Bose has expanded its open-ear range with the new Bose Sport Open Earbuds and a second-generation sequel to the Bose Ultra Open Earbuds.

The US brand says the Bose Ultra Open Earbuds (2nd Gen) offer its flagship open-ear experience, while the Sport Open Earbuds have been “engineered for running, workouts and outdoor adventures”.

Central to both new models is a completely open design, which combines a transducer with a “tightly controlled acoustic structure” to deliver sound “precisely to your ear with minimal leakage”.

Unlike bone conduction designs, Bose says the earbuds “deliver sound through the air near the ear… resulting in fuller, more natural sound with a comfortable, pressure-free fit”.

The new Open earbuds have been designed with environmental awareness in mind, and as you might expect from open buds, neither offers active noise cancellation.

The Bose Sport Open Earbuds use custom-designed dynamic drivers to deliver “full, balanced audio”. The earbuds feature a C-shaped, flexible cuff with a matte silicone finish, which wraps around the ear for a stable fit, remaining “comfortable and secure” during workouts.

The Ultra Open Earbuds (2nd Gen) also build on the cuff-shaped design of their first-generation predecessors, teasing “improved sound and call quality”, an expanded feature set – including immersive audio settings – and a longer battery life.

The second-generation earbuds also use newly engineered drivers to deliver “deeper bass and higher volume” than their predecessors.

Both models feature Bose's AI-driven Speech Clarity technology that separates human voices from background noise, bringing what the company calls “Bose’s best call-quality experience” to its range of open-ear earbuds. Both pairs also feature an Auto Volume function, which adjusts the volume of music in response to changes in background noise.

In terms of battery life, the Sport Open Earbuds offer up to seven hours of playback on a single charge, plus an additional 22 hours with their “pocket-friendly” charging case. The Ultra Open Earbuds (2nd Gen), conversely, grant up to nine hours of playback from the buds and an additional 19.5 hours from the case.

Both pairs support Bluetooth 5.4, with standard AAC and SBC codecs, alongside Bluetooth Multipoint for simultaneous connection to two devices. Both also support Google Fast Pair for quick and easy connection to Android devices.

Each set also offers the option to set up customisable shortcuts for Spotify Tap, engaging your phone’s voice assistant and cycling through Bose’s Immersive Audio settings (Ultra Open Earbuds only).

The Bose App can be used to control both models and features a three-band equaliser, Auto Volume control, and touch control configuration.

Both pairs of earbuds will be available in Black or White Smoke finishes. The Sport Open Earbuds will also launch in limited-edition Eucalyptus Green, while the Ultra Open Earbuds (2nd Gen) will be available in limited-edition Cherry Chocolate, Olive Green and Sky Pink colourways.

The Bose Ultra Open Earbuds (2nd Gen) will be available on October 1st for £300 / $299 / AU$450, while the Bose Sport Open Earbuds are set to launch on October 15th, priced at £180 / $199 / AU$350.

MORE

What are open earbuds? How do the headphones work, and are they worth it?

I test headphones for a living but can’t make sense of the AirPods 5 launch

Check out our pick of the best wireless earbuds tested by our expert reviewers

Hisense has entered the competitive world of Bluetooth speakers with its new 'Boom' range of portable models.

Not to be confused with LG's Xboom line-up or Ultimate Ears' various portable speakers also suffixed by the word "Boom", Hisense's new line-up consists of three models – the FlexBoom, the WeBoom and the VoyageBoom – pitched across a range of sizes and use cases.

First up is the FlexBoom, conceived as a 'grab and go' speaker that packs 40 watts of power to deliver "crisp highs and punchy bass wherever you go".

If you want something bigger, the WeBoom is the step-up model, promising a "rich and powerful sound" from its 70 watts of power driving a pair of built-in dual subwoofers. Rounding off the trio is the VoyageBoom, a 180-watt speaker which packs twin tweeters, dual woofers and a subwoofer.

In terms of battery life, the portable FlexBoom delivers around 20 hours of playback at a time, with a 10-minute quick charge providing up to two hours of listening. The WeBoom and VoyageBoom each grant up to 24 hours of listening on a single charge, with both able to squeeze out an extra two hours of playtime via a 10-minute boost.

Users can connect two FlexBooms or VoyageBooms together to form a stereo pair, or broadcast any member of Hisense's new range to unlimited compatible speakers thanks to Auracast technology.

The WeBoom and VoyageBoom can also be used as a powerbank to charge your phone or tablet on the go, a feature we've seen used to great effect with the likes of the class-leading JBL Charge 6 and Xtreme 5 rivals.

All three members of the new Boom range are IP67 rated, meaning they should be resistant to dust ingress and submersion in water for around 30 minutes at a time. The WeBoom and VoyageBoom also feature on-unit lights which can be controlled via Hisense's ConnectLife app.

According to David Gold, Hisense's Chief Commercial Officer: “We've spent years building products that make movies, music, and shared moments better. With our new speakers, we're extending that experience with options designed for everything from everyday listening and weekends outside to hosting a house of friends."

The Hisense FlexBoom, WeBoom, and VoyageBoom are available now in the US, with UK availability expected soon. Current prices are as follows:

- FlexBoom: $120
- WeBoom: $200
- VoyageBoom: $300

MORE:

10 of the best acoustic tracks to test your hi-fi system

Heading to university this month? Don't leave home without these 12 hi-fi and home cinema essentials

These are the best Bluetooth speakers we've tested

IKEA makes quite a few of its own Bluetooth speakers, and it has just launched another in the shape of the distinctively named Badkruka.

The famed Swedish furniture manufacturer already boasts a host of Bluetooth models in its current speaker arsenal, with the super-cheap ‘Kallsup’ model setting you back a paltry £5. You could buy a plate of meatballs for less than that.

The new Badkruka is larger and a little more premium than the dinky Kallsup, sporting a rather no-frills cuboid form made from plastic and polycarbonate.

Designed for home rather than portable use, the new speaker houses a range of top-mounted physical control buttons, including a Spotify Tap toggle for faster access to your Spotify streaming library. As well as standard Bluetooth, you also get an optical input alongside a 3.5mm auxiliary port. Nice.

Inside, the Badkruka packs 25 watts of total power feeding a single tweeter alongside a complementary woofer to produce what IKEA describes as a “clear, powerful sound” that “meets everyday needs at home”.

You can connect two speakers together to create a stereo pair, or use multi-speaker mode if you want to have a string of Badkrukas tethered together for a more immersive, room-filling audio experience.

The word ‘Badkruka’ in Swedish means someone averse to bathing outdoors (literally a “bath-coward”), so we’re assuming that IKEA’s speaker of the same name doesn’t particularly enjoy being taken for a dip. Best to keep it inside, then.

The IKEA Badkruka Bluetooth speaker is available now in pink or black finishes, priced at €50 / $60. We haven’t seen the Badkruka listed on IKEA’s UK site yet, but we imagine that it will sit at around the £40-50 mark when the time comes.

MORE:

Rewind: new iPhones, wireless open-back headphones, a five-star spin on a classic turntable and more

Heading to university this month? Don’t leave home without these 12 hi-fi and home cinema essentials

Discover the best wireless speakers around

If you have ever looked for a Dolby Atmos soundbar to upgrade your TV's audio, Sonos probably featured right at the top of your shortlist.

That's for good reason, as both the Sonos Beam (Gen 2) and Arc Ultra (and the Arc before it) have been mainstays at the top of our soundbar guides.

And now there's a new kid on the block hoping to make the same impact – let's hear it for the Sonos Beam Ultra. The US brand claims that the latest edition to the Beam family delivers "true Dolby Atmos sound and clear dialogue from a compact soundbar that fits your room".

Whether the Beam Ultra is truly that good will only become clear once we've had it in our testing room for exhaustive, comparative testing, but we have had a brief listen to the new soundbar at a launch event in Berlin, and the early signs are very positive.

Price

The Sonos Beam Ultra will set you back £699 / $699 / AU$1099.

That puts it directly between the Sonos Beam Gen 2 (£449 / $449 / AU$649) and the Arc Ultra (£999 / $999 / AU$1799), both of which have scored What Hi-Fi? Awards and five-star reviews.

A little surprisingly, the Sonos Beam Ultra isn’t a replacement for the Beam Gen 2, and the older model will remain on sale. That feels like a good move to us, as it leaves a more affordable Dolby Atmos soundbar (albeit without dedicated drivers) in the range.

Design

Having briefly handled the Beam Ultra at the demo, it felt lightweight yet well-built and sturdy.

The new bar comes in at 2.9kg, which is slightly heavier than the Beam Gen 2’s 2.8kg. It is also a little thinner and longer than the older Beam model, which means it should fit nicely under your TV screen. You can also mount the bar to your wall if you prefer.

The soundbar comes in two colour options: Black and White. That’s the same as the rest of Sonos’s soundbar models, and the matte finish looks quite stylish.

It also features perforated grilles on the top. On the lip of the bar, you will find a press button to activate Bluetooth, as well as touch controls for volume and play/pause.

Features

Those perforated grilles at the top are included to allow the two up-firing drivers on either end of the bar to work their magic.

The Beam Gen 2 is an excellent deliverer of Dolby Atmos audio, despite its reliance on virtualisation rather than physical up-firing drivers. That said, the addition of up-firers for the Beam Ultra should result in an even more convincing Atmos performance.

In fact, the Beam Ultra has nine drivers in total – four more than the Beam Gen 2. These are arranged in what Sonos says is a 7.1.2-channel configuration.

Sonos states that the centre channel has been redesigned to feature a coaxial transducer, which embeds a tweeter into a woofer. With this new arrangement, the brand says the Beam Ultra will make “movies sound wider” and “dialogue sound clearer”.

While the new bar supports Dolby Atmos, DTS:X is still not on the cards. That’s not a big surprise considering this has been the case with all of Sonos’s products, but it could be a drawback for those wanting fully comprehensive surround sound options.

For physical connectivity, you will find a single HDMI eARC port at the back of the bar. The lack of dedicated HDMI inputs and passthrough functionality is no surprise (no previous Sonos products have had either), but it's still a shame for those who are already running out of HDMI sockets on their TV.

You will also spot a USB-C port, which is an upgrade on the Beam Gen 2. Sonos offers the optional Line-In Adapter which lets you connect any piece of traditional hi-fi with a 3.5mm aux jack, such as a turntable or CD player. There is also the Combo Adapter so you can hardwire the soundbar to your router.

While there is no remote control to adjust the soundbar, the newly updated Sonos27 app is on hand. This gives you access to advanced EQ settings and lets you adjust the input and volume.

You can also switch on the Night Sound setting from here if you don’t want to disturb the neighbours. Once again, the firm's Trueplay calibration is on hand to fine-tune the sound to your space.

As with previous Sonos soundbar models, music can be sent directly from apps such as Spotify and Tidal. Bluetooth 5.3 is on board, too.

There is the option to link the Beam Ultra with other Sonos products to create a multi-room listening experience, including the newly announced Sonos Ace Ultra over-ear headphones. That’s handy if you want to move around your house and still get audio from the TV, or simply want to keep the sound to yourself.

You can also add Sonos's wireless speakers as the surrounds, including the Era 100, which we gave a five-star rating. There's the option to transform its portable speakers, such as the Move 2 and Play models, into surrounds.

Sound quality

So, how does the Beam Ultra actually perform? While we will have to wait until we have it in our test room to deliver a final verdict, we got a taste of the soundbar’s audio performance at the demo.

Sonos kicked off with a Dolby Atmos mix of Harry Styles’ Ready Steady Go!, and the vocals felt clear, direct, and expansive, which immediately drew us into the track.

There are four AI Speech Enhancement levels to choose from, and we got a chance to hear them at various levels. As you would hope, these made voices even clearer and more centred, but we need to listen more to see how they affect the rest of the sound before deciding if they are worth using.

The instrumentals sounded reasonably well-placed around the soundstage, with the guitar plucking in the mid-section delivered with a strong sense of precision.

Next, some TV. The first episode of Widow’s Bay in Dolby Atmos showed off the bar’s wide soundfield, as atmospheric choral singing and crashing waves surrounded the listener as we followed a fisherman on a nighttime ocean trip. These built to a spooky crescendo, which demonstrated the bar’s promising dynamic handling.

From our first listen, the bass was not the deepest, but the soundbar delivered refined and detailed lower frequencies that gave the demo scenes a strong foundation.

As we said, we will hold off on delivering until we have reviewed the bar properly, but this initial listen made a promising first impression.

Early verdict

The Beam Ultra’s upgraded speaker arrangement and stylish design make us hopeful that the new model will build on Sonos's strong soundbar heritage.

Judging by this initial listening session, this latest soundbar continues to deliver clear vocals and an engaging overall experience.

Stay tuned for our full review, where we’ll compare the bar with the Beam Gen 2 and Arc Ultra to establish whether it’s the ideal combination of both or an awkward middle ground, before also testing it against rivals from the likes of Sony and Samsung.

MORE:

Here is our review of the Sonos Beam Gen 2

These are the best soundbars

And check out the best Dolby Atmos soundbars on the market

We've pretty much been waiting for a sequel to the Award-winning Sony WH-CH720N wireless headphones since they arrived in 2023.

Not because they fell short of our expectations – quite the opposite – but because the budget noise-cancelling over-ears were so good, we couldn't wait to see what Sony could do when given another chance to impress.

A sequel has indeed finally arrived in the shape of the Sony WH-CH730N, vowing to elevate everything we liked about the WH-CH720N while mitigating their modest but not-trivial limitations.

Those limitations included a slightly bass-heavy sonic signature, as well as a design that, if we're being charitable, wasn't exactly the last word in luxury.

If the WH-CH730N can rectify such minor issues without losing the character of what made their predecessors so great, they could truly be successors to some of our favourite headphones of the past few years. Now that's something worth getting excited about.

When Sony invited us for an exclusive look at the WH-CH730N, we had to take advantage. We haven't heard the new headphones yet, but we've had a sneak peek at how they look and feel, and heard directly from Sony about the changes the next-gen over-ears have made. From what we've seen, they could be something very special.

Excited for: a new folding look

When we went to see them in person a few weeks ago, we really liked the way the new WH-CH730N looked.

Taste is subjective – and how a pair of headphones appear on the outside should be a secondary priority to how they sound – but that wholesale redesign really works for us. The WH-CH720N were, to be charitable, rather rough and ready headphones, but the smoother, more modern design of their successors feels like a big improvement. Out are the rather basic earcups, replaced by larger, more premium cups that come across as far more premium than the headphones' modest price might suggest.

Better still, they should be more ergonomic to live with thanks to the fact that the new over-ears feel sturdier and are now fully foldable, something that was lacking in the somewhat rigid WH-CH720N. It was always a worry that you might accidentally snap your precious headphones in transit, but full foldability helps assuage such fears this time around.

It makes sense considering that these are still reasonably budget-friendly headphones geared towards everyday use. When you've got over-ears that are going to be thrown into backpacks and tossed into the back of the car, you want to know they're going to survive years of potentially hard use.

Excited for: refined tuning and (hopefully) better sound

At first, it was easy to hear the news that Sony hadn’t updated the physical drivers for the Sony WH-CH730N. You expect new hardware from one generation to the next, so the fact that Sony had kept the same 30mm dynamic units as found in the WH-CH720N just slightly smacked of complacency.

Yet that needn’t be the case. The thing is, the WH-CH720N sound great – they might be the best sound-per-pound wireless over-ears you can buy – with their slightly enthusiastic bass the only real point of criticism. Even then, you can tone that down via the in-app equaliser, so it’s not a huge deal.

As it turns out, we want more of the same from the WH-CH730N, albeit with a bit of sonic tinkering to make them as good as they can be. Tweaking tuning algorithms rather than physical hardware can make a surprisingly profound difference, too – just look at how much better the Bose QuietComfort Ultra Earbuds (2nd Gen) sound over their first-gen antecedents.

The punchy, deeply musical personality of the WH-CH720N…but better? Sounds like a recipe for success to us.

Excited for: longer battery life

Wow, check out these numbers. We didn’t think the WH-CH720N were exactly short on battery life, thanks to their 50 hours of lifespan with ANC off and a still-massive 35 hours with it on, but Sony has really doubled down for the sequel.

The WH-CH730N will go for 75 hours before they need a recharge if you have noise cancelling turned off, a figure that quite frankly puts their predecessors in the shade. That’s a huge usability bonus, only sweetened by the fact that a three-minute quick charge will grant around an hour of playback when you’re in a hurry.

Not many rivals come close at this kind of money. The Austrian Audio Hi-X25BT (£129 / $140) will go for around 30 hours before they need a recharge, whereas even the mega-battery-boasting Philips TAH8000E's (£140 / $149) 70 hours with ANC off can't quite keep up.

Excited for: that seamless Sony usability

From the bottom of its range to the very top, Sony's headphones are very rarely a chore to live with. Quality tends to suffuse everything the brand does at the moment, with its wireless cans exemplifying this customer-first focus on usability and performance that few rivals can match.

What the WH-CH730N have in their favour right out of the gate, then, is the fact that they're a pair of Sony over-ears. That means certain features, such as DSEE upscaling for poorer-quality files, as well as 'Precise Voice Pickup Technology' for better noise calls and beamforming mics contributing to improved noise cancelling, are already in the bank.

Plus, access to the Sony Headphones app is never a bad thing, as while it's rarely been the most sleek or stylish platform in the world, the levels of customisation it offers are extremely tough to beat.

Unless something goes horribly wrong, we'd feel confident in stating that, from its voice calls to its ANC, we'll likely be in very safe hands with the WH-CH730N.

A small concern: that higher price

This isn't a dealbreaker for most, but it's still worth mentioning: the WH-CH730N are more expensive at launch than their predecessors. It's not a massive increase – only £10 in the UK – but it does point to a slightly more worrying trend in audio concerning rising prices.

This isn't something for which we blame Sony, but more a reflection of where things could be headed across the market. Due to poor market conditions, the global economic downturn, certain political decisions and an increasing scarcity of computer chips, consumer audio prices are rising, and even the budget end of the audio landscape isn't unaffected.

£10 isn't a huge rise from one generation to the next, but when even massive entities such as Sony are affected, it could point to an unwanted trend: higher prices for your headphones.

MORE:

Back with a bang! Sony has resurrected a classic pair of wireless headphones by launching the WH-1000XM4C

Now Playing: 5 songs we've had on repeat in the test rooms as we head into autumn

These are the best wireless headphones we've tested

Onkyo has announced a trio of new wireless speakers: the GX-AiO 50, the GX-AiO 100, and the GX-AiO 150.

An expansion of Onyko's desktop-friendly 'Creator' range, the three one-box speakers are designed to bring extensive connectivity and versatility to three varying sizes and form factors.

The GX-AiO 50 is the smallest in the range, the GX-AiO 100 sits in the middle, while the GX-AiO 150 is the largest, most premium option.

All three boast a 2.1-channel acoustic architecture which combines dual main drivers with a built-in, independently amplified subwoofer. All three use Class D amplification and Onkyo's own digital signal processing to minimise noise and distortion, resulting in "clear detail" and "deep, dynamic bass".

Physical connections include HDMI ARC alongside a USB-C and optical input, plus a switchable phono input if you want to hook up a turntable. For wireless listening, Bluetooth 5.3 is also available.

Three listening modes are accessible across the range. Eco Mode provides more precise low-volume control for nighttime listening and smaller spaces, whereas Standard Mode is designed for everyday listening. Max Mode, meanwhile, puts each system at its highest output for when you want to get the party started.

Plus, if you want to go even louder, you can connect any GX-AiO system into a stereo pair.

While they come in different sizes and clock in at different price points, all three systems follow a similar design language whereby a central control dial is flanked by two main drive units.

Integrated LED lighting around the control dial and the subwoofer slits has also been added "to create a warm ambient glow without overwhelming the room".

According to Vinny Bonacorsi, Onkyo's Chief Operating Officer: "The new Creator AiO series delivers what today’s younger music lovers want: compact size, simplicity, connectivity and affordability, paired with timeless industrial design. This series represents another bold step forward in Onkyo’s evolution, bringing our passion for music to a new generation.”

The Onkyo Creator GX-AiO series will be available this autumn in a choice of black or white finishes. Prices are as follows:

- GX-AiO 50: $399
- GX-AiO 100: $499
- GX-AiO 150: $599

MORE:

Read our Ruark MR1 Mk3 review

Read our five-star Onkyo GX-30ARC review

Our guide to the best desktop speakers for every budget and needs

Well this is something we haven’t seen from a Bluetooth speaker before: a design that mimics a kettlebell. And from turntable brand Lenco, too. Quite a departure.

The Orbita-360 isn’t aimed specifically at fitness fans, and it doesn’t weigh too much, so we wouldn’t start using it for kettlebell swings. But it is waterproof, so can be used outside, and it fires out sound in 360 degrees.

Inside is a 2.1-channel audio system comprising a 4-inch subwoofer, four full-range drivers and dual passive radiators, delivering 60W RMS (120W maximum). It promises “rich, room-filling audio with impressive bass and clarity.” And because its sound is projected evenly in 360 degrees, everyone in the surroundings should enjoy the same listening experience, no sweet spot required.

It supports Auracast, and so can pair with other compatible speakers to create more immersive wireless sound. And it’s rated IPX6 waterproof, so is protected against “strong water jets” – in other words, it’s safe to use by pools or fountains, and will happily withstand the inevitable downpour during your picnic.

The battery is good for 13 hours of use (that’s one hour less than the Award-winning JBL Flip 7). And it has nine lighting effects (including continuous and beat-synchronised modes) from its built-in LEDs, for adding a bit of razzle-dazzle to your gatherings.

But really it’s the design that sets it apart, of course. It’s unlike anything we’ve seen before, though the materials are more traditional – there’s an aluminium carry handle and a fabric finish (similar to those seen on the Amazon Echo range). The colour choices are also quite vanilla: Diamond Black or Lunar Grey.

Lenco is better known for its affordable turntables, such as the L-85. It has made speakers before, though its current range consists of the kind of hideous karaoke speakers that usually signal that a night out has gone awry.

The Orbita-360 is out now for £230 (around $300 / AU$440).

MORE:

The best Bluetooth speakers around

What is Auracast? Find out here

The best outdoor speakers to buy before the weather turns

The Sonos Ace Ultra wireless headphones have landed, and it looks like good news throughout, with Sonos promising a "direct connection to the Sonos system."

Positioned above the three-star Ace – the brand's first headphones released in 2024 – the new step-up Ace Ultra have been designed from the ground up to deliver the improvements to sound, noise-cancelling and wider compatibility with the Sonos ecosystem that were missing from Sonos' debut over-ears.

At the heart of the Ace Ultra is the "Headphone Engine 2", a next-gen wi-fi hardware and software system that lets you link the headphones directly to your existing Sonos system. It's the feature that we (and Sonos customers) have wanted all along, allowing you to swap audio from any Sonos wireless speaker or soundbar to the Ace Ultra headphones at the press of a button (or via the app), and back again.

Listening to music on the Ace Ultra from your laptop or smartphone is still done via Bluetooth rather than wi-fi, but this is a marked improvement over the original Sonos Ace, where you could only 'swap' audio from select Sonos soundbars.

With the Ace Ultra, this 'headphone linking' feature will work with any current Sonos soundbar and wireless speaker under the Sonos 27 ecosystem, including the Arc Ultra, Ray, Beam (Gen 2), new Beam Ultra, Sonos Five, Era 100, Era 300, Move 2, Play and Roam 2.

The Ace Ultra feature all-new Sonos-designed 40mm drivers, and the sound is tuned with input from the Sonos Soundboard, which features leading figures in music and film (including Grammy winners) to deliver a sound "that stays true to the artist's intent."

Active noise cancellation has been given a boost, with the Ace Ultra promising to be twice as effective in this regard. The Ace Ultra house 10 mics (up from eight on the original Ace), with an adaptive ANC system that continuously monitors your surroundings to deliver the best ANC experience.

