Gibson's Henry Juszkiewicz
Company chairman Henry Juszkiewicz says results of 'aggressive R&D' to be unveiled next year

Having made major investments in Onkyo and Teac, Gibson is set to see the two make major investments in developing new products, with Onkyo set to launch models said to be 'different, more contemporary' as soon as next year.

Speaking in New York to US trade magazine TWICE, Gibson Brands chairman and CEO Henry Juszkiewicz (left) said that Onkyo was set to take a 'major step forward in product and marketing to consumers' within the next 12-18 months.

Similar plans for Teac will follow later, due to the fact Gibson has only recently become involved with that company.

Both Onkyo and Teac were described by Juszkiewicz as strong innovators in engineering and 'can do great stuff in the lab'. But, he said, they 'don't seem to want to bring [their innovations] to market.'

As a result, Onkyo is investing more in product development, with Juszkiewicz saying that 'the fruit of those aggressive R&D developments will come out' in the next year or so.

He added that 'We might be able to demonstrate some of this in January', presumably hinting at a CES 2014 debut for new products or concepts.

He wouldn't be drawn on what the new products would be, or whether Onkyo would be entering new product categories, but said that were the company to make such a move, it would look to have 'a good shot at dominating' any new market sector. He added that such an approach 'takes more time than just looking to get a piece of the pie.'

'Evolutionary changes'

He said that 'Neither Onkyo nor Teac are broken: while they are not the most profitable companies in the world, they are profitable' and have 'excellent management and passionate employees'. As result, the plans don't call for a 'break and fix' solution, but 'evolutionary changes.'

When it comes to its consumer electronics interests, Gibson Brands isn't just interested in short-term financial gain: 'We are long-term players,' he said, adding that when the new products are ready 'we will load up our marketing weapons', and that at the moment 'it's kind of like we are rehearsing for the show that goes on next year.'

But he did admit that, in the 18 months since Gibson invested in Onkyo – buying 51% of Onkyo USA and around 15% of the Japanese company's shares, making it Onkyo Japan's second-largest shareholder – the pace of change 'hasn't been fast enough for me'.

He noted that Gibson, Onkyo and TEAC – 54.4% of which Gibson bought in May – have over 1000 electronic and mechanical engineers, including chip designers, and that Gibson has recently hired a chief technology officer to integrate the engineering and technical resources of the three in Japan.

OPINION

Although hi-fi components remain at the core of Onkyo's offering in most of the world, the company has already shown its ability to move beyond those areas and into new sectors.

More after the break

In Japan it has long produced 'entertainment computers' and tablet devices, and last year moved into the headphone sector with a modular range of designs having interchangeable cables to bring performance upgrades, and has its e-Onkyo music service to sell the high-resolution content its network products can play.

At the time of my visit to Onkyo last year we were teased with a slide saying that what was in the future was 'Super Confidential', but we were also shown, and had demonstrated, some concept products showing just how the company views the future of music at home.

Details of these products are still under wraps, but while some are clever engineering developments on the kind of products in current Onkyo line-ups, others offered a more radical view of the engineers' take on how music could be enjoyed.

As Juszkiewicz has said, those concepts are showing some reluctance to break free from the engineering labs and closed-door briefings, but from what I was shown last year, Onkyo certainly has the wherewithal not only to break into new sectors of the market, but also establish itself as a major player in those areas.

Written by Andrew Everard

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