, which falls to 18 hours with immersive modes enabled.

So what are these Immersive modes?

Immersive Audio is essentially Bose’s take on spatial audio, which was first implemented with the brand’s original QC Ultra Headphones from 2023. In our review of the QuietComfort Ultra Headphones (2nd Gen), we said we still “weren’t hugely convinced” by the spatial effects, finding the ‘Motion’ setting (which tracks sounds to your head movements) “a little distracting”.

‘Still’ and ‘Cinema’ modes, however, proved useful in certain situations, such as watching movies, but did limit dynamics when it came to playing music. Regardless of our opinion, all three Immersive modes are now available with both the standard and Ultra models.

In terms of wireless connectivity, the QuietComfort Headphones (2nd Gen) support Bluetooth 5.4 and standard AAC and SBC codecs, while also featuring Bluetooth Multipoint for connecting two devices simultaneously, and Google Fast Pair for Android users.

The QuietComfort Ultra (2nd Gen) can do all of those, besides Google Fast Pair, but they also support aptX Adaptive codec, allowing hi-res wireless streaming up to 24-bit/96kHz from compatible sources.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): noise cancelling

• Ultra Headphones (2nd gen) have excellent ANC performance
• Many of the Ultra 2’s ANC features have been handed down to the QC Headphones (2nd Gen)

Given that Bose has built much of its reputation on its class-leading active noise cancelling technology, no side-by-side comparison would be complete without taking their ANC performance into account.

In our review of the QuietComfort Ultra Headphones (2nd Gen), we said that the headphones pulled ahead of class rivals for their “outright sound-blocking intensity… eliminating the deepest rumbles and the majority of mid-band hubbub we encounter on our daily travels." We were also pleased that the ‘Immersion’ mode allowed us to dial down the effect within the app, when we wanted a little less isolation.

Both of the latest models of QC Headphones feature Quiet and Aware modes in their ANC settings.

Quiet offers full-fat noise cancellation, while Aware offers a more transparent experience so that you can stay tuned into your surroundings. Both headphones also feature ActiveSense technology, which softens sudden noise spikes in the environment while using Aware mode, a feature we thought worked well when testing the QC Ultra Headphones (2nd Gen).

Between the first and second generations of the standard QuietComfort headphones, Bose says it has made subtle ANC improvements for users with glasses and included the option for ANC to be switched off. ANC adjustments for both models can be made within the Bose App.

As things stand, we know that the Ultra (2nd Gen) headphones have a class-leading ANC performance. We haven’t yet tested the QuietComfort (2nd Gen) model, but given that their ANC features have drawn closer to those of the Ultra, we are hoping they will reach a similarly high standard.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): sound

• Ultra Headphones (2nd Gen) have an entertaining sound
• Ultra 2’s spatial audio settings can be hit and miss
• We haven’t yet tested the QuietComfort Headphones (2nd Gen)

The Bose QuietComfort Ultra Headphones (2nd Gen) stepped into a formidable arena upon their release.

In our review, we said that, compared with their previous generation, the second-gen QC Ultra Headphones made “meaningful gains”, sounding “more solid and musically tighter and shedding a layer of excess richness”.

We also thought that the second-gen cans retained “the same pleasingly smooth, bass-rich character Bose has long favoured”, but found the headphones’ sonic signature to be “more insightful and precise than ever before.” So, undoubtedly, these headphones have plenty of charm.

However, the difficulty facing the second-generation Bose over-ears was that they were immediately pitted against Sony’s Award-winning WH-1000XM6, which we found were “categorically better sounding, and by a fair margin”. Pair these challengers with other sonically talented rivals like the Bowers & Wilkins Px7 S3 or Sennheiser HDB 630, and we thought the Ultra Headphones (2nd Gen) were a little left behind in an increasingly competitive market.

Further, the headphones' Immersive modes, while entertaining, worked better for some tracks than others – with Cinema mode working particularly well for movies – but primarily left us feeling somewhat distracted, particularly in Motion mode.

Because we haven’t put the new generation of the QuietComfort Headphones through our rigorous testing process, it is hard for us to speculate how Bose’s latest over-ears are going to sound.

According to Bose, the second generation retains the brand’s “high-quality sound and proprietary SoundDesign digital signal processing”, but the company hasn’t shared specifics about what improvements have been made between the generations.

As such, we’ll be keen to try these headphones as soon as our test pair arrives and will update this head-to-head accordingly.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): early verdict

We’ve tested the QuietComfort Ultra (2nd Gen) headphones and awarded them a solid four-star review, noting their “up there with the best” noise cancellation, smart, folding design, effective spatial audio for movies and a punchy, entertaining sound.

Without having reviewed the new standard QC Headphones, it's hard for us to give a definitive answer about which model offers the best value, but with a raft of the Ultra 2’s upgrades set to be handed down to the standard model, the signs are promising. Stay tuned for a full review comparison in due course.

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Read our full Bose QuietComfort Ultra Headphones (2nd Gen) review

Bose QC Ultra Headphones (2nd Gen) vs Bose QC Ultra Headphones (1st Gen): which headphones are better?

Bose QuietComfort Headphones vs QuietComfort Ultra Headphones: what are the differences?

Do your headphones constantly run out of power at the worst times? Maybe you're left with no entertainment on a flight? No escape from workout noises at the gym?

Well, our experts have found a solution. The Sony WH-CH520, now only £25 at Amazon, have a whopping 50-hour battery life, which is perfect for long travel periods, weekends away or just hectic everyday lives.

They're five-star headphones too, with the best sound quality we've heard at this price. So whether you need a full-on replacement, a low-cost option for your child as they head to university or just a cheap backup pair, the WH-CH520 have an all-around appeal.

You'll need to make sure you tick the voucher code to get this price, which is only available on the black model.

It's hard to nail the basics at the budget end of the market, which makes the WH-CH520 all the more impressive – Sony has proven it's just as good at making affordable wireless headphones as premium ones.

As you might expect, the WH-CH520 aren't exactly glamorous, but they are well made, solid and robust. They're also lightweight at 147g, ideal for taking on travels or long gym sessions.

On top of the 50-hour battery life, which even many premium headphones don't reach, the WH-CH520 offer Bluetooth 5.2, physical on-cup playback buttons, and compatibility with Sony's Headphones Connect control app, which offers EQ presets and custom adjustment. Not bad for the price of a drinks round.

However, it's the sound that really sets the WH-CH520 apart from other headphones at this price.

"The Sony WH-CH520 don’t take long to establish themselves as a nicely balanced, quite informative and enjoyable listen," our Sony WH-CH520 review reads, which then goes on to detail the solid, deep and controlled low-end and informative midrange.

If you do have a bit more budget, the step-up Sony WH-CH720N add active noise-cancelling and improved sound quality for £40 more. However, you won't be disappointed by the WH-CH520, especially at this price.

If you want impressive battery life at the best possible price, it's hard to argue with the value of the Sony WH-CH520. Whether for yourself or as a gift, the WH-CH520 won't let you down when it comes to battery life and is now available at its lowest price of £25 at Amazon.

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Want noise-cancelling? Also consider the next-model-up Sony WH-CH720N

Prefer in-ears? Here are the best wireless earbuds you can buy

Our expert pick of the best over-ear headphones: wired and wireless over-ears for every budget

Bose has announced the second generation of its popular wireless QuietComfort Headphones.

The QuietComfort Headphones (2nd Gen) were unveiled today and feature several upgrades that have trickled down from the firm's more premium flagship QuietComfort Ultra Headphones (2nd Gen).

Intended to provide a “more immersive listening experience”, these include improvements to active noise cancellation (ANC), as well as new spatial audio features and wired listening capabilities.

When it comes to ANC performance, the new headphones feature an upgraded six-microphone array, which the company claims better compensates for gaps in the earcups' seal. Additionally, a revamped Aware mode is designed to soften sudden noise spikes from your environment more effectively.

As introduced in the flagship QC Ultra Headphones (2nd Gen), noise cancellation can be completely switched off or manually adjusted via the Bose app. Users are also able to create customised noise cancellation modes, which can be cycled using a button on the left earcup.

Bose claims the second-gen model retains the brand’s “high-quality sound and proprietary SoundDesign digital signal processing”, but it hasn’t shared any specific details about what improvements have been made between the two generations, if any.

The second-gen QC headphones also feature wired lossless playback up to 24bit/48kHz via USB-C, with a USB-C to USB-C and 3.5mm to USB-C cables included in the box.

Previously exclusive to the QuietComfort Ultra series, Bose’s TrueSpatial technology is now available to the standard QC model, which features three immersive audio listening modes: Still, Motion and Cinema. These are Bose’s take on spatial audio playback, offering different three-dimensional effects.

The QuietComfort Headphones (2nd Gen) have a quoted 24-hour battery life (18 hours with immersive modes enabled), which remains the same as the first-generation model released in 2023. That figure falls behind the 45-hour performance of the QuietComfort Ultra Headphones (2nd Gen). However, the new headphones can be charged while in use, with a 15-minute fast charge yielding up to 2.5 hours of playback.

Additional features include support for the Bluetooth 5.4 and standard AAC/SBC codecs, Bluetooth Multipoint for connecting to two devices simultaneously, and Google Fast Pair for Android users.

The over-ear headphones’ design has also been updated, with a new headband, improved clamping force for a “secure fit” and new oval-shaped earcups with plusher cushioning, promising “a seamless profile and modern look”. The QC Headphones (2nd Gen) will also be available in three new limited-edition finishes at launch: eucalyptus green, dewdrop mint and rosewood mauve, as well as the previous white smoke and black options.

The new Bose QuietComfort Headphones (2nd Gen) are available to preorder now for MyBose members, with global shipping from 13th August. The new headphones cost £300 / $359, which is £150 / $90 less than the QuietComfort Ultra Headphones (2nd Gen).

At this price, the new Bose’s main rivals are the Sennheiser Momentum 5 Wireless (£330 / $400), which we gave a glowing five-star rating in May. We'll be curious to see how the two compare when we get the new Bose QuietComfort Headphones (Gen 2) into our listening rooms. Watch this space.

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Read our full Bose QuietComfort Ultra Headphones (2nd Gen) review

Or browse our best wireless headphones 2026: reviewed and rated by our in-house experts

And our best noise-cancelling headphones 2026 – 6 sensational pairs picked by our expert reviewers

Remember when Qualcomm (one of the biggest mobile, wearable and headphone chipmakers in the world) promised we would see a wave of next-generation wireless headphones with significantly improved hi-res audio quality appear “soon”? Well, that was just over a year ago.

That’s a fairly long time in this fast-paced industry. Which is why, once the one-year mark passed, it was time for me to pull out my black book and do a ring-round of all the movers and shakers in headphone engineering to see what’s going on.

Sadly, now that I have, it looks as though we are still some way off a key milestone for wireless audio quality: scalable, lossless hi-res 24-bit/192kHz streaming.

The promise of fully scalable, lossless hi-res 24-bit/192kHz

The promise of fully scalable, lossless, hi-res, 24-bit/192kHz streaming has been viewed as the Shangri-La of wireless audio quality for more than half a decade.

Why is it such a big deal? Well, if the stars align and the audio can be delivered wirelessly without chunks missing, the standard could lead to palpable audio upgrades. As Neil Young said, when he railed against “lossy” formats, we could finally hear “the full sound the band created”.

Who wouldn’t want that?

Well, rather a lot of people, according to Christian Ern, global product manager at Sennheiser’s parent company, Sonova Consumer Hearing.

“The broad majority is quite satisfied with the quality and convenience that regular Bluetooth offers,” Ern tells What Hi-Fi? “For example with advanced codecs like AAC or aptX, which are also widely available on transmitting devices.”

Steven Hoyle, category line director, headphones, at Bowers & Wilkins, follows suit, telling us that, while the company has hard data showing that people using its wares do listen at higher quality, it isn’t convinced there is much demand for more, yet.

“Within the Bowers & Wilkins headphone range we already support playback of audio up to 24-bit/96kHz via USB. We know that some owners are actively using this connection instead [of Bluetooth] in order to access higher levels of performance; but that does compromise the ease of use and convenience that you have with a wireless connection,” he says.

“We’ll continue to evaluate the need for 24-bit/192kHz support, but we’ll always view through that lens of ‘what makes sense for the consumer’, within which ease of use and convenience are also critically important factors.”

The words “ease of use” and “convenience” quickly became a theme. Kazunori Otsu, director of Technics’ headphone business, tells us that while audio quality is paramount, it needs to be easy to access too.

And at the moment, getting a consistent, decent experience delivering fully scalable, lossless 24-bit/192kHz wireless audio quality is anything but simple, according to all three experts.

It’s all a bit difficult

As stated by B&W’s Hoyle, even if the headphones were made, it wouldn’t be “easy” for listeners to take advantage of the functionality.

“The biggest challenge is how we make access to better audio simple and straightforward. Having support for higher resolution formats is part of the puzzle, but it is not the only answer,” he says.

“There are plenty of examples where users may think that they cannot tell the difference in the quality between high resolution and ‘standard’ audio, but this is often because of limitations elsewhere in the chain. This is why we try to focus on a whole system view to ensure that any improvements in the source should translate easily to all users.”

There is an ecosystem of factors needed to support lossless 24-bit/192kHz wireless audio. At a broad strokes level, to deliver the promised quality, you need a source transmitting 24-bit/192kHz, a wireless transmission and protocol robust enough to handle it without losing parts along the way and an endpoint (headphones, for the purposes of this article) that can understand and articulate the data it’s receiving. That’s a lot of moving parts, even for an engineer.

The big drawback at the moment is that most networks, codecs and devices aren’t up to the challenge. Bluetooth, the most common protocol used to stream music, can’t support the quality, and even the top-end aptX HD and LDAC codecs for it are fairly lossy – meaning parts are lost during the digital compression and unpacking process. And wi-fi, which is the most stable and fastest option for most people, isn’t as ubiquitous as Bluetooth, and there are issues with how most devices behave when switching between the two.

Qualcomm wants to fix the transmission part with its Expanded Personal Area Network (XPAN) technology. This, it claims, will scale automatically and intelligently depending on network conditions. So in theory it could (eventually) deliver 24-bit/192kHz audio wirelessly when its data connection is good enough, but discreetly switch to lower quality, in a way that doesn’t lead to dropouts or artefacts, when it’s too slow.

Lenbrook’s Airia transmission codec, which itself was an evolution of the SCL6 codec that MQA was working on before the firm was bought by its current Canadian owner, has a similar goal.

That’s all before we get into my, and former What Hi-Fi? editor, Jez Ford’s, explorations of how Ultrawide Band could help wireless headphones, and audio in general, reliably reach the standard. Cliff Notes: this is an alternative protocol some firms believe could deliver the quality with lower power demands, removing Bluetooth from the equation entirely.

It’s this plurality of moving parts that is a big issue for companies, including Sennheiser, says Ern:

“There are many improvements available or on the horizon to improve wireless audio quality. The main obstacle is compatibility. New technologies usually require transmitter and receiver to use the same form of transmission and codec, but most devices only support the usual standards.

“Therefore, using such new standards often requires not only the right headphone, but also the respective transmitter (phone, tablet, computer).”

Technics’ Otsu expresses a similar frustration, noting there isn’t even full interoperability among Bluetooth and mobile devices right now:

“One of the main challenges today is the limited interoperability of high-quality wireless audio technologies across different platforms. For example, while technologies such as LDAC can deliver higher-quality audio, support varies depending on the operating system, device, and chipset.

“As a result, even when advanced audio technologies are available, not all users can easily access or benefit from them. Improving compatibility and accessibility across platforms will be an important step toward bringing high-quality wireless audio experiences to a broader audience.”

What do people want?

All the experts we spoke to also agreed that “mainstream” music listeners don’t necessarily put technical things, including codecs and bitrates, on the same level of importance as audiophiles and hi-fi enthusiasts – which is why they are focusing elsewhere, for now.

Technics’ Otsu sums this up, telling us: “Across the broader market, we believe consumers are increasingly prioritising everyday usability factors such as comfort, ANC performance, connectivity, and battery life.”

B&W’s Hoyle adds that even these are only part of a wider set of priorities, which flip in rank depending on the person, telling us: “I believe that each user has a clear idea of how they are planning to use their headphone and this informs their priority feature list and their purchasing criteria.”

For Sennheiser’s Ern, this is particularly problematic, as the technical implications of raising audio quality would lead to higher prices due to the need for more expensive chipsets and lower devices’ battery lives, due to their higher power consumption.

So does that mean we won’t see the upgrades promised by Airia and XPAN as soon as we had hoped? Not necessarily…

Hi-fi will still find a way

Despite the mainstream headphone makers’ reticence, there was one segment of the market that still thought the effort of making the jump to 24-bit/192kHz, lossless, wireless audio was worth it: luxury and high-end.

Matt Dever, senior global product line manager, Harman Luxury Audio (Mark Levinson’s parent company), tells us that in audio circles there will always be enthusiasts willing to chase audio quality above all else.

“For Mark Levinson, it is very important to achieve that pinnacle of 24-bit/192kHz performance in an active wireless headphone. And we know that the technology giants will help get us there in the not too distant future. There is a market for that level of performance, as well; it will continue to drive the aspirational side of the consumer to better performing products,” says Dever.

He adds that the firm is already looking at XPAN and Airia, as well as a multitude of other technologies to help improve its premium wireless headphones.

“From the Mark Levinson and the luxury/audiophile perspective, our end users crave the best-quality audio experience possible. So, incorporating technologies that bring the highest level of audio quality, be it through the connectivity elements of wi-fi, XPAN, Bluetooth [and the like], or through employing audio codecs like Airia, LDAC and LHDC. These types of elements are paramount in the development of a Mark Levinson headphone,” he says.

“And it doesn’t have to be just one of these technologies; many of these can be employed together to create an even more exceptional listening experience. For example, many of the audio codecs mentioned above scale up to higher levels of performance with greater connectivity bandwidth. The Mark Levinson team is always studying and testing the latest technologies to determine the best path forward to keep us at the forefront of delivering the finest sounding headphones.”

Despite that, he does concede that the firm is hitting many of the same roadblocks as Technics, B&W and Sennheiser, telling us:

“Mark Levinson is not a fan of any of the lossy compression codecs. But with the limitations of bandwidth available, there must be compromises made, at least for today. But the industry goal should be lossless wireless audio reproduction at 24bit/192kHz.”

So, while we may not see “mainstream” next-generation headphones as soon as we had hoped, the high-end is already taking steps towards delivering the audio Shangri-La promised by Qualcomm just over a year ago.

What do you think?

Do you agree with the experts that most people aren’t that bothered about lossless 24bit/192kHz wireless audio and that it makes sense only in the high-end market? Or, do you think it’s up to brands to do a better job of educating users about the jump ahead of delivering it? Let us know in the comments below!

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The best wireless earbuds, rated by our experts

We've been waiting for a sequel to the outstanding Sony WH-CH720N noise-cancelling wireless headphones for some time, and it looks as though our prayers may finally be answered in the coming months.

According to an often-reliable inside source, thewalkman.blog, recent import filings have revealed that a new pair of headphones is set to replace the Sony WH-CH720N, and will be called the "Sony WH-CH730N".

The filing also reveals the new colours for the upcoming sequel, with 'Black', 'White', 'Pink', 'Blue' and 'Beige' all listed. That's broadly the same as the finishes found on the established WH-CH720N, with 'Beige' representing the only new addition.

We don't have many details regarding the headphones' hardware or specifications. It remains to be seen what drivers they will implement, which chipset they will use, or what their prospective battery life figures will be.

We've had no word on price either, but as the WH-CH720N launched at £99 / $129 / AU$259 back in 2023, we'd hope to see an RRP that didn't rise too much beyond that.

So when could we see these new wireless cans finally arrive? According to thewalkman.blog, the FCC confidentiality end date is on October 20th, so there's a good chance we could see the WH-CH730N arrive at around that time.

The WH-CH720N landed in March 2023, but as we're well beyond that point in 2026, it appears that Sony may be shooting for a release that's somewhere towards the final quarter of the year.

For us, the sooner the better. The more we've had time to listen to and often live with the WH-CH720N, the more we've come to appreciate them as being some of the best sound-per-pound wireless headphones you can get. For sheer value, we're struggling to think of many that do so much for such a modest price.

They're not perfect, and when we speculated as to the four things we'd love to see from the then-speculated WH-CH730N, we hoped for a little less bass and for the new headphones to fold away fully, for a bit of added portability and convenience.

The WH-CH720N are lauded Award-winners, but a few new features, such as on-head wear detection or support for Sony's higher-quality LDAC codec, would be lovely additions for when a sequel materialises.

Whatever the case, the WH-CH730N have big shoes to fill. We dubbed the WH-CH720N as "dependably made, enthusiastic-sounding headphones that...deliver good ANC and a strong feature set to the very affordable end of the wireless headphone market", so any prospective sequel will have its work cut out to improve on such a potent combination of performance and sheer value.

Can Sony manage it? We'll be keeping our ears to the ground for any further rumblings regarding the WH-CH730N, and will keep you updated as and when any new information comes to light.