An Adaptive EQ also tunes the ANC to adjust to any imperfections in the acoustic seal around the earcups, such as gaps in the fit for those wearing glasses.

An Aware mode, which lets outside sounds in, also returns, as does support for headtracking with Dolby Atmos content.

Battery is up to 35 hours (up from 30 hours from the original Ace) with ANC activated, and you can get three hours from a fast-charge of three minutes. The higher-quality aptX Lossless codec is supported, while native support for 16-bit/48kHz resolution is once again supported via a wired USB-C connection.

The general design of the Sonos Ace Ultra remains the same as before, with soft foam cushions to provide maximum comfort, and physical buttons that include a multi-function button/slider (called the 'control key') through which you can adjust volume, change noise modes and playback, and send music to and from your connected Sonos speakers via the 'headphone linking' feature.

There are three-band and eight-band EQ settings in the app to further customise the sound to your tastes, whereas TrueCinema technology tunes the headphones' sound according to your room's acoustics when connected to a compatible Sonos soundbar.

The Sonos Ace Ultra headphones will cost £399 / $449 and be available globally from 29th September, with pre-orders starting from today, 1st September. The headphones will be available in four finishes: new sand and agave colours, as well as the standard black and white options.

Interestingly, the established Sonos Ace will continue to be available. The Ace are currently priced at £299 / $299 / AU$449, which is a considerable drop from their launch price of £449 / $449 / AU$699. Those in the UK will also get a bonus saving, as the new Ace Ultra will launch for £50 less than the inaugural Ace did.

We have high hopes for the new Sonos Ace Ultra headphones, which seem to address many of the issues we had with the original Ace – such as incomplete features, buggy connections, "average" sound, and ANC quality that didn't compete with strong rivals.

Let's see if they give the current Sony, Bose and Sennheiser class leaders a run for their money.

MORE:

Read our original Sonos Ace review

And our five-star Sony WH-1000XM6 review

Best wireless headphones 2026: reviewed and rated by our in-house experts

I've recently been testing the iFi iDSD GR 2 DAC/headphone amplifier, and while it's a perfectly decent performer, it has left a question buzzing inside my mind like a wasp trapped in an upturned glass: why does a DAC need a Bluetooth input?

A seemingly innocuous question, perhaps, but one that won't leave my brain. Let's be clear that the iDSD GR 2 will set you back £529 / $529 / AU$849 at the time of writing, a product that's likely going to be driving all manner of respectable wired headphones.

If you're buying a DAC to improve the sound of your laptop-stored digital music files, then sound quality is likely to be top priority, so what's the appeal of throwing much of that out of the window on a less efficient means of audio transmission? Why have a Bluetooth option at all?

The curse of the unticked box

Part of the answer stems, I imagine, from one very simple motivator: consumer expectation. As we've seen with the rise of wireless headphones and Bluetooth speakers, customers expect a well-stocked spec sheet, and as soon as certain boxes aren't ticked, alarm bells are set ringing.

It feels as though Bluetooth speakers now must have Auracast, while wireless headphones must deploy in-depth noise cancelling and some form of spatial audio. If they don't, a rival brand will, and that's where a potential buyer might instead head.

Omitting a given feature, even on a more premium or audiophile-centred DAC, might smack of an oversight on the part of the manufacturer, even if said omission was actually a strategic one designed to redirect resources elsewhere.

Try explaining that to an increasingly voracious customer base.

Let's not ignore the fact, either, that having a Bluetooth input is exceedingly convenient. As a means of wire-free transmission from your source (such as a Bluetooth-equipped laptop or smartphone), it's incredibly easy to access and generally very stable, and many users enjoy the freedom of having a source that isn't tethered to headphones or, in this case, their DAC. Like William Wallace fighting at the Battle of Stirling in Braveheart, it's all about freedom.

Bluetooth is also a universal language, and that extends beyond the purely technical. If you've got a friend who wants a quick connection to your fancy new DAC to hear your Tidal playlists in better quality, it remains the king of convenience. Everyone knows it, everyone uses it, and everyone understands how it works.

Plus, the quality is good, and getting better. The iDSD GR 2, for example, offers Bluetooth 5.4 with higher-quality codec support in the shape of aptX Lossless, aptX Adaptive and LDAC, which essentially means the chance of streaming files up to 24-bit/96kHz using Adaptive and 32-bit/96kHz via LDAC. Such files can be accepted via Bluetooth, but as we’ll see, this is still a compressed and lossy streaming method which comes with serious drawbacks.

It’s still worth pointing out, though, that the DAC is still the thing doing the audio decoding, not your phone or laptop, so you're still getting some of the benefit of your dedicated device when playing via Bluetooth. Note, of course, the word "some".

Bluetooth(less) audio

No matter the strides that the likes of Qualcomm and Sony have made in improving Bluetooth as a means of audio transmission, there's no question that those trusty old wires still rule supreme when it comes to listening to hi-res files, as it guarantees lossless audio transmission.

As we wrote in our review, "the iDSD GR 2’s (Bluetooth) performance is perfectly capable, as evidenced by its sure-footed handling of a 16-bit/44.1kHz rendition of Goose’s Dripfield, but if you want to make the most out of your DAC – and indeed, the headphones you’ll be partnering it with – (it) should be seen as a nice bonus rather than a primary means of listening."

The problem is, when the DAC is wirelessly connected to your source, the Bluetooth part becomes the weak link in the audio transmission chain. No matter how good your wired cans are, how high the file resolution is, and how firmly you've got them jammed into the very real, very physical headphones socket, this lossly wireless connection to the source will become your limiting factor.

Plus, if you've spent all this money on a DAC, you're likely to be using a decent pair of wird headphones to partner with it, from the Røde NTH-100 (£149 / $149 / AU$249) to the open-backed Beyerdynamic DT 990 Pro X (£189 / $199 / AU$399), the Grado SR325x (£330 / $295 / AU$419) or, at a push, the Beyerdynamic T1 (3rd Generation) (£899 / $899).

Bluetooth has drawbacks which can rob the audio of its initial lustre, the main one being the problem of compression. LDAC, for instance, has a data rate of 990kbps, and while impressive compared with the 328kbps rate of standard SBC, it’s a lot lower than the 1411.2kbps provided by CDs.

Plus, if you've bought your not-inexpensive DAC to use primarily with wired headphones, not using a wire between source and said DAC seems somewhat redundant when the headphones provide a physical tether anyway. The supposed freedom provided by wire-free Bluetooth rather goes out the window, as you're still using a physical connection between your DAC and headphones anyway.

The question you have to ask is whether you'd miss Bluetooth if it weren't there. The Award-winning Chord Mojo 2 DAC doesn't have a Bluetooth input, but for sound quality, it's a cut above, and not once have we listened to the Mojo 2 and wished for wireless connectivity. That, in itself, tells you all you need to know.

It's admirable that iFi, or any other brand, would want its products to be as feature-laden as possible, but the idea of Bluetooth on a premium DAC designed to service the ‘sound-first’ market doesn’t make sense to me.

If you’re willing to spend what is still a considerable amount of cash on a DAC such as this, you’re going to want to get the best sound possible for the money. Bluetooth may be convenient, but the sonic sacrifices you’ll make feel unjustifiable given that the purpose of a DAC such as the iDSD GR 2 is, ultimately, to make your music and headphones-based listening sound as good as possible for the money spent.

MORE:

Read our review of the Chord Mojo 2

From legendary turntables to cutting-edge DACs: 33 debut products that defined hi-fi history

Best DACs: USB, desktop and portable digital-to-analogue converters

Pro-Ject has given Bluetooth powers to its entry-level E1.2 turntable, alongside a new iteration which features a built-in phono stage.

The Bluetooth-capable E1.2BT and phono-sporting E1.2 Phono ape the general design and configuration of the standard E1.2 model, focusing on budget-friendly performance and convenience bolstered by Bluetooth 5.4 streaming or a phono preamplifier, respectively.

The E1.2 BT turntable features a built-in Bluetooth transmitter with hi-res aptX HD codec support, meaning you can wirelessly stream vinyl playback wirelessly to speakers, headphones, or even compatible amplifiers if you so choose.

The Phono edition, conversely, incorporates what Pro-Ject describes as a “high-quality phono preamp for superior signal processing and noticeably improved sound performance”, boasting advanced circuitry designed to reduce noise and distortion while preserving the detail and natural character of your vinyl.

The E1.2 BT and E1.2 Phono share the same heavy die-cast aluminium main platter as their standard E1.2 counterpart, creating what Pro-Ject describes as an “ideal, anti-resonant platform”. In pursuit of more stable playback, the platter has been precision-balanced to grant a more even rotation and improve acoustic performance.

Each new turntable comes equipped with a Pick It MM E phono cartridge, which uses a conical diamond tip to deliver “warm and smooth audio” with low background noise.

The cartridge is attached to a pre-calibrated 8.6-inch aluminium tonearm with a carbon-reinforced headshell and a heavy-mass gimbal bearing for smooth movement during operation.

Both belt-driven players feature electronic speed-switching for 33⅓ and 45rpm via a single button, with Pro-Ject again aiming for a pair of entry-level decks that prioritise ease of use as much as sonic performance.

The Pro-Ject E1.2 BT is available now, priced at £399 / €399 in the ‘standard’ High Gloss Black or Walnut finishes. The five 'Colour' finishes, which include Satin White and a rather sunny Satin Golden Yellow option, will bump that price up to £449 / €449.

The E1.2 Phono is available now in High Gloss Black, Satin White and Walnut colourways, priced at £319 / €359.

MORE:

Read our Pro-Ject Primary E review

Five mistakes to avoid when setting up your record player

Our guide to the best Bluetooth turntables we have tested

Some may remember that for our special Vinyl Week in April, I finally set aside two decades of hesitance and decided to try out a turntable at home.

This wasn't a straightforward experiment, though (as most who know me will tell you, nothing is ever straightforward with me), because my living room is really dedicated to home cinema rather than hi-fi.

Not traditional home cinema, either, but a fairly minimalist, lifestyle-first home cinema featuring Sony's HT-A9 wireless speaker system which, it transpired, has no physical audio inputs.

The solution, much to my concern, was a Bluetooth turntable – the very capable Pro-Ject T1 Evo BT. Why the concern? I simply assumed that the richly layered charm of analogue vinyl would somehow be lost in the calculated ones and zeros of wireless Bluetooth transmission.

It turns out I was wrong about that – at least in a broad, conceptual way. Bluetooth carries across the little pops and crackles that help make the vinyl listening experience unique, and none of the hardness I had expected was evident in the delivery.

There was a problem, though: my Sony system's lack of aptX support meant I was limited to a relatively low 327kbps Bluetooth bitrate.

Given that limitation and the general nature of the speaker system itself, the sound was surprisingly decent; but I was clearly leaving detail, dynamics and texture on the platter.

That simply wouldn't do, particularly as my family and I had been instantly bitten by the vinyl bug.

A capable, compact solution

Rather than return the turntable, then, it was time to source an alternative system to partner the Pro-Ject. I didn't want to replace the Sony HT-A9, which has served me well as a home cinema system, and I didn't want to move the turntable from its approved position at the back of our living room.

In other words, I was going to have to stick with Bluetooth, and whatever I added was going to have to be minimalist enough to fit in with my existing AV kit.

After much research, the solution I settled on was the five-star KEF Coda W speakers.

To my eyes, the angular Coda W aren't quite as pretty as KEF's smoothly sculpted LSX models, which have always appealed to me, but they prioritise Bluetooth over wi-fi streaming and have built-in aptX HD support. A perfect match, then, for the Pro-Ject turntable.

They are also quite a lot larger than the LSX II LT, producing a bigger sound that would potentially work well in my decently sized living room, while still being compact enough to fit into the nooks of my existing bookshelf-cum-TV-stand. No furniture upheaval required.

Sure enough, the unpacking and installation of the new Coda W speakers took all of five minutes, and connecting them to the turntable was simply a matter of putting the KEFs into Bluetooth pairing mode and switching the Pro-Ject on. Bingo-bango, I was ready to rock.

Analogue charm with wireless convenience

As a nascent vinyl collector, I had been listening to more or less the same few records since I first took the turntable home in April, so I was intimately familiar with how they sounded through my Sony speaker system. The upgrade provided by the KEFs was vast and instantly apparent.

Playing my much-spun copy of On Circles by Caspian, the huge improvement to dynamics was what struck me first. The Coda W are capable of creating a large, spacious sound, but within that, they deftly handle dynamic shifts both grand and small-scale.

Detail levels, too, were clearly massively improved, thanks to the combination of the revealing nature of the KEF speakers and the upgrade to aptX HD Bluetooth.

In fact, the sound-quality improvements were across the board, as you might expect with a switch from a lifestyle-oriented home cinema system to a pair of powered hi-fi speakers. Greater punch, rhythmic drive and tonal balance – it was all there, along with those subtle imperfections that for many people represent a big part of vinyl's character.

In other words, I'm hugely impressed – and surprised – by the performance that a minimalist, Bluetooth-based turntable system can clearly offer.

I'm not saying that going wired wouldn't be better – it no doubt would, and I may well look into a switch to cables in the near future. But I am saying that the need to go wireless and generally build a system around your lifestyle no longer precludes you from enjoying an excellent vinyl experience in the way that it would have done just a few short years ago.

Back then, a turntable system simply wasn't an option for me. Now, it is, and I’m loving how much less compromised it is than I was expecting.

MORE:

Here are the best Bluetooth turntables and the best active speakers you can buy right now

Bose has recently revealed the second generation of its noise-cancelling wireless headphones, the QuietComfort Headphones (2nd Gen). The release brings the headphones up to date with Bose’s flagship QuietComfort Ultra Headphones (2nd Gen), which were released at the end of last year.

Among the improvements made to the flagship model were enhanced ANC, more spatial audio features and even the option for wired listening via USB-C. Our expert review team awarded the QC Ultra Headphones (2nd Gen) a solid four-star review, but they ultimately lost out on a fifth star due to steep competition at their premium price point.

Bose’s latest release sees many of the flagship’s features and technologies trickling down to the more affordable model, but there remains an appreciable price disparity between the two pairs.

If you’re wondering whether you’ll be losing out by opting for the cheaper pair, we've compared the QuietComfort Headphones (2nd Gen) and the Bose QuietComfort Ultra Headphones (2nd Gen) by price, specs and features to see which might be the right headphones for you.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): price

• Ultra 2 costs more but are frequently discounted during sales

The Bose QuietComfort Headphones (2nd Gen) launched at £300 / $359 / AU$550, which is slightly less (for UK customers) than the previous standard Bose QuietComfort Headphones, which arrived at £350 / $350 / AU$549. You can now find the original model available at a significantly reduced price, typically costing around £179 / $240 at the time of writing.

The flagship Bose QuietComfort Ultra Headphones (2nd Gen), on the other hand, launched at £450 / $450 / AU$700, which was the same as their previous model in the UK, but $20 / AU$50 pricier in the US and Australia respectively.

Both models have seen discounts take up to £200 off their original price, but there has still tended to be a gap of around £100 between the flagship model and their more affordable counterparts.

At this price point, both headphones land in a seriously competitive bracket. The closest rivals to the QuietComfort Headphones (2nd Gen) are the five-star Sennheiser Momentum 5 Wireless (£330 / $400 / AU$749), while the QC Ultra (2nd Gen) are more expensive than the five-star Sony WH-1000XM6 headphones (£400 / $450 / AU$699) but more affordable than the Apple AirPods Max 2 (£499 / $549 / AU$999).

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): design

• QuietComfort (2nd Gen) feature one more finish option
• Both pairs are foldable
• Ultra 2 feature a more premium design with polished metal materials

Both new models are foldable; a convenient design facet which isn’t always guaranteed at a premium level.

The QC Ultra (2nd Gen) are available in four finishes: Midnight Violet, Driftwood Sand, and Bose’s standard Black and White Smoke colourways. The QC (2nd Gen), on the other hand, come in the regular Black and White Smoke finishes, as well as three limited edition colourways: Eucalyptus Green, Dewdrop Mint and Rosewood Mauve.

We previously noted that the QuietComfort Ultra Headphones (2nd Gen) had more cushioning along the length of the headband compared to the standard model, as well as thicker earpads. However, according to Bose, the latest QC Headphones have been updated with a new headband, improved clamping force for a “secure fit”, and new oval-shaped earcups with plusher cushioning.

While we haven’t yet had a chance to try the QuietComfort (2nd Gen) Headphones ourselves, those changes sound like they might bring the cans almost up to speed with the QC Ultra (2nd Gen), which we described in our review as “one of the most comfortable wireless over-ear pairs for longer periods of wear that we’ve come across”.

Despite these changes, according to Bose the standard model hasn’t quite caught up with the Ultra in terms of overall design, with the Ultra featuring “a more premium elevated design featuring polished metal materials and more plush cushioning”.

A key technical difference between the two is the capacitive touch strip included on the second-gen Ultra Headphones, which can be used to control volume and customisable settings.

This feature still hasn’t been added to the second-gen QuietComfort Headphones, which have stuck to standard tactile buttons. Still, the latest generation QC Headphones do feature more customisable settings, such as EQ and ANC personalisation, available via the Bose App.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): battery & features

• Ultra 2 has a significantly longer battery life than the new standard QuietComfort (2nd Gen)
• Both headphones support spatial audio

The new QuietComfort Headphones have had their ANC boosted, employing several features available on the more expensive Ultra Headphones (2nd Gen). Like the QC Ultra Headphones (2nd Gen), the second-generation QC Headphones are also compatible with the Bose companion app.

When it comes to battery life, the second-gen QC Ultra Headphones take the lead with 45 hours of charge available with ANC switched off and 30 hours while it is engaged. This figure falls significantly, to just 23 hours, when Immersive modes are enabled (more on those later).

The QuietComfort Headphones (2nd Gen), meanwhile, have a 24-hour battery life with ANC switched on, which falls to 18 hours with immersive modes enabled.

So what are these Immersive modes?

Immersive Audio is essentially Bose’s take on spatial audio, which was first implemented with the brand’s original QC Ultra Headphones from 2023. In our review of the QuietComfort Ultra Headphones (2nd Gen), we said we still “weren’t hugely convinced” by the spatial effects, finding the ‘Motion’ setting (which tracks sounds to your head movements) “a little distracting”.

‘Still’ and ‘Cinema’ modes, however, proved useful in certain situations, such as watching movies, but did limit dynamics when it came to playing music. Regardless of our opinion, all three Immersive modes are now available with both the standard and Ultra models.

In terms of wireless connectivity, the QuietComfort Headphones (2nd Gen) support Bluetooth 5.4 and standard AAC and SBC codecs, while also featuring Bluetooth Multipoint for connecting two devices simultaneously, and Google Fast Pair for Android users.

The QuietComfort Ultra (2nd Gen) can do all of those, besides Google Fast Pair, but they also support aptX Adaptive codec, allowing hi-res wireless streaming up to 24-bit/96kHz from compatible sources.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): noise cancelling

• Ultra Headphones (2nd gen) have excellent ANC performance
• Many of the Ultra 2’s ANC features have been handed down to the QC Headphones (2nd Gen)

Given that Bose has built much of its reputation on its class-leading active noise cancelling technology, no side-by-side comparison would be complete without taking their ANC performance into account.

In our review of the QuietComfort Ultra Headphones (2nd Gen), we said that the headphones pulled ahead of class rivals for their “outright sound-blocking intensity… eliminating the deepest rumbles and the majority of mid-band hubbub we encounter on our daily travels." We were also pleased that the ‘Immersion’ mode allowed us to dial down the effect within the app, when we wanted a little less isolation.

Both of the latest models of QC Headphones feature Quiet and Aware modes in their ANC settings.

Quiet offers full-fat noise cancellation, while Aware offers a more transparent experience so that you can stay tuned into your surroundings. Both headphones also feature ActiveSense technology, which softens sudden noise spikes in the environment while using Aware mode, a feature we thought worked well when testing the QC Ultra Headphones (2nd Gen).

Between the first and second generations of the standard QuietComfort headphones, Bose says it has made subtle ANC improvements for users with glasses and included the option for ANC to be switched off. ANC adjustments for both models can be made within the Bose App.

As things stand, we know that the Ultra (2nd Gen) headphones have a class-leading ANC performance. We haven’t yet tested the QuietComfort (2nd Gen) model, but given that their ANC features have drawn closer to those of the Ultra, we are hoping they will reach a similarly high standard.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): sound

• Ultra Headphones (2nd Gen) have an entertaining sound
• Ultra 2’s spatial audio settings can be hit and miss
• We haven’t yet tested the QuietComfort Headphones (2nd Gen)

The Bose QuietComfort Ultra Headphones (2nd Gen) stepped into a formidable arena upon their release.

In our review, we said that, compared with their previous generation, the second-gen QC Ultra Headphones made “meaningful gains”, sounding “more solid and musically tighter and shedding a layer of excess richness”.

We also thought that the second-gen cans retained “the same pleasingly smooth, bass-rich character Bose has long favoured”, but found the headphones’ sonic signature to be “more insightful and precise than ever before.” So, undoubtedly, these headphones have plenty of charm.

However, the difficulty facing the second-generation Bose over-ears was that they were immediately pitted against Sony’s Award-winning WH-1000XM6, which we found were “categorically better sounding, and by a fair margin”. Pair these challengers with other sonically talented rivals like the Bowers & Wilkins Px7 S3 or Sennheiser HDB 630, and we thought the Ultra Headphones (2nd Gen) were a little left behind in an increasingly competitive market.

Further, the headphones' Immersive modes, while entertaining, worked better for some tracks than others – with Cinema mode working particularly well for movies – but primarily left us feeling somewhat distracted, particularly in Motion mode.

Because we haven’t put the new generation of the QuietComfort Headphones through our rigorous testing process, it is hard for us to speculate how Bose’s latest over-ears are going to sound.

According to Bose, the second generation retains the brand’s “high-quality sound and proprietary SoundDesign digital signal processing”, but the company hasn’t shared specifics about what improvements have been made between the generations.

As such, we’ll be keen to try these headphones as soon as our test pair arrives and will update this head-to-head accordingly.

Bose QuietComfort (2nd Gen) vs Bose QuietComfort Ultra (2nd Gen): early verdict

We’ve tested the QuietComfort Ultra (2nd Gen) headphones and awarded them a solid four-star review, noting their “up there with the best” noise cancellation, smart, folding design, effective spatial audio for movies and a punchy, entertaining sound.

Without having reviewed the new standard QC Headphones, it's hard for us to give a definitive answer about which model offers the best value, but with a raft of the Ultra 2’s upgrades set to be handed down to the standard model, the signs are promising. Stay tuned for a full review comparison in due course.

MORE:

Read our full Bose QuietComfort Ultra Headphones (2nd Gen) review

Bose QC Ultra Headphones (2nd Gen) vs Bose QC Ultra Headphones (1st Gen): which headphones are better?

Bose QuietComfort Headphones vs QuietComfort Ultra Headphones: what are the differences?

Nothing's budget sub-brand CMF has announced its first pair of open-earbuds, the Clip Pro, which are designed to deliver a listening experience "that feels as natural as it sounds".

Billed as ideal for wearers with busy or active lifestyles, the Clip Pro incorporate an open, clip-on design built around CMF's three-point configuration, wherein a slim 'C-bridge' hooks around the exterior ear and is anchored on each side. The result, says CMF, is a secure fit that remains comfortable through work, commuting and exercise.

Each earbud harnesses physical on-unit controls, while an IP54 rating means that sweat, water splashes and dust shouldn't be a problem if you're taking your new buds outside for a tough workout.

At the heart of the new Clip Pro is a 10.8 mm dual-magnet dynamic driver, tuned to produce what its maker describes as "full-bodied audio with powerful bass, detailed vocals and crisp high frequencies".

