The Consonance is not without charm, but it’s short on tact and can prove wearying
Unusual looks, good build, nice remote
forceful, up-front sound
Odd fascia controls
lacks subtlety and detail
There's plenty of eccentricity on display here – after all, how many other CD players can you think of that incorporate patio decking as a design feature? Or have ‘D-pad' control knobs that feel like they're attached by bungees? Exactly.
There are less obvious idiosyncrasies, too. Unlike a lot of similarly priced competitors, the Consonance Reference CD2.2 incorporates a valve (a Sovtek 6H30, numbers fans) in the unbalanced RCA output path. Unlike many, it does without balanced XLR outputs.
The disc tray slides smoothly and silently shut with a flick of the fascia toggle. Our copy of Mogwai's Come On Die Young loads rapidly, and it doesn't take the 2.2 long to establish its modus operandi.
It's a player with real gustoThis is a player with real gusto, one that freights music with drive and attack. Low frequencies combine good control with punch, and the album's occasional snippets of vocal are packed with attitude and immediacy.
The top of the frequency range is delivered with well-judged aggression, and the whole presentation integrates neatly. If your tastes run to the forceful and up-front, the Consonance should prove engaging company.
More after the break
A change to P.P. Arnold's (If You Think You're) Groovy reveals a few shortcomings, however.
Verve, but detail is lackingDetail is sacrificed to the CD2.2's galloping assault, and during quieter, more reflective moments the Consonance can almost be heard drumming its metaphorical fingers as it waits for another chance to dig in and kick off.
There's a lot to admire in the 2.2's verve, but our favourite players at this price offer the sort of subtlety the Consonance confuses with prissiness.