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Don't need ANC? Read our review of the cheaper Sony WH-CH520

I thought this simple upgrade would elevate Sony's WF-1000XM6 wireless earbuds – I was wrong

Our pick of the best over-ear headphones

A new pair of Bose over-ear headphones could be arriving very shortly.

That's according to French outlet Dealabs, which reports that Bose has leaked a second-generation iteration of its QuietComfort Headphones, slated for release in just a few weeks.

Bose's QuietComfort Headphones line isn't to be confused with the more premium QuietComfort Ultra Headphones. The QC Headphones are to the QC Ultra Headphones what the more affordable QuietComfort Earbuds (2024) are to the range-topping QuietComfort Earbuds Ultra (2nd Gen) – a lower price tag in return for slightly fewer features and not quite top-of-the-line performance.

That said, the new over-ears promise a full-blooded refresh over their three-year-old predecessors, with Dealabs' leak suggesting a new design, revamped controls and better sound quality could all be coming to the second-generation model in a bid to see Bose make a play for the competitive mid-range market.

Quite a few premium features could be about to trickle down from the premium QC Ultra Headphones (2nd Gen), including Bose 'TrueSpatial' spatial audio, lossless playback via USB-C, and a host of new listening flavours, including 'Cinema Mode' for making video content more, well, cinematic.

Many existing features and functionalities are set for significant improvements. Bose's 'ActiveSense' technology works to take the edge off unwanted noise peaks when listening in 'Aware' mode, while improved call quality comes courtesy of more effective ambient noise reduction.

The headphones' on-cup controls have been revamped, with Dealabs teasing more intuitive button placement on the earcups themselves.

Wholesale improvements haven't been made to every aspect of the incoming QuietComfort Headphones, however. Battery life will likely remain the same as the soon-to-be outgoing model, with the second-gen over-ears again set to max out at a reported 24 hours of listening with ANC switched on.

That revamped design is set to feature more on-ear padding alongside a more oval earpad shape and a wider headband, all designed to improve wearer comfort over time.

A veritable Delux colour wheel of new finishes could also be set to arrive, including Black, White Smoke, Rosewood Mauve, Eucalyptus Green, Dewdrop Mint, and Hazelnut Taupe.

What about prospective price? Figures are slated as £300 / $359 / €350, which represents a £50 / €50 drop for UK and European buyers respectively.

We never tested the original QuietComfort Headphones when they launched around three years ago, but we have reviewed both the QC Ultra Headphones (2nd Gen) and QC Ultra Earbuds (2nd Gen) in recent times.

Bose isn't quite dominating the premium wireless headphones space when facing competition from Sony, Apple and Sennheiser, but the upcoming QC Headphones' slightly more affordable asking price and bolstered feature set might help Bose claw back ground lost to its estimable competitors.

Dealabs claims that Bose's latest cans will arrive on August 13th. We've contacted Bose for comment, and will keep you updated with developments as they arise.

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These are the best noise-cancelling headphones on the market

Skullcandy has released new premium wireless headphones, the Crusher 1080 ANC.

But rather than go it alone, the firm has enlisted the help of a powerful ally in a bid to get its latest cans competing with the best in the business.

That ally, in case you hadn't guessed already, is Bose.

The Crusher 1080 ANCs' extensive feature set is powered by 'Sound by Bose' technology, meaning the new headphones boast 'QuietControl' noise cancelling and 'TrueSpatial' sound design.

These let them deliver Bose's Immersive Audio, and 'SpeechClarity' features for, as you might have guessed, clearer voice calls.

You even get Bose-tuned EQ modes to more accurately tailor the sound to your specific preferences.

That's a lot of Bose-made tech, but what about how the Crusher 1080 ANC actually sound?

As you might have gathered from the name, the new over-ears promise "bass you can feel", complemented by "a rich, balanced sound" with plenty of "immersive detail", all aided by Bose's 'WaveForm' audio engine for improved signal processing.

The Crusher 1080 ANC boast a very impressive 60 hours of battery life with noise cancelling switched off, dropping to around 50 hours when ANC is in play, while a 'Rapid Charge' facility will grant four hours of battery life from a 10-minute boost.

Elsewhere, a decidedly premium feature set includes Google Fast Pairing, Multipoint Connectivity and Auracast audio sharing technology, as well as a low-latency audio mode for gaming and movies.

Outside of the Bose tech, the headphones also feature Skullcandy's patented 'Crusher Bass' technology, which allows you to use the Skullcandy app or a dedicated 'Crusher wheel' to dial up your lower-end reproduction and "create a physical bass sensation that adds impact and immersion to music, movies, and games".

The Skullcandy Crusher 1080 ANC are available now, priced at £220 / $280 / AU$400, in a choice of Brown, Pink, Grey or Black finishes.

MORE:

Read our SoundCore Liberty 5 Pro review

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Looking for luxury headphones with the performance to match?

The Bowers & Wilkins Px8 are a well-built, good-looking pair of wireless headphones, but they're also backed up by outstanding clarity and a fast, punchy sound.

And the price just got a little less luxurious. The Px8 are now £379 at Amazon, a mega drop of £220 and the lowest price we've seen.

It's worth noting that the Px8 have been superseded by the better-sounding Bowers & Wilkins Px8 S2, but they're sticking stubbornly to their hefty launch price of £629.

Eyebrows were certainly raised at the premium asking price of the Bowers & Wilkins Px8, but we awarded them the full five stars even at full price.

As well as a classy design and supreme comfort levels, the Px8 is packed with features, including Bluetooth 5.2 with aptX HD and aptX Adaptive codecs for higher quality streams.

There are intuitive physical buttons on the earcups for reliable controls, while the B&W Music app gives you direct access to music services such as Tidal, Qobuz and Deezer. And to top it all off, you get 30 hours of battery life from a single charge.

And the all-important sound? It's an exciting presentation with excellent levels of clarity, precision and detail.

"The Px8’s midrange is crisp and clear, communicating vocal nuances superbly," our Bowers & Wilkins Px8 review reads. "These headphones reveal an impressive amount of detail and, just as importantly, present it in a musically cohesive way.

There is a reassuring sense of control here and the ability to track low-level instrumental strands, even when the music gets busy."

The Px8 also has four microphones for active noise cancelling (ANC), plus another two for voice pick-up during phone calls. The ANC is decent enough but not outstanding, especially compared to newer rivals that have moved the goalposts.

If ANC is important to you, you might want to consider the newer Bose QuietComfort Ultra Headphones (2nd Gen). They're currently a bit cheaper and offer a real step-up in the ANC department.

The Sennheiser HDB 630 are a similar price and will also appeal to audiophiles, thanks to an included dongle that enables aptX Adaptive over Bluetooth. Even without the dongle, the HDB 630 are class-leading in detail, dynamic expression and refinement at their level.

If you are after luxury, audiophile headphones with excellent build quality, the Bowers & Wilkins Px8 are now at a not-quite-so-luxury price of £379 at Amazon. While there are newer rivals on the scene, the Px8 still deserve serious consideration if you are buying at this level.

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Read our full Bowers & Wilkins Px8 review

These are the best audiophile headphones for true music lovers

Bowers & Wilkins Px8 S2 vs Px8: which premium headphones are better?

After more than five years of daily use, my AirPods Max recently stopped working.

I can't really complain. Between commuting, international travel and a house move, they'd spent years being stuffed into backpacks and suitcases before emerging to soundtrack thousands of hours of music and movies. They'd had a pretty hard life.

Rather than rushing to repair them, though, I saw an opportunity.

In the five years since I'd bought the AirPods Max, loads of exciting new headphones had launched. This felt like the perfect excuse to break away from Apple's ecosystem and find out whether anything could finally replace them.

Over the next couple of months, I spent time with headphones from Sony, Bose, Sennheiser and Bowers & Wilkins. Their relative strengths varied, but all of them sounded very accomplished with music. In the case of Sony's superb WH-1000XM6, I'd even argue the overall musical performance is better than that of the AirPods Max.

But this period of headphone flirtation had a surprising effect: my movie-watching almost ground to a halt.

For years now, I've used my AirPods Max at least as much for movies as for music. In fact, they've quietly become an essential part of my home cinema setup.

Once the rest of my family had gone to bed and it was no longer neighbourly to keep my Dolby Atmos system rumbling away, I had a simple routine. Rather than switching on Night mode and flattening every explosion, gunshot and orchestral swell, I'd put on my AirPods Max, tap the pop-up on my Apple TV 4K and carry on watching exactly where I'd left off.

The combination of the AirPods Max and Apple TV 4K remains astonishingly good. Their Dolby Atmos implementation, delivered through Spatial Audio with dynamic head tracking, creates an experience that's surprisingly easy to forget is coming from a pair of headphones. It doesn't simply sound spacious; it sounds uncannily natural.

And that's the bit I hadn't appreciated until the AirPods Max disappeared from my life. Every alternative I tried excelled with music, but none recreated that movie experience.

The closest I came was pairing Sony's WH-1000XM6 with the Bravia 8 II TV. It produced an impressively open and fairly cinematic presentation, but because the connection relied on standard Bluetooth, what I was hearing was ultimately a cleverly processed stereo signal rather than the sort of binaural Dolby Atmos experience that Apple's solution provides.

The difference wasn't night and day, but it was enough that I found myself missing the AirPods Max every time I settled down to watch a film, and that had a surprisingly big impact on my viewing habits.

If the family was asleep, I simply wasn't getting the experience I wanted. I wasn't about to hobble my main home cinema system with Night mode, but neither were the alternative headphones convincing enough to tempt me away from it.

Whether it's children, a partner or simply considerate neighbours, I suspect lots of people end up watching films after the house has gone quiet, and losing that window meant the number of films I watched absolutely tanked over the following weeks. I missed loads.

The good news is that I'm now making up for lost time, because I've managed to get hold of another pair of AirPods Max.

The whole experience taught me something I wasn't expecting, though: I'd quietly built my entire late-night movie-watching routine around one Apple feature.

That's not to say Apple has the only solution. Sony, for example, offers the little-known WLA-NS7 wireless transmitter, which promises a similar binaural Dolby Atmos experience with compatible headphones. I'll be testing that very soon.

But until something else can recreate what the AirPods Max and Apple TV 4K achieve together, they'll remain my favourite headphones for movies – even if some rivals have at least matched them when it comes to music.

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Here are the best wireless headphones you can buy right now

Check out our Apple AirPods Max review

What do you think of when you hear the word “liberty”? Perhaps the triumphant motto of the French Revolution which pledged liberty, equality and fraternity for all, or perhaps the Statue of Liberty with her torch aloft welcoming newcomers to New York via Ellis Island? The Liberty Bell in Philadelphia, perhaps, or The Man Who Shot Liberty Valance if you’re into your black and white Westerns?

You may not think of a pair of mid-price wireless earbuds, but could that be about to change? The Soundcore Liberty 5 Pro are already imbued with a certain grandeur by virtue of their very name, but a name alone does not make a pair of earbuds.

Anker’s sub-brand Soundcore must face off against the likes of JBL and Sony to make a dent in this mid-range field, and while this isn’t the most densely populated segment of the wireless earbuds landscape, there are still a handful of hurdles for the Liberty 5 Pro to overcome.

Price

At £150 / $170 / AU$280, the Soundcore Liberty 5 Pro are committedly mid-range wireless earbuds. For this kind of money, the JBL Live Beam 3 can be yours for around £120 / $150 / AU$150, while the more affordable and Award-winning Sony WF-C710N can be picked up for £75 / $80 / AU$128 at the time of writing.

The likeable Apple AirPods 4 with ANC, conversely, sit around the £179 / $179 / AU$299 mark.

Build & comfort

Hooray, a pair of wireless earbuds that fit snugly and securely in our ears! This isn’t faux surprise or mock celebration: it’s remarkable the number of in-ear headphones – wired or wireless – that fall at what should be the most basic of hurdles.

We rarely have such an issue with the Soundcore Liberty 5 Pro. The mid-range contenders use a similar configuration to the more premium Bose QuietComfort Ultra Earbuds (2nd Gen), with an outer stem attached to a main body accompanied by top-mounted fins designed to sit under the ear’s inner ridge and facilitate a more stable fit. Those fins are fixed to the buds directly, however, so it’s something of a one-size-fits all arrangement.

They may be small, but the difference they make is profound. Those fins are firmer than the ones found on the second-gen Bose QC Ultra Earbuds 2, but in acting as an anchor to keep your buds in place, they really do the trick. We took the Liberty 5 Pro to the gym and even on a short 5 kilometre run, and not once did they come loose or make a bid for freedom.

During everyday use, the Liberty 5 Pro are easy to get along with. Their silicone ear tips fit snugly and securely, yet it isn’t often that we feel fatigued by the buds as we clock up the minutes of wear. Better still, Soundcore has been kind enough to offer five tip sizes ranging from XXS to large, so you’re likely to find a set to suit your needs, and there is an ear-tip test on the app to further help you on your journey to achieving a decent seal.

We’d be remiss if we didn’t mention the Liberty 5 Pros’ charging case, which uses a narrow front-mounted screen to display your buds’ vital statistics. The idea of a smart screen that essentially does the job of a companion app on your phone can be a bit of a divisive one, but we do appreciate being able to see our buds’ battery life at a mere glance.

Features

If you want something that will last and last, the Liberty 5 Pro’s battery life is decent, but they aren’t quite the Duracell Bunny of the mid-range earbud world. You’ll get around 6.5 hours from the buds and up to 28 hours total from the case with noise cancelling switched on, falling short of the 9-10 hours (buds) and 48-hour total of the rival JBL Live Beam 3.

Even the cheaper Sony WF-C710N squeeze around 8.5 hours from the buds and 30 hours with the case in play, leaving the Soundcore earbuds lagging rather behind their main rivals.

The Soundcore buds support Dolby Audio with head tracking, something they implement with reasonable competence. Do be aware that switching on Dolby Audio will switch off Soundcore’s ‘AI Sound Enhancement’ algorithm, resulting in a modest but perceptible drop-off in audio quality as a result.

The Sony-developed LDAC Bluetooth codec is also on the menu, something we wouldn’t necessarily expect to find with a pair of earbuds at this price – the cheaper Sony WF-C710N, for example, don’t support it at all. Considering LDAC allows you to stream high-resolution audio streams up to 32-bit/96kHz at up to 990kbps data rates from a compatible source, that’s quite a feather in the Liberty 5 Pros’ cap.

Touch controls work well, with Soundcore’s system operating primarily via either a series of taps or swipes depending on what you want your buds to do. Our test pair are responsive to our various commands, and we’re particularly impressed by the levels of customisation on offer from the accompanying Soundcore app.

On the subject of the app, Soundcore’s is generally a good one. There are plenty of useful features, such as an eight-band equaliser, ANC mode toggling, touch control customisation, and a handy fit test, but some users might feel that some additions just get in the way, such as a ‘Discovery’ comments forum and a ‘Soundspace’ section filled with free meditations and various flavours of white noise. For us, such additions aren’t particularly necessary, although they may have their fans among users keen for an app with all of the bells and whistles.

Noise cancelling & voice calls

Soundcore has put a lot of effort into the Liberty 5 Pros’ voice calls, packing the buds with 10 sensors and powering it all with a new ‘Anker Thus’ AI chip, which draws on large audio datasets and uses a configuration whereby the chip’s CPU and memory are fused together for a more efficient and powerful performance when handling audio and calls.

Human speech is nicely spotlighted and impressively clear, although voices do sound a little artificial and robotic. The Soundcore earbuds do isolate speech admirably from environmental noise, so much so that traffic, wind and birdsong are barely audible as we natter away without distraction. The Sony WF-C710N sound more natural, but the Liberty 5 Pro have a cleaner presentation.

Noise cancelling is similarly capable. The Liberty 5 Pro keep up with their rivals as they suppress the general ambience of a busy cafe, making a decent fist of softening exterior noises if not completely eliminating them.

Higher frequencies, including some human speech or the clank of weights in a busy gym, will still penetrate through, as will the deepest of deep rumbles, but this isn’t a poor performance at this mid-price level. If you want a proper step up in terms of pure noise isolation, you’re going to have to spend more cash and seek out the premium Bose QC Ultra (2nd Gen) or the Sony WF-1000XM6 instead.

Sound

It’s been a reasonable showing thus far, but sound is ultimately where the race is won or lost, and it is here where the Liberty 5 Pro trip and stumble. From the outset, we’re impressed with the muscle and weight they bring to their respective renditions of Slipknot’s Left Behind and Nine Inch Nails’ As Alive As You Need Me To Be, but a lack of clarity and overall sonic precision limit the extent to which we’re truly involved in our music.

To their credit, we do get a sense of a pair of earbuds that are trying to entertain us. These aren’t bland or lifeless performers, with the Soundcore bringing enough robustness and power, especially at the lower end, to grant our tunes some proper wallop. Corey Taylor’s relentless performance on Left Behind is suitably ferocious, yet subtler quirks and vocal textures are lost amidst the earbuds’ somewhat clouded presentation.

Ultimately, there’s a lack of real refinement to go with all of that undeniable eagerness. The bass may be powerful, but it is both ill-defined and overdone, while a peakiness and lack of treble refinement haunts the upper frequencies. While doing a bit of tinkering with the provided in-app equaliser can help to rectify some of that excessive eagerness, it can’t do much to infuse any real quality into the resulting reproduction.

It’s an issue that really stands out whenever a track has plunging bass tones, which ultimately end up sounding amorphous, rumbly and lacking in sufficient definition. Boot up the opening of Noisettes’ Never Forget You or the first few bars of Agnes Obel’s The Curse, and you’ll hear what we mean.

A loose low-frequency reproduction is not the only issue. While the Soundcore buds do have decent weight and impact, they’re not as crisp or as well-disciplined as their rivals. The cheaper Sony WF-C710N are equally full-blooded, yet they have the punch, precision and propulsion to go with that muscularity. The C710N are a pro boxer’s powerful, clean leading jab; the Liberty 5 are a sloppy haymaker thrown on a booze-fuelled Saturday night.

The mid-range buds’ lack of rhythmic momentum is highlighted on tracks such as Ghost’s Satanized, during which a poor sense of timing and squashed dynamics conspire to make the whole thing sound both flat and sluggish. The JBL Live Beam 3 are better in both regards, while the supremely entertaining C710N are, frankly, streets ahead.

Verdict

Despite their secure fit and ample feature set, the Soundcore Liberty Pro don’t have the sonic talents to trouble the best mid-range buds. If sound quality is a priority, seek out the well-rounded JBL Live Beam 3 or the sonically superior (and cheaper) Sony WF-C710N instead.

Review published: 7th July 2026

SCORES

• Sound 3
• Features 4
• Comfort 4

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Read our JBL Live Beam 3 review

Also consider the Sony WF-C710N

Best wireless earbuds: 7 sensational pairs reviewed and rated by our experts

We’re only on day one of Amazon Prime Day in Australia, yet it’s already delivering in a major way where discounts on hi-fi, home cinema and all manner of AV tech are concerned.

Nowhere is that more evident than with headphones. And while there are literally hundreds of pairs to sift through, I’ve found 8 What Hi-Fi? Award-winning pairs — including our current Product of the Year — on sale with discounts of up to 39%.

So, if you want to make sure the pair you buy is going to give you the best possible performance, look no further.

• Check out all the latest Award winners

As I mentioned earlier, there are plenty more pairs of headphones available during the Prime Day Australia sales, alongside a solid selection of hi-fi components and Bluetooth speakers.

Remember, the majority of these deals are likely to come to an end when Prime Day finishes at 11.59pm on Monday, July 13. You’ll also need to be a Prime member to nab most of them. If you’ve not been a member before, you can sign up for a free 30-day trial.

Fancy something for the weekend? Well Sony has just the thing. Its Award-winning WH-1000XM6 headphones have just gained a new firmware update that enables an ultra-low-latency mode.

The update is also available for Sony’s 1000X The Collexion.

The update adds support for the Bluetooth LE Audio Gaming Audio Profile (GMAP). This reduces latency (the time that a sound takes to reach your ears) to less than 40 milliseconds.

As the name suggests, this will predominantly be of interest to gamers.

GMAP has four signal profiles (A-D) depending on whether speed or stability is the priority. Profile A is the quickest, while D is better suited for areas with lots of interference. GMAP is part of the Bluetooth specification laid down by the Bluetooth SIG, and so can work on other wireless headphones too.

In order to hear the benefit, your audio source also needs to support GMAP.

The new feature is available now via the 3.1.5 firmware update for the XM6 and 1.3.0 for the 1000X The Collexion. You can install the updates for both pairs of headphones using the Sony Sound Connect app.

MORE:

Read our Sony WH-1000XM6 review

And our Sony 1000X The Collexion review

I spent 10 hours on trains listening the Sony WH-1000XM6 – here’s what I learned

Growing up in rural Wales, I spent my adolescence desperate for noise.

As a teenager, roaming the serene forests that surrounded my home in search of something – anything – to do, I was invariably accompanied by a headphone-rattling playlist of punk, rock and industrial music. My natural gravitation at the time was towards anything that shook things up, that challenged the serenity of my environment, and would, I suppose, give my folks a headache.