To compensate for the bass loss associated with open-ear designs, CMF has incorporated 'Ultra Bass Technology', designed to intelligently enhance low-end reproduction while reducing treble distortion for a more balanced frequency response

In addition, the Clip Pro are support Sony's LDAC Bluetooth codec for hi-res wireless streaming up to 32-bit/96kHz, alongside standard AAC and SBC codecs.

The CMF Clip Pro grant up to 10 hours of listening time on a single charge, rising to around 32.5 hours of total playback with the charging case in play. If you're short on time, a quick 10-minute fast charge provides up to 4 hours of listening.

Further features include Bluetooth Multipoint for more seamless switching between connected devices, as well as a 'Low Latency Mode' designed for gamers. Google Fast Pair is also on the menu with compatible devices, and Clip Pro wearers will be able to customise their experience via the supported Nothing X app.

The CMF Clip Pro will be available in a choice of Dark Grey, Light Grey or Coral finishes, priced at £79 / $99.

MORE:

Read our Nothing Headphone (1) review

I thought this simple upgrade would elevate Sony's WF-1000XM6 wireless earbuds – I was wrong

Our pick of the best over-ear headphones

We've been waiting for a sequel to the outstanding Sony WH-CH720N noise-cancelling wireless headphones for some time, and it looks as though our prayers may finally be answered in the coming months.

According to an often-reliable inside source, thewalkman.blog, recent import filings have revealed that a new pair of headphones is set to replace the Sony WH-CH720N, and will be called the "Sony WH-CH730N".

The filing also reveals the new colours for the upcoming sequel, with 'Black', 'White', 'Pink', 'Blue' and 'Beige' all listed. That's broadly the same as the finishes found on the established WH-CH720N, with 'Beige' representing the only new addition.

We don't have many details regarding the headphones' hardware or specifications. It remains to be seen what drivers they will implement, which chipset they will use, or what their prospective battery life figures will be.

We've had no word on price either, but as the WH-CH720N launched at £99 / $129 / AU$259 back in 2023, we'd hope to see an RRP that didn't rise too much beyond that.

So when could we see these new wireless cans finally arrive? According to thewalkman.blog, the FCC confidentiality end date is on October 20th, so there's a good chance we could see the WH-CH730N arrive at around that time.

The WH-CH720N landed in March 2023, but as we're well beyond that point in 2026, it appears that Sony may be shooting for a release that's somewhere towards the final quarter of the year.

For us, the sooner the better. The more we've had time to listen to and often live with the WH-CH720N, the more we've come to appreciate them as being some of the best sound-per-pound wireless headphones you can get. For sheer value, we're struggling to think of many that do so much for such a modest price.

They're not perfect, and when we speculated as to the four things we'd love to see from the then-speculated WH-CH730N, we hoped for a little less bass and for the new headphones to fold away fully, for a bit of added portability and convenience.

The WH-CH720N are lauded Award-winners, but a few new features, such as on-head wear detection or support for Sony's higher-quality LDAC codec, would be lovely additions for when a sequel materialises.

Whatever the case, the WH-CH730N have big shoes to fill. We dubbed the WH-CH720N as "dependably made, enthusiastic-sounding headphones that...deliver good ANC and a strong feature set to the very affordable end of the wireless headphone market", so any prospective sequel will have its work cut out to improve on such a potent combination of performance and sheer value.

Can Sony manage it? We'll be keeping our ears to the ground for any further rumblings regarding the WH-CH730N, and will keep you updated as and when any new information comes to light.

MORE:

Don't need ANC? Read our review of the cheaper Sony WH-CH520

I thought this simple upgrade would elevate Sony's WF-1000XM6 wireless earbuds – I was wrong

Our pick of the best over-ear headphones

The Bang & Olufsen A1 (2nd Gen) has been high in our estimations for quite some time, occupying a comfortable position in our best smart speakers list. It’s a handsome devil, too, and we think that spending a little extra on aesthetic charm to accompany talented sound is worthwhile.

But, right now, you don’t have to worry about forking out on good looks, because the Beosound A1 has fallen to just £179 at Peter Tyson. That’s not the cheapest we’ve ever seen the speaker – it dropped to £169 last December – but with a reduction of £120, it’s still a serious saving.

Admittedly, the Beosound A1 (3rd Gen) is now on the market, but it will cost you more and doesn’t feature Alexa integration. For those reasons alone, we would recommend the five-star 2nd Gen, especially at this price.

Portable Bluetooth speakers come in all shapes and sizes. It just so happens that we rather like the look of the Beosound A1 (2nd Gen), but that’s far from all that has won us over about this speaker.

Competition for small portable speakers is tough, with companies like JBL and Tribit making serious offerings, but B&O’s prioritisation of luxury and style carves the company a unique position in the market.

Admittedly, the Beosound A1 (2nd Gen) isn’t the newest model, with the 3rd Gen now available, but it won five-stars, compared to the 3rd Gen’s four stars, at review.

That rating was achieved in part by the 2nd Gen’s multi-talented performance, which sees the attractive, solidly constructed unit providing a pleasingly comfortable and authoritative performance “that you’d be happy to listen to all day”.

In our full review, our expert testers said: “Bang & Olufsen has succeeded in maintaining its trademark sound profile in this diminutive and affordable proposition – no small feat considering Bluetooth speakers of this size and price can easily come off heavy through the mids and harsh in the treble in an effort to offer volume and clout.”

But the Beosound A1’s virtues don’t end there.

Alongside Bluetooth 5.1 with AAC, the speaker also supports Qualcomm's aptX Adaptive codec, allowing high-quality streaming. The Beosound A1 (2nd Gen) also contains a three microphone array for clear voice assistant operation and hands-free calling.

What’s more, when it comes to battery life, an impressive 18 hours can stretch all the way to 48 hours when listening at conservative volumes.

A handy strap is also included with the speaker, meaning you can take this handsome, portable unit wherever you go.

So, if you’re on the hunt for a Bluetooth speaker that is convenient to use, includes Alexa, sounds great and has a sleek design, the Beosound A1 is a strong choice, even more so now that it’s available for just £179 at Peter Tyson.

MORE

Read our full Bang & Olufsen Beosound A1 (2nd Gen) review

Take a look at the best Bluetooth speakers you can buy

Check out our best B&O speakers: portable, hi-fi and wireless

A new pair of Bose over-ear headphones could be arriving very shortly.

That's according to French outlet Dealabs, which reports that Bose has leaked a second-generation iteration of its QuietComfort Headphones, slated for release in just a few weeks.

Bose's QuietComfort Headphones line isn't to be confused with the more premium QuietComfort Ultra Headphones. The QC Headphones are to the QC Ultra Headphones what the more affordable QuietComfort Earbuds (2024) are to the range-topping QuietComfort Earbuds Ultra (2nd Gen) – a lower price tag in return for slightly fewer features and not quite top-of-the-line performance.

That said, the new over-ears promise a full-blooded refresh over their three-year-old predecessors, with Dealabs' leak suggesting a new design, revamped controls and better sound quality could all be coming to the second-generation model in a bid to see Bose make a play for the competitive mid-range market.

Quite a few premium features could be about to trickle down from the premium QC Ultra Headphones (2nd Gen), including Bose 'TrueSpatial' spatial audio, lossless playback via USB-C, and a host of new listening flavours, including 'Cinema Mode' for making video content more, well, cinematic.

Many existing features and functionalities are set for significant improvements. Bose's 'ActiveSense' technology works to take the edge off unwanted noise peaks when listening in 'Aware' mode, while improved call quality comes courtesy of more effective ambient noise reduction.

The headphones' on-cup controls have been revamped, with Dealabs teasing more intuitive button placement on the earcups themselves.

Wholesale improvements haven't been made to every aspect of the incoming QuietComfort Headphones, however. Battery life will likely remain the same as the soon-to-be outgoing model, with the second-gen over-ears again set to max out at a reported 24 hours of listening with ANC switched on.

That revamped design is set to feature more on-ear padding alongside a more oval earpad shape and a wider headband, all designed to improve wearer comfort over time.

A veritable Delux colour wheel of new finishes could also be set to arrive, including Black, White Smoke, Rosewood Mauve, Eucalyptus Green, Dewdrop Mint, and Hazelnut Taupe.

What about prospective price? Figures are slated as £300 / $359 / €350, which represents a £50 / €50 drop for UK and European buyers respectively.

We never tested the original QuietComfort Headphones when they launched around three years ago, but we have reviewed both the QC Ultra Headphones (2nd Gen) and QC Ultra Earbuds (2nd Gen) in recent times.

Bose isn't quite dominating the premium wireless headphones space when facing competition from Sony, Apple and Sennheiser, but the upcoming QC Headphones' slightly more affordable asking price and bolstered feature set might help Bose claw back ground lost to its estimable competitors.

Dealabs claims that Bose's latest cans will arrive on August 13th. We've contacted Bose for comment, and will keep you updated with developments as they arise.

MORE:

Bose QuietComfort Headphones vs QuietComfort Ultra Headphones: what are the differences?

Excited for The Odyssey? This divisive Christopher Nolan movie has the perfect test score to get you in the mood

These are the best noise-cancelling headphones on the market

Skullcandy has released new premium wireless headphones, the Crusher 1080 ANC.

But rather than go it alone, the firm has enlisted the help of a powerful ally in a bid to get its latest cans competing with the best in the business.

That ally, in case you hadn't guessed already, is Bose.

The Crusher 1080 ANCs' extensive feature set is powered by 'Sound by Bose' technology, meaning the new headphones boast 'QuietControl' noise cancelling and 'TrueSpatial' sound design.

These let them deliver Bose's Immersive Audio, and 'SpeechClarity' features for, as you might have guessed, clearer voice calls.

You even get Bose-tuned EQ modes to more accurately tailor the sound to your specific preferences.

That's a lot of Bose-made tech, but what about how the Crusher 1080 ANC actually sound?

As you might have gathered from the name, the new over-ears promise "bass you can feel", complemented by "a rich, balanced sound" with plenty of "immersive detail", all aided by Bose's 'WaveForm' audio engine for improved signal processing.

The Crusher 1080 ANC boast a very impressive 60 hours of battery life with noise cancelling switched off, dropping to around 50 hours when ANC is in play, while a 'Rapid Charge' facility will grant four hours of battery life from a 10-minute boost.

Elsewhere, a decidedly premium feature set includes Google Fast Pairing, Multipoint Connectivity and Auracast audio sharing technology, as well as a low-latency audio mode for gaming and movies.

Outside of the Bose tech, the headphones also feature Skullcandy's patented 'Crusher Bass' technology, which allows you to use the Skullcandy app or a dedicated 'Crusher wheel' to dial up your lower-end reproduction and "create a physical bass sensation that adds impact and immersion to music, movies, and games".

The Skullcandy Crusher 1080 ANC are available now, priced at £220 / $280 / AU$400, in a choice of Brown, Pink, Grey or Black finishes.

MORE:

Read our SoundCore Liberty 5 Pro review

I auditioned a bunch of AirPods Max replacements, but none could match Apple's secret AV weapon

Best wireless earbuds: 7 sensational pairs reviewed and rated by our experts

What do you think of when you hear the word “liberty”? Perhaps the triumphant motto of the French Revolution which pledged liberty, equality and fraternity for all, or perhaps the Statue of Liberty with her torch aloft welcoming newcomers to New York via Ellis Island? The Liberty Bell in Philadelphia, perhaps, or The Man Who Shot Liberty Valance if you’re into your black and white Westerns?

You may not think of a pair of mid-price wireless earbuds, but could that be about to change? The Soundcore Liberty 5 Pro are already imbued with a certain grandeur by virtue of their very name, but a name alone does not make a pair of earbuds.

Anker’s sub-brand Soundcore must face off against the likes of JBL and Sony to make a dent in this mid-range field, and while this isn’t the most densely populated segment of the wireless earbuds landscape, there are still a handful of hurdles for the Liberty 5 Pro to overcome.

Price

At £150 / $170 / AU$280, the Soundcore Liberty 5 Pro are committedly mid-range wireless earbuds. For this kind of money, the JBL Live Beam 3 can be yours for around £120 / $150 / AU$150, while the more affordable and Award-winning Sony WF-C710N can be picked up for £75 / $80 / AU$128 at the time of writing.

The likeable Apple AirPods 4 with ANC, conversely, sit around the £179 / $179 / AU$299 mark.

Build & comfort

Hooray, a pair of wireless earbuds that fit snugly and securely in our ears! This isn’t faux surprise or mock celebration: it’s remarkable the number of in-ear headphones – wired or wireless – that fall at what should be the most basic of hurdles.

We rarely have such an issue with the Soundcore Liberty 5 Pro. The mid-range contenders use a similar configuration to the more premium Bose QuietComfort Ultra Earbuds (2nd Gen), with an outer stem attached to a main body accompanied by top-mounted fins designed to sit under the ear’s inner ridge and facilitate a more stable fit. Those fins are fixed to the buds directly, however, so it’s something of a one-size-fits all arrangement.

They may be small, but the difference they make is profound. Those fins are firmer than the ones found on the second-gen Bose QC Ultra Earbuds 2, but in acting as an anchor to keep your buds in place, they really do the trick. We took the Liberty 5 Pro to the gym and even on a short 5 kilometre run, and not once did they come loose or make a bid for freedom.

During everyday use, the Liberty 5 Pro are easy to get along with. Their silicone ear tips fit snugly and securely, yet it isn’t often that we feel fatigued by the buds as we clock up the minutes of wear. Better still, Soundcore has been kind enough to offer five tip sizes ranging from XXS to large, so you’re likely to find a set to suit your needs, and there is an ear-tip test on the app to further help you on your journey to achieving a decent seal.

We’d be remiss if we didn’t mention the Liberty 5 Pros’ charging case, which uses a narrow front-mounted screen to display your buds’ vital statistics. The idea of a smart screen that essentially does the job of a companion app on your phone can be a bit of a divisive one, but we do appreciate being able to see our buds’ battery life at a mere glance.

Features

If you want something that will last and last, the Liberty 5 Pro’s battery life is decent, but they aren’t quite the Duracell Bunny of the mid-range earbud world. You’ll get around 6.5 hours from the buds and up to 28 hours total from the case with noise cancelling switched on, falling short of the 9-10 hours (buds) and 48-hour total of the rival JBL Live Beam 3.

Even the cheaper Sony WF-C710N squeeze around 8.5 hours from the buds and 30 hours with the case in play, leaving the Soundcore earbuds lagging rather behind their main rivals.

The Soundcore buds support Dolby Audio with head tracking, something they implement with reasonable competence. Do be aware that switching on Dolby Audio will switch off Soundcore’s ‘AI Sound Enhancement’ algorithm, resulting in a modest but perceptible drop-off in audio quality as a result.

The Sony-developed LDAC Bluetooth codec is also on the menu, something we wouldn’t necessarily expect to find with a pair of earbuds at this price – the cheaper Sony WF-C710N, for example, don’t support it at all. Considering LDAC allows you to stream high-resolution audio streams up to 32-bit/96kHz at up to 990kbps data rates from a compatible source, that’s quite a feather in the Liberty 5 Pros’ cap.

Touch controls work well, with Soundcore’s system operating primarily via either a series of taps or swipes depending on what you want your buds to do. Our test pair are responsive to our various commands, and we’re particularly impressed by the levels of customisation on offer from the accompanying Soundcore app.

On the subject of the app, Soundcore’s is generally a good one. There are plenty of useful features, such as an eight-band equaliser, ANC mode toggling, touch control customisation, and a handy fit test, but some users might feel that some additions just get in the way, such as a ‘Discovery’ comments forum and a ‘Soundspace’ section filled with free meditations and various flavours of white noise. For us, such additions aren’t particularly necessary, although they may have their fans among users keen for an app with all of the bells and whistles.

Noise cancelling & voice calls

Soundcore has put a lot of effort into the Liberty 5 Pros’ voice calls, packing the buds with 10 sensors and powering it all with a new ‘Anker Thus’ AI chip, which draws on large audio datasets and uses a configuration whereby the chip’s CPU and memory are fused together for a more efficient and powerful performance when handling audio and calls.

Human speech is nicely spotlighted and impressively clear, although voices do sound a little artificial and robotic. The Soundcore earbuds do isolate speech admirably from environmental noise, so much so that traffic, wind and birdsong are barely audible as we natter away without distraction. The Sony WF-C710N sound more natural, but the Liberty 5 Pro have a cleaner presentation.

Noise cancelling is similarly capable. The Liberty 5 Pro keep up with their rivals as they suppress the general ambience of a busy cafe, making a decent fist of softening exterior noises if not completely eliminating them.

Higher frequencies, including some human speech or the clank of weights in a busy gym, will still penetrate through, as will the deepest of deep rumbles, but this isn’t a poor performance at this mid-price level. If you want a proper step up in terms of pure noise isolation, you’re going to have to spend more cash and seek out the premium Bose QC Ultra (2nd Gen) or the Sony WF-1000XM6 instead.

Sound

It’s been a reasonable showing thus far, but sound is ultimately where the race is won or lost, and it is here where the Liberty 5 Pro trip and stumble. From the outset, we’re impressed with the muscle and weight they bring to their respective renditions of Slipknot’s Left Behind and Nine Inch Nails’ As Alive As You Need Me To Be, but a lack of clarity and overall sonic precision limit the extent to which we’re truly involved in our music.

To their credit, we do get a sense of a pair of earbuds that are trying to entertain us. These aren’t bland or lifeless performers, with the Soundcore bringing enough robustness and power, especially at the lower end, to grant our tunes some proper wallop. Corey Taylor’s relentless performance on Left Behind is suitably ferocious, yet subtler quirks and vocal textures are lost amidst the earbuds’ somewhat clouded presentation.

Ultimately, there’s a lack of real refinement to go with all of that undeniable eagerness. The bass may be powerful, but it is both ill-defined and overdone, while a peakiness and lack of treble refinement haunts the upper frequencies. While doing a bit of tinkering with the provided in-app equaliser can help to rectify some of that excessive eagerness, it can’t do much to infuse any real quality into the resulting reproduction.

It’s an issue that really stands out whenever a track has plunging bass tones, which ultimately end up sounding amorphous, rumbly and lacking in sufficient definition. Boot up the opening of Noisettes’ Never Forget You or the first few bars of Agnes Obel’s The Curse, and you’ll hear what we mean.

A loose low-frequency reproduction is not the only issue. While the Soundcore buds do have decent weight and impact, they’re not as crisp or as well-disciplined as their rivals. The cheaper Sony WF-C710N are equally full-blooded, yet they have the punch, precision and propulsion to go with that muscularity. The C710N are a pro boxer’s powerful, clean leading jab; the Liberty 5 are a sloppy haymaker thrown on a booze-fuelled Saturday night.

The mid-range buds’ lack of rhythmic momentum is highlighted on tracks such as Ghost’s Satanized, during which a poor sense of timing and squashed dynamics conspire to make the whole thing sound both flat and sluggish. The JBL Live Beam 3 are better in both regards, while the supremely entertaining C710N are, frankly, streets ahead.

Verdict

Despite their secure fit and ample feature set, the Soundcore Liberty Pro don’t have the sonic talents to trouble the best mid-range buds. If sound quality is a priority, seek out the well-rounded JBL Live Beam 3 or the sonically superior (and cheaper) Sony WF-C710N instead.

Review published: 7th July 2026

SCORES

• Sound 3
• Features 4
• Comfort 4

MORE:

Read our JBL Live Beam 3 review

Also consider the Sony WF-C710N

Best wireless earbuds: 7 sensational pairs reviewed and rated by our experts

FiiO has unveiled its latest pair of wireless headphones, the EH13.

The new over-ears are conceived as a pair of budget-friendly cans that go big on features while keeping costs to a minimum, aiming to give would-be buyers "high-quality audio at an accessible price".

The EH13 feature a set of 40mm dynamic drivers fitted with sapphire-coated composite diaphragms, while support for the Sony-made LDAC codec allows for hi-res Bluetooth streaming up to 32-bit/96kHz.

Despite their modest price, the EH13 offer hybrid active noise-cancellation, while five built-in microphones and advanced 'Environmental Noise Cancellation' algorithms aim for clear voice pickup and reduced surrounding noise during calls.

The EH13 grant up to 45 hours of playback with ANC on, rising to a whopping 75 hours when noise cancelling is switched off. Further, Multipoint Bluetooth allows for connecting the FiiO over-ears to twin devices simultaneously.

The new headphones house a 3.5mm input and come with a provided cable if you want to hook up directly to your chosen music source, while a fully foldable design makes the budget cans easier to transport.

If you want to tinker with your listening experience, including altering your EQ settings, you can do so via the provided FiiO Control App.

The FiiO EH13 are available now in a choice of black or beige finishes, priced at £49 / $49 / €49. That sort of money puts them in direct competition with the budget Sony WH-CH520 (tested at £49 / $59 / AU$79) that we've so often praised since their release in 2023.

MORE:

Want cheap wireless headphones? Read our Sony WH-CH520 review

These are the best wireless headphones you can buy

Best wireless earbuds: top pairs tested by our reviewers

I've tested quite a few budget Bluetooth turntables this year, including the Sony PS-LX3BT and the Sharp RP-TT100, but my top pick for overall sonic performance has to be the Sony PS-LX5BT. Like its LX3BT sibling, the PS-LX5BT earned the full five-star haul earlier this year thanks to its commendable sonic talents alongside excellent usability and multiple ways to listen.

Now that it's dropped to £307 at Amazon, Sevenoaks and John Lewis this Prime Day, you're in a great position to pick up five-star quality for £92 less than its standard RRP of £399. That's roughly 23 per cent off a supremely talented Bluetooth deck that we only recently reviewed!

Best Sony turntable Prime Day deal

The PS-LX5BT gives you the full Bluetooth turntable package, with a built-in phono stage, fully automatic operation and great sonic performance on a budget, although if you're looking to save even more cash, the step-down PS-LX3BT is also on sale for Prime Day.

That said, if you pick the LX5BT, you'll get a better cartridge, a slightly different arm tube, slip mat and finish, as well as fully detachable interconnect cables.

This being a fully automatic turntable, operation and setup are simple. The PS-LX5BT is easy to use and responsive to our commands, without needing to manually adjust the tonearm or tinker with tracking weights.

The PS-LX5BT is supplied with a pre-fitted moving magnet cartridge with a 2g tracking force, with much of the PS-LX5BT's improved performance likely deriving from its more premium cartridge.

For Bluetooth, there’s support for the hi-res aptX Adaptive codec for handling files wirelessly up to 24-bit/96kHz to compatible Bluetooth speakers and headphones, with the PS-LX5BT allowing up to eight devices to be paired at any given time.

Why would you get the PS-LX5BT over the cheaper PS-LX3BT? For us, the costlier deck does a great job of justifying its not-inconsiderable price increase over its more entry-level counterpart, offering a more open, spacious and more detailed sound than the LX3BT.

It also grants more space around instruments and gives the music greater breathing space within its broader, wider soundstage, leading to a more natural and immersive performance. Judged on its own or against its smaller sibling, Sony's affordable player really shines.

All in all, a great turntable with fantastic usability and class-leading sound at a fantastic knocked-down price. Find it at Amazon, Sevenoaks or John Lewis before Prime Day ends.

MORE:

Hi-fi speaker deals are thin on the ground this Prime Day, but I've tracked down six of the best worth a closer look

Stay up to date with Prime Day 2026 LIVE: our hi-fi experts choose the best speaker, headphone and turntable deals

Prime Day 2026 LIVE: our home cinema experts' picks of the best OLED TV, Dolby Atmos soundbar, projector deals and more

It's time to get serious this Prime Day. If you're after the best wireless earbuds you can buy, you couldn't do much better than the five-star Bowers & Wilkins Pi8.

Right now, the Pi8 can be yours for just £275 at Peter Tyson, which isn't the lowest price we've ever seen the five-star buds, but still represents a major saving of £74. Not to be sniffed at, certainly!

