More listening to the 'Ceramic Bearing'
A few more sessions listening to music as presented with the 'Ceramic bearing' in place has confirmed my initial very positive reaction across a a wide range of music. The extra dynamics seems to often manifest its self as 'more volume', needing to turn the volume down a little at night.
A big plus has been reduced 'vinyl noise' plus clicks and pops are far less obvious? Why this should be I dont know, made very obvious this afternoon, I have a well loved 1973 Syd Lawrence recording, 'a Tribute to Glenn Miller', as I say, well loved and well played, but very noisy. Not any more, the ceramic bearing has breathed new live into the quiet of the 'big band sound', imaging the dynamics on such a record.
As I type, I'm listening to Enya's, 'Water Mark', the quietness is even more obvious, stunning . . .