As I became an adult and my taste diversified, I nevertheless sought out places to live that fell in line with that desire for chaos. Naturally, London was my first choice: loud, relentless, sometimes frightening.

By that time, I was enjoying everything from Fela Kuti to Chopin, but amid the blaring interruptions of tube trains, traffic and street-preachers, I simply could not hear quieter tracks in my music library.

Inexplicably, I never considered seeking out noise-cancelling headphones. Having embraced the city’s clamor as an inalterable feature of my circumstances, I took up the habit of listening, almost exclusively, to music that was loud enough to drown London out. Back to punk, we go.

That all changed once I started writing about audio equipment for a living.

Within my first few weeks as a new staff writer at What Hi-Fi?, I took home a pair of Sennheiser Momentum 5 Wireless headphones.

A heatwave was in full force when I swapped my cheap earbuds for these more premium over-ear ANC headphones, and on the crammed train home from work, the air con was going hell for leather. Above the bustle and groans of commuters sweating through their work clothes, the AC was all but shrieking with the effort it took to cool the carriage down.

Usually, the cacophony would have droned through my music, even at full volume; but placing the Momentum 5 Wireless over my ears and then enabling their full active noise-cancelling mode, I was astonished to discover how completely the world fell away.

In our five-star review of the Momentum 5 Wireless, we mention that Sennheiser has taken pains to improve on the ANC of the Momentum 4 Wireless, using twice as many microphones (a grand total of eight) to achieve what it describes as “three times” better noise cancellation, particularly in the midrange. In our view, the improvements were a success, keeping “traffic, wind” and, crucially, “the hum of air conditioners” at bay.

As I’ve fallen into the habit of listening to music through the Sennheisers during my daily commute, an unexpected side effect of their excellent noise-cancelling has been that my appetite for sonic carnage has subsided.

In its place, I’ve started listening to classical music on a regular basis. I wasn’t formerly much of a classical listener, but with environmental sound cancelled so effectively, I have found myself enjoying the newfound ability to pick out the finer points in classical arrangements – and while commuting, at that. Needless to say, if not for trying these headphones, I would have remained oblivious to these details.

These days, among my daily listens are Ravel’s Piano Concerto in G Major, M.83: II. Adagio assai and Debussy’s La damoiselle élue, L.62: Prélude.

To my ear, each of these musical discoveries has been complemented by the Sennheisers’ sonic signature, which we describe in our review as “rich, smooth yet strikingly precise and detailed”. In La damoiselle élue, the reverberant piano conveys a striking sense of scale, giving you a sense of the space in which the piece is played, which only grows as the notes are struck harder.

But even at the gentlest touch, the Sennheisers remain expressive, thanks to the “naturalness and insight” of their midrange performance. Listening to these recordings, I even find that their bass reproduction, which we describe as “on the richer side”, lends a pleasant and proportionate weight to every note.

So, where once you might have found me blasting Black Flag, Einstürzende Neubauten and Swans, I will instead be exploring – and what’s more, thoroughly enjoying – the back-catalogues of Debussy, Wagner, Ravel, and even some ambient albums such as Thomas Köner’s Permafrost.

That’s not to say I’m ditching the punk, I get the feeling that our love affair isn’t quite at its end. But who knows, perhaps, thanks to excellent noise-cancelling and performance from headphones such as the Momentum 5 Wireless, I’ll get to keep my hearing intact for a few more moshpits yet.

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Read our Sennheiser Momentum 5 Wireless review

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FiiO's noise-cancelling wireless headphones want to challenge Sony for entry-level supremacy

FiiO has unveiled its latest pair of wireless headphones, the EH13.

The new over-ears are conceived as a pair of budget-friendly cans that go big on features while keeping costs to a minimum, aiming to give would-be buyers "high-quality audio at an accessible price".

The EH13 feature a set of 40mm dynamic drivers fitted with sapphire-coated composite diaphragms, while support for the Sony-made LDAC codec allows for hi-res Bluetooth streaming up to 32-bit/96kHz.

Despite their modest price, the EH13 offer hybrid active noise-cancellation, while five built-in microphones and advanced 'Environmental Noise Cancellation' algorithms aim for clear voice pickup and reduced surrounding noise during calls.

The EH13 grant up to 45 hours of playback with ANC on, rising to a whopping 75 hours when noise cancelling is switched off. Further, Multipoint Bluetooth allows for connecting the FiiO over-ears to twin devices simultaneously.

The new headphones house a 3.5mm input and come with a provided cable if you want to hook up directly to your chosen music source, while a fully foldable design makes the budget cans easier to transport.

If you want to tinker with your listening experience, including altering your EQ settings, you can do so via the provided FiiO Control App.

The FiiO EH13 are available now in a choice of black or beige finishes, priced at £49 / $49 / €49. That sort of money puts them in direct competition with the budget Sony WH-CH520 (tested at £49 / $59 / AU$79) that we've so often praised since their release in 2023.

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These are the best wireless headphones you can buy

Best wireless earbuds: top pairs tested by our reviewers

Prime Day is in full swing, and our deal experts are still trawling through all the savings to bring you our top recommendations.

While the options aren’t as plentiful as they would be around Black Friday, with any big sales event, you’re always guaranteed some brands will lead the way in certain categories.

And one of those names is Sony, who is one of the biggest players in the wireless headphones space. It’s a position that’s reflected in the impressive range of deals we’ve seen so far during Prime Day.

I’ve highlighted my favourite picks so far below and also included one heavily discounted pair I would urge you to avoid…

The Sony WH-CH720N headphones are an easy recommendation for me because they're so affordable and sound so good. Build quality is robust, and they deliver impressive active noise cancellation for the money, too. Add a very decent 35 hours of battery life into the equation, and you can't go wrong, especially for £60 for the black finish.

Another affordable recommendation, the Sony WF-C710N are brilliant budget wireless earbuds. They are attractive, comfortable in-ears that give a fun yet mature performance for an amazing price. And that Glass Blue finish is an absolute stunner, in my eyes at least.

If you want the very best wireless headphones Sony has to offer, you have to go for the WH-1000XM6 this Prime Day. With stunning sound quality, excellent comfort, great portability, and brilliant noise-cancelling skills, these are the flagship wireless headphones to beat, especially at their discounted price

Alternatively, the best wireless earbuds currently in Sony’s stable are the magnificent WF-1000XM6, which have their first major price drop this Prime Day. In our five-star review, we praised their “breathtaking all-round performance”, which includes awesome noise-cancelling and super-clear call quality.

The Sony WH-1000XM5 headphones are five-star cans that won themselves a coveted What Hi-Fi? Award in 2024. This stunning pair offers great sonic clarity, a punchy delivery and precise, agile bass. Yes, the WH-1000XM6 are newer and perform better across the board, but they are much more expensive.

Proof that Sony doesn’t always get it right are the ULT Wear noise-cancelling headphones. Yes, they boast a less-than-half-price saving, but I wouldn’t rush out to snap them up. I don't really think the Sony ULT Wear are worth your cash – there are far finer alternatives available at this level (like the WH-CH720N) that offer a much more balanced and entertaining sound for the money.

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Boy howdy, what a doozy of a deal.

Of all of the wireless headphones deals we've seen this Prime Day, this has to be one of the very best. The Bowers & Wilkins Px7 S3 are just £255 at Amazon, a colossal saving of £144 that far outstrips any deal we've thus seen on the five-star wireless over-ears.

You'll have to get them in a rather stylish white colourway to get the lowest price possible, but that's hardly a great loss – white finishes are so in right now.

The Bowers & Wilkins Px7 S3 are some of the best wireless headphones we've had the pleasure of testing in the last few year, impressing in terms of both style and substance.

First launching in April 2025, it's not surprising to see discounts creep in as the good-looking over-ears approach roughly one-and-a-half years of life, but a £144 saving at Amazon is by far the best deal we've seen yet Hey, thank Prime Day for that..

While we've awarded the Px7 S3 the top spot for being best for style, being really, really, ridiculously good-looking is not all they have to offer. They're also lovely to listen to and packed with great features, even if the ANC could reasonably be quite a bit better.

As we wrote in our review: "The Px7 S3 really are exceptionally refined and detailed headphones. They drop you deep into a performance, breaking the boundary between you and your music and insisting that you become a part of the experience, a little like a mate at a gig who ushers you ever-closer towards the stage."

Thanks to their cannily-positioned eight-mic array, the Px7 S3 deliver a reasonably solid barrier between you and the outside world.

While their biggest rivals, the Bose QuietComfort Ultra and Sony XM6 block out sound a little more competently, these Bowers do a decent enough job, and at this price, they're now considerably cheaper than the XM6, and a lot better looking.

Their features also impress at this price point, with aptX Lossless and Adaptive Bluetooth support and a respectable 30-hour battery life with ANC on, while Bluetooth Multipoint makes switching between multiple connected source devices as easy as falling off a log.

For anyone looking for the convenience of wireless and ANC without giving up too much when it comes to sound quality, the B&W Px7 S3 are easy to recommend, especially now that they're just £255 at Amazon.

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Bowers & Wilkins Pi8 vs Pi6: which B&W wireless earbuds should you choose

A pair of Sony headphones for £100 off? Normally we'd be recommending that you throw caution to the wind, boot up that laptop, stretch your clicking finger and get those cans into your digital basket, because that sounds, on paper, like a Prime Day deal worth taking.

This is one of the rare instances, however, when we'd advise you to look elsewhere. The Sony ULT Wear are a rare misfire from Sony, and while they're down from £180 to just £88 on Amazon, we just don't feel that they're worth your time. Save your cash and pick up a pair of five-star alternatives (listed below, obviously) instead.

Sony ULT Wear deal

Hooray, a pair of heavily discounted Sony headphones! They’ve got noise cancelling, a comfortable design, loads of high-performance Sony features and a majorly knocked down right, so what exactly isn’t there to love?

The problem is that the ULT Wear don’t sound as good as we had hoped. In fact, they are a rare sonic misfire for Sony, with a sound that sounds either too enthusiastic and bass-heavy, or simply too lacking in the basics of dynamics and detail to have us singing their praises. Great Sony headphones abound at the moment, but sadly, the ULT Wear are quite a long way from greatness.

Consider these alternatives instead

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I have been happily rocking a pair of the four-star Beyerdynamic Aventho 300 as my go-to pair of wireless headphones for a while now.

For me, they’re great, and I am more than happy with them. But, after a few readers got in touch asking if they should take advantage of Amazon’s current Aventho 300 deal, which lets you grab a pair for £239 (saving £120), my answer is, probably not.

Instead, I would point most people to Amazon’s current deal on the five-star Sony WH-1000XM6, which lets you pick up a pair for £236 (save £164).

That’s not because the Aventho 300 and I have fallen out of love and are on a break. They are fantastic, wonderfully unassuming headphones with a sonic profile that will truly delight any listener who values composure and balance, even if it means they might be a little clinical. That’s why I love them.

For most people, however, there’s a reason we scored the Sony WH-1000XM6 higher and gave them a What Hi-Fi? Award. Their sonic profile is more entertaining and packed with detail, and will please a wider audience of listeners than the Aventho 300.

They also offer better ANC, which again is a big factor that gives them more mass appeal. We said as much in our reviews of the two headphones.

For example, here is our WH-1000XM6 verdict:

“Sony’s wireless headphones deliver a performance more than befitting a flagship pair of wireless headphones. Comfort levels are great, they’re nice to use, ANC is excellent, call quality is class-leading, and sound quality can match anything at this level. Simply sensational.”

Whereas in our Aventho 300 review we reported:

“The Beyerdynamic Aventho 300 won’t be for everyone [...] That said, these are really solid performers for the money, that resist the urge to impose their will on your music and instead step back and allow your tunes room to shine.”

We stand by those statements. Which is why, generally, I recommend that most buyers should opt for the Sony WH-1000XM6, even though I am personally very fond of my Aventho 300.

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These are the best wireless headphones we have reviewed

Our picks of the best wireless earbuds

This Prime Day is the perfect time to find your latest pair of wireless headphones or wireless earbuds. Prices are dropping faster than Scotland's World Cup chances, and good deals are becoming great ones thanks to ever-plummeting RRPs. There's no time like the present to snap up a bargain.

This Prime Day has seen major discounts on a massive variety of headphones, but we're limiting this rundown to those which fall under £150. Times are tough right not, so the products we've listed below, be they in-ear or over-ear, are all designed to elicit maximum satisfaction from the lowest cost possible. Nice.

Wireless earbuds

Best mid-price: Bowers & Wilkins Pi6

Best noise-cancelling: Sony WF-C710N

Best entry-level: Sony WF-C510

Over-ear headphones

Best entry-level: Sony WH-CH520

Best budget noise-cancelling: Sony WH-CH720N

Best budget wired: Røde NTH-100

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When you're looking for a great Prime Day deal, what you're really after is the cheapest price for a very good product. While we've spotted gigantic speaker savings and great OLED TV discounts, those price tags still number in the hundreds.

So what's the best cheapest Prime Day deal this week? That would be the Sony WH-CH520. These budget wireless headphones already won us over thanks to their blend of talents we tested them at full price (£49) but they're now available for just £30 at Amazon.

Only £30 for five-star Sony headphones! If you regularly peruse the glorious Tesco meal deals for your work lunches, this amounts to about seven meal deals. Even more if you're a Clubcard holder.

Which one is better value? The meal deal is invaluable – a sandwich, a snack, a drink! – but I would happily swap it for a plainer home-made lunch for a week, just so I could spare that £30 to invest in these ultra-budget Sony headphones.

It would be a good investment in the long run: these wireless headphones have a massive battery life of 50 hours, are comfortable and lightweight to wear, and they sound balanced, informative, and engaging. As a travel companion on my commutes, they would be just as invaluable, keeping me fed on a diet of new and much-loved songs.

As we said in our review: "You can’t really expect the Earth when you’re paying this much for a pair of headphones, but what’s remarkable about the Sony WH-CH520 is how little compromise they demand of you, both in terms of audio performance and ergonomics. "

If you're keeping a strict eye on your budget – as you have to be in today's rising cost-of-living crisis and hectic lives – it can be an indulgence to spend money on a pair of wireless headphones. And when you do, you want to make sure you've got your money's worth – you don't want to spend it on something that will disappoint you.

And these cheap Sony five-star headphones, with a Prime Day deal that makes them ever cheaper, won't disappoint. They are undoubtedly great value and worth indulging in.

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The only downside of recommending products for people to buy during Prime Day is that you start to sound like a broken record.

When one product I know well is the perfect fit for most people, I can’t help but keep blurting it out, and that’s exactly the case when it comes to one particular pair of ridiculously affordable wireless headphones.

The Sony WH-CH720N have become part of the furniture at the What Hi-Fi? Awards in recent years, such has been their domination of the sub-£100 area of the market.

They're consistently among the best wireless headphones we've tested.They continue to dominate all rivals at the money, and I’m pleased to say that they are back to just £60 at Amazon (which is pretty much their lowest price ever) in the Prime Day sales.

The WH-CH720N are fabulous all-rounders. The way they deliver your favourite tunes with conviction and enthusiasm is to be applauded, and their outgoing nature and wonderful sense of musicality keep you coming back for more.

Rival headphones at this price can only dream of sounding as entertaining.

In our Sony WH-CH720N review, we said their “punchy presentational style feels tailor-made for the genres that can get the best use from it, namely rock, hip-hop, big orchestral numbers and peppy, energetic pop hits”.

Some might feel the bass can be a little boisterous at times, but we found you can quickly dial this down a notch on the headphones’ companion app.

The build quality reflects the price tag, so don’t expect too much in the way of luxurious materials, but the Sonys still feel solid and durable. They’re ideal for daily use – you can just fling them into a rucksack and forget about them when not in use.

The built-in noise-cancelling is great for the money, and you don’t feel shortchanged. As we said in our review, “these affordable Sonys do an effective job of dampening, if not silencing completely, the rumble and swoosh of each passing car as it whizzes its way past on a busy nearby road”.

They deliver a ridiculous level of performance for the money, which is the reason why I recommend them so much – for just £60 at Amazon, you really can’t go wrong.

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Forget the rest – these are the premium wireless headphones I'm recommending to everyone this Prime Day

I've heard a lot of premium wireless headphones in the past few months. No, seriously, when I say a lot, I mean a lot.

The Sony WH-1000XM6, the Sennheiser Momentum 5 Wireless, the Apple AirPods Max 2, the Sony 1000X The Collexion, the Bose QuietComfort Ultra Headphones (2nd Gen), the Bowers & Wilkins Px8 S2; the list just goes on and on.

And yet, this Amazon Prime Day, I would pick one pair above all others. Those aforementioned headphones are all excellent, sometimes spectacular, in their own respective ways, but one pair stands head and shoulders above the rest: the Sennheiser HDB 630.

At £400 / $500 / AU$1000, they're not cheap, and discounts aren't exactly common, but if you see a drop this Prime Day, across any of the major retailers, I would urge you wholeheartedly to snap it up while you can.

In fact, even if they don't budge an inch, I'd still be urging you to get hold of the best wireless headphones Sennheiser has ever made.

It's going to be a crazy twist of fate if some of the best wireless headphones you can currently buy this Prime Day aren't currently available on Amazon. Well, it's their loss.

In truth, forget Prime Day and Amazon altogether. Forget discounts and price cuts, and even brand loyalty. Just remember one key fact: if you want the best premium noise-cancelling wireless headphones, you want the Sennheiser HDB 630. It's that simple.

Why? Well, mainly because these are sound-first headphones that have pushed the needle for how good Bluetooth over-ears can sound at this sort of price. The HDB 630 are exceptionally smooth and natural-sounding headphones, with a beautifully realised bass reproduction, a sweet, immersive mid-range and a crisp, sharply defined treble.

They're fun, dynamically adept and musically expressive, walking that tricky tightrope between analysis and entertainment with sure-footed precision.

Part of that quality comes from the Sennheiser's super-clever BTD 700 USB-C dongle that you simply plug into your device’s USB-C port to give it aptX Adaptive superpowers.

That means that any source device, including your iPhone, gains aptX Adaptive hi-res streaming up to 24bit/96kHz, even if it wouldn't natively support it. That is, quite simply, an absolute game-changer, and it works terrifically.

Plus, you get wired listening via 3.5mm and USB-C-ended cables, around 60 hours of battery life with ANC switched on, very solid noise cancelling, a luxuriously comfortable fit and very solid voice calls, all of which combine to make an exceptional all-around package.

We get that Prime Day should be all about Amazon and, of course, all about deals, but the HDB 630 are so exceptional that all sort of goes out of the window.

Discounts don't really matter (although they're great to see). Retailers don't matter. What matters is that, if you can, you pick up a pair of some of the best-sounding premium wireless headphones we've ever heard.

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Footballers love their headphones, or at least they seem to. Barely a weekend goes by when we aren't greeted by a pre-match image of our favourite players getting off the team bus, inspecting the turf or psyching themselves up pitch-side, all with a pair of their favourite headphones jammed into their ears or hanging around their neck.

It makes sense. You need those tunes to get you pumped up before a big game, and blasting out a bit of heavy metal in the changing room via a Bluetooth speaker might not make you popular with a roster of teammates who prefer a nice bit of drill or EDM. We're not professional athletes, but it seems obvious that locker rooms are like public buses; it's best to keep your music listening private.

With the FIFA World Cup set to kick off this month, the necessity to get hyped has never been so potent for some of our favourite 'soccer' stars as they head to America. From Beats to Bowers & Wilkins, these are the headphones some of the most famous faces in football are taking to the biggest stage of all.

Kylian Mbappe – Loewe

The greatest players need the finest headphones to match. There's no question that Kylian Mbappé is one of the premier players on the planet, so it was unlikely that he would be heading to the World Cup with a tatty pair of wireless earbuds he found for £20 on Amazon.

Instead, we imagine that Kylian might have a pair of £1500 Loewe Leo wireless over-ears stashed in his hold-all instead. France's talisman is Loewe's big-name brand ambassador, modelling not only the aforementioned Leo but the chunky We. Hear Pro portable Bluetooth speaker.

Maybe the latter will emerge in the changing rooms as and when France start winning their group games.

Lionel Messi – Beats

Beats has a remarkable history of celebrity endorsements, especially from athletes.

The brand's marketing strategy throughout the 2000s and 2010s was centred on inserting itself into the public consciousness by having Beats products appear constantly in music videos, at major sporting events, in TV shows and more.

In fact, you couldn't consider yourself a big-name celebrity or top-level athlete if Beats wasn't courting your attention, with the likes of LeBron James, Shohei Ohtani, Tom Brady, Simone Biles and Naomi Osaka all enjoying sponsorship deals at some time or another.

Beats has repeated the trick by nabbing Lionel Messi as a brand ambassador, so expect to see the GOAT with a pair of cans with a big bold 'B' emblazoned on the side when you tune in to watch Argentina.

Virgil Van Dijk and Declan Rice – JBL

It makes sense for JBL to collaborate with the biggest names in the world of football.

The US company has always been pretty good at knowing its target audience and then catering to it in both the way it makes products and how it sells them to its core demographics.