The Bowers & Wilkins Pi8 certainly come in pricier than your average wireless buds, but in terms of performance, they justify their premium price tag.

The stylish buds offer serious performance across the board. As our expert testers said: “Immediately you’re made aware that this is no pair of budget earbuds. There’s a maturity and refinement to the sound which you just don’t get from entry-level and mid-price wireless earbuds.

“This level of sophistication really allows the Pi8 to stand out. They shine a light on any music streamed their way with a beautifully balanced approach – you can savour every frequency from the lowest of lows to the highest highs.”

From dynamic insight to genuine rhythmic drive, you can be kept entertained for the duration of the Pi8s' 6.5 hours of battery life from the buds themselves, rising to 20 hours with the case in play.

That charging case is smarter than you think, doubling up as wireless audio re-transmitter. This means that you can plug the case into a source that does not support Bluetooth, such as an in-flight entertainment system, and play audio through the wireless buds.

There is also support for Bluetooth 5.4, the inclusion of AptX Adaptive support at up to 24-bit/96kHz and also aptX Lossless. Plus, the ANC uses the same technology as B&W's Px8 over-ears, which can be switched off entirely or switched into Transparency mode.

All this led us to reach an incredibly positive verdict, saying: “Their wonderfully sophisticated, balanced and transparent sound delivers a level of insight that’s rare in wireless earbuds. You do have to pay for that quality but, ultimately, we think it’s a price worth paying.”

Fortunately, right now, you don’t have to pay as much as you once would have. In fact, you can save a very healthy £74 if you check them out at Peter Tyson or John Lewis.

MORE:

Hi-fi speaker deals are thin on the ground this Prime Day, but I've tracked down six of the best worth a closer look

Stay up to date with Prime Day 2026 LIVE: our hi-fi experts choose the best speaker, headphone and turntable deals

Bowers & Wilkins Pi8 vs Pi6: which B&W wireless earbuds should you choose?

A pair of Sony headphones for £100 off? Normally we'd be recommending that you throw caution to the wind, boot up that laptop, stretch your clicking finger and get those cans into your digital basket, because that sounds, on paper, like a Prime Day deal worth taking.

This is one of the rare instances, however, when we'd advise you to look elsewhere. The Sony ULT Wear are a rare misfire from Sony, and while they're down from £180 to just £88 on Amazon, we just don't feel that they're worth your time. Save your cash and pick up a pair of five-star alternatives (listed below, obviously) instead.

Sony ULT Wear deal

Hooray, a pair of heavily discounted Sony headphones! They’ve got noise cancelling, a comfortable design, loads of high-performance Sony features and a majorly knocked down right, so what exactly isn’t there to love?

The problem is that the ULT Wear don’t sound as good as we had hoped. In fact, they are a rare sonic misfire for Sony, with a sound that sounds either too enthusiastic and bass-heavy, or simply too lacking in the basics of dynamics and detail to have us singing their praises. Great Sony headphones abound at the moment, but sadly, the ULT Wear are quite a long way from greatness.

Consider these alternatives instead

MORE:

I've handpicked the 12 best-value Prime Day home cinema and audio deals – all under £200

Amazon Prime Day 2026 Live Q&A: personalised hi-fi and home cinema buying advice, direct from our experts

Discounts galore! These are the best Amazon Prime Day Bluetooth speaker deals

Put that pizza down! Bin those takeaway menus, resist the urge to boot up the Dominos app and do something that your ears, and waistline, will thank you for: spend your money on a brilliant Bluetooth speaker instead.

For about the same price as your Saturday night takeout, you could get yourself a JBL Go 4 for just £27 at Amazon this Prime Day, down from its original price of £40. That's a saving of around 33 per cent on the best pocket-sized Bluetooth speaker on the market.

It doesn't taste particularly good (although we haven't actually tried), but it does sound the business.

Best JBL Go 4 Bluetooth speaker deal

It's remarkable how much performance JBL has managed to wring out of the soap-sized Go 4. It's handsome, well-equipped, durable and, for its size, remarkably talented sonically

The Go 4's IP67 rating means that dust and limited submersion in water will leave no lasting damage, and the general robustness of construction here is truly admirable.

Battery life is up to roughly 7 hours of standard playtime, with two more hours via Playtime Boost.

Playtime Boost will suck out most of the bass from the speaker's presentation, but that aside, the Go 5 sounds remarkably good considering its size and price. Thanks in part to its 45mm driver and that hollow-contour logo, the fifth-gen model is the meatiest, most robust sounding Go that we've yet heard, with a fuller, more powerful reproduction than its fourth-gen predecessor.

As our review stated, the fifth-gen speaker is tuned "to have an innate understanding of how your music should sound. Nothing here is overdone or overly coloured, but it shares its bigger siblings’ ability to go with the flow as we bounce around tracks and genres".

If your budget is limited, the Go 4 is our go-to recommendation – ditch the late night curry and pick one up on Amazon.

MORE:

Prime Day 2026 Live: all the top TV, soundbar and projector deals handpicked by our home cinema experts

Amazon Prime Day 2026 Live Q&A: personalised hi-fi and home cinema buying advice, direct from our experts

Discounts galore! These are the best Amazon Prime Day Bluetooth speaker deals

This Prime Day is the perfect time to find your latest pair of wireless headphones or wireless earbuds. Prices are dropping faster than Scotland's World Cup chances, and good deals are becoming great ones thanks to ever-plummeting RRPs. There's no time like the present to snap up a bargain.

This Prime Day has seen major discounts on a massive variety of headphones, but we're limiting this rundown to those which fall under £150. Times are tough right not, so the products we've listed below, be they in-ear or over-ear, are all designed to elicit maximum satisfaction from the lowest cost possible. Nice.

Wireless earbuds

Best mid-price: Bowers & Wilkins Pi6

Best noise-cancelling: Sony WF-C710N

Best entry-level: Sony WF-C510

Over-ear headphones

Best entry-level: Sony WH-CH520

Best budget noise-cancelling: Sony WH-CH720N

Best budget wired: Røde NTH-100

MORE:

Prime Day 2026 Live: all the top TV, soundbar and projector deals handpicked by our home cinema experts

Discounts galore! These are the best early Amazon Prime Day Bluetooth speaker deals

Amazon Prime Day 2026 Live Q&A: personalised hi-fi and home cinema buying advice, direct from our experts

I've heard a lot of premium wireless headphones in the past few months. No, seriously, when I say a lot, I mean a lot.

The Sony WH-1000XM6, the Sennheiser Momentum 5 Wireless, the Apple AirPods Max 2, the Sony 1000X The Collexion, the Bose QuietComfort Ultra Headphones (2nd Gen), the Bowers & Wilkins Px8 S2; the list just goes on and on.

And yet, this Amazon Prime Day, I would pick one pair above all others. Those aforementioned headphones are all excellent, sometimes spectacular, in their own respective ways, but one pair stands head and shoulders above the rest: the Sennheiser HDB 630.

At £400 / $500 / AU$1000, they're not cheap, and discounts aren't exactly common, but if you see a drop this Prime Day, across any of the major retailers, I would urge you wholeheartedly to snap it up while you can.

In fact, even if they don't budge an inch, I'd still be urging you to get hold of the best wireless headphones Sennheiser has ever made.

It's going to be a crazy twist of fate if some of the best wireless headphones you can currently buy this Prime Day aren't currently available on Amazon. Well, it's their loss.

In truth, forget Prime Day and Amazon altogether. Forget discounts and price cuts, and even brand loyalty. Just remember one key fact: if you want the best premium noise-cancelling wireless headphones, you want the Sennheiser HDB 630. It's that simple.

Why? Well, mainly because these are sound-first headphones that have pushed the needle for how good Bluetooth over-ears can sound at this sort of price. The HDB 630 are exceptionally smooth and natural-sounding headphones, with a beautifully realised bass reproduction, a sweet, immersive mid-range and a crisp, sharply defined treble.

They're fun, dynamically adept and musically expressive, walking that tricky tightrope between analysis and entertainment with sure-footed precision.

Part of that quality comes from the Sennheiser's super-clever BTD 700 USB-C dongle that you simply plug into your device’s USB-C port to give it aptX Adaptive superpowers.

That means that any source device, including your iPhone, gains aptX Adaptive hi-res streaming up to 24bit/96kHz, even if it wouldn't natively support it. That is, quite simply, an absolute game-changer, and it works terrifically.

Plus, you get wired listening via 3.5mm and USB-C-ended cables, around 60 hours of battery life with ANC switched on, very solid noise cancelling, a luxuriously comfortable fit and very solid voice calls, all of which combine to make an exceptional all-around package.

We get that Prime Day should be all about Amazon and, of course, all about deals, but the HDB 630 are so exceptional that all sort of goes out of the window.

Discounts don't really matter (although they're great to see). Retailers don't matter. What matters is that, if you can, you pick up a pair of some of the best-sounding premium wireless headphones we've ever heard.

MORE:

Discounts galore! These are the best early Amazon Prime Day Bluetooth speaker deals

Amazon Prime Day 2026 Live Q&A: personalised hi-fi and home cinema buying advice, direct from our experts

Prime Day Predictions: the What Hi-Fi? team’s hopes, fears and dreams for Amazon Prime Day

It was Jane Austen who once wrote: “It is a truth universally acknowledged that a single man (or woman) in possession of a good chunk of cash must be in want of a Bluetooth speaker.” Okay, we might have tweaked that quotation just a little, but she would probably have written something similar had Bluetooth been around in the 1800s.

Thankfully, we can’t think of many product categories that enjoy more major discounts during Amazon Prime Day than Bluetooth speakers. Perhaps wireless headphones and wireless earbuds are also in the running, but if you’re in the market for belting bargains, Bluetooth speakers are where it’s at.

We are already seeing major discounts on some of our favourite models during the early Prime Day sales, and we predict that even more drops will come flooding in as things really kick into gear. Don’t worry, we’ll keep updating this page, and our Prime Day hubs, to make sure you don’t miss a thing.

The best early Prime Day Bluetooth speaker deals

MORE:

Prime Day Predictions: the What Hi-Fi? team’s hopes, fears and dreams for Amazon Prime Day

Amazon Prime Day 2026 Live Q&A: personalised hi-fi and home cinema buying advice, direct from our experts

These are the best Bluetooth speakers you can buy

Marshall has added to its extensive roster of Bluetooth speakers with the new Stockwell III.

Designed for listeners "who want powerful sound without sacrificing portability", the new speaker makes use of Marshall's 'True Stereophonic 360-degree' sound technology, designed to fill any space with more immersive, expansive audio.

The Stockwell III also features a 'Dynamic Loudness' feature which automatically balances bass, mid and treble frequencies "to preserve detail and clarity" at any volume.

Marshall's latest can stretch to around 40 hours of battery life, while an IP55 dust and waterproof rating add to its portable credentials. You an also use the speaker as a charging bank to give portable devices such as smartphones a quick charge on the go.

To behold, the Stockwell III is very much a Marshall product, designed to look like a mini guitar amp and boasting a leather carry strap, top-mounted control dials and an external grille emblazoned with the Marshall logo.

According to Simon Berbec, Product Manager at Marshall Group: “Since launching Stockwell II in 2019, technology has moved fast, and Stockwell III takes full benefit from this. Extended battery life, more powerful acoustics, and improved water and dust protection are just some of the key enhancements we’ve made."

The Marshall Stockwell III will be available from 25th August in black and brass or cream colourways, priced at £200 / $250.

MORE:

10 of the most exciting hi-fi products we saw at High End Vienna 2026

Rewind: Promising releases from High End Vienna, Esoteric’s streaming preamp reviewed, the best World Cup tunes and more

Best Bluetooth speakers: the finest portable sound around

Noble Audio has announced its latest wireless over-ear headphones, the FoKus Artemis. Expanding on the design of its debut over-ear headphones, the FoKus Apollo – which boasted a world-first design by combining two different types of driver – the Artemis take things one step further, adding yet another driver to the mix.

Priced at £799 / $899 / €949, the new high-end wireless headphones enter the ring against serious competitors such as the Focal Bathys and Dali IO8, both of which we reviewed at five stars.

In this latest design, Noble has used a combination of dynamic, planar and balanced armature drivers to achieve what it promises to be “powerful, spacious and refined” sound.

With support for Bluetooth 5.4 and multipoint connectivity, the Artemis have been designed for easy switching between connected devices. But those of you who prefer wired headphones, worry not, they also support wired listening thanks to a supplied USB-C to 3.5mm adaptor cable.

A six-microphone array within the headphones enables Active Noise Cancellation (ANC) and Transparency Mode for blocking out or letting in environmental sound. Proximity sensors have also been included, which pause audio when the headphones are removed and restart it when they are put back on.

Developed for use alongside Audiodo Personal Sound, the Artemis allow users to create personalised sound profiles to suit their hearing preferences. This is done via guided hearing assessments, all of which, Noble promises, will be integrated into the refreshed Noble FoKus app in time for release.

With a fully self-replaceable battery which Noble claims lasts up to 50 hours – lowering to 35 hours with ANC enabled – the headphones sport decent battery life for this premium price.

The wireless headphones weigh less than 350g and feature a fully rotating design, replaceable ear cushions and magnetic detachable ear pads. They come with an IP52 dust- and water-resistance rating.

The Noble FoKus Artemis will be on show at High End Vienna from 4th June, with pre-orders opening the same day. Shipping is expected in July.

MORE

Best over-ear headphones 2026: wired and wireless pairs tested by our in-house experts

Noble Audio’s eye-catching wireless earbuds could be a rival to the five-star Sony XM6

Marshall's latest noise-cancelling cans want to keep you rocking for days on end

The Sony WH-CH520 headphones are the top budget choice from our pick of the best wireless headphones – and right now they're even more affordable.

Now just £30 at Amazon, the Sony WH-CH520 are almost 40% off their original price, and only £1 off their lowest-ever price.

The Sony WH-C520 are a great example of wireless headphones that can nail the basics without asking you for to part with too much money.

They don't look particularly glamorous but the WH-CH520 are reassuringly well made. In fact, our expert testers said: "They’re put together well, and feel built to last. The headband adjustment mechanism, for example, is robust and moves with reassuring solidity."

What's even more impressive though is the WH-CH520's features. We're talking a 50-hour battery life, which quite frankly the majority of premium headphones don't reach, as well as Bluetooth 5.2, physical on-cup playback buttons, and compatibility with Sony's Headphones Connect control app.

And the C520s are not done there. Bluetooth Multipoint is also supported for connecting to two devices simultaneously, as well as compatibility with SBC and AAC codecs. There's also a built-in mic that allows for voice control through your source device's Google Assistant or Siri.

How do they sound? Well, even-handed and nicely balanced, according to our expert testers. In the full review, they say: “They’re not the most expressive headphones you’ve ever heard where low frequencies are concerned, it’s true. But the low end they generate is solid, deep and properly controlled at the leading edges, so the WH-CH520 headphones express rhythms confidently.”

As long as you keep your expectations in check with a budget this low, the Sony WH-CHH520 are a real bargain – at just £30 at Amazon, it's one heck of a deal.

MORE:

Read our full Sony WH-CH520 review

Check out the best wireless headphones: rated by our in-house experts

Or the best wireless earbuds: top pairs tested by our reviewers

Renowned for high-end in-ear headphones such as the Kronos, Noble Audio is bringing its boutique approach to a more widely accessible price point with the new Osprey wireless earbuds.

Despite not being as costly as the premium Fokus Amadeus, the Osprey has had no detail spared in its design. It sports a striking marbled aesthetic finish, keeping it in line with the glamour of other Noble offerings. The charging case, which is made of aluminium, further enhances the premium feel.

At the heart of the earbuds’ design is a hybrid dual-driver configuration, which pairs a 10mm dynamic driver with a custom balanced armature to achieve, says Noble, “confident, controlled bass, a natural and expressive midrange, and clean, extended highs”.

Supporting Bluetooth 5.4, featuring the high-quality LDAC alongside standard SBC and AAC codecs, the earbuds also offer multipoint connectivity and TrueWireless Mirroring to allow easy switching between connected devices. They can also be used in conjunction with the Noble Audio app, which offers EQ modes and firmware updates.

The earbuds come with Active Noise Cancellation to block out external sounds, while Hearing Through mode acts as an ambient or transparency mode to let outside sounds in. Integrated clear voice capture technology and dual microphones are used to ensure clearer voice calls.

The Osprey’s battery life is somewhat shorter than its premium counterparts’, offering seven hours of reliable playback with active noise cancellation disabled, and five with ANC on. The charging case extends this total listening time, allowing four additional full charges for 35 hours of playback. A 10-minute quick charge via USB-C will also provide two extra hours of playback.

The Noble Osprey will cost you £199 / €225 / $199, just shy of the five star Sony WF-1000XM6, which is our most highly recommended premium wireless earbuds.

If the Osprey’s ambitious design is enough to tempt you, pre-orders open on 4th June, with shipping expected by the end of the month. The earbuds will also be available to try at the High End Vienna 2026 showcase.

MORE

FiiO teases a trio of new desktop hi-fi products for Vienna High End show

With a whopping 13 drivers, Noble's luxury IEMs have enough firepower to make a samurai tremble

What are the best Bluetooth codecs? aptX, AAC, LDAC and more explained

If you're looking for versatile desktop speakers that sound great as well as offering useful connectivity in an ultra-compact form, our advice for many years has been Ruark Audio's MR1 range of dinky, powered speakers.

The Ruark MR1 Mk3 is our current reigning champ in this field, but nipping at its heels is the Cambridge Audio L/R S, the first active speakers from the brand, offering a similarly compact form for the same price as the Ruarks.

For those who can't accommodate a full hi-fi system in their small spaces, or want to upgrade from a budget Bluetooth speaker for their home audio, these small-but-talented desktop speakers are an ideal solution. We've recently tested the new Cambridge L/R S and compared them with the Award-winning Ruarks to balance their strengths and weaknesses – let's find out which is the best pair for you.

Cambridge L/R S vs Ruark MR1 Mk3: price

In the UK, it's a dead heat with the Cambridge L/R S and Ruark MR1 Mk3 both costing £399. There's a bit more variation if you're in the US or Australia, as the Cambridge speakers will cost you $549 / AU$949, while the Ruark pair is yours for $579 / AU$899.

The Ruarks are available in two finishes: the rich walnut veneer of our review sample, or a more modern charcoal lacquer, with no difference in cost.

Cambridge Audio offers more colourful options with six finishes in total: black, white, green, orange and blue, which all cost the same amount. But if you opt for the walnut veneer finish of our review sample, you'll have to cough up a little extra as they cost £449 / $599 / AU$1049 per pair.

**Winner: Ruark Audio MR1 Mk3**

Cambridge L/R S vs Ruark MR1 Mk3: Build & design

Both speakers are pleasingly compact, making them ideal for small spaces, such as placing on your desktop and on either side of your computer.

The Ruark MR1 Mk3 are smaller than the Cambridge L/R S – they're certainly shorter, with the L/R S barely 2cm deeper. They're the same width, though, which makes both of them very appealing for fitting into spaces where traditional hi-fi or bigger speakers simply won't get a look in.

We love the build quality of both speakers, which is of a high quality for this price. Which style you prefer is a matter of taste: the beautifully curved cabinet of the Ruark or the crisp, clean edges of the Cambridge? Do you prefer the woven fabric grille (which isn't removable) on the Ruark, or the stark, no-grille, minimal aesthetic of Cambridge?

We like the walnut veneer's texture and finer details on the Ruarks, and equally like the way the logo is printed on top of the Cambridge speaker. Both are smart-looking and offer a lifestyle-friendly aesthetic compared with traditional designs.

Apart from the looks, there are practical considerations when making your choice. There are no on-unit controls for input selection or volume on the Cambridge speakers at all, in keeping with its pared back design. A colour-changing LED underneath the primary speaker indicates the input chosen and status, but that's all the feedback you'll get when facing the speakers.

Ruark, conversely, has its trademark RotoDial controller on top of the primary speaker, which lets you select the input and change volume with ease. It's a more tactile interaction with your speaker, and especially handy if the speakers are within reach on your desk.

If your speakers are placed further away or are being used as TV speakers, then you'll be glad to hear both sets come with a slim remote control. It's particularly crucial for the Cambridge, so don't lose it.

These are two-way speakers, with the Cambridge L/R S featuring a 21mm aluminium tweeter and 7.6cm mid/bass driver, with a bass reflex slot situated at the back.

The Ruark MR1 Mk3 features a 20mm silk dome tweeter with a bigger 8.5cm mid/bass driver, with a downward-firing bass reflex port.

Both use Class D amplification for greater efficiency and control, with the Cambridge claiming the more powerful 50W per channel, while Ruark goes for half that figure at 25W per channel. Numbers, of course, only tell half the story.

Both units house the main power, amplifiers and connections in one "primary" unit, which then feeds signal to the secondary unit with an interlinking cable.

The supplied 2m cable for the Cambridge speakers features bespoke 4-pin conductors at either end, with a neat locking mechanism that keeps the connection secure.

The 3m cable connecting the Ruark speakers (3.5mm connectors at either end) is a nicely braided affair that's sturdy and looks good, too. We found the supplied cables long enough for desktop use, but both brands offer optional longer leads (5m) if required, at extra cost.

**Winner: Draw**

Cambridge L/R S vs Ruark MR1 Mk3: connectivity

Titchy as they are, the Ruark MR1 MK3 is loaded with a variety of connections. The big news is the inclusion of a built-in moving magnet phono stage, which makes it easier to plug in turntables – such as the Rega Planar 1 or Pro-Ject Primary E – for a neat, affordable vinyl system. You also get a USB-C input for plugging in your laptop, and a combined optical/3.5mm aux input for other sources, with the adapter for the digital optical socket included in the box.

Ruark says that its customers have been perfectly happy with the optical input when using the MR1 speakers with a TV, and adding an HDMI input would increase the cost beyond its asking price, which the brand didn't want to do.

Cambridge's speakers similarly omit the HDMI input and feature a USB-C input and separate optical input, and opt for a pair of RCA line level analogue inputs for connecting a variety of sources to the L/R S. There's no built-in phono stage here, which we feel is a bit of a miss, but you can plug in a turntable with an integrated phono preamp, such as the Sony PS-LX3BT, via RCA.

For easy streaming from your phone or laptop, both speakers offer Bluetooth, with up to the aptX HD codec supported. Pairing is swift and easy in both cases, and streaming music from Tidal or Apple Music is fuss free.

Ruark says its internal DAC can handle up to 24-bit/192kHz hi-res audio files, although the USB-C input’s limit is capped at 96kHz. With Cambridge, the optical and USB-C both support hi-res files up to 24-bit/96kHz, but the speakers’ DSP will automatically downsample all files to 48kHz.

At this level, we find that such differences in file resolution aren't particularly obvious, with CD quality sounding more than good enough for these speakers. Considering the intended audience for these affordable, desktop speakers – and with no networked streaming on board – we imagine not being able to play full-fat hi-res downloaded tracks won't be a high priority for most listeners.

And finally, you get a single subwoofer output with both speakers, should you require more bass oomph.

**Winner: Ruark Audio MR1 MK3**

Cambridge L/R S vs Ruark MR1 Mk3: features

Ruark keeps things simple with the MR1 Mk3's plug-and-play, accessible nature, and around the back of the main speaker you'll find the ability to change the gain level for each input (and reset them). That's it.

Cambridge offers a fair bit more customisation, with the engineers taking into consideration any adverse sonic effects that might happen depending on your listening position and where you'll be placing the L/R S speakers.

You have three toggle switches at the back of the main unit: one to tell the speakers if they're placed on a desktop or not; one to tell the speakers if they are placed close to a back wall or in free space; and one to indicate whether the primary speaker (with the power cable) is the left or right channel.