JBL has snagged the services of quite a few high-profile leather-kickers in recent times, with Liverpool centre back Virgil Van Dijk and Arsenal stalwart Declan Rice being two of its major supporters.

Both will feature heavily for their respective nations, the Netherlands and England, during the World Cup, though we'd be surprised if either actually wears a pair of JBL headphones while on the pitch. They'd fall off when you went in for a header...

David Beckham – Bowers & Wilkins

In case you hadn't noticed, David Beckham is no shrinking violet. The England icon lends his visage to Stella Artois beer, Hugo Boss clothing, Pepsi soda and the Shark Ninja air fryer, to name but a few. Slip him £100 and he'll probably turn up at your child's birthday party.

He appears so frequently in the public eye that we wouldn't be surprised if he's cloned himself in a bid to get to as many high-profile events as he possibly can in a single calendar year.

Air fryers and draft beer aside, he is also the handsome face of Bowers & Wilkins' range of premium headphones, including the five-star Px7 S3 wireless over-ears and the Award-winning Pi8 true wireless earbuds, so he's certainly got taste when it comes to audio.

Whether it's by the pitch, at the stadiums or in the mid-match adverts, you're going to be seeing quite a lot of Golden Balls at the 2026 World Cup. Not bad for a man who retired over ten years ago.

Mika Bireth and Falorin Balogun – Bang & Olufsen

Ok, this might be the coolest partnership in all of sport. AS Monaco have always been one of the most glamorous sides in the French Ligue 1. B&Os' reputation for blending high-end audio with luxury design is legendary. Talk about a match made in heaven.

The team houses four big-name B&O ambassadors. Denmark's Mika Bireth and the USA's Folarin Balogun are two of AS Monaco's representatives playing at the biggest international tournament football has to offer. Meanwhile, their Monaco teammates, Paul Pogba and Eric Dier, won't be representing their respective nations this time around, but they are major names who will also be wearing B&O cans, albeit on the sidelines.

Harry Kane – Our Pure Planet

Bless Harry Kane, he really does seem like one of the good guys. He's also pretty handy at football, in case you hadn't noticed.

The English icon has been banging in goals for Bayern Munich at a near-unprecedented rate over the last couple of seasons. Between matches, he's managed to find some time out of his busy net-ripping schedule to partner with eco-audio brand Our Pure Planet, becoming both a company co-owner and big-name global ambassador.

We don't know how Harry's headphones sound or how comfortable they are, but that's not exactly the point. Our Pure Plant's aim is to, according to its website, "reduce plastic, offset carbon, and minimise paper waste "by using up to 80% recycled plastics and metals in its products."

Eschewing massive audio brands in favour of endorsing an environmentally sustainable newbie? He's a good lad, our Harry.

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Want the headphones of champions? Read our list of the best wireless headphones

Noble Audio has announced its latest wireless over-ear headphones, the FoKus Artemis. Expanding on the design of its debut over-ear headphones, the FoKus Apollo – which boasted a world-first design by combining two different types of driver – the Artemis take things one step further, adding yet another driver to the mix.

Priced at £799 / $899 / €949, the new high-end wireless headphones enter the ring against serious competitors such as the Focal Bathys and Dali IO8, both of which we reviewed at five stars.

In this latest design, Noble has used a combination of dynamic, planar and balanced armature drivers to achieve what it promises to be “powerful, spacious and refined” sound.

With support for Bluetooth 5.4 and multipoint connectivity, the Artemis have been designed for easy switching between connected devices. But those of you who prefer wired headphones, worry not, they also support wired listening thanks to a supplied USB-C to 3.5mm adaptor cable.

A six-microphone array within the headphones enables Active Noise Cancellation (ANC) and Transparency Mode for blocking out or letting in environmental sound. Proximity sensors have also been included, which pause audio when the headphones are removed and restart it when they are put back on.

Developed for use alongside Audiodo Personal Sound, the Artemis allow users to create personalised sound profiles to suit their hearing preferences. This is done via guided hearing assessments, all of which, Noble promises, will be integrated into the refreshed Noble FoKus app in time for release.

With a fully self-replaceable battery which Noble claims lasts up to 50 hours – lowering to 35 hours with ANC enabled – the headphones sport decent battery life for this premium price.

The wireless headphones weigh less than 350g and feature a fully rotating design, replaceable ear cushions and magnetic detachable ear pads. They come with an IP52 dust- and water-resistance rating.

The Noble FoKus Artemis will be on show at High End Vienna from 4th June, with pre-orders opening the same day. Shipping is expected in July.

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We’re tempted to call Sennheiser the ‘dark horse’ of wireless headphones.

After all, our best buys have, in more recent times, been stacked to the brim with offerings from the likes of Apple, Bose and, more than any other, Sony, so it has been easy to forget the many qualities that Sennheiser brings to this particular slice of the audio terrain.

Let’s not forget, however, that this is a brand that has been around since 1945, a brand that, when not making the occasional microphone or soundbar, has built its reputation at the sharp end of both wired and wireless headphone production.

Perhaps ‘sleeping giant’ would have been a more apt moniker.

Admittedly, Sennheiser hasn’t quite been as prolific as its esteemed rivals when it comes to the actual volume of products sent to market. And the company’s ongoing search for a buyer since Swiss owner Sonova put its headphone division up for sale has naturally made waters all the choppier. From what we have seen of Sennheiser recently, though, it is still more than capable of taking the fight to the very best in the business.

The sound of success

We wonder if the release of the five-star HDB 630 will end up becoming something of a defining moment for Sennheiser.

Released just a few months before the announcement that the company’s headphone division was going up for sale – with some doom-mongers rather rashly predicting the death of entire brand – the audiophile-tuned HDB 630 now look like a major signal of intent.

We’ve always known that this is a brand capable of excellence in the wired space, though it had been a while since Sennheiser had properly flexed its wireless muscles. The soon to be phased out mid-priced Accentum line, including the Accentum Wireless and Accentum Wireless Plus over-ears, had failed to set the world alight, and it had been almost four years since we’d heard a hint of any addition to the premium Momentum Wireless range.

Rival standards were high, too. The Sony WH-1000XM6 looked unassailable at their £400 / $450 / AU$699 price, while the likes of Bowers & Wilkins, Bose, Apple and Dali were all also vying for the crown. Competition was, is, and probably always will be, incredibly fierce.

Yet the HDB 630 really pulled it out of the bag. Sennheiser’s outstanding cans set a new standard of wireless sound at this level, thanks in part to their clever bundled Bluetooth dongle, with a sonic performance that blew most of their competitors out of the water. Including Sony.

As we say in our review: “Here, precision and analysis go hand in hand with drive and vigour, making for the most informative and entertaining sound we’ve heard from wireless headphones at this price, with or without the use of the dongle.”

The Momentum 5 Wireless have repeated a similar trick, and while they’re not as boundary-pushing as the HDB 630, their aggressive price tag (£330 / $400 / AU$749) and rich, smooth sound make them a very fine alternative to the Sonys and B&Ws of this world.

Two five-star pairs with a strong focus on stellar sound and plenty of features in tow. If that isn't a warning to rivals to sit up and take notice, we don't know what is.

Take a chance on me

God loves a trier, but He also favours those who take a few risks.

It feels as though Sennheiser has recognised a need to innovate in order to get ahead of a crowded pack, and while the temptation to go in for zippy gimmicks and check-box features must have pulled hard, resisting such inclinations has paid dividends.

As has putting efforts into genuinely constructive innovation. We gave significant attention to the bundled Bluetooth dongle when reviewing the Sennheiser HDB 630 last year, and not without reason: it turned out to be the premium over-ears’ small-but-mighty secret weapon.

Essentially, it’s a clever little USB accessory that gives your phone or other audio source the same high-quality Bluetooth codec the headphones themselves support, meaning you have improved codec-support from devices which might not normally (we’re looking at you, iPhone) have supported them.

That’s a big deal, and as we wrote at the time, the “dongle proves a valuable accessory. When connected to an iPhone 16 and old Samsung Galaxy S21, upgrading their respective AAC and aptX connectivity with the headphones to aptX Adaptive, the presentation gains in clarity and solidity.”

The Momentum 5 Wireless have kept up with the times, too. There’s no dongle to be found, but with extensive codec support, wired listening via USB-C and 3.5mm, Dolby Atmos all on board, Sennheiser’s flagships have kept up admirably with the likes of the Sony WH-1000XM6 and the Bowers & Wilkins Px7 S3. 57 hours of battery life with ANC on doesn’t exactly hurt, either.

The new Momentum 5 Wireless don’t necessarily have the most features of any premium pair, but in terms of quality, they’re up there with the best.

A case of re-taken identity

Perhaps ironically, and certainly impressively, Sennheiser seems to have re-found and re-established its identity at a time of not-inconsiderable uncertainty.

While the likes of the Accentum line and the disappointing Sennheiser Momentum Sport earbuds seemed to play it safe with a flat, tonally grey sound, the premium Momentum 5 Wireless and HDB 630 feel like Sennheiser returning to a place where it is the most confident and comfortable.

In fact, when we spoke recently to the German manufacturer about where it saw its future, there was a clear statement that the Momentum Wireless line would be a prospective listeners’ “entry point” into the world of Sennheiser sound.

From there, they could progress to the HDB 630 and beyond into even more premium and high-end wired options. But the message was clear: Sennheiser would be providing audiophile-type performance to proper enthusiasts.

It appears to be a sensible move. Sennheiser does great work when it targets this more audiophile-centric side of the landscape – just see the wired Sennheiser HD 820 for proof – and with so many brands already targeting mass production of cheaper, spec-heavy wireless earbuds and headphones, it make sense to stick to more rarefied territory.

And, from what we’ve heard, it’s what the company seems to rather good at.

Sennheiser’s resurgence feels like a good thing for the wireless headphones industry.

It’s good for customers to have a healthy number of options when picking out a potential product; it’s good for the market not to be strangled for a monopoly; and it’s good for rival companies to compete with one another for supremacy in order to push the needle of quality ever forward.

When working as it’s supposed to, that’s sort of the point of a free market, isn’t it?

Producing two or three excellent pairs of headphones doesn’t suddenly make you the king, especially with the likes of Sony putting out five-star headphones across the cost spectrum, over many successive years. What they do indicate, though, is that Sennheiser feels like a company finding its groove again, and, in the midst of a potentially turbulent time, re-establishing its identity amid a sea of change and challengers.

If a worthy successor to the Momentum True Wireless 4 earbuds also ends up landing later this year, we might end up looking back at 2026 as being the year of Sennheiser.

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Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: which premium wireless headphones are better?

"Sound comes first" – we speak to Sennheiser about German engineering, changing ownership, and 80 years of making music

Best noise-cancelling headphones tested by our in-house review experts

Sennheiser or Sony?

It's a tough question to answer, especially when both brands have put out two pairs of premium headphones – the Sennheiser Momentum 5 Wireless and the Sony WH-1000XM6 – adorned with glowing five-star reviews. How do you choose between two sets of over-ears from two brands working at the top of their game?

That question is only made harder by the fact that the Sennheisers are a chunk cheaper than the Sonys, meaning that price is becomes a new dimension to this already tricky conundrum. The Momentum 5 Wireless are newer, too, so now age becomes a factor to add to the mélange, and that's before we consider the usual aspects of sound quality, features, build, comfort etc.

It's a lot to consider, but don't worry, we're here to help. We've broken down the virtues and vices of these outstandingly capable noise cancelling cans to put you in the best position possible to find exactly what you're looking for.

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: price

Competition at this level is fierce, but the Sennheiser Momentum 5 Wireless do have price on their side. At £330 / $400 / AU4749, they're cheaper than many of their premium rivals, and a good deal less than the £400 / $450 / AU$699 asking price of the Sony WH-1000XM6.

We'd caveat that slightly by mentioning the fact that the XM6's price can drop a little during sales events, though never so drastically as to come close to the price of the Sennheisers. Not yet, anyway.

In short, a clear win for the Momentum 5 Wireless for value.

** Winner: Sennheiser Momentum 5 Wireless **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: build and comfort

We're keen on the build and design of these rival pairs, though not necessarily for exactly the same reasons.

The Momentum 5 Wireless may be the cheaper of the two, but if anything they exude a higher perceived value than their slightly functional-looking Sony WH-1000XM6. Little touches, such as the headband’s attractive fabric exterior, go a long way to making the Momentum 5 Wireless feel more premium, and while the XM6 are well made, they keep things functional and decidedly un-flashy on the aesthetics front.

The fabric exterior of the Sennheisers' headband and carry case grant them a suave appeal, and our only real reservation is that the earcups feel just a little cheap and plasticky to the touch.

The Sonys are made pretty much entirely of plastic too, but their overall construction feels more durable and robust. They have the added bonus of folding away completely, something which the Momentum 5 can't do.

The WH-1000XM6 weigh in at 254g, a good deal lighter than the 290g of the Sennheisers, while their nicely judged clamping force and firm-yet-forgiving earpads rarely put our our ears under any undue strain or causing excess overheating over time.

To be fair to them, the Momentum 5 Wireless are also comfortable. We spend a long time listening to the Sennheiser over-ears, and though we find some mild on-ear heating past the hour mark, we generally don’t suffer with that aching feeling that can make extended listening a miserable experience.

Both over-ear designs feature a combination of touch-capacitative controls on the earcups and physical buttons. In both cases, haptics are expertly implemented, responding quickly and effectively to our commands when controlling playback or activating noise modes. You will, though, enjoy deeper levels of control customisation via the Sony Sound Connect app than via Sennheiser's Smart Control Plus platform.

This is a close one. The Sennheisers are a little more luxurious to behold, but the Sonys win back serious points for their portability, durability and greater control customisation.

** Winner: Sony WH-1000XM6 **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: features

Two pairs of premium headphones, two premium feature sets to match.

Bluetooth codec support is impressive across the board, with the Momentum 5 Wireless offering SBC and AAC codecs alongside higher-quality aptX HD, aptX Lossless and aptX Adaptive flavours. The Sennheisers currently use Bluetooth 5.4, but an upcoming firmware update later this year will push this to 6.0 and include LE Audio for reduced latency, better battery life and potentially boosted audio quality.

Conversely, the XM6 grant standard SBC and AAC and, of course, Sony's LDAC codec for streaming hi-res music at higher data rates over Bluetooth from a compatible device.

On Bluetooth, Multipoint connectivity is available on both pairs, meaning you can connect to two devices simultaneously.

Both grant app support, with respective platform a pleasure to use. The Sony app isn't the fanciest in the world, but it's certainly one of the most in-depth and customisable around, offering the likes of a 10-band equaliser and access to touch control personalisation. The Sennheiser SmartPlus app isn't quite as in-depth, but outmatches Sony for its usability and ease of navigation, and you're still able to perform useful actions such as tweaking your EQ settings or adjusting the amount of ANC you're getting via a handy slider.

Battery life is reasonably strong for the WH-1000XM6, reaching around 30 hours with noise cancelling switched on. That number is roundly beaten by the Momentum 5 Wireless: a very healthy 57 hours when noise cancelling is on and you’re playing at a reasonable volume is a very nice feather in Sennheiser’s cap,.

If you're into spatial audio, neither set will leave you feeling glum. The Sennheiser Momentum 5 Wireless have Dolby Atmos on the menu when listening to supported content, with dynamic head tracking to be added via an upcoming firmware update.

The WH-1000XM6 support Sony’s ‘360 Reality Audio Upmix’ tech, although you will have to go through a short set-up and ear scan if you want to make proper use of it.

Happily, you can listen to either pair via a wired connection. The Sony WH-1000XM6 grant wired listening via an included 3.5mm to 3.5mm audio cable, whereas the Sennheisers offer a wired option via either 3.5mm to 3.5mm or USB-C to USB-C, with the latter method capable of handling lossless files up to 24-bit/96kHz.

A good showing from Sennheiser, but Sony's flagship cans do have a few extra tricks up their sleeve. 'Speak-To-Chat', which drops the volume level when you start talking, is available on the WH-1000XM6, as is 'Quick Attention Mode' for letting you hear ambient sounds straight away by placing a hand on the exterior of the right earcup.

The WH-1000XM6 also make use of Sony's DSEE Extreme sound enhancement engine to bring poor-quality digital audio files nearer to high-res quality.

These two are roughly neck-and-neck when it comes to features: Sony might have a few more tricks up its sleeve that make daily portable use seamless, while Sennheiser's substantially longer battery life and inclusion of USB audio are major strengths.

** Draw **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: ANC and call quality

Sennheiser made a big effort to improve the noise cancelling for its new Momentum over-ears, with the fifth-gen cans using twice as many microphones (a total of eight) as their predecessors.

Those additions pay off. The Momentum 5's ANC doesn't clear the bar set by the Sony WH-1000XM6, but it will keep most noises – traffic, wind, air conditioners – at bay.

The overall effect does feel more like a softening of sounds rather than a complete exclusion, something which the Sonys do more effectively and more naturally. Take both pairs somewhere properly challenging, such as a public gym, and the XM6 will handle the full range of frequencies more effectively than their Sennheiser rivals.

Harsh sounds, such as clanking weights, are more convincingly filtered out by the XM6, and we feel more isolated from noises than when wearing the Sennheisers. Stand by a roadside with both pairs to hand, and the Sonys will all but eliminate those low traffic rumbles – the Momentum 5 Wireless, meanwhile, will soften rather than fully exclude them.

Call quality, meanwhile, is at a high standard no matter the cans you choose. Both pairs are excellent at reducing exterior sounds, especially the swirling bluster of wind noise, all while spotlighting human speech. The Momentum 5 make voices sound warmer and more natural, whereas the XM6 are impressively clear but can sound a tiny bit robotic by comparison.

Excellent call quality on each, but the XM6 have the noise cancelling talents to take this particular round.

** Winner: Sony WH-1000XM6 **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: sound quality

The Momentum 5 Wireless are excellent premium noise cancelling headphones, and some of the finest wireless over-ears that Sennheiser has produced in recent times.

We hear much of the same sonic DNA from the superb five-star Sennheiser HDB 630 in these more affordable headphones, with the Momentum 5 Wireless sharing the same feeling of clarity, dexterity and richness as their bigger brothers.

Their midrange is arguably their greatest strength. While the Sennheisers can be a touch rich in the lower frequencies, their midrange reproduction is superb, offering a naturalness and insight that gives the Sony WH-1000XM6 a serious run for their money. If anything, they're even better with voices than their Sony rivals, and that's really saying something.

The Sennheisers are rich, smooth and brilliantly precise headphones, with a personality that makes listening a refreshingly undemanding experience, offering levels of poise and maturity that very few comparable alternatives can match.

As we said in our review: "We could spend days on end listening to the Momentum 5 Wireless and feel neither frustration nor fatigue. While words such as 'undemanding' or 'relaxed' might otherwise be used synonymously with 'boring' or 'bland', we in fact find that these are headphones that strike a great balance between refinement and fun."

That said, if you've got the money to spend, it's definitely worth seeking out the WH-1000XM6 for a proper step up in audio quality. The XM6 don't have the midrange sweetness of the Sennheisers, but they're a punchier, more entertaining pair with ample talent across the board.

As we enthused in our review, the WH-1000XM6 "deliver the most detailed, dynamic, precise and open sound we’ve heard from a wireless Sony flagship. The headphones just seem capable of diving into any track you play and extracting an unbelievable amount of information".

Precision meets power to thrilling effect, and leading edges of notes are sharply drawn and hit with precision and force. The XM6 are great at breaking things down so that you hear each individual element of a song, but they also make sure to put everything back together again into one cohesive, thrilling whole.

While their midrange isn't quite as sweet as the Sennheisers, and they might be a touch more fatiguing to listen to over longer periods, the XM-1000XM6 are the more entertaining, musically talented of the two. Their dynamics land with more verve and contrast, while their rhythmic abilities can make the Momentum 5 Wireless sound just a touch sluggish by comparison.

The Sennheisers are superb, but the WH-1000XM6 justify their extra outlay. For us, they're the sonically superior pick if you have a bit more cash to spend.

** Winner: Sony WH-1000XM6 **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: verdict

The five-star Momentum 5 Wireless are a great reminder that Sennheiser is more than ready to take on all-comers in the premium wireless headphones space.

Their sound is easily worthy of its five-star accreditation, bolstered by a very healthy feature set, a huge battery life, and, perhaps most importantly, a lower price tag than that of the Sony WH-1000XM6. If you can't stretch to the more premium Sonys, the Momentum 5 are the logical step down.

If you do have the cash to spend and you want a great value return on your not-inconsiderable investment, we still recommending going for the Sony WH-1000XM6.

Not only are they more sonically exciting and engaging than the Sennheisers, but their massive bag of class-leading features, not to mention their effortlessly ergonomic design for daily portable use, make them the complete package. They're our current What Hi-Fi? Award-winners for a reason.

**Overall winner: Sony WH-1000XM6**

MORE:

Read our review of the Sony WH-1000XM6

Also consider the Sennheiser HDB 630

"Sound comes first" – we speak to Sennheiser about German engineering, changing ownership, and 80 years of making music

Sony and B&W are two of the biggest names in the wireless headphones market, and with Sony recently launching its ultra-premium 1000X The Collexion headphones, there is little doubt that it had the B&W Px8 S2 squarely in its sights.

We’ve already put each of these headphones through their respective paces, with both gaining very respectable four-star reviews, but if you’re thinking of spending upwards of £550 / $800 on your next pair of headphones, where is your money best spent between the two?

We’ve put them head to head in a battle of the flagship wireless cans to help you decide – read on to find out which pair comes out on top.

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: price

We already know that these two pairs of headphones don’t come cheap – after all, they are the premium options in their brands’ respective wireless lineups.

However, the B&W Px8 S2 are still a chunk of change more expensive than their Sony competitors at £629 / $799, compared with the Sony’s asking price of £550 / $650.

You probably aren’t considering either of these headphones if budget is a prime concern, but an £80 saving between the two is still not to be sniffed at. The win goes to the Sony The Collexion if you’re keen to save a bit of cash, but there are listeners who will find value in the extra outlay for the B&W. More on that below.

** Winner: Sony 1000X The Collexion **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: design and comfort

There’s one big difference between the design of the 1000X The Collexion and the Px8 S2 which is likely to divide opinion, and that is their materials. Sony has chosen to play it safe with a faux leather across the earcups and headband, while B&W has decided to revert back to animal products for its premium line, and use Nappa leather.

There’s not a lot of difference in the feel of the two, and you probably wouldn’t know the Sonys weren’t leather, or vice versa, if we hadn’t mentioned it. Still, we’d say B&W’s over-ears edge it as the more premium-looking of the two, with their signature aluminium plates on the earcups and exposed cable design on the arms giving the classy cans a higher perceived value than the Sonys.

We also worry with the Sony 1000X The Collexion that their faux leather exterior can be prone to marking and scratches, something we found when trying out our test pair.

Sony uses aluminium on the arms and over the top of the headband for its rival over-ears. They still look smart and nicely finished, but are bulkier (even though they’ve been slimmed down compared with the WH-1000XM6) and are just a little plainer overall.

However, Sony gains back some points when it comes to actual wear. The Sonys are very comfortable, and put hardly any pressure onto the ears or the top of the head while listening. There is also a bigger space inside the earcups, so they are more accommodating to larger ears. They are actually a touch heavier than the Px8 S2, at 320g compared with B&W’s 310g, but you wouldn’t know that from wearing them.

The B&W Px8 S2 are by no means uncomfortable, but do offer a slightly snugger fit across the board, and that just makes you more aware of them during longer listens. This does make them feel a bit more secure than the Sonys, though, which can feel a touch unstable and prone to movement on smaller heads.

As for controls, the B&W Px8 S2 goes all in on physical buttons, while the Sony 1000X The Collexion offer a mixture of touch controls for playback and call control, alongside a couple of buttons for switching between sound modes and noise cancellation.

We did find the B&W controls slightly awkward to use at first, but it’s always a learning curve with any on-ear controls, so users might find themselves acclimatising over time. The touch controls on the Sony, conversely, are responsive and slightly easier to use on the go, and we would generally find their system preferable to the one found on their rivals.

It's a close run on this one, with plenty of positives – and indeed drawbacks – on both sides. Considering the use of leather could write the Bowers & Wilkins cans off for a whole section of listeners though, we’re going to label this one a draw.

** Winner: Draw **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: features

Sony’s headphones tend to have some of the richest feature sets of any wireless headphones we test, and 1000X The Collexion are no different. The premium over-ears use Sony’s Sound Connect app, which is packed with ways to make the headphones sound your own.

As usual, alongside the standard noise cancellation and customisable ambient sound settings, Sony offers Adaptive Noise Cancelling mode, which can alter your noise cancellation level automatically depending on what you are doing. This has long been a great feature of established Sony headphones, such as the WH-1000XM6, and one we do find ourselves using pretty regularly.

Another useful feature is Scene-based Listening, which can have the headphones play music when the app detects you’re doing certain things, such as walking, running or on your commute home.

There are other features that we don’t turn to as often. There are now three spatial audio settings for ‘Music’, ‘Cinema’, and ‘Game’, plus a ‘Background Music’ setting for making your music sound like it’s playing in the distance – supposedly to better aid your concentration while working.

These are fun to play around with, and we did enjoy testing the ‘Cinema’ setting while watching movies, but we envision these will be ‘nice to haves’ rather than anything you’ll find ourselves using daily.

Bowers & Wilkins’ app is much more straightforward, with options for noise cancellation or ambient sound, the ability to turn on wear detection and a 5-band EQ. By comparison, Sony offers a 10-band offering (and a number of presets) on The Collexion. There’s no spatial audio support on the Px8 S2 either, nor is there Bluetooth LE as there is on The Collexion, though there have been promises for these in the future via a firmware update.

Both headphones support the standard SBC and AAC codecs, as well as higher-quality codecs for compatible devices – that’s LDAC for the Sony 1000X and aptX Lossless and aptX Adaptive for the B&W Px8 S2.

B&W’s Px8 S2 do grant the better battery life at 30 hours with ANC on, compared with the Sony 1000X’s 24 hours, the latter of which feels a little stingy.

Still, for the pure amount of features offered on the Sonys, they take the win here.

** Winner: Sony 1000X The Collexion **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: ANC and voice calls

Sony’s over-ear headphones have offered some of the very best noise cancelling you can buy for some time, and although Sony has said sound quality has taken precedence over the very best ANC here, it’s still really good.

The 1000X use the same QN3 chip and 12-mic array as found in the WH-1000XM6, and we find they do a great job of suppressing noise throughout the frequencies.

The noise cancelling on B&W’s Px8 S2 is a little disappointing by comparison. They still block out a good chunk of background whirrs and rumbles, but higher frequency noises are more prone to cutting through – much more than we notice on the Sonys. We imagine that’s at least in some part down to the fact the B&W have four mics fewer than the Sony, offering eight in total.

Call quality is good across both pairs, with a decent level of noise reduction and callers sounding clear and detailed. Our callers largely reported the same, though they did say there was more richness to our voice through the B&W Px8 S2, with the Sony cans sounding ever so slightly thinner.

Overall, the better noise cancelling on the Sony 1000X The Collexion is the biggest win here, so we’re giving this one to them.

** Winner: Sony 1000X The Collexion **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: sound quality

Behind both of these headphones’ respective performances are optimised drivers that were created especially for them. The 1000X The Collexion use a bespoke carbon composite 30mm drive unit, adapted from the one found in the WH-1000XM6, with a soft edge and hard centre.

The Px8 S2 uses a new 40mm carbon cone driver, also adapted to have a stiffer chassis, alongside a new motor system and voice coil.

The Sony 1000X exist to deliver a performance worthy of a 10^th birthday celebration, promising more refinement, detail and maturity compared with the standard XM6 – and they do live up to that promise. They have a wide open presentation, excellent detail levels and incredible clarity and insight, all complemented by a powerful yet controlled low end.

To be fair, all of that can also be said of the B&W Px8 S2, but we are particularly impressed with their handling of low frequencies, with plenty of power and authority in the bass. In our review, we also highlighted how engaging they are when listening to Keane's Everybody's Changing, writing: “The rise and fall in dynamics is handled superbly. The instruments deliver enthusiasm and life but the Bowers also communicate the tinge of sadness that comes from the lyrics".

While there’s a greater sense of scale on the 1000X over the B&W Px8 S2, it’s how these headphones make us feel that is perhaps the biggest difference between the two – and it’s here that the Sonys fall down.

The Sony 1000X simply aren’t as explicit or dynamic as we’d like, which makes them sound more removed and ultimately not as engaging as the B&W.

In our review, we described them as “standoffish”, and said that they “trade off some of that signature expressiveness we’ve heard in other Sony headphones for greater openness and detail, something that reduces the extent to which we feel truly involved with our music”.

In absolute terms, that means the Px8 S2 are just more interesting to listen to long-term, and we feel more emotionally connected to our music when we are listening to them. For that, they take the win.

** Winner: Bowers & Wilkins Px8 S2 **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: verdict

If you’re considering spending this much money on a pair of headphones, you want to make sure you’re spending wisely. Thankfully there are clear winners across our categories, and which pair you ultimately pick will depend on your given priorities.

The B&W are the more expensive, but they do at least justify this by being the more premium feeling of the two. The compromises here are that they come with minimal features for customisation and good-but-not-great noise cancelling, all of which is worth considering if you like your headphones to be the complete package.

For those who are looking for more in those aforementioned areas, the Sony 1000X The Collexion make a solid case for themselves, thanks to their decent build and handsome feature set.

This is backed up by a spacious, detail-rich sound – plus they’re a bit cheaper. Yet for the better sound quality of the two, we recommend the B&W Px8 S2 for their rich, detailed and more engaging personality.

** Overall winner: Bowers & Wilkins Px8 S2 **

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Sony WH-1000XM6 vs 1000X The Collexion: which premium wireless headphones should you pick?

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The best noise-cancelling headphones you can buy

Well, it’s been a while, hasn’t it?

If you can believe it, the Sennheiser Momentum 4 Wireless made their debut in the second half of 2022, meaning we’ve been waiting nearly four years for a fifth-gen sequel. In wireless headphone terms, that’s a long wait, especially when you consider that most manufacturers tend to update their premium lines every two or so years.

Think of the premium wireless headphones that have been released since the Momentum 4. The Sony WH-1000XM5 and the WH-1000XM6. The Bose QuietComfort Ultra Headphones and their second-gen successors. The Apple AirPods Max 2. The Dali IO-8. The Bowers & Wilkins Px7 S2, Px7 S3, Px8 and Px8 S2. That’s a lot of very impressive premium alternatives.

It might have been a long wait from one generation of Momentum Wireless to the next, but we know that Sennheiser can still compete with the best – just look at the benchmark-setting Sennheiser HDB 630 over-ears for proof. The Momentum 5 Wireless are a notch cheaper than their more audiophile bigger brothers, but if they share similar sonic talents, they might well make the case for the old adage that slow and steady really does win the race.

Price

As you might have gathered, the Momentum 5 Wireless have a lot of competition, but most of it comes at higher prices. The Award-winning Sony WH-1000XM6 are £400 / $450 / AU$699, while the Bose QuietComfort Ultra Headphones (2nd Gen) started life at £449 / $449 / AU$700 but often drop to £349 in the UK.

Let’s not forget about the five-star Bowers & Wilkins Px7 S3, which will cost you £399 / $499 / AU$699 at full price, whereas the Apple AirPods Max 2 are a step up at £499 / $549.

Build & comfort

We’ve occasionally criticised Sennheiser headphones for looking a little bland or functional in the past, but that’s not an accusation we could level at our stylish ‘Denim’ blue test pair.

True, the overall design language typified by those large oval earcups will be familiar to anyone who has seen a pair of recent wireless Sennheiser over-ears, but little touches, such as the headband’s attractive fabric exterior, go a long way to making the Momentum 5 Wireless feel more premium. They’re certainly a lot more desirable-looking than their rather plain HDB 630 siblings.

To hold in the hand, the Momentum 5 Wireless don’t impress quite so much. That headband exterior looks and feels the part, but the earcups feel just a little cheap and plasticky to the touch. They’ll swivel horizontally without much trouble, but unlike the Sony WH-1000XM6 or the Bose QC Ultra Headphones (2nd Gen), they don’t fold up entirely.

Having earcups with large exterior surfaces does have its advantages, particularly when it comes to touch controls. Sennheiser’s system – customisable via the Smart Control Plus app – is really well implemented, and we find them to be intuitive and easy to manage. Whether we’re swiping up on the right cup to increase volume or across to switch tracks, everything responds crisply and quickly to what we want.

Controls aside, how are the Momentum 5 Wireless to wear? At 290g, they’re not the lightest premium wireless headphones you can find – the Sony WH-1000XM6 weigh just 254g – but they are comfortable. We spend a long time listening to the Momentum 5, and though we find some mild on-ear heating past the hour mark, we generally don’t suffer with that aching, ‘squashed ear’ feeling that can make extended listening a real chore.

They’re secure and stable, too. The Sennheisers accompany us on quite a few dog walks and the occasional trip to the shops, and even when we’re striding purposefully with our eager Labrador in tow, they don’t often feel as though they’re rocking on our ears thanks to the headphones’ well-judged clamping force.

Inside, the Momentum 5 Wireless house a pair of 42mm dynamic drivers, inspired by those found in Sennheiser’s HD 600 series of wired headphones and tuned for what the German manufacturer describes as a “full-bodied sound with dynamic bass”.

Features

When we visited their research and development labs, the team at Sennheiser described themselves as a “sound-first company". That may be so, but we’re pleased to see that Sennheiser hasn’t forgotten that wireless cans need a few mod cons to keep up with the times. As a result, we’re not left cursing a barren features list.

Bluetooth codec support is impressive, with the Momentum 5 Wireless offering SBC and AAC codecs alongside higher-quality aptX HD, aptX Lossless and aptX Adaptive flavours. The cans currently use Bluetooth 5.4, but an upcoming firmware update later this year will push this to 6.0 and include LE Audio for reduced latency, better battery life, and potentially improved sound quality.

Speaking of Bluetooth, Multipoint tech is available for connecting to two devices simultaneously, with our test headphones switching easily between an iPhone 15 and our work laptop without much fuss.

Battery life is a highlight, reaching a very healthy 57 hours when noise cancelling is switched on and you’re playing at a reasonable volume. For comparison, the Sony WH-1000XM6 and Bose QC Ultra Headphones (2nd Gen) generally top out at 30 hours with ANC in play. A nice feather for Sennheiser’s cap, then.

For spatial audio fans, Dolby Atmos is on the menu when listening to supported Atmos content, with head tracking to be added via an upcoming firmware update. We test the tech out using a few Dolby Atmos tracks on Tidal – The Rolling Stones’ Gimme Shelter and Jimi Hendrix’s Crosstown Traffic to name a few – and there’s no doubt that the Sennheisers are able to harness their Dolby powers to craft a more three-dimensional listening experience.

Dolby Atmos can be switched on and off via the Sennheiser SmartPlus app, a stable and easily navigable platform which we find a pleasure to use. We’re particularly keen on the amount of customisation on offer, be it dialling in the amount of ANC we want to experience or tinkering with the eight-band custom equaliser.

ANC & call quality

Sennheiser has stated that, in response to customer feedback from the Momentum 4 Wireless, it has made a big effort to improve the noise cancelling for its fifth-generation follow-ups, with the new cans using twice as many microphones (a total of eight) for what Sennheiser describes as “three times” better midrange noise cancellation.

Those improvements add up to a pleasing experience. The Momentum 5’s ANC isn’t on the same level as the excellent Sony WH-1000XM6 or Bose QC Ultra Headphones (2nd Gen), but it’s a good performance which keeps most noises – traffic, wind, the hum of air conditioners – at bay. Sennheiser does keep its promise of better midrange cancellation, with the Momentum 5 doing well to exclude the chatter of external voices.

The overall effect does feel more like a softening of sounds rather than a complete exclusion – something which the Sony and Bose manage more effectively – but it’s still a capable showing. Taking the Sennheisers to the gym, the ANC results in a softening of the hubbub of a busy public space, even if harsher noises, such as clanking weights, can penetrate through.

Happily, call quality is right up there with the best. We take the fifth-gen Momentum out for a test chat on a blustery day in May (thanks, British weather), and our headphones effectively reduce intrusive wind and traffic noise while spotlighting human speech. Voices are clear and natural, even making the WH-1000XM6 sound a little mechanical and bright by comparison.

Sound

For something a little different, let’s start with what the Sennheiser Momentum 5 Wireless don’t necessarily do quite so well.

The headphones’ bass reproduction is on the richer side, something which makes itself apparent when listening to Hans Zimmer’s Like A Dog Chasing Cars, and while it’s still of a high quality, some listeners might prefer a tauter reproduction at the lower end.

Further, songs with a propulsive central rhythm don’t quite clip along with the same sense of ‘momentum’ when playing via the Sennheisers as they do when switching to the more expensive Sony WH-1000XM6. Load up Radiohead’s Burn The Witch or Kid Cudi’s Day 'n' Nite, and you’ll hear what we mean – the Sonys have a forward-focused urgency to them, while the Sennheisers favour a more relaxed presentation.

Costlier alternatives, such as the WH-1000XM6 or HDB 630 will undoubtedly take things up a notch sonically, but if you’re not willing to spend that extra £80 / $50-100, the Momentum 5 Wireless are an excellent pick thanks to their plentiful sonic virtues.

Their midrange, for instance, is a real highlight. While the Sennheisers can be a touch rich in the lower frequencies, they are right at home in the midrange, offering a naturalness and insight that gives even more premium alternatives a run for their money. Marvin Gaye’s crooning on Mercy Mercy Me comes across as rich, smooth and soulful, with the Momentum 5 crafting a wondrous feeling of emotive intimacy as Gaye bemoans that “things ain’t what they used to be”.

Let’s be clear, however, that these are more than just midrange specialists. These are rich, smooth yet strikingly precise and detailed headphones, with an audio signature that makes listening a refreshingly undemanding experience. Sugar’s If I Can’t Change Your Mind can sound overly urgent or shrill via lesser alternatives, but the Momentum 5 Wireless have the poise and maturity to bring order to what could, in the wrong hands, have quickly descended into chaos.

Those qualities are only amplified when we listen using a wired connection. Both 3.5mm and USB-C options for wired audio are provided, with the latter capable of handling files up to 24-bit/96kHz. A physical connection adds fullness and depth to instrumental textures, and that lovely midrange becomes perceptibly sweeter and even more defined when we return to Mercy Mercy Me via USB-C.

Wired or wireless, dynamics are teased out ably, and the Sennheisers are subtle and delicate in the way that they communicate those key tonal shifts, with the Momentum 5's precise temperament bringing out small scale dynamic shifts superbly.

All told, we could spend days on end listening to the Momentum 5 Wireless and feel neither frustration nor fatigue. While words such as “undemanding” or “relaxed” might otherwise be used synonymously with “boring” or “bland”, we in fact find that these are headphones that strike a great balance between refinement and fun.

Verdict

With the HDB 630 and now the excellent Momentum 5 Wireless, Sennheiser has reaffirmed that it is still a key player in the premium wireless headphones space, with the Momentum 5 Wireless serving as a timely reminder of the quality the brand can produce.

If you’re willing to spend a touch more, it’s well worth considering either the Sennheiser HDB 630 or the Sony WH-1000XM6. If your budget doesn't quite stretch that far but you’re still keen on stellar sound, the excellent Momentum 5 Wireless are an obvious choice.

Review published: 25th May 2026

SCORES

• Sound 5
• Build 4
• Features 5

MORE:

Read our review of the Sony WH-1000XM6

Also consider the Sennheiser HDB 630

"Sound comes first" – we speak to Sennheiser about German engineering, changing ownership, and 80 years of making music

Best noise-cancelling headphones tested by our in-house review experts

Sennheiser has announced the latest entry in its Momentum wireless over-ear headphones range.

The Momentum 5 Wireless follow the five-star Momentum 4 Wireless, and offer a host of sonic upgrades that should see them really challenge the ruling Sony WH-1000XM6.

Sennheiser says it has refined the experience "without straying from the formula" that made the M4 Wireless a favourite among the What Hi-Fi? team.

At their heart, you get the same 42mm transducer as in the previous model, which is tuned for "full-bodied sound with dynamic bass." But added to that are Hi-Res Audio certification and Qualcomm's Snapdragon Sound.

The former is an official seal of approval from the Japan Audio Society (JAS) that the cans have a frequency response of at least 40kHz and support 24-bit/96 kHz hi-res audio.

Snapdragon Sound is a blanket term for a few different technologies from Qualcomm that work together to optimise how smartphones and tablets transmit sound to audio devices like headphones.

The Momentum 5 supports the aptX Lossless Bluetooth codec for higher-quality listening, though sadly, there's no adapter like with the five-star Sennheiser HDB 630 that ensures your audio source is up to scratch on the quality front.

But you can tweak the sound using the Smart Control app, which has a new 8-band equaliser, bespoke presets and an intelligent Sound Personalisation engine.

The active noise cancellation (ANC) has also been improved. There are now twice as many microphones assigned to ANC duties – four per side.

We're promised "across-the-board improvements," though you'll have to read our Sennheiser Momentum 5 Wireless review to see if that's true.

Dolby Atmos with head-tracking will provide a more immersive experience when listening to spatial audio content, and updates are in the pipeline to further improve the cans' capabilities. A future firmware update that will add Bluetooth 6.0 and LE Audio (they ship running Bluetooth 5.4) has been confirmed, for example.

The Momentum 4 Wireless set a new standard in wireless cans with a 60-hour battery life. The Momentum 5 Wireless can't quite match that, but still last a very impressive 57 hours with ANC on. And the battery is removable, so you can swap it for a new one when it degrades in years to come.

The case, too, has had a refresh, and is now 20 per cent smaller and made with plastic-free packaging.

The Sennheiser Momentum 5 Wireless are out on 30th June in Black, White and Denim colourways. They cost £330 / $400 / AU$749, which is £30 / $50 / AU$200 more than their predecessors at launch. You can read our review (linked to below) to see if they're worth the extra cash.