These modes help to mitigate any booming you might get in the mid/bass when the speakers are backed up against a wall, reduce any unwanted reflections from the desk they are placed on, and to help with time alignment when your listening positioning is higher than the drivers' output when they're placed on a desk.

Cambridge also offers optional desk stands (£49 per pair) to help angle the speakers towards your listening position – we would recommend this for the clearest, most solid sound.

We would try all the different toggle modes to find out the best-balanced sound for your tastes and listening position, as some combinations might work better than you might initially think.

Did you remember to hold on to that remote control? Cambridge also offers three EQ modes – Normal, Voice and Movie – that you can choose using the remote. These are subtle effects worth experimenting with, although we preferred the balanced Normal mode overall with all kinds of media we played.

**Winner: Cambridge Audio L/R S**

Cambridge L/R S vs Ruark MR1 Mk3: sound

The Cambridge L/R S speakers offer a pleasing performance with their even-handed tone and refined way with detail.

Their smooth balance makes them easy to listen to for long hours, with no peakiness or hardness in the treble, nor any untoward flabbiness in the bass. Yes, we'd like to hear the lower frequencies plunge deeper and have more muscle, but they are otherwise taut and nimble.

There is a sense of orderliness to the way the L/R S delivers music, and we found during our review that there is "a good amount of detail on offer, thanks also in part to a clean, low-distortion background". Voices are nicely focused too.

That evenly balanced presentation is impressive, although it does mean some songs end up sounding quite cultured and reserved when they should be more gritty and brazen.

"On some tracks – such as on Eminem’s The Way I Am and Forget About Dre – we find ourselves willing the speakers on, to tackle the propulsive rhythm with more punch and panache," we said in our review.

These Cambridge speakers do spark into life with the volume turned up, and they can certainly go louder than you'd expect from their small stature. Just be aware that, as with most speakers, that lovely balance suffers at much higher volumes.

The Ruark MR1 Mk3 offer a more boisterous and more exciting presentation, with a more powerful, muscular bass that we wish was just a little more tuneful, but does dig impressively deep for such dinky speakers.

Even more impressive is how much bigger and more open they sound; they project sound into the room with greater power than the L/R S, and there is more space surrounding the instruments and voices.

Dynamic shifts are handled with greater authority and punch, and it's a more involving listen overall. "The speakers’ rhythmic drive remains excellent for such compact speakers," we said in the review. "They are full of propulsive momentum, grabbing us by the lapels with Eminem’s fierce delivery in Forget About Dre and delivering tracks from Dua Lipa, Billie Eilish and Macklemore with oodles of energy."

The Ruarks are still subtle and insightful enough when it comes to more delicate pieces of music, and voices are full of texture, nuance and personality. The MR1 Mk3 have traded a touch of their previous midrange sweetness for greater power in this third-generation model, but the mids are also clearer, more detailed and more expressive than the Cambridge L/R S.

Compared with the Ruarks, the Cambridge speakers sound a little muted when it comes to expressive voices, rhythmic punctuality and dynamic subtlety. There is what sounds like a "cloudy veil" over the midrange, whereas the Ruarks sound much freer, more confident and allow songs to luxuriate in a more layered soundstage.

The Ruarks' built-in phono stage is of a high quality too, and both sets of speakers have a consistent sonic character no matter which input you use.

**Winner: Ruark Audio MR1 Mk3**

Cambridge L/R S vs Ruark MR1 Mk3: verdict

There is plenty to like about the compact Cambridge L/R S speakers, from their crisp, clean aesthetic to the various modes that make them customisable to where you place them in the room. Their sound quality is easy to get along with, with a smooth, even tone across the frequencies.

But the Ruark speakers beat them for outright clarity, subtler insight and better dynamics. They offer a bigger scale of sound and simply sound more fun, even if the deeper low frequencies could be reined in a little. That built-in phono stage is a boon for first-time vinyl users, and using the MR1 Mk3 is just a little bit more convenient thanks to the handy, tactile on-unit controls.

For the same price, the petite Ruark speakers are the more entertaining and versatile pair. Our Award-winners keep their crown for another round.

**Overall winner: Ruark Audio MR1 Mk3**

MORE:

Our guide to the best desktop speakers we've tested

10 of the best Mogwai tracks to test your hi-fi system

1976 vs today: veteran audio experts discuss the biggest shifts in music and hi-fi during What Hi-Fi?'s 50-year lifetime

We’re tempted to call Sennheiser the ‘dark horse’ of wireless headphones.

After all, our best buys have, in more recent times, been stacked to the brim with offerings from the likes of Apple, Bose and, more than any other, Sony, so it has been easy to forget the many qualities that Sennheiser brings to this particular slice of the audio terrain.

Let’s not forget, however, that this is a brand that has been around since 1945, a brand that, when not making the occasional microphone or soundbar, has built its reputation at the sharp end of both wired and wireless headphone production.

Perhaps ‘sleeping giant’ would have been a more apt moniker.

Admittedly, Sennheiser hasn’t quite been as prolific as its esteemed rivals when it comes to the actual volume of products sent to market. And the company’s ongoing search for a buyer since Swiss owner Sonova put its headphone division up for sale has naturally made waters all the choppier. From what we have seen of Sennheiser recently, though, it is still more than capable of taking the fight to the very best in the business.

The sound of success

We wonder if the release of the five-star HDB 630 will end up becoming something of a defining moment for Sennheiser.

Released just a few months before the announcement that the company’s headphone division was going up for sale – with some doom-mongers rather rashly predicting the death of entire brand – the audiophile-tuned HDB 630 now look like a major signal of intent.

We’ve always known that this is a brand capable of excellence in the wired space, though it had been a while since Sennheiser had properly flexed its wireless muscles. The soon to be phased out mid-priced Accentum line, including the Accentum Wireless and Accentum Wireless Plus over-ears, had failed to set the world alight, and it had been almost four years since we’d heard a hint of any addition to the premium Momentum Wireless range.

Rival standards were high, too. The Sony WH-1000XM6 looked unassailable at their £400 / $450 / AU$699 price, while the likes of Bowers & Wilkins, Bose, Apple and Dali were all also vying for the crown. Competition was, is, and probably always will be, incredibly fierce.

Yet the HDB 630 really pulled it out of the bag. Sennheiser’s outstanding cans set a new standard of wireless sound at this level, thanks in part to their clever bundled Bluetooth dongle, with a sonic performance that blew most of their competitors out of the water. Including Sony.

As we say in our review: “Here, precision and analysis go hand in hand with drive and vigour, making for the most informative and entertaining sound we’ve heard from wireless headphones at this price, with or without the use of the dongle.”

The Momentum 5 Wireless have repeated a similar trick, and while they’re not as boundary-pushing as the HDB 630, their aggressive price tag (£330 / $400 / AU$749) and rich, smooth sound make them a very fine alternative to the Sonys and B&Ws of this world.

Two five-star pairs with a strong focus on stellar sound and plenty of features in tow. If that isn't a warning to rivals to sit up and take notice, we don't know what is.

Take a chance on me

God loves a trier, but He also favours those who take a few risks.

It feels as though Sennheiser has recognised a need to innovate in order to get ahead of a crowded pack, and while the temptation to go in for zippy gimmicks and check-box features must have pulled hard, resisting such inclinations has paid dividends.

As has putting efforts into genuinely constructive innovation. We gave significant attention to the bundled Bluetooth dongle when reviewing the Sennheiser HDB 630 last year, and not without reason: it turned out to be the premium over-ears’ small-but-mighty secret weapon.

Essentially, it’s a clever little USB accessory that gives your phone or other audio source the same high-quality Bluetooth codec the headphones themselves support, meaning you have improved codec-support from devices which might not normally (we’re looking at you, iPhone) have supported them.

That’s a big deal, and as we wrote at the time, the “dongle proves a valuable accessory. When connected to an iPhone 16 and old Samsung Galaxy S21, upgrading their respective AAC and aptX connectivity with the headphones to aptX Adaptive, the presentation gains in clarity and solidity.”

The Momentum 5 Wireless have kept up with the times, too. There’s no dongle to be found, but with extensive codec support, wired listening via USB-C and 3.5mm, Dolby Atmos all on board, Sennheiser’s flagships have kept up admirably with the likes of the Sony WH-1000XM6 and the Bowers & Wilkins Px7 S3. 57 hours of battery life with ANC on doesn’t exactly hurt, either.

The new Momentum 5 Wireless don’t necessarily have the most features of any premium pair, but in terms of quality, they’re up there with the best.

A case of re-taken identity

Perhaps ironically, and certainly impressively, Sennheiser seems to have re-found and re-established its identity at a time of not-inconsiderable uncertainty.

While the likes of the Accentum line and the disappointing Sennheiser Momentum Sport earbuds seemed to play it safe with a flat, tonally grey sound, the premium Momentum 5 Wireless and HDB 630 feel like Sennheiser returning to a place where it is the most confident and comfortable.

In fact, when we spoke recently to the German manufacturer about where it saw its future, there was a clear statement that the Momentum Wireless line would be a prospective listeners’ “entry point” into the world of Sennheiser sound.

From there, they could progress to the HDB 630 and beyond into even more premium and high-end wired options. But the message was clear: Sennheiser would be providing audiophile-type performance to proper enthusiasts.

It appears to be a sensible move. Sennheiser does great work when it targets this more audiophile-centric side of the landscape – just see the wired Sennheiser HD 820 for proof – and with so many brands already targeting mass production of cheaper, spec-heavy wireless earbuds and headphones, it make sense to stick to more rarefied territory.

And, from what we’ve heard, it’s what the company seems to rather good at.

Sennheiser’s resurgence feels like a good thing for the wireless headphones industry.

It’s good for customers to have a healthy number of options when picking out a potential product; it’s good for the market not to be strangled for a monopoly; and it’s good for rival companies to compete with one another for supremacy in order to push the needle of quality ever forward.

When working as it’s supposed to, that’s sort of the point of a free market, isn’t it?

Producing two or three excellent pairs of headphones doesn’t suddenly make you the king, especially with the likes of Sony putting out five-star headphones across the cost spectrum, over many successive years. What they do indicate, though, is that Sennheiser feels like a company finding its groove again, and, in the midst of a potentially turbulent time, re-establishing its identity amid a sea of change and challengers.

If a worthy successor to the Momentum True Wireless 4 earbuds also ends up landing later this year, we might end up looking back at 2026 as being the year of Sennheiser.

MORE:

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: which premium wireless headphones are better?

"Sound comes first" – we speak to Sennheiser about German engineering, changing ownership, and 80 years of making music

Best noise-cancelling headphones tested by our in-house review experts

Sennheiser or Sony?

It's a tough question to answer, especially when both brands have put out two pairs of premium headphones – the Sennheiser Momentum 5 Wireless and the Sony WH-1000XM6 – adorned with glowing five-star reviews. How do you choose between two sets of over-ears from two brands working at the top of their game?

That question is only made harder by the fact that the Sennheisers are a chunk cheaper than the Sonys, meaning that price is becomes a new dimension to this already tricky conundrum. The Momentum 5 Wireless are newer, too, so now age becomes a factor to add to the mélange, and that's before we consider the usual aspects of sound quality, features, build, comfort etc.

It's a lot to consider, but don't worry, we're here to help. We've broken down the virtues and vices of these outstandingly capable noise cancelling cans to put you in the best position possible to find exactly what you're looking for.

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: price

Competition at this level is fierce, but the Sennheiser Momentum 5 Wireless do have price on their side. At £330 / $400 / AU4749, they're cheaper than many of their premium rivals, and a good deal less than the £400 / $450 / AU$699 asking price of the Sony WH-1000XM6.

We'd caveat that slightly by mentioning the fact that the XM6's price can drop a little during sales events, though never so drastically as to come close to the price of the Sennheisers. Not yet, anyway.

In short, a clear win for the Momentum 5 Wireless for value.

** Winner: Sennheiser Momentum 5 Wireless **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: build and comfort

We're keen on the build and design of these rival pairs, though not necessarily for exactly the same reasons.

The Momentum 5 Wireless may be the cheaper of the two, but if anything they exude a higher perceived value than their slightly functional-looking Sony WH-1000XM6. Little touches, such as the headband’s attractive fabric exterior, go a long way to making the Momentum 5 Wireless feel more premium, and while the XM6 are well made, they keep things functional and decidedly un-flashy on the aesthetics front.

The fabric exterior of the Sennheisers' headband and carry case grant them a suave appeal, and our only real reservation is that the earcups feel just a little cheap and plasticky to the touch.

The Sonys are made pretty much entirely of plastic too, but their overall construction feels more durable and robust. They have the added bonus of folding away completely, something which the Momentum 5 can't do.

The WH-1000XM6 weigh in at 254g, a good deal lighter than the 290g of the Sennheisers, while their nicely judged clamping force and firm-yet-forgiving earpads rarely put our our ears under any undue strain or causing excess overheating over time.

To be fair to them, the Momentum 5 Wireless are also comfortable. We spend a long time listening to the Sennheiser over-ears, and though we find some mild on-ear heating past the hour mark, we generally don’t suffer with that aching feeling that can make extended listening a miserable experience.

Both over-ear designs feature a combination of touch-capacitative controls on the earcups and physical buttons. In both cases, haptics are expertly implemented, responding quickly and effectively to our commands when controlling playback or activating noise modes. You will, though, enjoy deeper levels of control customisation via the Sony Sound Connect app than via Sennheiser's Smart Control Plus platform.

This is a close one. The Sennheisers are a little more luxurious to behold, but the Sonys win back serious points for their portability, durability and greater control customisation.

** Winner: Sony WH-1000XM6 **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: features

Two pairs of premium headphones, two premium feature sets to match.

Bluetooth codec support is impressive across the board, with the Momentum 5 Wireless offering SBC and AAC codecs alongside higher-quality aptX HD, aptX Lossless and aptX Adaptive flavours. The Sennheisers currently use Bluetooth 5.4, but an upcoming firmware update later this year will push this to 6.0 and include LE Audio for reduced latency, better battery life and potentially boosted audio quality.

Conversely, the XM6 grant standard SBC and AAC and, of course, Sony's LDAC codec for streaming hi-res music at higher data rates over Bluetooth from a compatible device.

On Bluetooth, Multipoint connectivity is available on both pairs, meaning you can connect to two devices simultaneously.

Both grant app support, with respective platform a pleasure to use. The Sony app isn't the fanciest in the world, but it's certainly one of the most in-depth and customisable around, offering the likes of a 10-band equaliser and access to touch control personalisation. The Sennheiser SmartPlus app isn't quite as in-depth, but outmatches Sony for its usability and ease of navigation, and you're still able to perform useful actions such as tweaking your EQ settings or adjusting the amount of ANC you're getting via a handy slider.

Battery life is reasonably strong for the WH-1000XM6, reaching around 30 hours with noise cancelling switched on. That number is roundly beaten by the Momentum 5 Wireless: a very healthy 57 hours when noise cancelling is on and you’re playing at a reasonable volume is a very nice feather in Sennheiser’s cap,.

If you're into spatial audio, neither set will leave you feeling glum. The Sennheiser Momentum 5 Wireless have Dolby Atmos on the menu when listening to supported content, with dynamic head tracking to be added via an upcoming firmware update.

The WH-1000XM6 support Sony’s ‘360 Reality Audio Upmix’ tech, although you will have to go through a short set-up and ear scan if you want to make proper use of it.

Happily, you can listen to either pair via a wired connection. The Sony WH-1000XM6 grant wired listening via an included 3.5mm to 3.5mm audio cable, whereas the Sennheisers offer a wired option via either 3.5mm to 3.5mm or USB-C to USB-C, with the latter method capable of handling lossless files up to 24-bit/96kHz.

A good showing from Sennheiser, but Sony's flagship cans do have a few extra tricks up their sleeve. 'Speak-To-Chat', which drops the volume level when you start talking, is available on the WH-1000XM6, as is 'Quick Attention Mode' for letting you hear ambient sounds straight away by placing a hand on the exterior of the right earcup.

The WH-1000XM6 also make use of Sony's DSEE Extreme sound enhancement engine to bring poor-quality digital audio files nearer to high-res quality.

These two are roughly neck-and-neck when it comes to features: Sony might have a few more tricks up its sleeve that make daily portable use seamless, while Sennheiser's substantially longer battery life and inclusion of USB audio are major strengths.

** Draw **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: ANC and call quality

Sennheiser made a big effort to improve the noise cancelling for its new Momentum over-ears, with the fifth-gen cans using twice as many microphones (a total of eight) as their predecessors.

Those additions pay off. The Momentum 5's ANC doesn't clear the bar set by the Sony WH-1000XM6, but it will keep most noises – traffic, wind, air conditioners – at bay.

The overall effect does feel more like a softening of sounds rather than a complete exclusion, something which the Sonys do more effectively and more naturally. Take both pairs somewhere properly challenging, such as a public gym, and the XM6 will handle the full range of frequencies more effectively than their Sennheiser rivals.

Harsh sounds, such as clanking weights, are more convincingly filtered out by the XM6, and we feel more isolated from noises than when wearing the Sennheisers. Stand by a roadside with both pairs to hand, and the Sonys will all but eliminate those low traffic rumbles – the Momentum 5 Wireless, meanwhile, will soften rather than fully exclude them.

Call quality, meanwhile, is at a high standard no matter the cans you choose. Both pairs are excellent at reducing exterior sounds, especially the swirling bluster of wind noise, all while spotlighting human speech. The Momentum 5 make voices sound warmer and more natural, whereas the XM6 are impressively clear but can sound a tiny bit robotic by comparison.

Excellent call quality on each, but the XM6 have the noise cancelling talents to take this particular round.

** Winner: Sony WH-1000XM6 **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: sound quality

The Momentum 5 Wireless are excellent premium noise cancelling headphones, and some of the finest wireless over-ears that Sennheiser has produced in recent times.

We hear much of the same sonic DNA from the superb five-star Sennheiser HDB 630 in these more affordable headphones, with the Momentum 5 Wireless sharing the same feeling of clarity, dexterity and richness as their bigger brothers.

Their midrange is arguably their greatest strength. While the Sennheisers can be a touch rich in the lower frequencies, their midrange reproduction is superb, offering a naturalness and insight that gives the Sony WH-1000XM6 a serious run for their money. If anything, they're even better with voices than their Sony rivals, and that's really saying something.

The Sennheisers are rich, smooth and brilliantly precise headphones, with a personality that makes listening a refreshingly undemanding experience, offering levels of poise and maturity that very few comparable alternatives can match.

As we said in our review: "We could spend days on end listening to the Momentum 5 Wireless and feel neither frustration nor fatigue. While words such as 'undemanding' or 'relaxed' might otherwise be used synonymously with 'boring' or 'bland', we in fact find that these are headphones that strike a great balance between refinement and fun."

That said, if you've got the money to spend, it's definitely worth seeking out the WH-1000XM6 for a proper step up in audio quality. The XM6 don't have the midrange sweetness of the Sennheisers, but they're a punchier, more entertaining pair with ample talent across the board.

As we enthused in our review, the WH-1000XM6 "deliver the most detailed, dynamic, precise and open sound we’ve heard from a wireless Sony flagship. The headphones just seem capable of diving into any track you play and extracting an unbelievable amount of information".

Precision meets power to thrilling effect, and leading edges of notes are sharply drawn and hit with precision and force. The XM6 are great at breaking things down so that you hear each individual element of a song, but they also make sure to put everything back together again into one cohesive, thrilling whole.

While their midrange isn't quite as sweet as the Sennheisers, and they might be a touch more fatiguing to listen to over longer periods, the XM-1000XM6 are the more entertaining, musically talented of the two. Their dynamics land with more verve and contrast, while their rhythmic abilities can make the Momentum 5 Wireless sound just a touch sluggish by comparison.

The Sennheisers are superb, but the WH-1000XM6 justify their extra outlay. For us, they're the sonically superior pick if you have a bit more cash to spend.

** Winner: Sony WH-1000XM6 **

Sennheiser Momentum 5 Wireless vs Sony WH-1000XM6: verdict

The five-star Momentum 5 Wireless are a great reminder that Sennheiser is more than ready to take on all-comers in the premium wireless headphones space.

Their sound is easily worthy of its five-star accreditation, bolstered by a very healthy feature set, a huge battery life, and, perhaps most importantly, a lower price tag than that of the Sony WH-1000XM6. If you can't stretch to the more premium Sonys, the Momentum 5 are the logical step down.

If you do have the cash to spend and you want a great value return on your not-inconsiderable investment, we still recommending going for the Sony WH-1000XM6.

Not only are they more sonically exciting and engaging than the Sennheisers, but their massive bag of class-leading features, not to mention their effortlessly ergonomic design for daily portable use, make them the complete package. They're our current What Hi-Fi? Award-winners for a reason.

**Overall winner: Sony WH-1000XM6**

MORE:

Read our review of the Sony WH-1000XM6

Also consider the Sennheiser HDB 630

"Sound comes first" – we speak to Sennheiser about German engineering, changing ownership, and 80 years of making music

Sony and B&W are two of the biggest names in the wireless headphones market, and with Sony recently launching its ultra-premium 1000X The Collexion headphones, there is little doubt that it had the B&W Px8 S2 squarely in its sights.

We’ve already put each of these headphones through their respective paces, with both gaining very respectable four-star reviews, but if you’re thinking of spending upwards of £550 / $800 on your next pair of headphones, where is your money best spent between the two?

We’ve put them head to head in a battle of the flagship wireless cans to help you decide – read on to find out which pair comes out on top.

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: price

We already know that these two pairs of headphones don’t come cheap – after all, they are the premium options in their brands’ respective wireless lineups.

However, the B&W Px8 S2 are still a chunk of change more expensive than their Sony competitors at £629 / $799, compared with the Sony’s asking price of £550 / $650.

You probably aren’t considering either of these headphones if budget is a prime concern, but an £80 saving between the two is still not to be sniffed at. The win goes to the Sony The Collexion if you’re keen to save a bit of cash, but there are listeners who will find value in the extra outlay for the B&W. More on that below.

** Winner: Sony 1000X The Collexion **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: design and comfort

There’s one big difference between the design of the 1000X The Collexion and the Px8 S2 which is likely to divide opinion, and that is their materials. Sony has chosen to play it safe with a faux leather across the earcups and headband, while B&W has decided to revert back to animal products for its premium line, and use Nappa leather.

There’s not a lot of difference in the feel of the two, and you probably wouldn’t know the Sonys weren’t leather, or vice versa, if we hadn’t mentioned it. Still, we’d say B&W’s over-ears edge it as the more premium-looking of the two, with their signature aluminium plates on the earcups and exposed cable design on the arms giving the classy cans a higher perceived value than the Sonys.

We also worry with the Sony 1000X The Collexion that their faux leather exterior can be prone to marking and scratches, something we found when trying out our test pair.

Sony uses aluminium on the arms and over the top of the headband for its rival over-ears. They still look smart and nicely finished, but are bulkier (even though they’ve been slimmed down compared with the WH-1000XM6) and are just a little plainer overall.

However, Sony gains back some points when it comes to actual wear. The Sonys are very comfortable, and put hardly any pressure onto the ears or the top of the head while listening. There is also a bigger space inside the earcups, so they are more accommodating to larger ears. They are actually a touch heavier than the Px8 S2, at 320g compared with B&W’s 310g, but you wouldn’t know that from wearing them.

The B&W Px8 S2 are by no means uncomfortable, but do offer a slightly snugger fit across the board, and that just makes you more aware of them during longer listens. This does make them feel a bit more secure than the Sonys, though, which can feel a touch unstable and prone to movement on smaller heads.

As for controls, the B&W Px8 S2 goes all in on physical buttons, while the Sony 1000X The Collexion offer a mixture of touch controls for playback and call control, alongside a couple of buttons for switching between sound modes and noise cancellation.

We did find the B&W controls slightly awkward to use at first, but it’s always a learning curve with any on-ear controls, so users might find themselves acclimatising over time. The touch controls on the Sony, conversely, are responsive and slightly easier to use on the go, and we would generally find their system preferable to the one found on their rivals.

It's a close run on this one, with plenty of positives – and indeed drawbacks – on both sides. Considering the use of leather could write the Bowers & Wilkins cans off for a whole section of listeners though, we’re going to label this one a draw.

** Winner: Draw **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: features

Sony’s headphones tend to have some of the richest feature sets of any wireless headphones we test, and 1000X The Collexion are no different. The premium over-ears use Sony’s Sound Connect app, which is packed with ways to make the headphones sound your own.

As usual, alongside the standard noise cancellation and customisable ambient sound settings, Sony offers Adaptive Noise Cancelling mode, which can alter your noise cancellation level automatically depending on what you are doing. This has long been a great feature of established Sony headphones, such as the WH-1000XM6, and one we do find ourselves using pretty regularly.

Another useful feature is Scene-based Listening, which can have the headphones play music when the app detects you’re doing certain things, such as walking, running or on your commute home.

There are other features that we don’t turn to as often. There are now three spatial audio settings for ‘Music’, ‘Cinema’, and ‘Game’, plus a ‘Background Music’ setting for making your music sound like it’s playing in the distance – supposedly to better aid your concentration while working.

These are fun to play around with, and we did enjoy testing the ‘Cinema’ setting while watching movies, but we envision these will be ‘nice to haves’ rather than anything you’ll find ourselves using daily.

Bowers & Wilkins’ app is much more straightforward, with options for noise cancellation or ambient sound, the ability to turn on wear detection and a 5-band EQ. By comparison, Sony offers a 10-band offering (and a number of presets) on The Collexion. There’s no spatial audio support on the Px8 S2 either, nor is there Bluetooth LE as there is on The Collexion, though there have been promises for these in the future via a firmware update.

Both headphones support the standard SBC and AAC codecs, as well as higher-quality codecs for compatible devices – that’s LDAC for the Sony 1000X and aptX Lossless and aptX Adaptive for the B&W Px8 S2.

B&W’s Px8 S2 do grant the better battery life at 30 hours with ANC on, compared with the Sony 1000X’s 24 hours, the latter of which feels a little stingy.

Still, for the pure amount of features offered on the Sonys, they take the win here.

** Winner: Sony 1000X The Collexion **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: ANC and voice calls

Sony’s over-ear headphones have offered some of the very best noise cancelling you can buy for some time, and although Sony has said sound quality has taken precedence over the very best ANC here, it’s still really good.

The 1000X use the same QN3 chip and 12-mic array as found in the WH-1000XM6, and we find they do a great job of suppressing noise throughout the frequencies.

The noise cancelling on B&W’s Px8 S2 is a little disappointing by comparison. They still block out a good chunk of background whirrs and rumbles, but higher frequency noises are more prone to cutting through – much more than we notice on the Sonys. We imagine that’s at least in some part down to the fact the B&W have four mics fewer than the Sony, offering eight in total.

Call quality is good across both pairs, with a decent level of noise reduction and callers sounding clear and detailed. Our callers largely reported the same, though they did say there was more richness to our voice through the B&W Px8 S2, with the Sony cans sounding ever so slightly thinner.

Overall, the better noise cancelling on the Sony 1000X The Collexion is the biggest win here, so we’re giving this one to them.

** Winner: Sony 1000X The Collexion **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: sound quality

Behind both of these headphones’ respective performances are optimised drivers that were created especially for them. The 1000X The Collexion use a bespoke carbon composite 30mm drive unit, adapted from the one found in the WH-1000XM6, with a soft edge and hard centre.

The Px8 S2 uses a new 40mm carbon cone driver, also adapted to have a stiffer chassis, alongside a new motor system and voice coil.

The Sony 1000X exist to deliver a performance worthy of a 10^th birthday celebration, promising more refinement, detail and maturity compared with the standard XM6 – and they do live up to that promise. They have a wide open presentation, excellent detail levels and incredible clarity and insight, all complemented by a powerful yet controlled low end.

To be fair, all of that can also be said of the B&W Px8 S2, but we are particularly impressed with their handling of low frequencies, with plenty of power and authority in the bass. In our review, we also highlighted how engaging they are when listening to Keane's Everybody's Changing, writing: “The rise and fall in dynamics is handled superbly. The instruments deliver enthusiasm and life but the Bowers also communicate the tinge of sadness that comes from the lyrics".

While there’s a greater sense of scale on the 1000X over the B&W Px8 S2, it’s how these headphones make us feel that is perhaps the biggest difference between the two – and it’s here that the Sonys fall down.

The Sony 1000X simply aren’t as explicit or dynamic as we’d like, which makes them sound more removed and ultimately not as engaging as the B&W.

In our review, we described them as “standoffish”, and said that they “trade off some of that signature expressiveness we’ve heard in other Sony headphones for greater openness and detail, something that reduces the extent to which we feel truly involved with our music”.

In absolute terms, that means the Px8 S2 are just more interesting to listen to long-term, and we feel more emotionally connected to our music when we are listening to them. For that, they take the win.

** Winner: Bowers & Wilkins Px8 S2 **

Sony 1000X The Collexion vs Bowers & Wilkins Px8 S2: verdict

If you’re considering spending this much money on a pair of headphones, you want to make sure you’re spending wisely. Thankfully there are clear winners across our categories, and which pair you ultimately pick will depend on your given priorities.

The B&W are the more expensive, but they do at least justify this by being the more premium feeling of the two. The compromises here are that they come with minimal features for customisation and good-but-not-great noise cancelling, all of which is worth considering if you like your headphones to be the complete package.

For those who are looking for more in those aforementioned areas, the Sony 1000X The Collexion make a solid case for themselves, thanks to their decent build and handsome feature set.

This is backed up by a spacious, detail-rich sound – plus they’re a bit cheaper. Yet for the better sound quality of the two, we recommend the B&W Px8 S2 for their rich, detailed and more engaging personality.

** Overall winner: Bowers & Wilkins Px8 S2 **

MORE:

Sony WH-1000XM6 vs 1000X The Collexion: which premium wireless headphones should you pick?

Apple AirPods Max 2 vs AirPods Max: what are the differences?

The best noise-cancelling headphones you can buy

Sennheiser has announced the latest entry in its Momentum wireless over-ear headphones range.

The Momentum 5 Wireless follow the five-star Momentum 4 Wireless, and offer a host of sonic upgrades that should see them really challenge the ruling Sony WH-1000XM6.

Sennheiser says it has refined the experience "without straying from the formula" that made the M4 Wireless a favourite among the What Hi-Fi? team.

At their heart, you get the same 42mm transducer as in the previous model, which is tuned for "full-bodied sound with dynamic bass." But added to that are Hi-Res Audio certification and Qualcomm's Snapdragon Sound.

The former is an official seal of approval from the Japan Audio Society (JAS) that the cans have a frequency response of at least 40kHz and support 24-bit/96 kHz hi-res audio.

Snapdragon Sound is a blanket term for a few different technologies from Qualcomm that work together to optimise how smartphones and tablets transmit sound to audio devices like headphones.

The Momentum 5 supports the aptX Lossless Bluetooth codec for higher-quality listening, though sadly, there's no adapter like with the five-star Sennheiser HDB 630 that ensures your audio source is up to scratch on the quality front.

But you can tweak the sound using the Smart Control app, which has a new 8-band equaliser, bespoke presets and an intelligent Sound Personalisation engine.

The active noise cancellation (ANC) has also been improved. There are now twice as many microphones assigned to ANC duties – four per side.

We're promised "across-the-board improvements," though you'll have to read our Sennheiser Momentum 5 Wireless review to see if that's true.

Dolby Atmos with head-tracking will provide a more immersive experience when listening to spatial audio content, and updates are in the pipeline to further improve the cans' capabilities. A future firmware update that will add Bluetooth 6.0 and LE Audio (they ship running Bluetooth 5.4) has been confirmed, for example.

The Momentum 4 Wireless set a new standard in wireless cans with a 60-hour battery life. The Momentum 5 Wireless can't quite match that, but still last a very impressive 57 hours with ANC on. And the battery is removable, so you can swap it for a new one when it degrades in years to come.

The case, too, has had a refresh, and is now 20 per cent smaller and made with plastic-free packaging.

The Sennheiser Momentum 5 Wireless are out on 30th June in Black, White and Denim colourways. They cost £330 / $400 / AU$749, which is £30 / $50 / AU$200 more than their predecessors at launch. You can read our review (linked to below) to see if they're worth the extra cash.

MORE:

Read our Sennheiser Momentum 5 Wireless review

Check out the best wireless headphones we've tested

"Sound comes first" – we speak to Sennheiser about German engineering, changing ownership, and 80 years of making music

The ones to beat: Sony WH-1000XM6 review

Well, it’s been a while, hasn’t it?

If you can believe it, the Sennheiser Momentum 4 Wireless made their debut in the second half of 2022, meaning we’ve been waiting nearly four years for a fifth-gen sequel. In wireless headphone terms, that’s a long wait, especially when you consider that most manufacturers tend to update their premium lines every two or so years.

Think of the premium wireless headphones that have been released since the Momentum 4. The Sony WH-1000XM5 and the WH-1000XM6. The Bose QuietComfort Ultra Headphones and their second-gen successors. The Apple AirPods Max 2. The Dali IO-8. The Bowers & Wilkins Px7 S2, Px7 S3, Px8 and Px8 S2. That’s a lot of very impressive premium alternatives.

It might have been a long wait from one generation of Momentum Wireless to the next, but we know that Sennheiser can still compete with the best – just look at the benchmark-setting Sennheiser HDB 630 over-ears for proof. The Momentum 5 Wireless are a notch cheaper than their more audiophile bigger brothers, but if they share similar sonic talents, they might well make the case for the old adage that slow and steady really does win the race.

Price

As you might have gathered, the Momentum 5 Wireless have a lot of competition, but most of it comes at higher prices. The Award-winning Sony WH-1000XM6 are £400 / $450 / AU$699, while the Bose QuietComfort Ultra Headphones (2nd Gen) started life at £449 / $449 / AU$700 but often drop to £349 in the UK.

Let’s not forget about the five-star Bowers & Wilkins Px7 S3, which will cost you £399 / $499 / AU$699 at full price, whereas the Apple AirPods Max 2 are a step up at £499 / $549.

Build & comfort

We’ve occasionally criticised Sennheiser headphones for looking a little bland or functional in the past, but that’s not an accusation we could level at our stylish ‘Denim’ blue test pair.

True, the overall design language typified by those large oval earcups will be familiar to anyone who has seen a pair of recent wireless Sennheiser over-ears, but little touches, such as the headband’s attractive fabric exterior, go a long way to making the Momentum 5 Wireless feel more premium. They’re certainly a lot more desirable-looking than their rather plain HDB 630 siblings.

To hold in the hand, the Momentum 5 Wireless don’t impress quite so much. That headband exterior looks and feels the part, but the earcups feel just a little cheap and plasticky to the touch. They’ll swivel horizontally without much trouble, but unlike the Sony WH-1000XM6 or the Bose QC Ultra Headphones (2nd Gen), they don’t fold up entirely.

Having earcups with large exterior surfaces does have its advantages, particularly when it comes to touch controls. Sennheiser’s system – customisable via the Smart Control Plus app – is really well implemented, and we find them to be intuitive and easy to manage. Whether we’re swiping up on the right cup to increase volume or across to switch tracks, everything responds crisply and quickly to what we want.

Controls aside, how are the Momentum 5 Wireless to wear? At 290g, they’re not the lightest premium wireless headphones you can find – the Sony WH-1000XM6 weigh just 254g – but they are comfortable. We spend a long time listening to the Momentum 5, and though we find some mild on-ear heating past the hour mark, we generally don’t suffer with that aching, ‘squashed ear’ feeling that can make extended listening a real chore.

They’re secure and stable, too. The Sennheisers accompany us on quite a few dog walks and the occasional trip to the shops, and even when we’re striding purposefully with our eager Labrador in tow, they don’t often feel as though they’re rocking on our ears thanks to the headphones’ well-judged clamping force.

Inside, the Momentum 5 Wireless house a pair of 42mm dynamic drivers, inspired by those found in Sennheiser’s HD 600 series of wired headphones and tuned for what the German manufacturer describes as a “full-bodied sound with dynamic bass”.

Features

When we visited their research and development labs, the team at Sennheiser described themselves as a “sound-first company". That may be so, but we’re pleased to see that Sennheiser hasn’t forgotten that wireless cans need a few mod cons to keep up with the times. As a result, we’re not left cursing a barren features list.

Bluetooth codec support is impressive, with the Momentum 5 Wireless offering SBC and AAC codecs alongside higher-quality aptX HD, aptX Lossless and aptX Adaptive flavours. The cans currently use Bluetooth 5.4, but an upcoming firmware update later this year will push this to 6.0 and include LE Audio for reduced latency, better battery life, and potentially improved sound quality.

Speaking of Bluetooth, Multipoint tech is available for connecting to two devices simultaneously, with our test headphones switching easily between an iPhone 15 and our work laptop without much fuss.

Battery life is a highlight, reaching a very healthy 57 hours when noise cancelling is switched on and you’re playing at a reasonable volume. For comparison, the Sony WH-1000XM6 and Bose QC Ultra Headphones (2nd Gen) generally top out at 30 hours with ANC in play. A nice feather for Sennheiser’s cap, then.

For spatial audio fans, Dolby Atmos is on the menu when listening to supported Atmos content, with head tracking to be added via an upcoming firmware update. We test the tech out using a few Dolby Atmos tracks on Tidal – The Rolling Stones’ Gimme Shelter and Jimi Hendrix’s Crosstown Traffic to name a few – and there’s no doubt that the Sennheisers are able to harness their Dolby powers to craft a more three-dimensional listening experience.

Dolby Atmos can be switched on and off via the Sennheiser SmartPlus app, a stable and easily navigable platform which we find a pleasure to use. We’re particularly keen on the amount of customisation on offer, be it dialling in the amount of ANC we want to experience or tinkering with the eight-band custom equaliser.

ANC & call quality

Sennheiser has stated that, in response to customer feedback from the Momentum 4 Wireless, it has made a big effort to improve the noise cancelling for its fifth-generation follow-ups, with the new cans using twice as many microphones (a total of eight) for what Sennheiser describes as “three times” better midrange noise cancellation.

Those improvements add up to a pleasing experience. The Momentum 5’s ANC isn’t on the same level as the excellent Sony WH-1000XM6 or Bose QC Ultra Headphones (2nd Gen), but it’s a good performance which keeps most noises – traffic, wind, the hum of air conditioners – at bay. Sennheiser does keep its promise of better midrange cancellation, with the Momentum 5 doing well to exclude the chatter of external voices.

The overall effect does feel more like a softening of sounds rather than a complete exclusion – something which the Sony and Bose manage more effectively – but it’s still a capable showing. Taking the Sennheisers to the gym, the ANC results in a softening of the hubbub of a busy public space, even if harsher noises, such as clanking weights, can penetrate through.

Happily, call quality is right up there with the best. We take the fifth-gen Momentum out for a test chat on a blustery day in May (thanks, British weather), and our headphones effectively reduce intrusive wind and traffic noise while spotlighting human speech. Voices are clear and natural, even making the WH-1000XM6 sound a little mechanical and bright by comparison.

Sound

For something a little different, let’s start with what the Sennheiser Momentum 5 Wireless don’t necessarily do quite so well.

The headphones’ bass reproduction is on the richer side, something which makes itself apparent when listening to Hans Zimmer’s Like A Dog Chasing Cars, and while it’s still of a high quality, some listeners might prefer a tauter reproduction at the lower end.

Further, songs with a propulsive central rhythm don’t quite clip along with the same sense of ‘momentum’ when playing via the Sennheisers as they do when switching to the more expensive Sony WH-1000XM6. Load up Radiohead’s Burn The Witch or Kid Cudi’s Day 'n' Nite, and you’ll hear what we mean – the Sonys have a forward-focused urgency to them, while the Sennheisers favour a more relaxed presentation.

Costlier alternatives, such as the WH-1000XM6 or HDB 630 will undoubtedly take things up a notch sonically, but if you’re not willing to spend that extra £80 / $50-100, the Momentum 5 Wireless are an excellent pick thanks to their plentiful sonic virtues.

Their midrange, for instance, is a real highlight. While the Sennheisers can be a touch rich in the lower frequencies, they are right at home in the midrange, offering a naturalness and insight that gives even more premium alternatives a run for their money. Marvin Gaye’s crooning on Mercy Mercy Me comes across as rich, smooth and soulful, with the Momentum 5 crafting a wondrous feeling of emotive intimacy as Gaye bemoans that “things ain’t what they used to be”.

Let’s be clear, however, that these are more than just midrange specialists. These are rich, smooth yet strikingly precise and detailed headphones, with an audio signature that makes listening a refreshingly undemanding experience. Sugar’s If I Can’t Change Your Mind can sound overly urgent or shrill via lesser alternatives, but the Momentum 5 Wireless have the poise and maturity to bring order to what could, in the wrong hands, have quickly descended into chaos.

Those qualities are only amplified when we listen using a wired connection. Both 3.5mm and USB-C options for wired audio are provided, with the latter capable of handling files up to 24-bit/96kHz. A physical connection adds fullness and depth to instrumental textures, and that lovely midrange becomes perceptibly sweeter and even more defined when we return to Mercy Mercy Me via USB-C.

Wired or wireless, dynamics are teased out ably, and the Sennheisers are subtle and delicate in the way that they communicate those key tonal shifts, with the Momentum 5's precise temperament bringing out small scale dynamic shifts superbly.

All told, we could spend days on end listening to the Momentum 5 Wireless and feel neither frustration nor fatigue. While words such as “undemanding” or “relaxed” might otherwise be used synonymously with “boring” or “bland”, we in fact find that these are headphones that strike a great balance between refinement and fun.

Verdict

With the HDB 630 and now the excellent Momentum 5 Wireless, Sennheiser has reaffirmed that it is still a key player in the premium wireless headphones space, with the Momentum 5 Wireless serving as a timely reminder of the quality the brand can produce.

If you’re willing to spend a touch more, it’s well worth considering either the Sennheiser HDB 630 or the Sony WH-1000XM6. If your budget doesn't quite stretch that far but you’re still keen on stellar sound, the excellent Momentum 5 Wireless are an obvious choice.

Review published: 25th May 2026

SCORES

• Sound 5
• Build 4
• Features 5

MORE:

Read our review of the Sony WH-1000XM6

Also consider the Sennheiser HDB 630

"Sound comes first" – we speak to Sennheiser about German engineering, changing ownership, and 80 years of making music

Best noise-cancelling headphones tested by our in-house review experts

If you’re after a pair of wireless headphones for around £150 / $150 / AU$200, your choices are roughly as follows.

You’ve got the excellent Austrian Audio Hi-X25BT if you don’t need noise cancelling, or you could go for the four-star Philips TAH8000E if you want ANC powers and don’t mind taking a bit of a hit on the sound side. Apart from that, it’s pretty slim pickings in what appears to be a strange market hinterland between budget-friendly cans and their premium, plus-£300/$300 counterparts. Or, you could spend a good deal less and buy a pair of our budget favourites, the Sony WH-CH720N for around £75 / $100 / $AU259.

At £130 / $130 / AU$220, the Soundcore Space 2 seem to fill this gap nicely, at least on paper. With the Hi-X25BT failing to provide ANC and the TAH8000E’s sound not quite reaching five-star heights, the path is open for the Space 2 to stick their flag in this potentially vacant soil. Let’s find out how they perform.

Build & comfort

Both to look at and wear, the Soundcore Space 2 are a well-made, sensibly designed pair of wireless headphones.

They play things reasonably safe on the design front, opting for simple circular earcups, an amply padded leather headband and some functional plastic on-cup buttons, but it would be hard to accuse the Space 2 of feeling cheap. They don’t have the boundary-pushing aesthetics of the more costly Nothing Headphone (1), for example, but this is still a neat, simple yet fairly classy pair of over-ears at a nice price.

They’re rather comfy, too. At a very reasonable 264g, the Space 2 don’t weigh a huge amount, meaning they’re rarely burdensome to wear over extended listening periods. The padding on the earcups and headband is a little on the soft side – some may prefer more firmness – but we don’t feel starved of comfort during our tests.

That headband is easily adjustable via a fairly smooth mechanism which grants roughly an extra inch of wiggle room, while the earcups will rotate from side to side and, even better, fold away fully to make carrying them in a bag easier.

In terms of general usability, it’s a standard, simple showing from the Space 2, and we don’t necessarily mean that as a criticism. The budget cans opt for the same general configuration as many wireless headphones of this type – including the Sony WH-CH720N – with noise cancelling and power buttons found at the bottom of the left earcup, and volume and Bluetooth controls on the right.

They’re not exactly luxurious, and actually finding the buttons when they’re hidden at the bottom edge of your headphones’ exterior requires some acclimatisation – but again, there’s little to really complain about here.

Features

The Soundcore Space 2 go big on battery life, offering around 50 hours with active noise cancelling switched on, and up to 70 hours if you turn ANC off and don’t listen at ear-splitting volumes. We used ours throughout a busy two-day press trip and barely made a dent in their battery. Better yet, a hurried five-minute charge will grant around four hours of standard playtime in a pinch.

For context, the Austrian Audio Hi-X25BT offer around 30 hours from a single charge, while even the Sony WH-CH720N’s 50 hours (ANC off) and 35 hours (ANC on) can’t keep up with the Soundcore.

Bluetooth codec support includes the standard SBC and AAC codecs, while those with compatible sources get the bonus of the higher-quality LDAC codec too. There’s also a 3.5mm to 3.5mm audio cable for wired listening, but no direct support for USB-C audio.

Spatial audio is provided, in a sense at least. Soundcore’s spin on the tech is dubbed ‘3D Sound’, and, as the name suggests, it’s designed to make stereo audio sound more three-dimensional by expanding the soundstage. There are hints of the tech working well here, and while it’s not going to challenge Dolby Atmos, we do get a sense of instruments being set further away from our ears a little more noticeably when using the mode.

If you do want to have a go with ‘3D Sound’, the best way to find it is via the Soundcore app. It’s a neat app bursting with features – even its own AI chatbot called “Anka” – and there is plenty to discover. You get an eight-band equaliser, ANC mode toggling and even some on-cup button customisation living alongside quite a few ambient sound options.

While you’re on the app, it’s worth taking advantage of Soundcore’s ‘HearID’ hearing test, which assesses your listening abilities and preferences and then purports to construct your own personalised sound curve. How much of this actually pays off is debatable, but it’s nice to have the option at this level, and we do find ourselves conducting much of our testing with our personalised hearing profile switched on.

ANC & call quality

It’s time to find out how the Soundcore Space 2 handle noise cancelling, and what better way to test out their ANC capabilities than with a quick flight over to Germany? No, we didn’t book the flight just to test out a pair of wireless headphones – we’re committed to our jobs, but we’re not that committed.

Both the flight and the busy airport give us the perfect opportunity to discover what the Space 2 can do, with noise cancelling available in its standard active form as well as a Transparent Mode for letting the world in.

Considering the price you’re paying, both settings are competently realised. The general hubbub of a busy airport terminal is softened nicely, even if peakier higher frequencies can tend to pierce through, while the rumbling and swooshing of an airplane in flight are diminished ably as we take to the skies with the Space 2 clamped over our ears. At this price, we’ve very little to take issue with.

It’s tricky to take voice calls on a plane, so that’s a test for when we’re back on terra firma. The Space 2 harness a 3-mic array and AI-powered algorithms in a bid to give calls sufficient intelligibility, and while speech comes through clearly enough, voices can sound a touch robotic and mechanical when compared with the more natural-sounding Sony WH-CH720N.

Still, the Space 2 are capable of blocking out exterior noises really rather well – perhaps even more so than the WH-CH720N – so that the swirls and whooshes of wind on a particularly tempestuous day barely register. All in all, a box ably ticked on the voice calls front.