MORE:

Read our Sennheiser Momentum 5 Wireless review

Check out the best wireless headphones we've tested

"Sound comes first" – we speak to Sennheiser about German engineering, changing ownership, and 80 years of making music

The ones to beat: Sony WH-1000XM6 review

If you’re after a pair of wireless headphones for around £150 / $150 / AU$200, your choices are roughly as follows.

You’ve got the excellent Austrian Audio Hi-X25BT if you don’t need noise cancelling, or you could go for the four-star Philips TAH8000E if you want ANC powers and don’t mind taking a bit of a hit on the sound side. Apart from that, it’s pretty slim pickings in what appears to be a strange market hinterland between budget-friendly cans and their premium, plus-£300/$300 counterparts. Or, you could spend a good deal less and buy a pair of our budget favourites, the Sony WH-CH720N for around £75 / $100 / $AU259.

At £130 / $130 / AU$220, the Soundcore Space 2 seem to fill this gap nicely, at least on paper. With the Hi-X25BT failing to provide ANC and the TAH8000E’s sound not quite reaching five-star heights, the path is open for the Space 2 to stick their flag in this potentially vacant soil. Let’s find out how they perform.

Build & comfort

Both to look at and wear, the Soundcore Space 2 are a well-made, sensibly designed pair of wireless headphones.

They play things reasonably safe on the design front, opting for simple circular earcups, an amply padded leather headband and some functional plastic on-cup buttons, but it would be hard to accuse the Space 2 of feeling cheap. They don’t have the boundary-pushing aesthetics of the more costly Nothing Headphone (1), for example, but this is still a neat, simple yet fairly classy pair of over-ears at a nice price.

They’re rather comfy, too. At a very reasonable 264g, the Space 2 don’t weigh a huge amount, meaning they’re rarely burdensome to wear over extended listening periods. The padding on the earcups and headband is a little on the soft side – some may prefer more firmness – but we don’t feel starved of comfort during our tests.

That headband is easily adjustable via a fairly smooth mechanism which grants roughly an extra inch of wiggle room, while the earcups will rotate from side to side and, even better, fold away fully to make carrying them in a bag easier.

In terms of general usability, it’s a standard, simple showing from the Space 2, and we don’t necessarily mean that as a criticism. The budget cans opt for the same general configuration as many wireless headphones of this type – including the Sony WH-CH720N – with noise cancelling and power buttons found at the bottom of the left earcup, and volume and Bluetooth controls on the right.

They’re not exactly luxurious, and actually finding the buttons when they’re hidden at the bottom edge of your headphones’ exterior requires some acclimatisation – but again, there’s little to really complain about here.

Features

The Soundcore Space 2 go big on battery life, offering around 50 hours with active noise cancelling switched on, and up to 70 hours if you turn ANC off and don’t listen at ear-splitting volumes. We used ours throughout a busy two-day press trip and barely made a dent in their battery. Better yet, a hurried five-minute charge will grant around four hours of standard playtime in a pinch.

For context, the Austrian Audio Hi-X25BT offer around 30 hours from a single charge, while even the Sony WH-CH720N’s 50 hours (ANC off) and 35 hours (ANC on) can’t keep up with the Soundcore.

Bluetooth codec support includes the standard SBC and AAC codecs, while those with compatible sources get the bonus of the higher-quality LDAC codec too. There’s also a 3.5mm to 3.5mm audio cable for wired listening, but no direct support for USB-C audio.

Spatial audio is provided, in a sense at least. Soundcore’s spin on the tech is dubbed ‘3D Sound’, and, as the name suggests, it’s designed to make stereo audio sound more three-dimensional by expanding the soundstage. There are hints of the tech working well here, and while it’s not going to challenge Dolby Atmos, we do get a sense of instruments being set further away from our ears a little more noticeably when using the mode.

If you do want to have a go with ‘3D Sound’, the best way to find it is via the Soundcore app. It’s a neat app bursting with features – even its own AI chatbot called “Anka” – and there is plenty to discover. You get an eight-band equaliser, ANC mode toggling and even some on-cup button customisation living alongside quite a few ambient sound options.

While you’re on the app, it’s worth taking advantage of Soundcore’s ‘HearID’ hearing test, which assesses your listening abilities and preferences and then purports to construct your own personalised sound curve. How much of this actually pays off is debatable, but it’s nice to have the option at this level, and we do find ourselves conducting much of our testing with our personalised hearing profile switched on.

ANC & call quality

It’s time to find out how the Soundcore Space 2 handle noise cancelling, and what better way to test out their ANC capabilities than with a quick flight over to Germany? No, we didn’t book the flight just to test out a pair of wireless headphones – we’re committed to our jobs, but we’re not that committed.

Both the flight and the busy airport give us the perfect opportunity to discover what the Space 2 can do, with noise cancelling available in its standard active form as well as a Transparent Mode for letting the world in.

Considering the price you’re paying, both settings are competently realised. The general hubbub of a busy airport terminal is softened nicely, even if peakier higher frequencies can tend to pierce through, while the rumbling and swooshing of an airplane in flight are diminished ably as we take to the skies with the Space 2 clamped over our ears. At this price, we’ve very little to take issue with.

It’s tricky to take voice calls on a plane, so that’s a test for when we’re back on terra firma. The Space 2 harness a 3-mic array and AI-powered algorithms in a bid to give calls sufficient intelligibility, and while speech comes through clearly enough, voices can sound a touch robotic and mechanical when compared with the more natural-sounding Sony WH-CH720N.

Still, the Space 2 are capable of blocking out exterior noises really rather well – perhaps even more so than the WH-CH720N – so that the swirls and whooshes of wind on a particularly tempestuous day barely register. All in all, a box ably ticked on the voice calls front.

Sound

Given the Space 2’s solid performance across other areas of our testing, we’re disappointed that the same levels of talent haven’t translated over to how the headphones actually handle music. In short, there’s very little about the Soundcore cans which we find engaging or exciting, and even less which has us wishing to return for repeat listening sessions.

They are, all told, rather bland performers. True, there’s something to be said for a pair of undemanding, composed headphones if you want to avoid that weary sense of fatigue that can often occur with more over-eager alternatives, but the Space 2 go too far the other way. Where is the excitement when we play Michael Jackson’s Smooth Criminal? Where is the drama of Kate Bush’s Cloudbusting?

We pick out Bill Withers’ Ain’t No Sunshine, and while we discern a decent amount of clarity and cohesion, as we listen we find there’s a real lack of emotional involvement, which mars our enjoyment. Withers’ voice is fairly robust yet lacking in any emotional heft, and the strings introduced at around the 30-second mark don’t have the free, swooning effect we might have hoped for.

Part of those strings’ uninvolving presentation owes to the headphones’ flattened dynamics. Muse’s Panic Station is next, and though the Space 2 are able to bring some cohesion and restraint to proceedings, we don’t discern much contrast between each deep bass pluck or the alternating percussive thumps of that key bass-snare drum pattern. Again, a compressed, flat sound prevents things from taking full flight.

Digging out the cheaper, Award-winning Sony WH-CH720N confirms our reservations. Okay, the Sonys sound a little flavoured at times, and their bass can be a little over-eager, but they’re far more entertaining and insightful across the various songs we play. Panic Station immediately pulses with more verve than the Soundcore cans manage, whereas those varying instrumental textures on Goose’s funky So Ready are more fleshed out and have the authenticity and personality we’ve been craving. The Sonys made music sound musical – the Soundcore, conversely, made it sound dispiritingly mechanical.

The similarly-priced Austrian Audio Hi-X25BT also provide an impressive benchmark which the Space 2 cannot match. They’re not as punchy or vicarious as the WH-CH720N, nor do they offer as much bass weight, but these are evidently far clearer, more delicate and more detailed headphones. Switching back to the Soundcore Space 2 simply makes the latter sound lacking in proper detail and bite.

It’s moving over to these five-star rivals that further makes us realise what has been missing from the Space 2s’ presentation. Balanced and reasonably clear they may be, but Soundcore’s over-ears don’t have that je ne sais quoi – be it the expressiveness of the WH-CH720N or the delicacy of the Hi-X25BT – to set our hearts aflutter.

There’s something to admire about how organised and unfussy the Soundcore cans sound, even as the music becomes more demanding and complex, but rarely do they make us feel in any way involved with or excited by the various songs we feed them.

Verdict

While we had hoped that the Soundcore Space 2 might have filled a gap in the mid-priced wireless market, we’re instead struggling to see how they fit into the current landscape.

Yes, a healthy arsenal of features does give them a potential competitive edge, especially with regard to their impressive battery span and comfortable fit. But when they’re sonically outmatched by finer – and cheaper – alternatives, they don’t quite seem like a viable option in comparison with the class leaders.

Review published: 22nd May 2026

SCORES

• Sound 2
• Build 4
• Features 5

MORE:

Read our review of the Sony WH-CH720N

Also consider the Austrian Audio Hi-X25BT

Best wireless headphones reviewed and rated by our in-house experts

The Sony WH-1000XM6 have been the brand's most premium wireless headphones for the last couple of years, with the flagship, What Hi-Fi? Award-winning pair our firm recommendation as the most entertaining wireless headphones around.

There is now a fresh pair of premium Sony over-ears in town, with Sony marking 10 years of its 1000X wireless line with a completely new addition: the Sony 1000X The Collexion over-ears, which offers a distinct sound, design philosophy and materials from the XM6, and all for a significantly higher asking price, too.

We can predict your next question already: is the WH-1000XM6 still the best pair to go for if you want stellar Sony performance in the upper echelons of the wireless headphones market? Or do the new 1000X The Collexion offer a better performance for their higher price?

To answer those queries, we've broken everything down so that you can see how the two overlap, where they differ and, crucially, which is the right pair for you.

Sony WH-1000XM6 vs 1000X The Collexion: price

The Sony WH-1000XM6 are priced at £400 / $450 / AU$699, although discounts will often knock up that official RRP down a little during sales events.

The 1000X The Collexion will set you back £550 / $650, making them the costliest wireless Sony headphones yet, and the closest that Sony has ever come to operating within the more rarefied area of the market currently occupied by the likes of the Bowers & Wilkins Px8 S2 (£629 / $799) or the Focal Bathys (£699 / $799).

£150 / $200 is quite a considerable jump to The Collexion from the WH-1000XM6, so if you're keen to save quite a few pennies, it's the What Hi-Fi? XM6 Award-winners we'd pick for outright value.

**Winner: Sony WH-1000XM6 **

Sony WH-1000XM6 vs 1000X The Collexion: design and comfort

Considering that what we have here are two premium pairs of Sony headphones, you'd be within your rights to assume that they would be cut from a very similar aesthetic cloth.

You would, however, be misguided, because design-wise, there's plenty to distinguish one pair from the other.

Externally, the 1000X The Collexion are classier cans, with a clean, minimalist exterior and oval earcups adorned with a few metallic physical buttons on the left cup. Think of a slightly more prestige spin on the look of the Sonos Ace and you'll be in the right sort of ballpark.

Everything on the 1000X The Collexion is made either from metal or faux leather, contrasting with the predominantly plastic construction of the XM6. The latter don't have the same premium look or feel as a result, but their smoother edges are less susceptible to marks and scratches than the faux leather surfaces found on The Collexion cans.

We sense that the more expensive The Collexion over-ears are designed as much to be admired as listened to, whereas the WH-1000XM6 feel more durable and practical for day-to-day portable use. That said, neither set have an official IP waterproof rating, so we'd urge you to be cautious when taking either out in wet weather.

Still, the XM6 fold away completely, something their more premium stablemates can't do, and offer a lighter overall weight: 254g against the 312g of their counterparts.

That light weight makes the XM6 a pleasure to live with, with a nicely judged clamping force and firm-yet-forgiving earpads rarely putting our our ears under any undue strain or causing excess overheating over time.

In fairness to The Collexion, they're still comfortable and easy to wear, even with their slightly greater mass. The headphones' slimmer profile does help to mitigate their on-head weight somewhat, with the width of the earcups measuring around 40mm from inside to out, compared with the 45.4mm of the WH-1000XM6. However, some members of our review team found The Collexion didn't clamp over their head as snugly as the XM6 do.

Both over-ears use a predominantly touch-based control system accompanied by a few on-unit buttons. In both cases, haptics are expertly implemented, responding quickly and effectively to our commands and offering ample levels of control customisation via the Sony SoundConnect app.

The 1000X The Collection sport the more luxurious, premium aesthetic, but if you want a pair of headphones capable of surviving the rigours of everyday use, the WH-1000XM6 are the ones to pick.

**Winner: Sony WH-1000XM6**

Sony WH-1000XM6 vs 1000X The Collexion: features

There's not much to choose between our rivals here, with both sets of wireless cans offering generous, high-performing features to keep you satisfied beyond the bounds of mere sound. There are, however, some key distinctions to be aware of.

If you’re a fan of spatial audio, both offer support for Sony’s ‘360 Reality Audio Upmix’ tech. This comes in the form of a ‘Cinema’ mode for the XM6, expanding out to 'Music' and ‘Game’ iterations with The Collexion. Those settings add varying degrees of spatial processing depending on your content, and we find that they grant you a more open, immersive experience as a result.

Both the 1000X The Collexion and the XM6 support standard SBC and AAC codecs alongside higher-quality LDAC for streaming hi-res music at higher data rates over Bluetooth from a compatible source device.

You can listen to either set via a wired connection thanks to an included 3.5mm to 3.5mm audio cable, though note that your headphones will have to be switched on to do so. Be aware, however, that there's no wired listening via USB-C on either set; the USB-C port is for charging only.

Sony’s Speak-To-Chat feature, which drops the volume level when you start talking, is available on both, though we found that, with the 1000X The Collexion in particular, the headphones can often confuse human speech with other sounds. If you don’t want your cans to keep cutting out every few minutes, you can turn Speak-to-Chat off via the companion Sound Connect app.

That app, by the way, is the one you'll be using for both pairs. No, it doesn't exactly look particularly swanky, but what you do get with the Sound Connect platform is excellent customisation for your headphones. From a ten-band equaliser to touch control personalisation, Sony does a fine job of ensuring you can enjoy your cans your way.

Both headphones offer some form of Sony's DSEE digital upscaling tech, although the given flavour depends on how much you're spending.

The more affordable WH-1000XM6 support DSEE Extreme to help improve poor-quality digital audio files to near high-res quality, but The Collexion take things a step further with DSEE Ultimate. Essentially an even more powerful iteration of Sony's patented software, The Collexion are the first Sony wireless over-ears to make use of the tech.

Battery life is the one area where The Collexion headphones fall behind, with 24 hours on offer with ANC switched on (extending to 32 hours with ANC off). You'll get a fair bit more from the XM6, which offers 30 hours of playtime with ANC turned on.

**Winner: Sony WH-1000XM6**

Sony WH-1000XM6 vs 1000X The Collexion: ANC & call quality

These are two areas where we can't see either Sony pair letting you down. That's not to say both are identical, but we're dealing with very capable operators when it comes to voice calls and ANC.

The WH-1000XM6 feature 12 microphones in total, with six on each earcup bolstered by various noise cancelling algorithms and an adaptive noise cancelling optimiser which constantly adapts to changes in your environment as you’re moving around.

Across noise cancelling and voice calls, the XM6 are superb. ANC is natural and immensely effective, damping down bass and midrange rumblings with ease, and while some might prefer the cocoon of isolation provided by the Bose QuietComfort Ultra Headphones (2nd Gen), the Sony cans' natural, subtle handling of external sounds really is up there with the best.

Voice calls are similarly outstanding. Three exterior mics with beamforming AI concentrate audio on your voice, resulting in precise, natural-sounding conversations which all-but entirely shut out background noise.

While Sony warned us that noise cancelling wasn’t such a focus for The Collexion as it was for the WH-1000XM6, the costlier cans are still very good in this particular arena. Much of the same tech from their established siblings is on-hand, including a QN3 processing chip and 12 mics to capture surrounding noise.

The Collexion do a fine job of suppressing noise throughout the frequencies, and while you might get the slightest hint of a shrill bird tweet just about breaking through that barrier, middle and lower range sounds are filtered out nicely. It isn't quite as effective as the XM6's noise-cancelling talents, but it still works at a reasonably high level.

Call quality is excellent, too. The Collexion house six beamforming mics complemented by a wind noise reduction structure for enhanced vocal clarity and reduced external sonic intrusions, with voices coming through as clear, articulate and emotive.

Background sounds, meanwhile, rarely intrude on our conversations, even in rough weather or near to rumbling traffic.

Great showings from both, but the WH-1000XM6 have the edge here thanks to their top-notch ANC.

**Winner: Sony WH-1000XM6**

Sony WH-1000XM6 vs 1000X The Collexion: sound quality

Dispel the notion that, because these are both premium Sony headphones, they're going to sound all but the same. Quite the contrary: the XM6 and The Collexion are from the same family, but they take different approaches to how they deliver music to your ears.

Okay, there are some core similarities. Both are hugely detail-rich, teasing out lavish helpings of textural detail and providing instruments with ample body and clearly defined leading edges. Both trade heavily in sonic precision thanks to how sharply they draw out each note, and both have sufficient punch and power to lend proper grunt to their excellent levels of insight.

Listen a little more, though, and the differences become clear. The Sony WH-1000XM6 boast excellent detail and clarity, yes, but they're also irrepressibly entertaining to listen to. They're not quite as fun-focused as some of their predecessors (see the super-punchy WH-1000XM4), but their authority, spark and fantastic sense of rhythmic drive still make listening a joy.

In fact, the XM6 strike a marvellous sonic balance. To quote from our review: "You get to enjoy every element individually, but it all gels together cohesively. The undercurrent of piano, the rumble of the drums, the strings and the texture of the subtly bellowing bass notes in the soundfield all combine to draw you in."

Sony's established Award-winners are great at bringing out the essence of the tracks you feed them, switching gears intuitively depending on the mood and feel of the music being played. Quiet ballads have genuine intimacy and refinement, yet when the time comes to switch gears and swing for the fences, the WH-1000XM6 are more than capable of bringing the metaphorical thunder.

The new 1000X Collexion, on the other hand, are more even handed in their approach, opting for a slightly removed, stepped-back presentation which, while not necessarily as thrilling, allows you to see the big picture as your music plays.

The more premium Collexion trade primarily in spaciousness, detail and clarity, with a cinematic sound that really delivers when you want to sit back and see tracks laid out before you with the utmost precision.

They're immensely well-organised, too – play Massive Attack’s Atlas Air and you'll feel the full force and punch of the tune’s full-blooded drum hits, and while the bass is separated from the overlaid synth sounds above, it's never to the extent that the composition lacks a sense of cohesion between the frequencies.

Such a gratifyingly composed approach does have its drawbacks, though. As we said in our review: "These Sonys really are impressive performers, but they appeal more to the head than to the heart, trading off some of that signature Sony expressiveness for greater openness and detail, something that reduces the extent to which we feel truly involved with our music.

"Talented as they are, there’s something slightly removed, almost standoffish, about their reproduction".

The Collexion's sound unquestionably has its place, especially if you're all about picking your music apart and analysing those nitty gritty details, but they don't have the verve and natural musicality of the XM6.

In straddling the line between analysis and entertainment, the WH-1000XM6 are incredibly hard to beat, and sound-wise, are the headphones we'd recommend to most of the people, most of the time.

**Winner: Sony WH-1000XM6**

Sony WH-1000XM6 vs 1000X The Collexion: verdict

There’s much to admire about Sony’s 1000X The Collexion over-ears.

We can see the poised, detailed and more open sound appealing to some listeners, along with their classy build quality, but they aren’t quite the across-the-board success we might have hoped for at this higher price.

As a more well-rounded set of headphones, the WH-1000XM6 do everything so well that they don't have any real blind spots, and while they don't sound as refined or analytical as the 1000X The Collexion, their spark, punch and overall musicality make them the more entertaining of the two.

If we had to pick a 'one-size-fits-all' pair, it would be the more practical, durable and entertaining-sounding WH-1000XM6.

**Overall winner: Sony WH-1000XM6**

MORE:

Read our full Sony WH-1000XM6 review

And our 1000X The Collexion review

Apple AirPods Max 2 vs AirPods Max: what are the differences?

The best noise-cancelling headphones you can buy

Sennheiser is at a fascinating, potentially pivotal moment, in its history. The established German brand's headphone division is currently up for sale, with its current owner – Swiss hearing care company Sonova – looking to offload its stake in order to focus on its core market.

Sennheiser isn't some novice or niche brand that has failed to carve out much of a reputation. The 80-year-old company deals in microphones, soundbars and, most famously, headphones, and while that latter market has never been so richly competitive, Sennheiser has scored numerous recent successes to indicate that it is, in fact, more than ready to tackle the competition head-on.

Its stunning Sennheiser HDB 630 wireless headphones, for instance, set a new benchmark for wireless sound at their price, and when you're competing with the likes of Sony, Bose, Apple and Bowers & Wilkins, that's some achievement.

This is a brand, then, which clearly has the talent and resources to compete with, and even overcome, its key rivals, but with aspects of its future still uncertain, how it continues to compete and the resources it has available to do so remain somewhat up in the air.