Sound

Given the Space 2’s solid performance across other areas of our testing, we’re disappointed that the same levels of talent haven’t translated over to how the headphones actually handle music. In short, there’s very little about the Soundcore cans which we find engaging or exciting, and even less which has us wishing to return for repeat listening sessions.

They are, all told, rather bland performers. True, there’s something to be said for a pair of undemanding, composed headphones if you want to avoid that weary sense of fatigue that can often occur with more over-eager alternatives, but the Space 2 go too far the other way. Where is the excitement when we play Michael Jackson’s Smooth Criminal? Where is the drama of Kate Bush’s Cloudbusting?

We pick out Bill Withers’ Ain’t No Sunshine, and while we discern a decent amount of clarity and cohesion, as we listen we find there’s a real lack of emotional involvement, which mars our enjoyment. Withers’ voice is fairly robust yet lacking in any emotional heft, and the strings introduced at around the 30-second mark don’t have the free, swooning effect we might have hoped for.

Part of those strings’ uninvolving presentation owes to the headphones’ flattened dynamics. Muse’s Panic Station is next, and though the Space 2 are able to bring some cohesion and restraint to proceedings, we don’t discern much contrast between each deep bass pluck or the alternating percussive thumps of that key bass-snare drum pattern. Again, a compressed, flat sound prevents things from taking full flight.

Digging out the cheaper, Award-winning Sony WH-CH720N confirms our reservations. Okay, the Sonys sound a little flavoured at times, and their bass can be a little over-eager, but they’re far more entertaining and insightful across the various songs we play. Panic Station immediately pulses with more verve than the Soundcore cans manage, whereas those varying instrumental textures on Goose’s funky So Ready are more fleshed out and have the authenticity and personality we’ve been craving. The Sonys made music sound musical – the Soundcore, conversely, made it sound dispiritingly mechanical.

The similarly-priced Austrian Audio Hi-X25BT also provide an impressive benchmark which the Space 2 cannot match. They’re not as punchy or vicarious as the WH-CH720N, nor do they offer as much bass weight, but these are evidently far clearer, more delicate and more detailed headphones. Switching back to the Soundcore Space 2 simply makes the latter sound lacking in proper detail and bite.

It’s moving over to these five-star rivals that further makes us realise what has been missing from the Space 2s’ presentation. Balanced and reasonably clear they may be, but Soundcore’s over-ears don’t have that je ne sais quoi – be it the expressiveness of the WH-CH720N or the delicacy of the Hi-X25BT – to set our hearts aflutter.

There’s something to admire about how organised and unfussy the Soundcore cans sound, even as the music becomes more demanding and complex, but rarely do they make us feel in any way involved with or excited by the various songs we feed them.

Verdict

While we had hoped that the Soundcore Space 2 might have filled a gap in the mid-priced wireless market, we’re instead struggling to see how they fit into the current landscape.

Yes, a healthy arsenal of features does give them a potential competitive edge, especially with regard to their impressive battery span and comfortable fit. But when they’re sonically outmatched by finer – and cheaper – alternatives, they don’t quite seem like a viable option in comparison with the class leaders.

Review published: 22nd May 2026

SCORES

• Sound 2
• Build 4
• Features 5

MORE:

Read our review of the Sony WH-CH720N

Also consider the Austrian Audio Hi-X25BT

Best wireless headphones reviewed and rated by our in-house experts

Call quality is often overlooked in a pair of wireless earbuds, but not by us – we include it as part of our thorough testing process. And Soundcore's two new pairs could be some of the best performing yet, if the official accreditation is anything to go by.

The Soundcore Liberty 5 Pro and Liberty 5 Max earbuds have been officially recognised by Guinness World Records as being the world's clearest earbuds for calls.

This is made possible by parent company Anker's new Thus AI chip. This uses a 10-sensor matrix with eight mics for capturing noise and two bone conduction sensors to detect skull vibrations so that the voice can be captured and transmitted. This helps separate the caller's voice from background noise, making for "whisper-clear" calls even in noisy environments.

We're promised more advanced active noise cancellation, too. Both pairs offer "up to 2x deeper" noise cancellation than the Liberty 4 Pro. Soundcore claims that the 'buds process audio data up to 384,000 times per second to monitor for both external and in-ear sounds, against which they can adjust the noise cancellation curve accordingly. So as you pass from loud to quiet environments, the impact on your music listening should be minimal.

There's a transparency mode for hearing your surroundings, and an Easy Chat mode for brief interactions – ordering a drink, say – before resuming playback.

Of course, we're most interested in how these wireless earbuds sound, and here Soundcore offers a personalised listening profile courtesy of its HearID 5.0 tech. This gives you the same kind of hearing test that's common to wireless earbuds like the AirPods Pro 3 and Sony WF-1000XM6, and produces a personalised EQ profile based on the results.

The buds also support the higher-quality LDAC codec, and uses an AI Sound Enhancement system that fills in detail that's lost during Bluetooth compression.

Voice controls are onboard, letting you speak to adjust volume, skip tracks, take or hang up on calls and change the noise cancellation mode.

The cases are pretty smart, too. Both models have small screens for access to certain settings (similar to the JBL Live Beam 3), though the Liberty 5 Max's is slightly bigger and uses an OLED display rather than the TFT LCD of the Liberty 5 Pro. The Max buds can also take notes during meetings – it'll generate a transcription, identifying speakers and produce action items. Both models can translate using AI, too.

You'll get 6.5 hours of use out of each pair, and a total of 28 hours battery life using the charging case. They both have Bluetooth Multipoint too, for connecting to two devices at once and seamlessly switching between them.

Both new Soundcore earbuds are available now. The Liberty 5 Pro are £150 / $170 (around AU$280) and the Liberty 5 Max cost £200 / $230 (around 380). The Pro come in blue, white, black or pink finishes, while the Max are available in black or gold.

MORE:

Check out the best wireless earbuds

The best cheap wireless earbuds

I swapped my wireless earbuds for a wired pair – here's why

Stop what you’re doing – there’s a new pair of Sony wireless headphones in town.

The 1000X range has been Sony’s flagship wireless series for a whole decade, and the brand has decided to mark this anniversary with a completely new addition to its established line-up: the Sony 1000X The Collexion over-ears.

These may be ‘celebratory’ headphones, but think of The Collexion as a fully fledged product in their own right, rather than a limited edition one-off designed for the sake of novelty or sentimentality. These are headphones which exist separately from Sony's WH-1000XM6 – with their own unique sound, design philosophy and materials – and sit comfortably above their stablemates in price.

In fact, Sony has focused on sound above all else for The Collexion cans, for what it has dubbed “the best sounding headphones we’ve ever made”. When you consider some of the absolute gems the Japanese brand has produced in the past few years, that’s a mouthwatering claim. We’d be letting you down if we didn’t give them a listen…

Price

While the 1000X series has always remained a decidedly premium line, Sony had always resisted the urge to move up into the sort of ‘high-end’ territory occupied by the likes of the the Bowers & Wilkins Px8 S2 (£629 / $799) and the Focal Bathys (£699 / $799), but with the 1000X The Collexion clocking in at £550 / $650, these are the closest Sony has ever come to operating within that more rarefied area of the market.

With the B&W and Focal rivals above them, the new Sonys have the likes of the Apple AirPods Max 2 (£499 / $549) and Bose QuietComfort Ultra Headphones (2nd Gen) (£449 / $449 / AU$700) sitting just below.

If you need reminding, the What Hi-Fi? Award-winning Sony WH-1000XM6 are priced at around £400 / $450 / AU$699, even if discounts are now knocking a few pounds or dollars off that RRP, while the five-star rival Sennheiser HDB 630 will set you back around £400 / $500 / AU$1000.

Build & comfort

Get hold of a pair of Sony’s latest and, if you squint your eyes a little, you might be fooled into thinking that you’d picked up a pair of Sonos Ace instead. The Sonys have the same clean, minimalist exterior as the Ace, as well as similarly designed oval earcups adorned with a few metallic physical buttons on the left earcup.

Sony’s engineers describe 1000X The Collexion as a pair of cans that should both look good and make you feel good when you wear them, and for the most part, that aim has been achieved. Everything on The Collexion is made either from metal or faux leather, with a nicely padded headband designed to spread pressure evenly for extended user comfort and slightly firmer ear padding than found on the WH-1000XM6.

We don’t have an issue with the look or feel of the faux leather, though our test pair are more susceptible to marks and stains than the smooth plastic of most of Sony’s other headphones. That faux material adorns pretty much the whole exterior of the earcup, so grubby fingers, not to mention the rigours of everyday use, do end up making their mark after a time.

A slimmer profile does help to add lightness, though, with the width of the earcups measuring around 40mm from inside to out, compared with the 45.4mm of the WH-1000XM6.

That does make for an appreciably lightweight and unobtrusive wearing experience, and though The Collexion actually weigh more than their XM6 counterparts – 312g against 254g – rarely do we feel that extra weight.

Some of our testers did experience some rocking and instability from the earcups when walking from place to place, but if you’re stationary, the new Sonys often simply melt away into obscurity as you forget you’ve got a pair plonked on your head at all.

While there are a few physical buttons to be found, touch controls are the main way of controlling your Sony over-ears. They work as well as you’d expect, responding quickly and effectively to our various commands, with ample levels of control customisation available via the useful Sony SoundConnect app.

Unlike the XM6 over-ears or the Bose QC Ultra Headphones (2nd Gen), these aren’t headphones which fold up into a ball, but their flattened profile and accompanying carry case – with its hollowed-out handle putting us in mind of a small handbag – mean they’re still relatively portable.

Features

Sony has very much positioned its new premium cans as sound-first headphones, but the 1000X The Collexion’s feature set matches the same generous level as that found on the do-it-all WH-1000XM6.

Battery life clocks in at around 32 hours with ANC off and roughly 24 hours with noise cancelling switched on, and while that’s down from the 30-or-so hours of the WH-1000XM6, it’s still a reasonable lifespan. The AirPods Max 2 only manage around 20 hours, although the Sennheiser HDB 630 are streets ahead with a whopping 60 hours with noise cancelling in play.

If you’re a fan of spatial audio, you get three versions of Sony’s ‘360 Reality Audio Upmix’ tech – ‘Music’, ‘Cinema’ and ‘Game’ – each of which add varying degrees of spatial processing depending on the media content. They’re fun modes to play around with, and we particularly enjoy the more immersive ‘Cinema’ setting which just about lives up to its billing by providing a more open, cinematic experience when watching movies.

On the subject of signal processing, these are the first Sony headphones to make use of its DSEE Ultimate tech for improving lower-quality digital audio files. In the app, you also get access to a 10-band equaliser for tweaking the sound alongside several simple presets, or you can deploy ‘Background Music’ mode to make it seem as though your tunes were playing in the distance to better aid your concentration.

The 1000X The Collexion support standard SBC and AAC codecs alongside higher-quality LDAC – which lets you stream hi-res music at higher data rates over Bluetooth from a compatible source device, such as Sony’s latest smartphones. Bluetooth LE Audio is also on board for lower power consumption and better-quality sound. You can also listen to the Sony headphones wired, thanks to the included 3.5mm to 3.5mm audio cable, though note that the headphones will have to be powered on when listening through a physical connection.

Sony’s Speak-To-Chat feature, which drops the volume level when you start talking, also returns, though we’d caution that the headphones can often confuse human speech with other sounds, particularly wind. If you don’t want your cans to keep cutting out every few minutes, we’d suggest switching Speak-to-Chat off when you’re outdoors and it’s a bit blustery.

ANC & call quality

While Sony has warned that noise cancelling wasn’t as much of a focus for The Collexion as it was for the WH-1000XM6, it’s still operating at a decidedly high level. Much of the same tech from the XM6 is on-hand here, including the QN3 chip and a total of 12 mics to capture and monitor surrounding noise.

When working in full noise-cancelling mode, Sony’s latest over-ears do an excellent job of suppressing noise throughout the frequencies, and while you might get the slightest hint of a shrill bird tweet just about breaking through that barrier, middle and lower range frequencies are filtered out expertly. The ANC quality on the WH-1000XM6 is still Sony’s best, but it’s very unlikely that you’ll feel short-changed by the noise cancelling on offer with The Collexion.

Call quality is excellent, too. The Collexion house six beamforming mics complemented by a wind noise reduction structure for enhanced vocal clarity and reduced external sonic intrusions, and it really pays off. Voices are clear, articulate and emotive, while background sounds rarely, if ever, intrude on our conversation as we stand next to a busy motorway on a decidedly blustery day.

Sound

Let’s reiterate what we mentioned in our introduction – the 1000X The Collexion are distinct headphones in their own right, with a sound, says Sony, which prioritises refinement, detail and maturity over the punchier, more flavoured personality of the WH-1000XM6.

To achieve this, The Collexion headphones feature a bespoke carbon composite 30mm drive unit, constructed using soft edging and a hard centre in pursuit of an “exceptional frequency response”. Sound has been optimised using a low-phase noise crystal oscillator, while premium components and circuitry, including advanced gold-containing solder, aim for an improved signal to noise ratio to reveal finer musical details and offer a wider soundstage.

That’s a lot of tech under hood, but how does that translate to the real-life listening experience?

Well, in many ways, the Sony 1000X The Collexion do live up to their billing. Just as described by Sony, they’re headphones that deal primarily in spaciousness and clarity, qualities which suffuse nigh-on every track as we bounce from Max Richter’s Never Goodbye to Radiohead’s Everything In Its Right Place.

That latter track sounds particularly good – The Collexion’s wide, open presentation grants the track a broad canvas on which to play, like an epic drama unfolding on a lovely big widescreen TV.

Detail levels are excellent, and when you have a pair of over-ears that offer clarity, textural insight and spaciousness to this extent, it’s hard not to be impressed. The elegiac strings on Never Goodbye are rich and mournful, while the piano on Debussy’s austere Sarabande strikes a wonderful balance between rich intent and subtle delicacy.

For all of their openness and delicacy, the Sonys don’t lack musical muscle. Think of them as being like a pro ballerina – nimble and graceful, yes, but strong and immensely robust when the time calls for it. It’s a nice balance to have, all aided by a deep, powerful yet controlled lower-end reproduction.

Bass tones are expertly handled, something that really comes across when we load up Massive Attack’s Atlas Air and feel the full force and punch of the tune’s full-blooded drum hits. That bass is nicely separated from the overlaid synth sounds working away above, yet not to the extent that the composition starts to lack any sense of cohesion between frequencies.

These premium Sony headphones really are impressive performers in so many aspects, but they appeal more to the head than to the heart. They certainly trade off some of that signature expressiveness we’ve heard in other Sony headphones for greater openness and detail, something that reduces the extent to which we feel truly involved with our music. Talented as they are, there’s something slightly removed, almost standoffish, about their reproduction.

That’s not something of which we’d accuse the outstanding, and cheaper, Sennheiser HDB 630. The Sennheisers have a more natural fluidity, especially with how they handle dynamic shifts, which makes them a more engaging listen. For us, the Sennheisers seem to strike that balance between naturalness, entertainment and analysis a touch more acutely than the Sonys.

Their rather aloof personality also robs the Sony cans of some of their intimacy. Listen to the first 30 seconds of Black Veil Brides’ Saviour II, and there’s a greater feeling of closeness to the opening guitar and vocal lead when listening via the costlier Bowers & Wilkins Px8 S2. When the track opens up as the chorus hits, however, The Collexion show their hand, allowing it to blossom and reveal its gothic grandeur with more scale than the rival B&W cans.

Verdict

There’s much to admire about Sony’s 1000X The Collexion over-ears. It’s impossible to ignore their poised, detail-rich performance, while that ample feature set and classy construction make them tough to resist.

There is a ‘but’, however. In pursuing a particular sonic signature – namely, one that goes after scale, detail and clarity – it’s hard not to feel as though Sony has slightly thrown the baby out with the bathwater.

Yes, these are seriously talented performers, but deep down, they feel like headphones which were built to impress rather than entertain. As a result, we find ourselves admiring them rather than completely falling in love.

Review published: 19th May 2026

SCORES

• Sound 4
• Build 4
• Features 5

MORE:

Read our review of the Sony WH-1000XM6

Also consider the Bowers & Wilkins Px8 S2

Read our Sennheiser HDB 630 review

Sony WH-1000XM6 vs 1000X The Collexion: which premium wireless headphones should you pick?

Best wireless headphones reviewed and rated by our in-house experts

After weeks of teasing, Sony's new premium over-ears, the 1000X The Collexion, have officially launched, and they have one simple aim: to be the best-sounding wireless headphones the company has ever produced.

That's a tall order considering this is the brand which, in recent years, has given us the Sony WH-CH720N, WH-1000XM5 and WH-1000XM6 Award-winners, not to mention a raft of class-leading wireless earbuds.

The Collexion have been released to celebrate 10 years of the 1000X line, and sit above the WH-1000XM6 as the brand's new range-topping headphones. While these may be ‘celebratory’ headphones, they're a fully fledged product in their own right, not a limited edition one-off model.

The new over-ears feature a bespoke carbon fibre 30mm drive unit, constructed using soft edging and a hard centre in pursuit of an “exceptional frequency response”. Sound has been optimised using Sony’s Walkman technology and a low phase noise crystal oscillator, while premium components and circuitry shoot for an improved signal to noise ratio to reveal exceptional levels of detail and provide a wide, open soundstage.

The 1000X The Collexion support standard SBC and AAC Bluetooth codecs alongside higher-quality LDAC if you have a compatible source device – most recent Sony smartphones should do the trick.

These are the first Sony headphones to make use of DSEE Ultimate for improving lower-quality digital audio files, while three flavours of Sony’s ‘360 Reality Audio Upmix’ tech – ‘Music’, ‘Cinema’ and ‘Game’ – are available for adding spatial audio processing to your content.

Battery life clocks in at around 32 hours with ANC off and 24 hours with noise cancelling switched on, which is a little less than the 30-or-so hours (ANC on) of the WH-1000XM6.

While Sony has warned that noise cancelling isn't such a focus for The Collexion as it is the WH-1000XM6, the pricier cans share much of the same tech as their Award-winning siblings, including Sony's QN3 processing chip and 12 built-in microphones to monitor surrounding noise.

Pretty much everything on the new headphones is made using either stainless steel or faux leather, with The Collexion boasting a slimmer, lighter profile than the WH-1000XM6.

Unlike the XM6, however, they don't fold away – though you do get a carry case, complete with a hollowed-out handle, for taking your cans out and about.

The Sony 1000X The Collexion are available now in a choice of black or platinum finishes, priced at £550 / €630 / $650. Are these really the best sounding wireless headphones Sony has ever produced? Read our full 1000X The Collexion review now to find out.

MORE:

Check out our review of the Sennheiser HDB 630

Also consider the Sony WH-1000XM6

Best wireless headphones 2026: reviewed and rated by our in-house experts

It may seem like JBL unleashes a never-ending stream of products every year, and this is partly true.

Just this year, the American brand – which is also celebrating its 80th anniversary this year – has launched the Xtreme 5 and the Go 5 Bluetooth speakers, along with a new Live 4 wireless earbuds range, and the over-ear 780NC and on-ear 680NC noise-cancelling headphones – all in a variety of snazzy new colours.

There's also a brand-new JBL Sound Curve tuning announced for the flagship Tour One M3 headphones, which refines the sound quality to be more balanced and forgiving – and less bass-focused – to adapt to listeners wearing the headphones for longer and prevent them from getting fatigued.

And that's before we even get to the hugely popular Party Box speakers – not a core What Hi-Fi? category, but a big deal for JBL, which dominates 90 per cent of that particular market.

World domination – for the portables and headphones market in particular – is clearly on the brand's mind. I spoke to Jurjen Amsterdam, Harman Lifestyle's director of product marketing (EMEA) at JBL's HQ in Amsterdam (no relation), about the recent launches, anticipating trends, their target demographic, and market domination plans.

Despite the sheer number of products, there is method behind the launch madness. Jurjen Amsterdam says: "We try to manage product lines on a two year cycle. So last year we did the Charge 6 and Flip 7; this year it's Xtreme 5 and Go 5 for portables."

"Next year, most likely, it's going to be two other models... it looks like a lot, but it's always a two-year cycle."

It's an aggressive strategy that points to the brand's ambitions, but even then, JBL seems cautious about simply making products for the sake of it. The product cycle isn't necessary like clockwork, and it relies on the latest technology available, too – and the team also has to decide what not to include. For example, the interval between the JBL Charge 5 and Charge 6 was a good four years (albeit both available in April of those years), and new technologies such as Auracast sharing made way for the whole line-up to be refreshed.

Conversely, the new JBL Sound Curve – an adaptation of parent company Harman's target frequency curve – is currently only reserved for the Tour One M3 to signify their premium status, and hasn't been trickled down to the mid-priced Live range headphones/earbuds to ensure a clean delineation between the ranges.

The regular product cycle also allows JBL to keep its pulse on the ground and adapt to their target audience, as well as keep up with the demands of customers, who "expect us [JBL] to drive the competition and come up with new things".

Fresh new colours of green and orange standout against a sea of greige, black and even blue of its rivals, with some noting that the particular shade of orange chosen by JBL for the Live 780NC/680NC headphones matches the latest iPhone 17's orange finish.

That's not by accident. The product team (which also includes marketing and commercial working in a "triangle") tries to "forsee trends long enough in advance", says Jurjen. "Design trends, technology trends – all the colours that you see in the Live series, they don't have this colour just because we like them. This is part of a longer trend that we're trying to watch in terms of colours."

Despite the proliferation of JBL products, the brand doesn't like making products just for the sake of it.

"No – we don't want to make products because we can. We want to make products because we want to address a certain need from end consumers."

For the Live range, what JBL really wanted to focus on is "lifestyle", and the target demographic is aimed towards "Gen Z and up" – he drills down further to say 15 to around 30s is the target age range.

"It's most likely the price that people want to spend on a [pair of] headphones that will decide whether they go for a Live series or a Tour series."

Not everyone can splash out for the €349 for the Tour flagships, he says, and the gap between the budget Tune range and the Tour is quite a big one. This is where the middle-ground Live comes in: "This is the ultimate compromise of great quality, great noise cancelling, super comfortable and looks really nice," declares Jurjen.

The styling is an important part of the Live headphones and earbuds.

"Of course, a lot of people will buy the black finish," he says, "but we also want to give people the opportunity to buy in white, in blue, in green, in orange, in purple..." As we speak, Jurjen points to the younger influencers around us at the launch who are relishing wearing the colourful headphones and taking photos, as evidence of the brand's target demographic crowd that is "young, energetic, social" and likes sharing music.

"It literally fits the JBL brand – it's the core of the JBL target audience."

Even JBL's Headphones app opens to a montage of faces that run the gamut of identities. It's welcoming, diverse and youthful, but without ever trying too hard. You'd never guess the brand was pushing 80.

Passing the new Live 780NC over-ear headphones – which I decided to nab in its bright orange finish – to my colleagues in the What Hi-Fi? office, the general consensus seems to be that the colourful shade and styling stands out from the sea of plain, rather functional designs we see from other brands, even premium models from Sony and Bose.

Whether JBL's new mid-range model can reach the heights of five-star sound quality their more illustrious rivals achieve remains to be seen, of course. But it's an area what JBL is absolutely gunning for.

"In headphones, we would love to dominate."

Jurjen puts the headphones market into context. "Headphones is way bigger than all of the other things that we do put together. This is a 4 billion market in Europe. If we add portable audio, party box, gaming, wireless speakers, soundbars – if we add that all together, it's still less than headphones."

"In headphones, we're at 10-11 per cent market share. Of course we would like to grow that."

The headphones market is exceptionally tricky as there are over 300 brands vying for a piece of the pie. It's a big market dominated by one key player (Apple, particularly in wireless earbuds, with Sony and Bose in over-ears) that a lot of people spend a lot of money on.