To get a clearer picture, we headed over to the company's Hanover headquarters to see how Sennheiser operates, delve its working philosophy and, perhaps most importantly, find out where it is headed.

'German engineering' – what is the Sennheiser way?

Since its founding way back in 1945, Sennheiser has been guided by a principle which continues to guide its working culture: the idea of what head of research and development Stephan Lietz dubs "German engineering".

This being a German company – the story begins in a farmhouse near Hanover in 1945 and the production of the brand's first-ever microphone – you'd be forgiven for simply labelling this as a slightly jingoistic term espousing the superiority of Teutonic technical prowess.

Quite the opposite. German engineering isn't tied to a nation, but rather, it's an idea which refers to a pursuit of certain standards which transcend any particular place or person. In short, it's a desire to make everything better, all of the time.

As Lietz explains: "For us, we have a modern interpretation. You're never satisfied. You always strive for the best, and you look at all the different details. We have three locations, and in the R&D department, we have fourteen different nations, that means we are not a German group of people. This is about our culture and the way we work".

It's hard not to get that impression as you walk around the Hanover facility and chat to the company's engineers, most of whom reiterate, quite unprovoked, their relentless desire to make a good product better.

Much of the company's research and testing takes place in Hanover, but there's also a Sennheiser factory in Tullamore, Ireland, the main facility for manufacturing transducers found in the brand’s audiophile headphones which we visited back in 2023.

Having a taste of the precision that goes into assembling the HD 820/800S and the HD 650/660S2 wired headphones in Ireland, and then seeing the precise laser measurements required to ascertain minute variations in a drivers' air displacement in Hanover, it's easy to see how the concept of German engineering can transcend the bounds of mere geography.

"Sound comes first" – the Sennheiser philosophy

No, we're not expecting an established audio manufacturer to say that sound doesn't matter, but when we hear multiple Sennheiser employees, from engineers to high-level executives, enthusing that this is a "sound-first" company, it's hard not to feel relief and quiet pride in equal measure.

Stephan Lietz is again the one to emphasise this shared philosophy, but it's something we hear time and again as we tour around the Hanover facility: "High quality sound comes first. (We are discovering) new materials, new ways of using transducers – there is still a lot to do".

If, as we did, you get the chance to try out the iconic Sennheiser HE 1 headphones system, it's easy to see how that sound-first philosophy translates to actual production, albeit taken to the extreme in terms of performance and price. Sennheiser's integrated electrostatic headphone-cum-amplifier system costs north of £60,000, but as an expression of just how much detail you can squeeze out of a pair of headphones, there's not much else that comes close.

We dig a little deeper, keener to discover if there's a signature sonic philosophy acting as a North Star for how the German brand tunes its headphones. Again, it's gratifying to hear that Sennheiser's criteria for production correlates rather nicely with what we look for on the listening side.

That desire to reveal emotion clearly underpins all headphone and audio production, but what's interesting is how much wiggle room there is from product to product. As Lietz explains:

"It's always different. Let's say you're designing something like the HD 800, you assume the environment where the user is using this device. You have your studio, your amplifiers, your chair, you lean back, close your eyes and listen. This means the experience needs to be different".

"Momentum's use case is people on the move or sitting on your computer or couch, and therefore you have to tune differently, but haptics and materials also play a role. It should be comfortable all the time. Use case very heavily influences how you design the product".

There's an understanding, then, that different headphones serve different requirements, and while Sennheiser continues to view the Momentum line as an "entry-point" into the company's wider range, certain aspects of their tuning have been adjusted to accommodate a slightly different audience.

"If you look at Momentum, there's a lot more bass when compared with other audiophile headphones? Why? Because the user expects this and the typical music played back is mixed for this type of headphone, so our tuning is different".

Sound comes first, then, but the type of sound? That can vary enormously from headphone to headphone, person to person, use case to use case.

What is Sennheiser and where is it headed?

This is the subject that seems to rear its head time and again when chatting to the kind folk at the Hanover office: how Sennheiser communicates its identity, philosophy and vision to the customers to whom it wants to appeal.

In a world of Apples, Boses, Sonys and B&Ws, how does Sennheiser stand out for the crowd and, more importantly, ensure that it is finding a way of meeting its desired customers in the middle? It's all well and good producing great headphones, but making sure you're directing your customers to the products designed for them is a major challenge.

Much of that challenge lies more in education rather than merely marketing. As Tim Bosmans, head of portfolio management and marketing explains, there are so many potential customers who don't necessarily understand the major sonic gains available to them beyond their iPhone's tinny speakers or their £30 pair of cheap wireless earbuds.

"It's not just a matter of can we make the sound better, it's can we make it more accessible. That's where we need to play a part, and ultimately, it's about educating our consumers".

It's not an easy trick, and Bosmans is open and honest about the challenge of communicating exactly what a good pair of headphones will grant any potential customer. Better branding? More transparency with customers? Social media? Live events? Even we have to admit that, from the other side of the fence, we're sometimes left frustrated by 'proper' audio's struggle to communicate its benefits to the average person on the street.

Lilika Beck(President, Consumer Hearing) agrees, but hopes that once customers experience Sennheiser sound, there is, and increasingly will be, a clear path forward for experiencing better and better audio:

"You want to start with Sennheiser? You start with Momentum. Then for some consumers, we want to create a pathway to move into the audiophile journey. We will have more and more options from Momentum upwards".

Those are the customers to whom Sennheiser is keen to appeal, and the brand's strategy going forward looks set to realign to reflect its heritage as an audio-first manufacturer.

As Beck says: "We made the strategic decision to refocus the business on our core competencies – we are a leader in audiophile (products). There's this huge opportunity to build this for the next generation...who aren't yet introduced to these audiophile products".

What about the more affordable side of the market? It's no secret that the Sennheiser Momentum 4 Wireless over-ears started life at £300 / $350 / AU$550, with the more mid-range Accentum line – including the £160 / $180 / AU$300 Accentum Wireless cans – filling the gap as some of the cheapest headphones Sennheiser has made in the last few years.

For Beck, Sennheiser's future lies in the more premium sphere, with lower-end manufacturing representing too many unwanted challenges:

"It's red ocean. It's a lot of competition and you need a certain level of scale. There are very low margins (and) it's all about volume, so there's higher return rates, and I find that very difficult from an environmental point of view. For us, this (premium market) seems like a very natural focus.

"I think our brand has a reputation of being more premium. We want to return to that positioning".

We're fascinated to see what happens next for Sennheiser. As one of the most established names in all of headphones, be they wired or wireless, this is clearly a brand with immense knowledge, resources and, most importantly, talent at its disposal, something to which recent successes, such as the HDB 630 over-ears and Ambeo Soundbar Max, attest.

New ownership is potentially on the horizon, and with that change in owners can come a new direction.

Certainty and stability are not bad things – neither is a potential injection of capital – but with Sennheiser seemingly getting so much right on the development side, the team recognises a need to make sure that it communicates its virtues to a wider audience.

As Tim Bosmans reiterates: "If we look at our campaigns, the one thing Sennheiser hasn't done enough recently is that we need to get out there to help people understand how much is out there and how much quality you can get out of your devices".

"We're looking for someone who is very interested in the consume audio space and what we will bring to our target consumers", says Lilika Beck. That someone is yet to be decided, but whoever those new owners end up being, we hope that they stay true to Sennheiser's principle aim: to keep putting sound first.

MORE:

Read our review of the Sennheiser HDB 630

10 of the best Mogwai tracks to test your hi-fi system

Check out our guide to the best wireless headphones we've tested and rated

After weeks of teasing, Sony's new premium over-ears, the 1000X The Collexion, have officially launched, and they have one simple aim: to be the best-sounding wireless headphones the company has ever produced.

That's a tall order considering this is the brand which, in recent years, has given us the Sony WH-CH720N, WH-1000XM5 and WH-1000XM6 Award-winners, not to mention a raft of class-leading wireless earbuds.

The Collexion have been released to celebrate 10 years of the 1000X line, and sit above the WH-1000XM6 as the brand's new range-topping headphones. While these may be ‘celebratory’ headphones, they're a fully fledged product in their own right, not a limited edition one-off model.

The new over-ears feature a bespoke carbon fibre 30mm drive unit, constructed using soft edging and a hard centre in pursuit of an “exceptional frequency response”. Sound has been optimised using Sony’s Walkman technology and a low phase noise crystal oscillator, while premium components and circuitry shoot for an improved signal to noise ratio to reveal exceptional levels of detail and provide a wide, open soundstage.

The 1000X The Collexion support standard SBC and AAC Bluetooth codecs alongside higher-quality LDAC if you have a compatible source device – most recent Sony smartphones should do the trick.

These are the first Sony headphones to make use of DSEE Ultimate for improving lower-quality digital audio files, while three flavours of Sony’s ‘360 Reality Audio Upmix’ tech – ‘Music’, ‘Cinema’ and ‘Game’ – are available for adding spatial audio processing to your content.

Battery life clocks in at around 32 hours with ANC off and 24 hours with noise cancelling switched on, which is a little less than the 30-or-so hours (ANC on) of the WH-1000XM6.

While Sony has warned that noise cancelling isn't such a focus for The Collexion as it is the WH-1000XM6, the pricier cans share much of the same tech as their Award-winning siblings, including Sony's QN3 processing chip and 12 built-in microphones to monitor surrounding noise.

Pretty much everything on the new headphones is made using either stainless steel or faux leather, with The Collexion boasting a slimmer, lighter profile than the WH-1000XM6.

Unlike the XM6, however, they don't fold away – though you do get a carry case, complete with a hollowed-out handle, for taking your cans out and about.

The Sony 1000X The Collexion are available now in a choice of black or platinum finishes, priced at £550 / €630 / $650. Are these really the best sounding wireless headphones Sony has ever produced? Read our full 1000X The Collexion review now to find out.

MORE:

Check out our review of the Sennheiser HDB 630

Also consider the Sony WH-1000XM6

Best wireless headphones 2026: reviewed and rated by our in-house experts

Stop what you’re doing – there’s a new pair of Sony wireless headphones in town.

The 1000X range has been Sony’s flagship wireless series for a whole decade, and the brand has decided to mark this anniversary with a completely new addition to its established line-up: the Sony 1000X The Collexion over-ears.

These may be ‘celebratory’ headphones, but think of The Collexion as a fully fledged product in their own right, rather than a limited edition one-off designed for the sake of novelty or sentimentality. These are headphones which exist separately from Sony's WH-1000XM6 – with their own unique sound, design philosophy and materials – and sit comfortably above their stablemates in price.

In fact, Sony has focused on sound above all else for The Collexion cans, for what it has dubbed “the best sounding headphones we’ve ever made”. When you consider some of the absolute gems the Japanese brand has produced in the past few years, that’s a mouthwatering claim. We’d be letting you down if we didn’t give them a listen…

Price

While the 1000X series has always remained a decidedly premium line, Sony had always resisted the urge to move up into the sort of ‘high-end’ territory occupied by the likes of the the Bowers & Wilkins Px8 S2 (£629 / $799) and the Focal Bathys (£699 / $799), but with the 1000X The Collexion clocking in at £550 / $650, these are the closest Sony has ever come to operating within that more rarefied area of the market.

With the B&W and Focal rivals above them, the new Sonys have the likes of the Apple AirPods Max 2 (£499 / $549) and Bose QuietComfort Ultra Headphones (2nd Gen) (£449 / $449 / AU$700) sitting just below.

If you need reminding, the What Hi-Fi? Award-winning Sony WH-1000XM6 are priced at around £400 / $450 / AU$699, even if discounts are now knocking a few pounds or dollars off that RRP, while the five-star rival Sennheiser HDB 630 will set you back around £400 / $500 / AU$1000.

Build & comfort

Get hold of a pair of Sony’s latest and, if you squint your eyes a little, you might be fooled into thinking that you’d picked up a pair of Sonos Ace instead. The Sonys have the same clean, minimalist exterior as the Ace, as well as similarly designed oval earcups adorned with a few metallic physical buttons on the left earcup.

Sony’s engineers describe 1000X The Collexion as a pair of cans that should both look good and make you feel good when you wear them, and for the most part, that aim has been achieved. Everything on The Collexion is made either from metal or faux leather, with a nicely padded headband designed to spread pressure evenly for extended user comfort and slightly firmer ear padding than found on the WH-1000XM6.

We don’t have an issue with the look or feel of the faux leather, though our test pair are more susceptible to marks and stains than the smooth plastic of most of Sony’s other headphones. That faux material adorns pretty much the whole exterior of the earcup, so grubby fingers, not to mention the rigours of everyday use, do end up making their mark after a time.

A slimmer profile does help to add lightness, though, with the width of the earcups measuring around 40mm from inside to out, compared with the 45.4mm of the WH-1000XM6.

That does make for an appreciably lightweight and unobtrusive wearing experience, and though The Collexion actually weigh more than their XM6 counterparts – 312g against 254g – rarely do we feel that extra weight.

Some of our testers did experience some rocking and instability from the earcups when walking from place to place, but if you’re stationary, the new Sonys often simply melt away into obscurity as you forget you’ve got a pair plonked on your head at all.

While there are a few physical buttons to be found, touch controls are the main way of controlling your Sony over-ears. They work as well as you’d expect, responding quickly and effectively to our various commands, with ample levels of control customisation available via the useful Sony SoundConnect app.

Unlike the XM6 over-ears or the Bose QC Ultra Headphones (2nd Gen), these aren’t headphones which fold up into a ball, but their flattened profile and accompanying carry case – with its hollowed-out handle putting us in mind of a small handbag – mean they’re still relatively portable.

Features

Sony has very much positioned its new premium cans as sound-first headphones, but the 1000X The Collexion’s feature set matches the same generous level as that found on the do-it-all WH-1000XM6.

Battery life clocks in at around 32 hours with ANC off and roughly 24 hours with noise cancelling switched on, and while that’s down from the 30-or-so hours of the WH-1000XM6, it’s still a reasonable lifespan. The AirPods Max 2 only manage around 20 hours, although the Sennheiser HDB 630 are streets ahead with a whopping 60 hours with noise cancelling in play.

If you’re a fan of spatial audio, you get three versions of Sony’s ‘360 Reality Audio Upmix’ tech – ‘Music’, ‘Cinema’ and ‘Game’ – each of which add varying degrees of spatial processing depending on the media content. They’re fun modes to play around with, and we particularly enjoy the more immersive ‘Cinema’ setting which just about lives up to its billing by providing a more open, cinematic experience when watching movies.

On the subject of signal processing, these are the first Sony headphones to make use of its DSEE Ultimate tech for improving lower-quality digital audio files. In the app, you also get access to a 10-band equaliser for tweaking the sound alongside several simple presets, or you can deploy ‘Background Music’ mode to make it seem as though your tunes were playing in the distance to better aid your concentration.

The 1000X The Collexion support standard SBC and AAC codecs alongside higher-quality LDAC – which lets you stream hi-res music at higher data rates over Bluetooth from a compatible source device, such as Sony’s latest smartphones. Bluetooth LE Audio is also on board for lower power consumption and better-quality sound. You can also listen to the Sony headphones wired, thanks to the included 3.5mm to 3.5mm audio cable, though note that the headphones will have to be powered on when listening through a physical connection.

Sony’s Speak-To-Chat feature, which drops the volume level when you start talking, also returns, though we’d caution that the headphones can often confuse human speech with other sounds, particularly wind. If you don’t want your cans to keep cutting out every few minutes, we’d suggest switching Speak-to-Chat off when you’re outdoors and it’s a bit blustery.

ANC & call quality

While Sony has warned that noise cancelling wasn’t as much of a focus for The Collexion as it was for the WH-1000XM6, it’s still operating at a decidedly high level. Much of the same tech from the XM6 is on-hand here, including the QN3 chip and a total of 12 mics to capture and monitor surrounding noise.

When working in full noise-cancelling mode, Sony’s latest over-ears do an excellent job of suppressing noise throughout the frequencies, and while you might get the slightest hint of a shrill bird tweet just about breaking through that barrier, middle and lower range frequencies are filtered out expertly. The ANC quality on the WH-1000XM6 is still Sony’s best, but it’s very unlikely that you’ll feel short-changed by the noise cancelling on offer with The Collexion.

Call quality is excellent, too. The Collexion house six beamforming mics complemented by a wind noise reduction structure for enhanced vocal clarity and reduced external sonic intrusions, and it really pays off. Voices are clear, articulate and emotive, while background sounds rarely, if ever, intrude on our conversation as we stand next to a busy motorway on a decidedly blustery day.

Sound

Let’s reiterate what we mentioned in our introduction – the 1000X The Collexion are distinct headphones in their own right, with a sound, says Sony, which prioritises refinement, detail and maturity over the punchier, more flavoured personality of the WH-1000XM6.

To achieve this, The Collexion headphones feature a bespoke carbon composite 30mm drive unit, constructed using soft edging and a hard centre in pursuit of an “exceptional frequency response”. Sound has been optimised using a low-phase noise crystal oscillator, while premium components and circuitry, including advanced gold-containing solder, aim for an improved signal to noise ratio to reveal finer musical details and offer a wider soundstage.

That’s a lot of tech under hood, but how does that translate to the real-life listening experience?

Well, in many ways, the Sony 1000X The Collexion do live up to their billing. Just as described by Sony, they’re headphones that deal primarily in spaciousness and clarity, qualities which suffuse nigh-on every track as we bounce from Max Richter’s Never Goodbye to Radiohead’s Everything In Its Right Place.

That latter track sounds particularly good – The Collexion’s wide, open presentation grants the track a broad canvas on which to play, like an epic drama unfolding on a lovely big widescreen TV.

Detail levels are excellent, and when you have a pair of over-ears that offer clarity, textural insight and spaciousness to this extent, it’s hard not to be impressed. The elegiac strings on Never Goodbye are rich and mournful, while the piano on Debussy’s austere Sarabande strikes a wonderful balance between rich intent and subtle delicacy.

For all of their openness and delicacy, the Sonys don’t lack musical muscle. Think of them as being like a pro ballerina – nimble and graceful, yes, but strong and immensely robust when the time calls for it. It’s a nice balance to have, all aided by a deep, powerful yet controlled lower-end reproduction.

Bass tones are expertly handled, something that really comes across when we load up Massive Attack’s Atlas Air and feel the full force and punch of the tune’s full-blooded drum hits. That bass is nicely separated from the overlaid synth sounds working away above, yet not to the extent that the composition starts to lack any sense of cohesion between frequencies.

These premium Sony headphones really are impressive performers in so many aspects, but they appeal more to the head than to the heart. They certainly trade off some of that signature expressiveness we’ve heard in other Sony headphones for greater openness and detail, something that reduces the extent to which we feel truly involved with our music. Talented as they are, there’s something slightly removed, almost standoffish, about their reproduction.

That’s not something of which we’d accuse the outstanding, and cheaper, Sennheiser HDB 630. The Sennheisers have a more natural fluidity, especially with how they handle dynamic shifts, which makes them a more engaging listen. For us, the Sennheisers seem to strike that balance between naturalness, entertainment and analysis a touch more acutely than the Sonys.

Their rather aloof personality also robs the Sony cans of some of their intimacy. Listen to the first 30 seconds of Black Veil Brides’ Saviour II, and there’s a greater feeling of closeness to the opening guitar and vocal lead when listening via the costlier Bowers & Wilkins Px8 S2. When the track opens up as the chorus hits, however, The Collexion show their hand, allowing it to blossom and reveal its gothic grandeur with more scale than the rival B&W cans.

Verdict

There’s much to admire about Sony’s 1000X The Collexion over-ears. It’s impossible to ignore their poised, detail-rich performance, while that ample feature set and classy construction make them tough to resist.

There is a ‘but’, however. In pursuing a particular sonic signature – namely, one that goes after scale, detail and clarity – it’s hard not to feel as though Sony has slightly thrown the baby out with the bathwater.

Yes, these are seriously talented performers, but deep down, they feel like headphones which were built to impress rather than entertain. As a result, we find ourselves admiring them rather than completely falling in love.

Review published: 19th May 2026

SCORES

• Sound 4
• Build 4
• Features 5

MORE:

Read our review of the Sony WH-1000XM6

Also consider the Bowers & Wilkins Px8 S2

Read our Sennheiser HDB 630 review

Sony WH-1000XM6 vs 1000X The Collexion: which premium wireless headphones should you pick?

Best wireless headphones reviewed and rated by our in-house experts

It may seem like JBL unleashes a never-ending stream of products every year, and this is partly true.

Just this year, the American brand – which is also celebrating its 80th anniversary this year – has launched the Xtreme 5 and the Go 5 Bluetooth speakers, along with a new Live 4 wireless earbuds range, and the over-ear 780NC and on-ear 680NC noise-cancelling headphones – all in a variety of snazzy new colours.

There's also a brand-new JBL Sound Curve tuning announced for the flagship Tour One M3 headphones, which refines the sound quality to be more balanced and forgiving – and less bass-focused – to adapt to listeners wearing the headphones for longer and prevent them from getting fatigued.

And that's before we even get to the hugely popular Party Box speakers – not a core What Hi-Fi? category, but a big deal for JBL, which dominates 90 per cent of that particular market.

World domination – for the portables and headphones market in particular – is clearly on the brand's mind. I spoke to Jurjen Amsterdam, Harman Lifestyle's director of product marketing (EMEA) at JBL's HQ in Amsterdam (no relation), about the recent launches, anticipating trends, their target demographic, and market domination plans.

Despite the sheer number of products, there is method behind the launch madness. Jurjen Amsterdam says: "We try to manage product lines on a two year cycle. So last year we did the Charge 6 and Flip 7; this year it's Xtreme 5 and Go 5 for portables."

"Next year, most likely, it's going to be two other models... it looks like a lot, but it's always a two-year cycle."

It's an aggressive strategy that points to the brand's ambitions, but even then, JBL seems cautious about simply making products for the sake of it. The product cycle isn't necessary like clockwork, and it relies on the latest technology available, too – and the team also has to decide what not to include. For example, the interval between the JBL Charge 5 and Charge 6 was a good four years (albeit both available in April of those years), and new technologies such as Auracast sharing made way for the whole line-up to be refreshed.

Conversely, the new JBL Sound Curve – an adaptation of parent company Harman's target frequency curve – is currently only reserved for the Tour One M3 to signify their premium status, and hasn't been trickled down to the mid-priced Live range headphones/earbuds to ensure a clean delineation between the ranges.

The regular product cycle also allows JBL to keep its pulse on the ground and adapt to their target audience, as well as keep up with the demands of customers, who "expect us [JBL] to drive the competition and come up with new things".

Fresh new colours of green and orange standout against a sea of greige, black and even blue of its rivals, with some noting that the particular shade of orange chosen by JBL for the Live 780NC/680NC headphones matches the latest iPhone 17's orange finish.

That's not by accident. The product team (which also includes marketing and commercial working in a "triangle") tries to "forsee trends long enough in advance", says Jurjen. "Design trends, technology trends – all the colours that you see in the Live series, they don't have this colour just because we like them. This is part of a longer trend that we're trying to watch in terms of colours."

Despite the proliferation of JBL products, the brand doesn't like making products just for the sake of it.

"No – we don't want to make products because we can. We want to make products because we want to address a certain need from end consumers."

For the Live range, what JBL really wanted to focus on is "lifestyle", and the target demographic is aimed towards "Gen Z and up" – he drills down further to say 15 to around 30s is the target age range.

"It's most likely the price that people want to spend on a [pair of] headphones that will decide whether they go for a Live series or a Tour series."

Not everyone can splash out for the €349 for the Tour flagships, he says, and the gap between the budget Tune range and the Tour is quite a big one. This is where the middle-ground Live comes in: "This is the ultimate compromise of great quality, great noise cancelling, super comfortable and looks really nice," declares Jurjen.

The styling is an important part of the Live headphones and earbuds.

"Of course, a lot of people will buy the black finish," he says, "but we also want to give people the opportunity to buy in white, in blue, in green, in orange, in purple..." As we speak, Jurjen points to the younger influencers around us at the launch who are relishing wearing the colourful headphones and taking photos, as evidence of the brand's target demographic crowd that is "young, energetic, social" and likes sharing music.

"It literally fits the JBL brand – it's the core of the JBL target audience."

Even JBL's Headphones app opens to a montage of faces that run the gamut of identities. It's welcoming, diverse and youthful, but without ever trying too hard. You'd never guess the brand was pushing 80.

Passing the new Live 780NC over-ear headphones – which I decided to nab in its bright orange finish – to my colleagues in the What Hi-Fi? office, the general consensus seems to be that the colourful shade and styling stands out from the sea of plain, rather functional designs we see from other brands, even premium models from Sony and Bose.

Whether JBL's new mid-range model can reach the heights of five-star sound quality their more illustrious rivals achieve remains to be seen, of course. But it's an area what JBL is absolutely gunning for.

"In headphones, we would love to dominate."

Jurjen puts the headphones market into context. "Headphones is way bigger than all of the other things that we do put together. This is a 4 billion market in Europe. If we add portable audio, party box, gaming, wireless speakers, soundbars – if we add that all together, it's still less than headphones."

"In headphones, we're at 10-11 per cent market share. Of course we would like to grow that."

The headphones market is exceptionally tricky as there are over 300 brands vying for a piece of the pie. It's a big market dominated by one key player (Apple, particularly in wireless earbuds, with Sony and Bose in over-ears) that a lot of people spend a lot of money on.

"So we know, even this target audience we're aiming for, we know they have money to spend – because we see that they spend money on some of the higher range models."

"But the aim is to create credibility," he says. "Sony is a great example of that – you get five star reviews a couple of years in a row, nobody thought that Bose would ever lose that position. Sony now has that position. We believe that we equally have a good quality product."

I ask Jurjen if there's any particular trend that surprised him for this current cycle of products, that consumers were clamouring for?

"No. Not really; it's all about audio quality. It's all about design. It's all about wearing comfort." Ultimately, he says, the Live headphones and earbuds are a "very good alternative to what's out there in the market".

We certainly hope that's the case, as we still find there is a general dearth of really great recommendations in this £100-£200 mid-price range. We're currently testing the Live 780NC wireless headphones (£170), so stay tuned for a full review in due course.

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Read our JBL Tour One M3 review

The JBL Live 4 earbuds have a better case, new high fidelity drivers and enhanced noise cancellation

Marshall has announced its latest pair of wireless on-ear headphones, the Milton ANC.

Blending handy portability with long-lasting battery life and Marshall's signature styling, the new headphones tease "dynamic audio with rich detail" thanks to their 32mm dynamic drivers.

As you might have twigged, the new on-ears offer active noise cancelling, with a standard flavour sitting alongside transparency mode and adaptive ANC, the latter of which analyses your surroundings and adjusts the level of noise cancelling in real time.

An adaptive loudness feature, meanwhile, can be used to raise your music's bass and lower mids whenever unwanted noises intrude upon your listening.

The Milton ANCs' major headline-grabber is their stated battery life, with Marshall promising up to 80 hours of wireless playtime with noise-cancelling off, dropping to a still-whopping 50 hours with it enabled.

The Milton ANC offer Bluetooth 6.0 with LE Audio for more efficient wireless transmission, bolstered by support for the standard SBC and AAC codecs alongside higher-quality LDAC.

The new on-ear headphones deploy memory foam ear cushions designed for comfort over extended listening sessions, and can be folded away completely for greater portability.

According to Evelina Lindström, Product Manager at Marshall: “With Milton ANC we have created a premium, yet durable headphone that is easy to bring with you wherever life takes you. The combination of adaptive ANC with 80 hours battery life is guaranteed to take on the go music listening sessions to the next level".

The Milton ANC are available now, priced at £180 / $230 / €199.

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Best wireless headphones: reviewed and rated by our in-house experts

When the Bose QuietComfort Ultra Headphones (2nd Gen) launched at £450 last year, the premium cans were priced a tad higher than several of their rivals.

However, after several months of stubbornly sticking at the £400 mark, the Ultra Headphones have seen a big drop that undercuts much of the competition. You can now get your hands on the high-end headphones for £341 at Amazon, bagging you one of the best noise-cancelling headphones on the market with £109 off their launch price.

So why are we not recommending this deal? Unless you're looking for the strongest noise-cancelling you can find, there's another pair that's sonically superior and a better all-around pick – and they're available cheaper. The Sony WH-1000XM6 are currently £329 at Amazon, a good £71 off their launch price and the lowest we've seen them since Black Friday.

The Bose QuietComfort Ultra Headphones (2nd Gen) are fine headphones, offering lossless audio via USB-C, effective spatial audio for movie watching and Bose's typically class-leading noise cancellation. But it was the Sony WH-1000XM6 that walked away with the Product of the Year gong at our most recent Awards.

The sound quality of the Sony headphones has been pushed consistently from generation to generation, offering more natural, even-handed tonality than the Ultra 2 Headphones, but also greater clarity, texture and drive.

"The WH-1000XM6 deliver the most detailed, dynamic, precise and open sound we’ve heard from a wireless Sony flagship," our Sony WH-1000XM6 review reads. "The headphones just seem capable of diving into any track you play and extract an unbelievable amount of information."

Noise-cancelling is not quite as strong as that of the Ultra 2 headphones, but it's superb and arguably more natural. A new adaptive feature automatically blocks sound based on your environment, resulting in a nice, clean, rumble-free background whether you're in the garden or the London Underground.

Call quality is excellent, with voices isolated from background noise, even during strong gusts of pesky wind.

The WH-1000XM6 are stylish and extremely comfortable to wear for long periods (one of our senior staff writers wore them on a train for 10 hours), and the foldable design makes them ideal transport companions wherever you decide to go.

We're spoiled by wireless noise-cancelling headphones these days, with many high-quality pairs vying for our attention. But if you're looking at the premium end of the market, you'd be hard-pressed to do better than the Sony WH-1000XM6 for £329 at Amazon.

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If we were recommending premium noise cancelation and top-class sound, then we'd point you in the direction of the Sony WH-1000XM6. The only problem is that these will set you back an eye-watering $458.

If you don't have that sort of money, you should go for the Sony WH-CH720N, which has just dropped to a mere $149 at Amazon. That's an absolute bargain.

The compromise on ANC and sound is also not as big as you might first think. We actually described them as "a dependably made, enthusiastic-sounding pair of headphones that don't sacrifice noise canceling."

We also rated them five stars before giving them a What Hi-Fi? Award. Suffice it to say, they're not only really good but also very difficult to beat at this price point.

The Sony WH-CH720N are among the best wireless headphones on the market right now, especially when it comes to affordable cans.

Our top pick for budget cans, they're perfect for anyone not looking to shell out a few hundred quid but still seeking that five-star quality and access to ANC.

There's nothing too fancy about the WH-CH720N, but they are solid, substantially made and reasonably comfortable for their price. And we said all of this before they were sporting this $31 discount.

Also, for the price, you wouldn't expect active noise cancelation to be part of the feature set, but Sony's offering is strong. In fact, you can pick between two ANC modes – full noise canceling and ambient sound – both controllable via the Sony Headphones mobile app.

Sure, there's no case or foldability, but these are small sacrifices for the affordable outlay. And what you'll get in exchange is a punchy, energetic sound that has plenty of detail and textures revealed for this price level, along with a great sense of rhythmic drive that rival cans fail to match.

In our full review, we said: "Sony has done it again. With their pleasing build quality and punchy sound, the WH-CH720N offers a truly budget bargain for those looking for a great pair of affordable ANC headphones."

If you're looking for a great pair of affordable cans that offer enjoyable sound and decent noise-canceling, then this excellent discount at Amazon on these Award-winning Sony headphones isn't to be missed.

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Read our full Sony WH-CH720N review

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And our best over-ear headphones: wired and wireless pairs

The Bowers & Wilkins headphone line-up is extensive and impressive. And while the Px7 S2e may not be considered ‘old’, they still boast the same devastating combination of style and performance as their Px7 S3 successors.

But there’s one nice thing that happens when headphones are replaced by a newer, shinier model – and that’s discounts.

And right now, the Bowers & Wilkins Px7 S2e have dropped to just £229 at Amazon. That’s a massive £150 saving on their original price and an even chunkier discount than if you went for the latest model.

While it’s not the lowest saving we have seen – the headphones dropped to £196 during Black Friday – it’s still a decent saving that we recommend grabbing while final stocks last.

The Bowers & Wilkins Px7 S2e may have slipped out of their spot among the best wireless headphones due to the Px7 S3’s release, but they are certainly still five-star cans we love to recommend. They also remain a solid Sony WH-1000XM5 alternative.

Combining a lovely, full, lush, detailed sound with modern specification and class-leading aesthetics, they stand up well as a great premium option.

And everything about the appearance of these wireless headphones does feel premium, from the earcups’ textured finish to the gold accents and cylindrical, proudly ‘Bowers & Wilkins’-stamped badge.

But the Px7 S2e's aesthetic certainly isn’t the only talent they have. Indeed, it’s by no means their biggest one.

The spec sheet is full of impressive features, from a commendable 30 hours of battery life, to seven hours of playback on a 15-minute charge, and support for Qualcomm’s aptX Adaptive codec, as well as both USB-C and 3.5mm cable connections (both of which are provided in the box).

The accompanying Bowers & Wilkins Music App, which also supports popular music apps such as Deezer, Qobuz, Tidal and TuneIn radio, opens a wealth of opportunity for off-unit playback and controls, as well as being able to adjust the EQ.

While the active noise cancellation quality is decent, however, it isn’t quite as good as the class leaders from rivals Sony and Bose. That being said, these headphones stand up well for everyday use.

And when it comes to sound, our expert testers said it’s the Px7 S2e’s biggest talent: “On a sliding scale bookended by ‘analytical’ and ‘energetic’, the Px7 S2e would still edge toward the former, but they’re now, to B&W’s credit, much closer to the Sony’s musicality while setting a benchmark for detail at this level.”

So, while they are no longer B&W's flagship model, the Px7 S2e are still five stars in our books – and you can now grab them in Black, Green or Grey for an excellent price, just £229 at Amazon.

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Read our full Bowers & Wilkins Px7 S2e review

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Those Sony headphones have leaked again. But there are some clues that this leak was set up by none other than Sony itself.

The cans in question are the Sony WH-1000X The Collexion. This name was trademarked last summer, and has since leaked a couple of times. They look like a pricier take on the Sony WH-1000XM6 timed to coincide with the 10th anniversary of the Sony MDR-1000X launch.

Though as we'll see, they could actually be worse than the XM6 in one key area.

If you recognise the person wearing the new headphones, that's because he's an actor – none other than Damson Idris from the Apple TV movie F1.

When you consider this with the fact that the photos are very natural looking (dare one even say, posed?), it's all starting to look a bit like a plant.

These photos were posted by Complex Style on X, only for the official Sony Electronics account to reply with a 'eyes wide open' emoji. Which also seems suspicious – usually, companies try to play down leaks and rumours.

The Sony WH-1000X The Collexion have also been referred to as the Sony WH-1000XX and by the product code YY2998.

They're said to have the tagline 'Master the art of listening' and to come in white and black options, with active noise cancellation, the Mediatek MT2855 system on a chip and Sony's DSEE Ultimate tech. They're said to have metal hinges but do not fold.

At €629 (around £550 / $740 / AU$1000), they look like a more premium proposition than the XM6, but according to The Walkman Blog, they will only have 24 hours of battery life with ANC activated. That's far short of the XM6's 30 hours. Could it be a case of style over substance?

They're thought to launch on 19th May, so we should find out soon enough.

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Now, I'm not saying you should buy every single color of the Bose QuietComfort Ultra (2nd Gen), that would be silly. But as some of the best wireless headphones we've ever tested, you've got your pick of the bunch at a discount price.

For just $399 at Amazon, these noise-canceling cans are hard to beat, as well as bringing a wealth of functionality and a smart, nicely fitting design.

Whether it's Black, Desert Gold, Driftwood Sand, Midnight Violet, or White, you can grab the same $50 discount across them all.

You'll have to be snappy if you want to grab this deal though, since it's only around for a limited time!

When it comes to looking for the best noise-canceling headphones in the business, Bose's QuietComfort Ultra (2nd Gen) are some of the best we've tested.

Improving on the original's sound quality while boosting ANC performance, Bose heard the criticism and listened in closely.

When we reviewed the original five-star QuietComfort Ultra Headphones in 2023, we pointed out a few flaws: you couldn't listen to them wired over USB-C, their battery life was a little wanting, and their spatial audio mode didn't convince. With the 2nd Gen model, Bose has addressed all of these points.

Wired listening over USB-C, a battery life that's been boosted from 24 hours to 30, and a 'Still' version of Bose Immersive Audio that is more satisfying than ever before have all been added.

When it comes to blocking out sound, their 'Quiet' mode led our expert testers to say: "Whether you’re riding public transport or walking past roadworks or construction, they provide a blanket of silence so that your music (or podcasts) can bask in the spotlight, eliminating the deepest rumbles and the majority of mid-band hubbub we encounter on our daily travels. On a plane, only the shrill, high-frequency sound of a baby’s cry penetrates that formidable shield."

And sonically, the QuietComfort Ultra (2nd Gen) are a step up compared to their predecessors, making small but meaningful gains when it comes to clarity and detail.

In our full review, we said: "Considering we peppered our original Ultra review with words like ‘punchy’, ‘entertaining’ and ‘defined’, those improvements make an already entertaining pair of headphones even more so."

Though they're not quite up there with their premium competitors on sound, namely the Sony WH-1000XM6, at this discount price they'll cost you a chunk less cash.

Plus, if you're after Bose's categorical noise cancelation tech, these are the best over-ear headphones you can go for. Now just $399 at Amazon for a limited time.

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Read our full Bose QuietComfort Ultra (2nd Gen) review

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Sony WH-1000XM6 vs Bose QuietComfort Ultra Headphones (2nd Gen): which flagship wireless over-ears are best?

There's some audio equipment you can't help but covet, despite how high-end and out-of-reach it seems.

One of those products is undoubtedly the Focal Bathys, super-premium headphones that sound as good as their sleek honeycomb design looks. Luckily, the premium pair are now quite a bit more obtainable thanks to a £250 discount: they're currently £449 at Peter Tyson.

While certainly still a decent chunk of change, this is an impressive price for the premium pair, which we reviewed at a more substantial £699. They're now even cheaper than rivals such as the Apple AirPods Max 2.

Our expert testing team put the Focal Bathys through their paces, and we're happy to report that the costly cans live up to their price and premium reputation – they're one of the best pairs of wireless headphones you can buy.

Being a Focal product, the Bathys sport the usual eye-catching design, with hole-riddled aluminium ear cups and light-up logos. It's a level of build and beauty that's quite rare in the Bluetooth headphones market.

The Bathys offer 30 hours of battery life and charging via a USB-C port, which also doubles up for a USB-DAC mode that supports 24-bit/192kHz. A 3.5mm port jack is also included.

Codec support extends to SBC, AAC and aptX Adaptive, while there's a multitude of listening options also: a 'Transparent' mode lets in noise when it's convenient, while noise cancelling can be tweaked to either 'soft' or 'silent'.

This is all quite impressive, but does the sound quality live up to expectations? The resounding answer is yes, and then some.

"We always find it difficult to resist playing Mogwai loudly, after all – especially when it comes through sounding as big, clear and weighty as it does through the Focal Bathys," our Focal Bathys review reads.

"Instantly we recognise the smooth, warm, full-bodied tonal balance the company’s wired headphones have found so much success with, and here too that is complemented by very good levels of resolution, dynamic subtlety and rhythmic ability within the context of their type and price."

The Bathys offer one of the most engaging performances we've heard from a pair of wireless headphones, and the USB-DAC mode does indeed add a degree of refinement and tightness.

Whether you're an audiophile or not, the Focal Bathys are highly recommended to anyone if your budget can stretch. Get the convenience of portability in a premium pair of headphones, now with £250 off at Peter Tyson.

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It’s fair to say the quality of JBL’s flagship wireless headphones has been increasing gradually over the years, even if they haven’t been quite able to match their biggest rivals in the space such as Sony, Bose and Bowers & Wilkins.

We’ve already tested JBL’s current Tour One M3 over-ear flagships and deemed them solid four-star performers. And JBL will be hoping its latest move will go one step further in catching up with the competition.

So what has happened, exactly?

There’s been an interesting development, which looks like it’s ushering in a new direction for sound quality from the brand’s top headphones, starting with the Tour One M3.

JBL has tweaked what it calls its sound curve, which is a given target response that its headphones have been designed to meet.

According to JBL, users can expect “a sound that is clearer, more balanced, and truer to the artist”. It also claims that the updates will be “setting a new benchmark for precision and clarity”.

So, how do you get the new, improved audio quality? The sound curve change is available as a firmware update for the over-ears from today, 23rd April.

"The way people listen has fundamentally shifted with better hardware, higher-quality content and smarter streaming, making today's ears more discerning than ever.

"We are always striving to push the boundaries of sound performance and saw this as the perfect moment to refine the JBL sound curve for our premium headphones,” says Carsten Olesen, President of Consumer Audio at Harman.

With the change coming as a result of a firmware update rather than a hardware update, it will be interesting to hear how the sonic character changes and if it is indeed for the better.

JBL is also updating the interface of the Smart Tx transmitter, which is an accessory for the Tour One M3 over-ears and the interface of the charging case for its flagship Tour Pro 3 earbuds. They share many similar features and functions.

It’s promising a new menu system with horizontal and vertical scrolling, better graphics, larger icons and more intuitive layouts designed to make for a smoother user experience.

Last, but by no means least, the headphones and earbuds are also getting a new green finish (see above), complete with copper accents. It has been “Inspired by heritage British motorsport and modern luxury trends” and looks particularly striking in the images we’ve seen so far.

The new finish will be available from mid-May in select retailers and from JBL’s website, with pricing for the JBL Tour Pro 3 at £279.99 / €299.99, the JBL Tour One M3 £329.99 / €349.99, and the JBL Tour One M3 with Smart TX £379.99 / €399.99.

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Read our JBL Tour One M3 Smart Tx review

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