"So we know, even this target audience we're aiming for, we know they have money to spend – because we see that they spend money on some of the higher range models."

"But the aim is to create credibility," he says. "Sony is a great example of that – you get five star reviews a couple of years in a row, nobody thought that Bose would ever lose that position. Sony now has that position. We believe that we equally have a good quality product."

I ask Jurjen if there's any particular trend that surprised him for this current cycle of products, that consumers were clamouring for?

"No. Not really; it's all about audio quality. It's all about design. It's all about wearing comfort." Ultimately, he says, the Live headphones and earbuds are a "very good alternative to what's out there in the market".

We certainly hope that's the case, as we still find there is a general dearth of really great recommendations in this £100-£200 mid-price range. We're currently testing the Live 780NC wireless headphones (£170), so stay tuned for a full review in due course.

MORE:

Two years on, I'm still waiting for this gaping hole in the wireless headphone market to be plugged

Read our JBL Tour One M3 review

The JBL Live 4 earbuds have a better case, new high fidelity drivers and enhanced noise cancellation

Jamo is wasting no time establishing itself in varies speaker categories following its return under new ownership.

The Danish brand recently announced two premium ranges of Concert passive speakers, and has now launched a trio of lifestyle-friendly Bluetooth speakers.

The Jamo HYG range is inspired by the Danish concept of "hygge", which is all about creating warmth and comfort in the home. The range consists of three products – Flex, Flow and Reflect, with each "developed for the home, garden or your next adventure".

Starting with the top of the range, the HYG Flex is a wireless speaker with a cylindrical silhouette, and promises "powerful, room-filling sound". It features dual angled 25mm tweeters and a 12.7cm woofer, while Auracast connectivity means you can connect compatible Jamo speakers for a stereo pair, or for a multi-room system around the house.

It features Bluetooth streaming and a 3.5mm auxiliary input, and boasts 15 hours if going battery-powered. The Flex also features a built-in ambient light base with adjustable brightness.

Next is the portable HYG Flow, which is designed more for outdoor listening. The compact unit boasts 27 hours of playback, is made with durable materials including a "nano-coated water resistant fabric" and has an IPX7 waterproof rating.

It features Bluetooth 6.0 connectivity with Auracast support, and has a carry handle too. Internally, it has dual full-range 38mm drivers and twin passive radiators that aim to deliver "balanced stereo sound tuned specifically for vocal clarity and long listening sessions", especially for audiobooks and radio stations.

And finally, the HYG Reflect is a bedside clock radio with Bluetooth streaming (but not Auracast) and has ambient lighting, a wireless charging pad, USB-C charging port, and alarm clock features.

All three Jamo HYG products will be available from July, with the Flex costing £239 / $279, the Flow is set to cost £109 / $129, and the Reflect is priced at £129 / $149.

The Flex and Reflect speakers are available in dark grey and light grey finishes, while the portable Flow speaker will be available in additional colours of ​Summer Bloom, Sand Dune, Red Oxide and Sage Green.

MORE:

Jamo's Concert series gets an encore with two new ranges from the newly resurrected brand

Having a garden party? We've just reviewed this five-star outdoor speaker – and it's already on sale

Our guide to the best Bluetooth speakers for every budget

“What took you so long?”

It’s a fair question we might aim at Cambridge Audio, which, over its near-60-year history, has dabbled in almost every audio category: amplifiers, CD players, music streamers, turntables, subwoofers, wireless speakers… even a Blu-ray player.

The fact that it has taken the British audio brand 58 years to launch its first-ever active speakers is perhaps surprising, but we’ll allow them to be fashionably late. The brand’s new L/R range of active speakers comes in three sizes, and we’ve got the baby of the bunch on test here, the Cambridge Audio L/R S. Is this petite desktop speaker the beginning of a hit series? It certainly looks promising.

Price

The L/R S is the smallest and cheapest model of Cambridge’s L/R speakers, and costs £399 / $549 / AU$949 per pair. This puts it squarely in the crosshairs of the Award-winning Ruark MR1 Mk3 (£399 / $579 / AU$899) powered desktop speakers, while Onkyo’s five-star GX-30ARC can be yours for a little less at £299 / $349 / AU$649.

The L/R S are available in six finishes that include the standard black and white, as well as more colourful green, blue and orange finishes. If you opt for the walnut veneer finish of our review sample, you’ll have to pay a little more at £449 / $599 / AU$1049 per pair.

If you’ll be placing the L/R S speakers on your desk, it’s worth checking out the optional angled desk stands (£49) that tilt the speakers up so the sound is more directed towards you.

Build & design

If you’re working with limited space – small rooms, student digs, not a lot of surface real estate – then these active speakers will work a treat. Each cabinet is just under 23cm tall and about 13cm wide – no wider than your average paperback book – which means they’ll fit onto most desktops and even shelves, ideally perched on either side of a laptop or your TV.

The speakers themselves look neat and stylish, and we can imagine the minimal cabinet design fitting into most interiors, whether you want them to blend into a spartan layout or add a splash of colour with the punchier hues.

Build quality is of a high standard, with clean, crisp edges and a smooth finish. We particularly like how the Cambridge logo is etched into the finish at the top of the cabinet. It looks classy.

Each speaker is furnished with a 21mm aluminium tweeter and a long-throw 76mm mid/bass driver, with a bass reflex slot positioned at the rear of each cabinet. All drivers are powered by Class D amplification, and altogether, the L/R S claim to offer a mighty 100W of total output, split evenly between the two channels.

The tweeter has a large waveguide that, along with the mid/bass driver, occupies the majority of the ultra-minimal fascia, with the metallic orange colour of the dome peeking through to offer some visual interest. The speakers don’t come with a grille, but the tweeter’s phase cap doubles up as a guard to protect it from poking fingers.

This is a fully active design with all the amplification and electronics housed in the primary speaker. The supplied 2m connecting cable has a bespoke 4-pin conductor that carries the signal to the secondary speaker. This cable has a pleasingly secure locking mechanism at either end, too. If you need a longer lead between the speakers, a 5m cable is also available to buy separately.

Keeping things simple seems to be the main aim with these petite active speakers. There are no controls or dials on the speaker for choosing inputs or changing volume – which might irk some users who like having such controls within easy reach – but there is a colour-coded LED under the primary speaker which clearly indicates the input chosen.

A remote control is supplied, which takes care of input choosing, volume and power. It’s a slim unit made of light plastic, but it works well, and we would take pains not to mislay this remote.

You can place these small speakers pretty much anywhere, and, knowing this, Cambridge has taken steps to ensure the L/R S are able to sound their best wherever you place them. At the back, you’ll find a pair of toggle switches: one to indicate whether the speakers are placed on a desk or not, and another to indicate if they are positioned close to a wall (“near wall”) or out in “free space”. The “near wall” mode is straightforward. It reduces the mid-bass around 100Hz to account for any boominess that might occur when placing the speakers very close to a back wall.

The “desk top on” mode, meanwhile, deals with two issues at once – time alignment and desk reflection – and shows how much thought Cambridge’s engineers have put into this design. When the small speakers are placed on a desk, the drivers will naturally be physically lower than your listening height. This desk mode compensates for this effect, delaying the tweeter output and readjusting the top and mid frequencies so that music sounds “right” from your listening position.

Additionally, this mode also notches down the mid frequencies (around 700Hz, says Cambridge) to balance out the unwanted energy coming from the speakers’ sound being reflected from the desk.

We would try out the various combinations to see what works best for your speaker placement. We quite liked the combination of "free space" and keeping ‘desk top’ mode off for a richer and more solid sound overall, but the effect will vary depending on your room and the surface the speakers are placed on.

And finally, there is a third and very useful toggle switch that lets you assign the primary speaker as the left or right channel, giving you greater flexibility for placement.

Features

Whereas the bigger siblings – the L/R X and L/R M – boast full network streaming smarts, the baby of the family is once again keeping things pared down and uncomplicated by offering Bluetooth for streaming. Physical inputs on the L/R S include a pair of RCA line level, optical and USB-C, and there is a subwoofer output.

It’s worth noting that while the optical and USB-C both support hi-res audio files up to 96kHz, the speakers’ DSP will automatically resample/downsample all files to 24-bit/48kHz.

Perhaps surprisingly in this enduring age of vinyl popularity, there’s no built-in phono stage here, as you’ll find in the Ruark and Onkyo rivals. There’s no HDMI ARC input here either, which you will find on the cheaper Onkyo speakers.

Regardless, you can still connect a variety of products to these speakers, including a CD player, a TV, a smartphone/laptop, and even a phono stage-equipped turntable, such as the Sony PS-LX3BT. Bluetooth has the higher-quality aptX and aptX HD codecs on board, and pairing with our smartphone takes seconds.

Using these speakers is a cinch. Once connected, they’re easy to control using the supplied remote or with your paired phone when streaming from Tidal or Spotify.

Along with the toggles for adjusting the speakers’ sound depending on their position, there are also three sound modes to choose from: Normal (the default one), Voice (accentuates mids/voice) and Movie (increases in bass and treble frequency for more impact, and mids for clearer dialogue).

We appreciate that the EQ modes are rather subtle in action. Voices are a tad clearer and more prominent when deploying the Voice mode during podcasts, and the Movie mode doesn’t overdo the peaks in frequencies, but we prefer the more balanced, solid sound of the Normal mode for all kinds of audio.

Sound

We set up the L/R S speakers on the desk in one of our listening rooms, flanking our laptop, connected to Bluetooth, and leave them running in while we do some work. This allows us not only to run the speakers in, but also to gauge how they behave when used exactly the way we imagine most people will. Will the speakers sound too boomy on the desk? Will they sound too powerful and distracting, or will they fade into the background? Is there any peakiness in the treble to annoy us?

As we listen to Rosalia, Eminem, Waxahatchee, Geese, Rachmaninoff and more, we find ourselves living rather harmoniously with these compact Cambridge speakers. What’s impressive is just how nice and even they are throughout the frequencies – it allows for a very easy-going listen, and one you could listen to for hours without getting fatigued.

There is no discernible peakiness in the treble, which sounds rather civilised and cultured even when hitting the brash, brazen highs of Fontaines D.C.’s Starburster. The bass is rather taut and nimble but not overpowering, which is welcome if you’ll be listening to the speakers up close and on resonant surfaces. There is less bass weight on the L/R S compared with the more exuberant Ruark MR1 Mk3 rival, and it doesn’t sound as muscular when faced with the brooding bassline in Massive Attack’s Angel. But it nips along at a good pace.

There is a good amount of detail on offer, thanks also in part to a clean, low-distortion background. Whether we listen to these speakers using Tidal via Bluetooth or USB, or CDs on a connected Cyrus CDi disc spinner, the presentation is consistent. From Waxahatchee’s honeyed vocals to Geese’s more discordant and laconic tones, we find the speakers create a rather lovely solid sweet-spot for voices, too.

Listening at low volume doesn’t quite give us a full picture of the speakers’ abilities; turn up the volume, and you’ll find them spark into life. If you reach your smartphone device’s maximum Bluetooth volume limit and wonder if that’s all they can do, reach for the remote control and turn it up some more. These speakers can go pretty loud. Just be wary of going too high, as things do start to get unwieldy and shouty.

Even as we admire their evenness and orderliness, we find the L/R S speakers can be a touch reserved at times. On some tracks – such as on Eminem’s The Way I Am and Forget About Dre – we find ourselves willing the speakers on, to tackle the propulsive rhythm with more punch and panache. The piano notes in Game Of Thrones’ Light Of The Seven glide along smoothly, but they could do with a greater degree of precision and urgency to better impart the ratcheting-up of tension in the piece.

In comparison, the rival Ruark MR1 Mk3 speakers have the upper hand when it comes to rhythmic impetus and dynamic expression. They are able to deliver a bigger and more open sound too, with a greater amount of space in between the instruments and voices.

We find that the Ruark speakers sound clearer throughout the midrange, too, which reveals a greater degree of subtlety and insight. In comparison, the Cambridge sounds as though there is a cloudy veil over the mids, which we would love to hear scrubbed clean so that textures and subtleties can be unleashed. Bon Iver's voice on Exile is layered with rich textures and full of personality and emotion through the Ruarks – this effect is a little muted through the L/R S.

We would recommend investing in the optional desk stands for the L/R S, as physically tilting the speakers towards your listening position results in a clearer, more solid sound. Listening significantly off-axis changes the balance somewhat, so we would take some care when positioning the speakers and experiment with the various toggle modes to find the ideal sound for you.

Verdict

As Cambridge Audio’s first-ever active stereo speakers, the L/R S are off to a great start. It’s a confident design with thoughtful consideration for how people will use them in the real world. And they look stylish, too.

That even-toned, refined and easy-to-listen-to sound is impressive for a product of this type and price, and we think a sprinkle of energy, precision and insight could well catapult these compact Cambridge speakers to stardom. The Ruarks and Onkyos of this world might rest easy for now, but they’ll certainly be keeping an eye on this new contender.

Review published: 15th May 2026

SCORES

• Sound 4
• Build 5
• Features 4

MORE:

Read our review of the Ruark Audio MR1 Mk3

Also consider the Onkyo GX-30ARC

Our guide to the best desktop speakers for hi-fi fans, tested by our experts

Fyne Audio is branching into new territory with its first active speakers, the Cubitt 5, which aims to connect "a whole new generation of music lovers through audiophile sound."

The Glasgow-based hi-fi brand has been on an admirable run with its ample stable of passive loudspeakers, including Award-winning F501E floorstanders, but now it is turning its attention to a younger, more convenience-hungry audience with the Cubitt 5.

Similar to the KEF Coda W active speakers, the Cubitt 5 features amplification, power and connections housed in bookshelf speakers, with Bluetooth on the menu for easy streaming from your smartphone.

At the heart of the new speakers is Fyne's latest 12.5cm IsoFlare point-source driver, designed to produce "precise stereo imaging and natural, room-filling sound". That IsoFlare unit is complemented by 'FyneFlute' surround technology, which aims to reduce unwanted colouration and improve overall clarity by reducing the extent to which energy is reflected back down the driver cone.

Alongside Bluetooth, the Cubitt 5 boasts a built-in phono stage for connecting turntables, as well as analogue RCA and optical connections. HDMI eARC is on board for plugging in a TV, while a subwoofer out means you can add some extra bass to your setup.

High-resolution files up to 24-bit/96kHz are supported over optical, while the Bluetooth aptX HD codec is supported.

According to Fyne, the Cubitt 5 has been designed to integrate seamlessly into modern living spaces. Each speaker cabinet features Fyne's high-density construction with internal bracing for reduced vibration, alongside a front-firing bass port which allows the speakers to be placed close to a back wall.

According to Fyne Audio's MD Anji Sosna: "The Cubitt 5 is the culmination of two years research and development into how we can best bring a whole new generation of music lovers into enjoying high fidelity music reproduction at home. Most of all, it had to distil Fyne’s extensive audio engineering pedigree and sound quality into truly class-leading performance".

Available in five finishes – Midnight Black, Pearl Titanium, Olive Green, Pebble Grey or Arctic White – the Fyne Audio Cubitt 5 will be on sale from June 2026, priced at £549 / €649 / $749. That makes them a more competitive option than the five-star KEF Coda W (£799 / $1000 / AU$1450) – stay tuned for our full review in the coming weeks.

MORE:

Read the Fyne F5E review

KEF Coda W vs LSX II LT: which speaker system is the best option for you?

Our guide to the best active speakers we've tested

If you were browsing the best Bluetooth speakers, you’d be forgiven for thinking that all the speaker brands got together and decided that the only two shape options were either a pill or a disc. Come on, JBL and Sonos, let’s mix it up a bit.

One speaker, at least, to buck the trend is the four-star Pure Classic Aura, which is shaped more like a traditional radio. It features an elegant wood look which adds warmth and character to any living space, and it even includes ambient strip lighting – because why not?

If you’re already dreaming of having one in your kitchen or living room, you’ll be glad to hear that its price has been slashed from £119 to just £82 at Amazon.

Best Pure Bluetooth speaker deal

Most Bluetooth speakers are designed to be chucked in a bag or on a back seat to accompany you on your travels; take, for example, the Award-winning JBL Flip 7 or the eminently likeable Bose SoundLink Flex.

The Pure Classic Aura, however, is designed to be plonked onto your desk or kitchen worktop, even if its lightweight build and removable rubber carry strap mean you can move it easily between rooms and/or residences. An IPX2 rating, meanwhile, means it should survive being briefly sprayed with water if you’re a touch careless with your kitchen tap.

Its party piece is the collection of small circular LEDs on the rear panel that shine a variety of colours (both static and dynamic), creating an attractive halo of coloured light behind the speaker that work best when it's placed near a rear wall.

Bluetooth 5.3 support offers the only means of connection besides a 3.5mm auxiliary input, while the built-in battery pack offers 30 hours of playback on a single charge.

Pure didn’t forget to make a speaker that sounds the part. Thanks to its 40-watt output, the Classic Aura is happy to go loud when you push the volume dial, serving up an impressively wide, open soundstage with pleasing detailed and nuance, particularly through. Dynamics are nicely handled, too, with the classy speaker conveying shifts in intensity and volume when required.

All in all, the Classic Aura has serious substance to go with all of that style. Check it out and its new deal price at Amazon.

MORE:

Read our Pure Classic Aura review

Also consider the JBL Flip 7

Best Bluetooth speakers tried and tested for every budget

Just when you thought JBL couldn’t make its Xtreme portable Bluetooth speaker any more, er, extreme, it goes and blesses us with a fifth-generation model. And this one is not only waterproof and dust-proof – it is now drop-proof too.

The JBL Xtreme 5 can also put on a bit of a show thanks to new colourful, customisable edge lighting, which emits from two strips placed on the front of the speaker.

Dig a little deeper, though, and you’ll discover there’s a lot more going on here than just a light show and a newfound sense of invincibility.

Price

The good news for prospective buyers is that the price of the JBL Xtreme 5 hasn’t really changed massively compared with its predecessor. It costs £330 / €350 / $400, while the Award-winning Xtreme 4 started life at £330 / €330 / $380 although it can be found significantly cheaper now, given it launched back in 2024.

It has a close rival in the shape of the five-star Bose SoundLink Max. This, too, originally launched in 2024 for £399 / €400 / $399, but at the time of writing, it can also regularly be found for less than its JBL counterpart.

Design and build

Like a bodybuilder who has bulked up for their first show of the season, the Xtreme has been beefed up by JBL for this latest incarnation.

Placed next to the previous version, the Xtreme 5 comes across as much more of a unit. The changes in proportions are immediately noticeable, and you could almost be forgiven for thinking this was actually a new step-up model.

Compared with the Xtreme 4, the Xtreme 5 is more than 1.5cm taller, just over one centimetre deeper, and nearly five centimetres wider. These figures don’t look like a lot on paper, but see the two together in reality and the difference in stature is obvious.

The 5 is also nearly one kilogram heavier, which you can feel as soon as you pick it up by the carry strap (which you’ll be pleased to know still includes a bottle opener as part of its design).

Speaking of the strap, the floating loops on top of the speaker have more clearance on the new model, making it slightly easier to attach than on its predecessor.

A couple of other design tweaks also enhance the Xtreme 5's broad chest. The built-in stand, which uses rubber bumpers along the front and back edges for stability, has increased in size, while the rubberised ‘fins’, which are dotted around the edges of each end of the speaker, are more robust to offer greater protection should it roll off your picnic bench.

The passive bass radiators at either end of the speaker are also bigger, which means the sense of theatre they offer as they pulse in time with your favourite tunes has a bit more visual impact.

And that’s before your eyes are attracted to those light strips on the front of the Bluetooth speaker. You can change their colour, the pattern they display, or you can turn them off completely.

The control buttons, which used to simply to sit directly on top of the speaker’s ruggedised fabric, have changed position slightly. They are now mounted on a large matte-finished panel on the top of the speaker (together with power, Bluetooth pairing, and Auracast buttons), which we think also adds to its perceived bulk.

Features

But it’s not just at the surface level where changes have been made – there has been a significant overhaul to the driver configuration of the Xtreme 5. Where previous generations used twin tweeters and twin woofers, the new speaker keeps the tweeters but ditches the woofers in favour of a single ‘racetrack’ driver positioned behind the JBL logo.

JBL claims the new driver can better handle the increased power of the new model, a by-product of which is that it can deliver more mid/bass than its predecessor.

The total power output of the Xtreme 5 is a claimed 130W when mains powered, 90W when running off the built-in battery. This compares with figures of 100W and 70W for the Xtreme 4.

The speaker supports Bluetooth 6 and Auracast – the latter allows you to pair two Xtreme 5s together to use in stereo, or to connect multiple compatible JBL speakers together, should you want music blasting throughout your house.

Charging the JBL Xtreme 5 is done through the USB-C connection on the back, and the speaker can power your smartphone or tablet through the same socket. It also supports lossless audio up to 24-bit/48kHz through a wired connection – although for most people that’s a nice to have feature, rather than an essential.

JBL has included a couple of technologies designed to aid sound quality. AI Sound Boost is always on and uses an algorithm to clean up low frequencies and reduce distortion; while Smart EQ analyses what you’re listening to in real time and can adjust the speaker’s delivery to suit, say, if you’re listening to music or a podcast.

In addition to helping you access the six different edge-lighting themes and alter the colours you see displayed, the JBL Portable app also allows you to access a new seven-band equaliser, should you want to tweak the out-of-the-box sound.

You can also form a stereo pair through the app and turn on Playtime Boost, which tweaks the sound so you can extend the battery life by four hours (as standard, you should be good for 24 hours of uninterrupted playtime).

We would steer clear of this particular feature unless you’re really desperate. It dramatically reduces the bass output of the speaker and makes the overall sound leaner and more compressed.

Sound

Avoid that setting, though, and the JBL Xtreme 5 does not disappoint.

Play Ed Sheeran’s Shivers and you can immediately hear that increase in power. As the track bursts into life during those first few seconds, you get a much greater sense of scale and size compared with the Xtreme 4.

You’re not buying a Bluetooth speaker for its stereo imaging, more for its spread of sound, and the JBL takes filling our modestly sized test room in its stride. Take the speaker outdoors and crank it up, though, and things get even more impressive.

The speaker laps up high volume levels and can easily go loud enough to power a summer party or annoy the neighbours, depending on your mood.

There’s plenty of bass weight – even with the Xtreme 5 firing out into the great wilderness, the track’s deep, probing bassline makes its presence felt. Impressively, though, it doesn’t overpower the rest of the track – Sheeran’s expressive vocals still take centre stage.

The other thing that strikes us about the JBL is how much clearer it sounds than its predecessor. It makes the Xtreme 4 sound hazy and cluttered in comparison.

Play Run by Stephen Fretwell, and there’s more separation around the individual elements, so you can hear what each one brings to the music.

You can inspect around the edges of that crisply defined percussion and piano, but the whole presentation remains cohesive, and the track remains confidently knitted together with the lead vocal at the centre. It’s still a hugely musical listen and captures the slow, gentle rhythmic flow and rise and fall of the track.

We switch between battery and mains power, and can hear a small injection of punch and solidity when we tap into that bigger power figure. It’s not a huge jump, though, and we think you’ll be satisfied whichever way you decide to use the speaker.

Verdict

Just when we were starting to wonder how JBL could improve things with yet another generation of Xtreme, it goes and beats what came before.

The Xtreme 5 is a beefier design than previous versions. Not only does it have greater sonic presence, but it also has a newfound sense of clarity, which elevates sound quality to a new level. And that’s bad news for its closest rivals. Bravo, JBL.

Review published: 13th May 2026

SCORES

• Sound 5
• Features 4
• Build 5

MORE:

Read our Bose SoundLink Max review

Want something cheaper? Check out the JBL Charge 6

Our guide to the best Bluetooth speakers for every budget